The Adventures of Pinocchio

The Adventures of Pinocchio (/pɪˈnoʊki.oʊ/ pi-NOH-kee-oh; Italian: Le avventure di Pinocchio [le avvenˈtuːre di piˈnɔkkjo]), also simply known as Pinocchio, is a novel for children by Italian author Carlo Collodi, written in Pescia. It is about the mischievous adventures of an animated marionette named Pinocchio and his father, a poor woodcarver named Geppetto.

This article is about the Carlo Collodi novel. For other works with this title, see The Adventures of Pinocchio (disambiguation). For other uses, see Pinocchio (disambiguation).
The Adventures of Pinocchio
illustration from 1883 edition by Enrico Mazzanti
AuthorCarlo Collodi
IllustratorEnrico Mazzanti
CountryItaly
LanguageItalian
GenreFiction, literature, fantasy, children's book, adventure
Publication date
1883

It was originally published in a serial form as The Story of a Puppet (Italian: La storia di un burattino) in the Giornale per i bambini, one of the earliest Italian weekly magazines for children, starting from 7 July 1881. The story stopped after nearly 4 months and 8 episodes at Chapter 15, but by popular demand from readers, the episodes were resumed on 16 February 1882.[1] In February 1883, the story was published in a single book. Since then, the spread of Pinocchio on the main markets for children's books of the time has been continuous and uninterrupted, and it was met with enthusiastic reviews worldwide.[1]

A universal icon and a metaphor of the human condition, the book is considered a canonical piece of children's literature and has had great impact on world culture. Philosopher Benedetto Croce reputed it as one of the greatest works of Italian literature.[2] Since its first publication, it has inspired hundreds of new editions, stage plays, merchandising, television series and movies, such as Walt Disney's iconic animated version, and commonplace ideas such as a liar's long nose.

According to extensive research done by the Fondazione Nazionale Carlo Collodi in the late 1990s and based on UNESCO sources, the book has been adapted in over 260 languages worldwide,[3] while as of 2018 it has been translated into over 300 languages.[4] That makes it the most translated non-religious book in the world[3] and one of the best-selling books ever published,[5] with over 80 million copies sold in recent years[6] (the total sales since its first publication are unknown because of the many public domain re-releases begun in 1940).[3] According to Francelia Butler, it remains "the most translated Italian book and, after the Bible, the most widely read".[7]

Plot
As Geppetto carves the puppet, the nose begins to grow.

The story begins in Tuscany, Italy. A carpenter named Master Antonio, but whom everyone calls Master Cherry, has found a block of wood which he plans to carve into a leg for his table. When he begins, however, the log shouts out. Frightened by the talking log, Master Cherry gives it to his neighbor Geppetto, an extremely poor man who plans to make a living as a puppeteer in hopes of earning "a crust of bread and a glass of wine".

Pinocchio throws a hammer at the talking cricket.

Geppetto carves the block into a boy and names him "Pinocchio". As soon as Pinocchio's nose has been carved, it begins to grow with his congenital impudence. Before he is even built, Pinocchio already has a mischievous attitude; no sooner than Geppetto is finished carving Pinocchio's feet does the puppet proceed to kick him. Once the puppet has been finished and Geppetto teaches him to walk, Pinocchio runs out the door and away into the town. He is caught by a Carabiniere, who assumes Pinocchio has been mistreated and imprisons Geppetto.

Left alone, Pinocchio heads back to Geppetto's house to get something to eat. Once he arrives at home, a talking cricket who has lived in the house for over a century warns him of the perils of disobedience and hedonism. In retaliation, Pinocchio throws a hammer at the cricket, more accurately than he intended to, and accidentally kills it. That evening, Pinocchio falls asleep with his feet on the stove, and wakes to find that they have burned off. Geppetto is released from prison and makes Pinocchio a new pair of feet. In gratitude, Pinocchio promises to attend school, and Geppetto sells his only coat to buy him a school book.

