Annie Oakley

Annie Oakley (born Phoebe Ann Mosey; August 13, 1860 – November 3, 1926) was an American sharpshooter who starred in Buffalo Bill's Wild West show.

For other uses, see Annie Oakley (disambiguation).

Annie Oakley
Oakley in the 1880s
Born
Phoebe Ann Mosey

(1860-08-13)August 13, 1860
Darke County, Ohio, U.S.
DiedNovember 3, 1926(1926-11-03) (aged 66)
Greenville, Ohio, U.S.
Resting placeAshes buried in Brock Cemetery
Spouse(s)
(
m. 1876⁠–⁠1926)
Parent(s)Susan Wise Mosey (1830–1908), Jacob Mosey (1799–1866)
Signature

Oakley developed hunting skills as a child, in order to provide for her impoverished family in western Ohio. At fifteen, she won a shooting contest against experienced marksman Frank E. Butler, whom she later married. The two of them joined Buffalo Bill in 1885, performing in Europe before royalty and other heads of state. Audiences were astounded to see her shooting-out a cigar from her husband's lips or splitting a playing-card edge-on at 30 paces, and she earned more than anyone except Buffalo Bill himself.

After a bad rail accident in 1901, she had to settle for a less-taxing routine, and toured in a play written about her career, as well as instructing women in marksmanship, believing strongly in female self-defense. Her stage acts were filmed for one of Thomas Edison's earliest Kinetoscopes in 1894. Since her death, her story has been adapted for stage musicals and films, including Annie Get Your Gun.

Early life

Annie Oakley was born Phoebe Ann (Annie) Mosey[1][2][3] on August 13, 1860, in a log cabin less than two miles (3.2 km) northwest of Woodland, now Willowdell, in Darke County, Ohio, a rural county along the state's border with Indiana.[4] Her birthplace is about five miles (8 km) east of North Star. There is a stone-mounted plaque in the vicinity of the site, which was placed by the Annie Oakley Committee in 1981, 121 years after her birth.

Annie's parents were Quakers of English descent from Hollidaysburg, Blair County, Pennsylvania: Susan Wise, age 18,[5][6] and Jacob Mosey, born 1799, age 49, married in 1848. They moved to a rented farm (later purchased with a mortgage) in Patterson Township, Darke County, Ohio, sometime around 1855.

Born in 1860, Annie was the sixth of Jacob and Susan's nine children, and the fifth of the seven surviving.[7] Her siblings were Mary Jane (1851–1867), Lydia (1852–1882), Elizabeth (1855–1881), Sarah Ellen (1857–1939), Catherine (1859–1859), John (1861–1949), Hulda (1864–1934) and a stillborn infant brother in 1865. Annie's father, who had fought in the War of 1812, became an invalid from hypothermia during a blizzard in late 1865 and died of pneumonia in early 1866 at age 66.[8] Her mother later married Daniel Brumbaugh, had one more child, Emily (1868–1937), and was widowed for a second time.

Because of poverty following the death of her father, Annie did not regularly attend school as a child, although she did attend later in childhood and in adulthood.[9] On March 15, 1870, at age nine, she was admitted to the Darke County Infirmary along with her sister Sarah Ellen. According to her autobiography, she was put in the care of the infirmary's superintendent, Samuel Crawford Edington, and his wife Nancy, who taught her to sew and decorate. Beginning in the spring of 1870, she was "bound out" to a local family to help care for their infant son, on the false promise of fifty cents per week (equivalent to $10 in 2019) and an education. The couple had originally wanted someone who could pump water, cook, and who was bigger. She spent about two years in near slavery to them, enduring mental and physical abuse. One time, the wife put Annie out in the freezing cold without shoes, as a punishment because she had fallen asleep over some darning.[10] Annie referred to them as "the wolves". Even in her autobiography, she never revealed the couple's real names.[11]

According to biographer Glenda Riley, "the wolves" could have been the Studabaker family,[12] but the 1870 U.S. Census suggests they were the Abram Boose family of neighboring Preble County.[13][14] Around the spring of 1872, Annie ran away from "the wolves". According to biographer Shirl Kasper, it was only at this point that Annie met and lived with the Edingtons, returning to her mother's home around the age of 15.[15] Annie's mother married a third time, to Joseph Shaw, on October 25, 1874.