The puppet master Mangiafuoco.

On his way to school the next morning, Pinocchio encounters the Great Marionette Theatre, and he sells his school book in order to buy a ticket for the show. The marionettes on stage recognize him in the audience and call out to him, angering the puppet master Mangiafuoco. The puppet master initially decides to use Pinocchio as firewood but ultimately releases him and gives him five gold pieces to give to Geppetto.

The Fox and the Cat

As Pinocchio travels home to give the coins to his father, he meets a fox and a cat. The Cat pretends to be blind, and the Fox pretends to be lame. A white blackbird tries to warn Pinocchio of their lies, but the blackbird is eaten by the Cat. The two animals convince Pinocchio that if he plants his coins in the Field of Miracles outside the city of Catchfools, they will grow into a tree with gold coins. They stop at an inn, where the Fox and the Cat gorge themselves on food at Pinocchio's expense and ask to be awoken by midnight. Two hours before the set time, the pair abandon Pinocchio, leaving him to pay for the meal with one of his coins. They instruct the innkeeper to tell Pinocchio that they left after receiving a message stating that the Cat's eldest kitten had fallen ill and that they would meet Pinocchio at the Field of Miracles in the morning.

The Fox and the Cat, dressed as bandits, hang Pinocchio.

They take off ahead of Pinocchio and disguise themselves as bandits while Pinocchio continues on toward Catchfools, despite warnings from the Talking Cricket's ghost. The disguised Fox and Cat ambush Pinocchio, but the puppet escapes to a white house after biting off the Cat's paw. Upon knocking on the door, Pinocchio is greeted by a young fairy with turquoise hair who says she is dead and waiting for a hearse. Unfortunately, the bandits catch him and hang him in a tree. After a while, the Fox and Cat get tired of waiting for the puppet to suffocate, and they leave.

The Fairy saves Pinocchio

The Fairy has Pinocchio rescued by summoning a falcon to get him down and having her poodle servant Medoro pick him up in her stagecoach. The Fairy calls in three famous doctors to tell her whether Pinocchio is dead or not. Two of them, an owl and a crow, are unsure of Pinocchio's status with the owl claiming that Pinocchio is alive and the crow claiming that Pinocchio is dead. The third doctor is the Ghost of the Talking Cricket who says that the puppet is fine, but has been disobedient and hurt his father. The Fairy administers medicine to Pinocchio who consents to take it after four undertaker rabbits arrive to carry away his body. Recovered, Pinocchio lies to the Fairy when she asks what has happened to the gold coins, and his nose grows until it is so long that he cannot turn around in the room. The Fairy explains that Pinocchio's lies are making his nose grow and calls in a flock of woodpeckers to chisel it down to size. The Fairy sends for Geppetto to come and live with them in the forest cottage.

When Pinocchio heads out to meet his father, he once again encounters the Fox and the Cat. When Pinocchio notices the Cat's missing paw, the Fox claims that they had to sacrifice it to feed a hungry old wolf. They remind the puppet of the Field of Miracles, and finally, he agrees to go with them and plant his gold. They finally reach the city of Catchfools, where every animal in town has done something exceedingly foolish and now suffers as a result. Upon reaching the Field of Miracles, Pinocchio buries his coins and then leaves for the twenty minutes that it will take for his gold to grow into gold coin trees. After Pinocchio leaves, the Fox and the Cat dig up the coins and run away.

Pinocchio and the gorilla judge.

Once Pinocchio returns, he learns of the Fox and the Cat's treachery from a parrot who mocks Pinocchio for falling for their tricks. Pinocchio rushes to the Catchfools courthouse where he reports the theft of the coins to a gorilla judge. Although he is moved by Pinocchio's plea, the judge sentences Pinocchio to four months in prison for the crime of foolishness as he is taken away by two mastiffs dressed as Gendarmerie. Fortunately, all criminals are released early by the jailers when the unseen young Emperor of Catchfools declares a celebration following his army's victory over the town's enemies. Upon being released by stating to the jailer that he committed a crime, Pinocchio leaves Catchfools.