Annie began trapping before the age of seven, and shooting and hunting by age eight, to support her siblings and her widowed mother. She sold the hunted game to locals in Greenville, such as shopkeepers Charles and G. Anthony Katzenberger, who shipped it to hotels in Cincinnati and other cities.[16] She also sold the game to restaurants and hotels in northern Ohio. Her skill paid off the mortgage on her mother's farm when Annie was 15.[17]

Debut and marriage
The Amateur Circus at Nutley (1894) by American illustrator Peter Newell. The scene depicted in the center is of Annie Oakley, standing on horseback, demonstrating her shooting ability.

Annie soon became well known throughout the region. On Thanksgiving Day 1875,[18] the Baughman & Butler shooting act was being performed in Cincinnati. Traveling show marksman and former dog trainer Frank E. Butler (1847–1926), an Irish immigrant, placed a $100 bet per side (equivalent to $2,300 in 2019) with Cincinnati hotel owner Jack Frost that Butler could beat any local fancy shooter.[19] The hotelier arranged a shooting match between Butler and the 15-year-old Annie, saying, "The last opponent Butler expected was a five-foot-tall [1.52 m] 15-year-old girl named Annie."[18] After missing on his 25th shot, Butler lost the match and the bet. Another account says that Butler hit on his last shot, but the bird fell dead about 2 feet (60 cm) beyond the boundary line.[20] He soon began courting Annie and they married. They did not have children.[18]

According to a modern-day account in The Cincinnati Enquirer, it is possible that the shooting match may have taken place in 1881 and not 1875.[20] It appears the time of the event was never recorded. Biographer Shirl Kasper states the shooting match took place in the spring of 1881 near Greenville, possibly in North Star as mentioned by Butler during interviews in 1903 and 1924. Other sources seem to coincide with the North Fairmount location near Cincinnati if the event occurred in 1881.[20] The Annie Oakley Center Foundation mentions Oakley visiting her married sister Lydia Stein at her home near Cincinnati in 1875.[21] That information is incorrect as Lydia didn't marry Joseph C. Stein until March 19, 1877.[22] Although speculation, it is most likely that Oakley and her mother visited Lydia in 1881 as she was seriously ill from tuberculosis.[23] The Bevis House hotel was still being operated by Martin Bevis and W. H. Ridenour in 1875. It opened around 1860 after the building was previously used as a pork packaging facility. Jack Frost didn't obtain management of the hotel until 1879.[20][24] The Baughman & Butler shooting act first appeared on the pages of The Cincinnati Enquirer in 1880. They signed with Sells Brothers Circus in 1881 and made an appearance at the Coliseum Opera House later that year.[20]

Regardless of the actual date of the shooting match, Oakley and Butler were married a year afterward. A certificate on file with the Archives of Ontario, Registration Number 49594, reports that Butler and Oakley were wed on June 20, 1882, in Windsor, Ontario.[25][26] Many sources say the marriage took place on August 23, 1876, in Cincinnati,[21] but no recorded certificate validates that date. A possible reason for the contradictory dates is that Butler's divorce from his first wife, Henrietta Saunders, was not yet final in 1876. An 1880 U.S. Federal Census record shows Saunders as married.[27] Sources mentioning Butler's first wife as Elizabeth are inaccurate; Elizabeth was his granddaughter, her father being Edward F. Butler.[28] Throughout Oakley's show-business career, the public was often led to believe that she was five to six years younger than she was. The later marriage date would have better supported her fictional age.[21]

Career and touring
"Aim at the high mark and you will hit it. No, not the first time, not the second time and maybe not the third. But keep on aiming and keep on shooting for only practice will make you perfect. Finally you'll hit the bull's-eye of success."