Pinocchio then heads back to the Fairy's house in the forest, but he sneaks into a farmer's yard to steal some grapes. He is caught in a weasel trap where he encounters a glowworm. The farmer finds Pinocchio and ties him up in the doghouse of his late watch dog Melampo to guard the chicken coop. When Pinocchio foils the chicken-stealing weasels, the farmer frees the puppet as a reward. Pinocchio finally comes to where the cottage was, finds nothing but a gravestone, and believes that the Fairy has died of sorrow.

Pinocchio and the pigeon fly to the seashore.

A friendly pigeon sees Pinocchio mourning the Fairy's death and offers to give him a ride to the seashore, where Geppetto is building a boat in which to search for Pinocchio. Pinocchio is washed ashore when he tries to swim to his father. Geppetto is then swallowed by The Terrible Dogfish. Pinocchio accepts a ride from a dolphin to the nearest island called the Island of Busy Bees. Upon arriving on the Island of Busy Bees, Pinocchio can only get food in return for labor. Pinocchio offers to carry a lady's jug home in return for food and water. When they get to the lady's house, Pinocchio recognizes the lady as the Fairy, now miraculously old enough to be his mother. She says she will act as his mother, and Pinocchio will begin going to school. She hints that if Pinocchio does well in school and tries his hardest to be good for one whole year, then he will become a real boy.

Alidoro saves Pinocchio from The Green Fisherman.

Pinocchio studies hard and rises to the top of his class, but this makes the other schoolboys jealous. The other boys trick Pinocchio into playing hookey by saying they saw a large sea monster at the beach, the same one that swallowed Geppetto. However, the boys were lying and a fight breaks out. One boy named Eugene is hit by Pinocchio's school book, though Pinocchio did not throw it. Pinocchio is accused of injuring Eugene by two Carabinieres, but the puppet escapes. During his escape, Pinocchio saves a drowning Mastiff named Alidoro. In exchange, Alidoro later saves Pinocchio from The Green Fisherman, who was going to eat the marionette as Pinocchio returns home. After meeting the Snail that works for the Fairy, Pinocchio is given another chance by the Fairy.

The wagon that leads the boys in the Land of Toys

Pinocchio does excellently in school and passes with high honors. The Fairy promises that Pinocchio will be a real boy the next day and says he should invite all his friends to a party. He goes to invite everyone, but he is sidetracked when he meets a boy nicknamed Candlewick who is about to go to a place called Toyland where everyone plays all day and never works. Pinocchio goes along with him when they are taken there by The Coachman, and they have a wonderful time for the next five months.

Pinocchio and Candlewick became donkeys.

One morning in the fifth month, Pinocchio and Candlewick awake with donkeys' ears. A Dormouse tells Pinocchio that he has got a donkey fever: boys who do nothing but play and never study always turn into donkeys. Soon, both Pinocchio and Candlewick are fully transformed. Pinocchio is sold to a circus by The Coachman. He is trained by the ringmaster to do tricks until he falls and sprains his leg. The ringmaster then sells Pinocchio to a man who wants to skin him and make a drum. The man throws the donkey into the sea to drown him. But when the man goes to retrieve the corpse, all he finds is a living marionette. Pinocchio explains that the fish ate all the donkey skin off him and he is now a puppet again.

Pinocchio finds Geppetto inside the Dogfish.

Pinocchio dives back into the water and swims out to sea. When the Terrible Dogfish appears, Pinocchio swims from it at the advice of the Fairy in the form of a little blue-furred goat from atop a high rock, but is swallowed by it. Inside the Dogfish, Pinocchio unexpectedly finds Geppetto, who has been living on a ship inside the Dogfish. Pinocchio and Geppetto manage to escape the monster and search for a place to stay.

Pinocchio and Geppetto encounter the Fox and the Cat who are now impoverished. The Cat has really become blind, and the Fox has really become lame and is also thin, almost hairless, and has chopped off his tail to sell for food. The Fox and the Cat plead for food or money, but Pinocchio rebuffs them and tells them that their misfortunes have served them right for their wickedness. Geppetto and Pinocchio arrive at a small house, which is home to the Talking Cricket. The Talking Cricket says they can stay and reveals that he got his house from a little goat with turquoise hair. Pinocchio gets a job doing work for Farmer Giangio and recognizes the farmer's dying donkey as his friend Candlewick.

Pinocchio becomes a real human boy.

After long months of working for the farmer and supporting the ailing Geppetto, Pinocchio goes to town with the forty pennies he has saved to buy himself a new suit. He discovers that the Fairy is ill and needs money. Pinocchio instantly gives the Snail he met back on the Island of Busy Bees all the money he has.

That night, he dreams that he is visited by the Fairy, who kisses him. When he wakes up, he is a real boy at last. His former puppet body lies lifeless on a chair. Furthermore, Pinocchio finds that the Fairy has left him a new suit, boots, and a bag in which he thinks are the forty pennies that he originally gave to her. Instead, the boy is shocked to find forty freshly-minted gold coins. Geppetto also returns to health.