Annie Oakley exhibit at the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas

Annie and Frank Butler lived in Cincinnati for a time. Oakley, the stage name she adopted when she and Frank began performing together,[3][29][30] is believed to have been taken from the city's neighborhood of Oakley, where they resided. Some people believe she took on the name because that was the name of the man who had paid her train fare when she was a child.[21]

Oakley c. 1899

They joined Buffalo Bill's Wild West in 1885. At five feet tall, Oakley was given the nickname of "Watanya Cicilla" by fellow performer Sitting Bull, rendered "Little Sure Shot" in the public advertisements.

During her first engagement with the Buffalo Bill show, Oakley experienced a tense professional rivalry with rifle sharpshooter Lillian Smith. Smith was eleven years younger than Oakley, age 15 at the time she joined the show in 1886, which may have been a primary reason for Oakley to alter her actual age in later years due to Smith's press coverage becoming as favorable as hers.[31] Oakley temporarily left the Buffalo Bill show but returned two years later, after Smith departed, in time for the Paris Exposition of 1889.[32] This three-year tour only cemented Oakley as America's first female star. She earned more than any other performer in the show, except for "Buffalo Bill" Cody himself. She also performed in many shows on the side for extra income.[32]

In Europe, she performed for Queen Victoria of the United Kingdom, King Umberto I of Italy, President Marie François Sadi Carnot of France and other crowned heads of state. Oakley supposedly shot the ashes off a cigarette held by the newly crowned German Kaiser Wilhelm II at his request.[33]

Buffalo Bill's Wild West poster

From 1892 to 1904, Oakley and Butler made their home in Nutley, New Jersey.[34]

Oakley promoted the service of women in combat operations for the United States armed forces. She wrote a letter to President William McKinley on April 5, 1898, "offering the government the services of a company of 50 'lady sharpshooters' who would provide their own arms and ammunition should the U.S. go to war with Spain."[35]

The Spanish–American War did occur, but Oakley's offer was not accepted. Theodore Roosevelt, did, however, name his volunteer cavalry the "Rough Riders" after the "Buffalo Bill's Wild West and Congress of Rough Riders of the World" where Oakley was a major star.

In 1901 (the same year as McKinley's assassination), Oakley was badly injured in a train accident but recovered after temporary paralysis and five spinal operations. She left the Buffalo Bill show and in 1902 began a less taxing acting career in a stage play written especially for her, The Western Girl. Oakley played the role of Nancy Berry who used a pistol, a rifle and rope to outsmart a group of outlaws.[5]

Throughout her career, it is believed that Oakley taught more than 15,000 women how to use a gun. Oakley believed strongly that it was crucial for women to learn how to use a gun, as not only a form of physical and mental exercise, but also to defend themselves.[6] She said: "I would like to see every woman know how to handle guns as naturally as they know how to handle babies."

The Little Sure Shot of the Wild West (Annie Oakley)

Buffalo Bill was friends with Thomas Edison, and Edison built the world's largest electrical power plant at the time for the Wild West Show.[36] Buffalo Bill and 15 of his show Indians appeared in two Kinetoscopes filmed September 24, 1894.[37]

In 1894, Oakley and Butler performed in Edison's Kinetoscope film The "Little Sure Shot of the Wild West," an exhibition of rifle shooting at glass balls, etc.[38] which was filmed November 1, 1894, in Edison's Black Maria studio by William Heise.[39][40] It was the eleventh film made after commercial showings began on April 14, 1894.[41]

Shooting prowess
Annie Oakley shooting over her shoulder using a hand mirror.

Biographers, such as Shirl Kasper, repeat Oakley's own story about her very first shot at the age of eight. "I saw a squirrel run down over the grass in front of the house, through the orchard and stop on a fence to get a hickory nut." Taking a rifle from the house, she fired at the squirrel, writing later that, "It was a wonderful shot, going right through the head from side to side".[42]

The Encyclopædia Britannica notes that:

Oakley never failed to delight her audiences, and her feats of marksmanship were truly incredible. At 30 paces she could split a playing card held edge-on, she hit dimes tossed into the air, she shot cigarettes from her husband's lips, and, a playing card being thrown into the air, she riddled it before it touched the ground.[43]