Characters
  • Pinocchio – Pinocchio is a marionette who gains wisdom through a series of misadventures which lead him to becoming a real human as reward for his good deeds.
  • Mister Geppetto – Geppetto is an elderly, impoverished woodcarver and the creator (and thus father) of Pinocchio. He wears a yellow wig that looks like cornmeal mush (or polendina), and subsequently the children of the neighborhood (as well as some of the adults) call him "Polendina", which greatly annoys him. "Geppetto" is a syncopated form of Giuseppetto, which in turn is a diminutive of the name Giuseppe (Italian for Joseph).
  • Mastro Antonio ([anˈtɔːnjo] in Italian, /ɑːnˈtoʊnjoʊ/ ahn-TOH-nyoh in English) – Antonio is an elderly carpenter. He finds the log that eventually becomes Pinocchio, planning to make it into a table leg until it cries out "Please be careful!" The children call Antonio "Mastro Ciliegia (cherry)" because of his red nose.
  • The Talking Cricket (il Grillo Parlante) – The Talking Cricket is a cricket whom Pinocchio kills after it tries to give him some advice. The Cricket comes back as a ghost to continue advising the puppet.
  • Mangiafuoco – Mangiafuoco ("Fire-Eater" in English) is the wealthy director of the Great Marionette Theater. He has red eyes and a black beard which reaches to the floor, and his mouth is "as wide as an oven [with] teeth like yellow fangs". Despite his appearances however, Mangiafuoco (which the story says is his given name) is not evil.
  • Harlequin (Arlecchino), Punch (Pulcinella), and Signora Rosaura – Harlequin, Punch, and Signora Rosaura are marionettes at the theater who embrace Pinocchio as their brother.
  • The Fox and the Cat (la Volpe e il Gatto) – Greedy animals pretending to be lame and blind respectively, the pair lead Pinocchio astray, rob him and eventually try to hang him.
  • The Innkeeper (l'Oste) – An innkeeper who is in tricked by the Fox and the Cat where he unknowingly leads Pinocchio into an ambush.
  • The Fairy with Turquoise Hair (la Fata dai capelli turchini) – The Blue-haired Fairy is the spirit of the forest who rescues Pinocchio and adopts him first as her brother, then as her son.
  • The Falcon (il Falco) – A falcon who helps the Fairy with Turquoise Hair rescue Pinocchio from his hanging.
  • Medoro ([meˈdɔːro] in Italian) – A poodle who is the stagecoach driver for the Fairy with Turquoise Hair. He is described as being dressed in court livery, a tricorn trimmed with gold lace was set at a rakish angle over a wig of white curls that dropped down to his waist, a jaunty coat of chocolate-colored velvet with diamond buttons and two huge pockets which were always filled with bones (dropped there at dinner by his loving mistress), breeches of crimson velvet, silk stockings, and low silver-buckled slippers completed his costume.
  • The Owl (la Civetta) and the Crow (il Corvo) – Two famous doctors who diagnose Pinocchio alongside the Talking Cricket.
  • The Parrot (il Pappagallo) – A parrot who tells Pinocchio of the Fox and the Cat's trickery that they played on him outside of Catchfools and mocks him for being tricked by them.
  • The Judge (il Giudice) – A gorilla venerable with age who works as a judge of Catchfools.
  • The Serpent (il Serpente) – A large serpent with bright green skin, fiery eyes which glowed and burned, and a pointed tail that smoked and burned.
  • The Farmer (il Contadino) – An unnamed farmer whose chickens are plagued by weasel attacks. He previously owned a watch dog named Melampo.
  • The Glowworm (la Lucciola) – A glowworm that Pinocchio encounters in the farmer's grape field.
  • The Terrible Dogfish (Il terribile Pesce-cane) – A mile-long, five-story-high fish. Pescecane, while literally meaning "dog fish", generally means "shark" in Italian.
  • The Pigeon (il Colombo) – A pigeon who gives Pinocchio a ride to the seashore.
  • The Dolphin (il Delfino) – A dolphin who gives Pinocchio a ride to the Island of Busy Bees.
  • The Snail (la Lumaca) – A snail who works for the Fairy with Turquoise Hair. Pinocchio later gives all his money to the Snail by their next encounter.
  • Alidoro ([aliˈdɔːro] in Italian, /ˌɑːliˈdɒroʊ/ AH-lee-DORR-oh in English, literally "Golden Wings"; il can Mastino) – The old mastiff of a carabineer on the Island of Busy Bees.
  • The Green Fisherman (il Pescatore verde) – A green-skinned ogre on the Island of Busy Bees who catches Pinocchio in his fishing net and attempts to eat him.
  • Romeo/"Lampwick" or "Candlewick" (Lucignolo) – A tall, thin boy (like a wick) who is Pinocchio's best friend and a troublemaker.
  • The Little Man (l'Omino) – The owner of the Land of Toys who takes people there on his stagecoach pulled by twenty-four donkeys which mysteriously wear white shoes on their hooves.
  • The Dormouse (la Marmotta) – A Dormouse who lives in the Land of Toys. She is the one who tells Pinocchio about the donkey fever.
  • The Ringmaster (il Direttore) – The unnamed ringmaster of a circus that buys Pinocchio from the Coachman.
  • The Master (il Compratore) – A man who wants to make Pinocchio's hide into a drum after the Ringmaster sold an injured Pinocchio to him.
  • The Tuna Fish (il Tonno) – A tuna fish as "large as a two-year-old horse" who has been swallowed by the Terrible Shark.
  • Giangio ([ˈdʒandʒo] in Italian, /ˈdʒɑːndʒoʊ/ JAHN-joh in English) – The farmer who buys Romeo as a donkey and who Pinocchio briefly works for. He is also called Farmer John in some versions.

History
Carlo Collodi

"The Adventures of Pinocchio" is a story about an animated puppet, boys who turn into donkeys, and other fairy tale devices. The setting of the story is the Tuscan area of Italy. It was a unique literary marriage of genres for its time. The story's Italian language is peppered with Florentine dialect features, such as the protagonist's Florentine name.

The third chapter of the story published on July 14, 1881 in the Giornale per i bambini.