R. A. Koestler-Grack reports that, on March 19, 1884, she was being watched by Chief Sitting Bull when:

Oakley playfully skipped on stage, lifted her rifle, and aimed the barrel at a burning candle. In one shot, she snuffed out the flame with a whizzing bullet. Sitting Bull watched her knock corks off of bottles and slice through a cigar Butler held in his teeth.[44]

Libel cases

In 1904, sensational cocaine prohibition stories were selling well. Newspaper magnate William Randolph Hearst published a false story that Oakley had been arrested for stealing to support a cocaine habit. The woman actually arrested was a burlesque performer who told Chicago police that her name was Annie Oakley.

Most of the newspapers that printed the story had relied on the Hearst article, and they immediately retracted it with apologies upon learning of the libelous error. Hearst, however, tried to avoid paying the anticipated court judgments of $20,000 (equivalent to $570,000 in 2019) by sending an investigator to Darke County, Ohio, with the intent of collecting reputation-smearing gossip from Oakley's past. The investigator found nothing.[45]

Oakley spent much of the next six years winning all but one of her 55 libel lawsuits against newspapers. She collected less in judgments than the total of her legal expenses.[45]

Later years and death
Oakley in 1922

In 1912, the Butlers built a brick bugalow style home in Cambridge, Maryland. It is known as the Annie Oakley House and was listed on the National Register of Historic Places in 1996. In 1917, they moved to North Carolina and returned to public life.

She continued to set records into her sixties and also engaged in extensive philanthropy for women's rights and other causes, including the support of young women she knew. She embarked on a comeback and intended to star in a feature-length silent movie. She hit 100 clay targets in a row from 16 yards (15 m) at age 62 in a 1922 shooting contest in Pinehurst, North Carolina.[46]

In late 1922, the couple was in a car accident that forced her to wear a steel brace on her right leg. She eventually performed again after more than a year of recovery, and she set records in 1924.[36]

Her health declined in 1925 and she died of pernicious anemia in Greenville, Ohio, at the age of 66 on November 3, 1926.[47][48] Her body was cremated in Cincinnati two days later and the ashes buried at Brock Cemetery, near Greenville.[20][49][32]

Butler was so grieved by her death, according to B. Haugen, that he stopped eating and died 18 days later in Michigan, and his body was buried next to Oakley's ashes.[50][51] Kasper reports that the death certificate said that Butler died of "senility". One rumor claims that Oakley's ashes were placed in one of her prized trophies and laid next to Butler's body in his coffin prior to burial.[52] Both body and ashes were interred in the cemetery on Thanksgiving Day, November 25, 1926.[53]

After her death, her incomplete autobiography was given to stage comedian Fred Stone,[54] and it was discovered that her entire fortune had been spent on her family and her charities.[55]

A vast collection of Oakley's personal possessions, performance memorabilia, and firearms are on permanent exhibit in the Garst Museum and the National Annie Oakley Center in Greenville, Ohio.[56] She has been inducted into the Trapshooting Hall of Fame, the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas, the National Women's Hall of Fame, the Ohio Women's Hall of Fame, and the New Jersey Hall of Fame.

Surname

There are a number of variations given for Oakley's family name, Mosey. Many biographers and other references give the name as "Moses".[57] Although the 1860 U.S. Census shows the family name as "Mauzy", this is considered an error introduced by the census taker.[58][59] Oakley's name appears as "Ann Mosey" in the 1870 U.S. Census[13][14] and "Mosey" is engraved on her father's headstone and appears in his military record; "Mosey" is the official spelling by the Annie Oakley Foundation, maintained by her living relatives.[1][3][60] The spelling "Mosie" has also appeared.

According to Kasper, Oakley insisted that her family name be spelled "Mozee", leading to arguments with her brother John. Kasper speculates that Oakley may have considered "Mozee" to be a more phonetic spelling. There is also popular speculation that young Oakley had been teased about her name by other children.[59]

Prior to their double wedding in March 1884, both Oakley's brother John and one of her sisters, Hulda, changed their surnames to "Moses".[1][60]

Eponym

During her lifetime, the theatre business began referring to complimentary tickets as "Annie Oakleys". Such tickets traditionally have holes punched into them (to prevent them from being resold), reminiscent of the playing cards Oakley shot through during her sharpshooting act.

Depictions in arts and entertainment

Influence

Oakley's worldwide stardom as a sharpshooter enabled her to earn more money than most of the other performers in the Buffalo Bill show.[32] She did not forget her roots after gaining financial and economic power. She and Butler together often donated to charitable organizations for orphans.[32] Beyond her monetary influence, she proved to be a great influence on women.

Oakley urged that women serve in war, though President McKinley rejected her offer of woman sharpshooters for service in the Spanish–American War.[35] Beyond this offer to the president, Oakley believed that women should learn to use a gun for the empowering image that it gave.[62] Laura Browder discusses how Oakley's stardom gave hope to women and youth in Her Best Shot: Women and Guns In America. Oakley pressed for women to be independent and educated.[62] She was a key influence in the creation of the image of the American cowgirl. Through this image, she provided substantial evidence that women are as capable as men when offered the opportunity to prove themselves.[63]

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See also

References
  1. "We Hope "Mosey" Ends the Debate" (PDF). Taking Aim Newsletter. annieoakleyfoundation.org. Summer 2003. Archived from the original (PDF) on August 12, 2014. Retrieved August 9, 2014.
  2. Edwards, Bess. "Annie Oakley's Life and Career". annieoakleyfoundation.org. Archived from the original on March 14, 2008.
  3. "Tall Tales and the Truth". Born Phoebe Anne Oakley Mozee?. Archived from the original on October 15, 2002. Retrieved January 11, 2008.
  4. "Tall Tales and the Truth". Annie Oakley Foundation. Was Annie really born in 1866?. Archived from the original on October 15, 2002.
  5. Wukovits, John (May 1997). Annie Oakley. Legends of the West. Chelsea House. ISBN 978-0791039069.
  6. Wills, Chuck (2007). Annie Oakley. London: Dorling Kindersley. ISBN 978-0-7566-2997-7.
  7. "Timeline: The Life of Annie Oakley". American Experience. Public Broadcasting Service. Archived from the original on May 2, 2015. Retrieved June 15, 2015. August 13, 1860: Annie Oakley is born Phoebe Ann Moses, on the family farm in Darke County, Ohio, fifth ...
  8. Riley, Glenda (1994). The Life and Legacy of Annie Oakley. University of Oklahoma Press. p. 5. ISBN 9780806126562.
  9. Kasper, Shirl (1992). Annie Oakley. University of Oklahoma Press. pp. 6, 20. ISBN 978-0-8061-2418-6.
  10. Freifeld, Riva (director and producer) (2006). The American Experience: Annie Oakley. Boston, MA: WGBH.
  11. Whiting, Jim (2007). What's so great about Annie Oakley. Delaware: Mitchell Lane Publishers. ISBN 9781584154778.
  12. Riley, Glenda (1994). The Life and Legacy of Annie Oakley. University of Oklahoma Press. p. 7.
  13. Billene Statler Nicol, ed. (2010). "AnnieMoseyCensus1870Enlarged". Archived from the original (JPG) on August 11, 2014. Retrieved August 9, 2014.
  14. "TH-266-11929-69872-17". U.S. Census, Harrison Township, Preble County, Ohio. FamilySearch. 1870. p. 54.
  15. Kasper, Shirl (1992). Annie Oakley. University of Oklahoma Press. pp. 6, 7. ISBN 0-8061-2418-0.
  16. Riley, Glenda (1994). The Life and Legacy of Annie Oakley. University of Oklahoma Press. p. 11.
  17. "Annie Oakley". Dorchester County Public Library, Cambridge, MD. Archived from the original on February 22, 2008. Retrieved January 20, 2007.
  18. "Biography: Frank Butler". pbs.org. Retrieved April 24, 2018.
  19. Longford Genealogy, Retrieved October 8, 2014.
  20. Suess, Jeff (July 20, 2014). "Did Annie Oakley shooting contest happen in Cincinnati?". The Cincinnati Enquirer. Retrieved April 24, 2018.