As a young man, Collodi joined the seminary. However, the cause of Italian unification (Risorgimento) usurped his calling, as he took to journalism as a means of supporting the Risorgimento in its struggle with the Austrian Empire.[8] In the 1850s, Collodi began to have a variety of both fiction and non-fiction books published. Once, he translated some French fairy-tales so well that he was asked whether he would like to write some of his own. In 1848, Collodi started publishing Il Lampione, a newspaper of political satire. With the founding of the Kingdom of Italy in 1861, Collodi ceased his journalistic and militaristic activities and began writing children's books.[8]

Collodi wrote a number of didactic children's stories for the recently unified Italy, including Viaggio per l'Italia di Giannettino ("Little Johnny's voyage through Italy"; 1876), a series about an unruly boy who undergoes humiliating experiences while traveling the country, and Minuzzolo (1878).[9] In 1881, he sent a short episode in the life of a wooden puppet to a friend who edited a newspaper in Rome, wondering whether the editor would be interested in publishing this "bit of foolishness" in his children's section. The editor did, and the children loved it.[10]

The Adventures of Pinocchio was originally published in serial form in the Giornale per i bambini, one of the earliest Italian weekly magazines for children, starting from 7 July 1881. In the original, serialized version, Pinocchio dies a gruesome death: hanged for his innumerable faults, at the end of Chapter 15. At the request of his editor, Collodi added chapters 16–36, in which the Fairy with Turquoise Hair rescues Pinocchio and eventually transforms him into a real boy, when he acquires a deeper understanding of himself, making the story more suitable for children. In the second half of the book, the maternal figure of the Blue-haired Fairy is the dominant character, versus the paternal figure of Geppetto in the first part. In February 1883, the story was published in a single book with huge success.[1]

Children's literature was a new idea in Collodi's time, an innovation in the 19th century. Thus in content and style it was new and modern, opening the way to many writers of the following century.

International popularity
Some of the more than 260 translations of the book displayed at the Accademia della Crusca library, Florence.

As of October 2018, The Adventures of Pinocchio became the world's most translated book (over 300 languages) excluding religious works.[4] The book has had great impact on world culture, and it was met with enthusiastic reviews worldwide. The title character is a cultural icon and one of the most reimagined characters in children's literature.[11] The popularity of the story was bolstered by the powerful philosopher-critic Benedetto Croce, who greatly admired the tale and reputed it as one of the greatest works of Italian literature.[2]

Carlo Collodi, who died in 1890, was respected during his lifetime as a talented writer and social commentator, and his fame continued to grow when Pinocchio was first translated into English by Mary Alice Murray in 1892, whose translation was added to the widely read Everyman's Library in 1911. Other well regarded English translations include the 1926 translation by Carol Della Chiesa, and the 1986 bilingual edition by Nicolas J. Perella. The first appearance of the book in the United States was in 1898, with publication of the first US edition in 1901, translated and illustrated by Walter S. Cramp and Charles Copeland.[1] From that time, the story was one of the most famous children's books in the United States and an important step for many illustrators.[1]

Together with those from the United Kingdom, the American editions contributed to the popularity of Pinocchio in countries more culturally distant from Italy, such as Iceland and Asian countries.[1] In 1905, Otto Julius Bierbaum published a new version of the book in Germany, entitled Zapfelkerns Abenteuer (lit. The Adventures of Pine Nut), and the first French edition was published in 1902. Between 1911 and 1945, translations were made into all European languages and several languages of Asia, Africa and Oceania.[4][1] In 1936, Soviet writer Aleksey Nikolayevich Tolstoy published a reworked version of Pinocchio titled The Golden Key, or the Adventures of Buratino (originally a character in the commedia dell'arte), which became one of the most popular characters of Russian children's literature.

Pinocchio puppets in a puppet shop window in Florence.