  21. Annie Oakley Center Foundation, Retrieved October 2, 2014.
  22. FamilySearch, Retrieved October 2, 2014. Archived March 7, 2016, at the Wayback Machine
  23. Geni, Retrieved April 24, 2018.
  24. Cincinnati: A Guide to the Queen City and its Neighbors. State of Ohio Works Progress Administration. May 1943. p. 209. ISBN 9781623760519.
  25. Krohn, Katherine E. (2005). Wild West Women (book). Lerner Publications. p. 55. ISBN 9780822526469. "Sitting Bull was deeply moved by Annie's talent. He thought her ability with a gun was amazing."Wills, Charles M. (2007). Annie Oakley: A Photographic Story of a Life (book). DK Children. p. 71. ISBN 9780756629861.
  26. Archives of Ontario via Ancestry.com (Ontario, Canada, Marriages 1801-1928), Retrieved on October 1, 2014.
  27. Ancestry.com, 1880 U.S. Federal Census, Retrieved October 7, 2014.
  28. Ancestry.com, 1900 U.S. Federal Census, Retrieved October 7, 2014.
  29. "Annie Oakley". American Experience. Archived from the original on April 6, 2009. Retrieved April 7, 2009. Narrator: Butler was Annie's ticket out of Greenville. They soon married. For the next six years, while Butler and his new shooting partner John Graham performed on the variety circuit, Annie stayed in the background. That was about to change [when] Butler and Graham were playing a theater in Springfield, Ohio, when John Graham suddenly fell ill. Annie filled in, holding the targets. That night Frank kept missing – until a jeering spectator shouted, "Let the girl shoot!" Frank obliged. Annie hit the targets every time – much to the delight of the raucous crowd. Mrs. Butler took a stage name, borrowed from her paternal grandmother – Annie Oakley.
  30. "Tall Tales and the Truth". Born Phoebe Anne Oakley Mozee?. Archived from the original on October 15, 2002. (the answer is no: "Her mother, Susan, named her Phoebe Ann…"; her father Jacob is surnamed "Mosey" in the National Archives War of 1812 military records; "In the 1870 Census, Annie is listed as Ann Mosey" – but, several other surname spellings appeared later. "The professional name Oakley was assumed in 1882, when Annie began to perform with Frank Butler; …")
  31. Bricklin, Julia (November 25, 2014). "Lillian Smith: The On-Target 'California Girl'". Wild West. Retrieved April 24, 2018.
  32. "WGBH American Experience . Annie Oakley - PBS".
  33. "Tall Tales and the Truth". Did she shoot the Kaiser's cigarette?. Archived from the original on October 15, 2002.
  34. Beglin, Julie (February 23, 1997). "In Nutley, Mementos of a Very Straight Shooter". The New York Times. Retrieved April 24, 2018.
  35. The National Archives and Records Administration (NARA). Letter to President William McKinley from Annie Oakley. Retrieved January 24, 2008.
  36. "Annie Oakley". dorchesterlibrary.org Dorchester County Public Library. Archived from the original on February 22, 2008. Retrieved January 20, 2007.
  37. "Buffalo dance / Thomas A. Edison, Inc. ; producer, W.K.L. Dickson". Library of Congress Motion Picture, Broadcasting and Recorded Sound Division. May 13, 1994. Retrieved October 15, 2009.
  38. As titled and described by Raff & Gammon, Price list of films, ca. June 1895, p. 1 [MI].
  39. It lasted 21 seconds at 30 frames and 39 feet.
  40. DIGITAL ID edmp 4030 http://hdl.loc.gov/loc.mbrsmi/edmp.4030 Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Washington, D. C. 20540 USA Archived May 3, 2019, at the Wayback Machine.
  41. Chronological Title List of Edison Motion Pictures Archived December 2, 2010, at the Wayback Machine - Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Washington, D. C. 20540 USA
  42. Kasper, Shirl (1992). Annie Oakley. University of Oklahoma Press. p. 4. ISBN 0-8061-2418-0.
  43. Encyclopædia Britannica, article on Annie Oakley.
  44. Koestler-Grack, RA., Annie Oakley, Facts On File, Incorporated, Infobase Publishing, 2010, pp. 28–29.
  45. "Annie Oakley (1860-1926)". pbs.org. February 14, 2006.
  46. "Annie Oakley". lkwdpl.org Women in History. Archived from the original on July 13, 2012.
  47. "Champion Rifle Shot. Chipped Ash From Wilhelm's Cigarette. Bullets Lifted Home Mortgage". The New York Times. November 14, 1926. Retrieved April 8, 2009.
  48. "Little Sureshot". Time magazine. November 15, 1966. Retrieved April 8, 2009. As it must to all men, Death came to Mrs. Annie Oakley. Butler, 66, most marked markswoman in history, at Greenville, Ohio, after long illness.
  49. "Famous Ohio Gravesites". ohiotraveler.com. Retrieved May 22, 2013.
  50. Kasper, Shirl (1992). Annie Oakley. University of Oklahoma Press. pp. 243–244. ISBN 0-8061-2418-0.
  51. Haugen, B., Annie Oakley: American Sharpshooter, Capstone, 2006, p. 88.
  52. Roadside America.com, Retrieved October 1, 2014.
  53. Haugen, Brenda (2007). Annie Oakley: American Sharpshooter. p. 89. ISBN 9780756518691.
  54. "United States". Time magazine. December 6, 1926. Retrieved April 8, 2009. From Greenville, Ohio, I received a heavy brown pasteboard box, which I carried to the stage of the Globe Theatre, Manhattan, and opened in the presence of a notary public. It contained several scrapbooks, with clippings, photographs, letters and a typed autobiography up to 1890 of my late friend, Annie Oakley Butler, ablest markswoman in history, who died last month. There was no letter of explanation but it seemed apparent that Annie Oakley, with whom I played in a circus some 20 years ago, wished me to be her Boswell.
  55. Riley, Glenda (December 2001). The Life and Legacy of Annie Oakley. University of Oklahoma Press. p. 196. ISBN 9780806135069.
  56. "Garst Museum - Home of the Annie Oakley Center".
  57. "Frequently Asked Questions about Annie Oakley". Annie Oakley Center Foundation. Retrieved August 9, 2014.
  58. Billene Statler Nicol, ed. (2010). "Mosey1860Census". Archived from the original (JPG) on July 31, 2014. Retrieved July 31, 2014.
  59. Kasper, Shirl (1992). Annie Oakley. University of Oklahoma Press. p. 23. ISBN 0-8061-2418-0.
  60. "Tall Tales and the Truth". Born Phoebe Anne Oakley Mozee?. Archived from the original on October 15, 2002. (the answer is "no": "Her mother, Susan, named her Phoebe Ann…"; her father Jacob is surnamed "Mosey" in the National Archives War of 1812 military records; "In the 1870 Census, Annie is listed as Ann Mosey" – but, several other surname spellings appeared later. "The professional name Oakley was assumed in 1882, when Annie began to perform with Frank Butler; it was not a family name.")
  61. Bloom, Ken and Vlastnik, Frank (2004). Broadway Musicals: The 101 Greatest Shows of all Time. New York: Black Dog & Leventhal Publishers, p. 13. ISBN 1-57912-390-2
  62. Isenberg, Nancy (February 2008). "Review: Her Best Shot: Women and Guns in America by Laura Browder". The Journal of Southern History. Southern Historical Association. 74 (1): 175–176. JSTOR 27650088.
  63. "Doctoral Dissertations in American Studies, 1996–1997". American Quarterly. Johns Hopkins University Press. 50 (2): 447–469. June 1998. doi:10.1353/aq.1998.0019. JSTOR 30041628.

Further reading
  • Cansler, Sarah (June 2014). "Annie Oakley, Gender, and Guns: The "Champion Rifle Shot" and Gender Performance, 1860-1926". 5 (1). University of Tennessee. Cite journal requires |journal= (help)
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