The first stage adaptation was launched in 1899, written by Gattesco Gatteschi and Enrico Guidotti and directed by Luigi Rasi.[1] Also, Pinocchio was adopted as a pioneer of cinema: in 1911, Giulio Antamoro featured him in a 45-minute hand-coloured silent film starring Polidor (an almost complete version of the film was restored in the 1990s).[1] In 1932, Noburō Ōfuji directed a Japanese movie with an experimental technique using animated puppets,[1] while in the 1930s in Italy, there was an attempt to produce a full-length animated cartoon film of the same title. The 1940 Walt Disney version was a groundbreaking achievement in the area of effects animation, giving realistic movement to vehicles, machinery and natural elements such as rain, lightning, smoke, shadows and water.

Proverbial figures

Many concepts and situations expressed in the book have become proverbial, such as:

  • The long nose, commonly attributed to those who tell lies. The fairy says that "there are the lies that have short legs, and the lies that have the long nose".
  • The land of Toys, to indicate cockaigne that hides another.
  • The saying "burst into laughter" (also known as Ridere a crepapelle in Italian, literally "laugh to crack skin") has also created after the release of the book, in reference to the episode of the death of the giant snake.

Similarly, many of the characters have become typical quintessential human models, still cited frequently in everyday language:

  • Mangiafuoco: (literally "fire eater") a gruff and irascible man.
  • the Fox and the Cat: an unreliable pair.
  • Lampwick: a rebellious and wayward boy.
  • Pinocchio: a dishonest boy.

Literary analysis
"As he lies, his nose grows", illustration by Carlo Chiostri.

Before writing Pinocchio, Collodi wrote a number of didactic children's stories for the recently unified Italy, including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino ("Little Johnny's voyage through Italy").[9] Throughout Pinocchio, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun.

The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations.[12] At the time of the writing of the book, this was a serious problem, arising partly from the industrialization of Italy, which led to a growing need for reliable labour in the cities; the problem was exacerbated by similar, more or less simultaneous, demands for labour in the industrialization of other countries. One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as South and North America.

Some literary analysts have described Pinocchio as an epic hero. According to Thomas J. Morrissey and Richard Wunderlich in Death and Rebirth in Pinocchio (1983) "such mythological events probably imitate the annual cycle of vegetative birth, death, and renascence, and they often serve as paradigms for the frequent symbolic deaths and rebirths encountered in literature. Two such symbolic renderings are most prominent: re-emergence from a journey to hell and rebirth through metamorphosis. Journeys to the underworld are a common feature of Western literary epics: Gilgamesh, Odysseus, Aeneas, and Dante all benefit from the knowledge and power they put on after such descents. Rebirth through metamorphosis, on the other hand, is a motif generally consigned to fantasy or speculative literature [...] These two figurative manifestations of the death-rebirth trope are rarely combined; however, Carlo Collodi's great fantasy-epic, The Adventures of Pinocchio, is a work in which a hero experiences symbolic death and rebirth through both infernal descent and metamorphosis. Pinocchio is truly a fantasy hero of epic proportions [...] Beneath the book's comic-fantasy texture—but not far beneath—lies a symbolic journey to the underworld, from which Pinocchio emerges whole."[13]

The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts. "as a hero of what is, in the classic sense, a comedy, Pinocchio is protected from ultimate catastrophe, although he suffers quite a few moderate calamities. Collodi never lets the reader forget that disaster is always a possibility; in fact, that is just what Pinocchio's mentors —Geppetto, the Talking Cricket, and the Fairy— repeatedly tell him. Although they are part of a comedy, Pinocchio's adventures are not always funny. Indeed, they are sometimes sinister. The book's fictive world does not exclude injury, pain, or even death—they are stylized but not absent. [...] Accommodate them he does, by using the archetypal birth-death-rebirth motif as a means of structuring his hero's growth to responsible boyhood. Of course, the success of the puppet's growth is rendered in terms of his metamorphic rebirth as a flesh-and-blood human."[13]

Adaptations

The story has been adapted into many forms on stage and screen, some keeping close to the original Collodi narrative while others treat the story more freely. There are at least fourteen English-language films based on the story (see also: The Adventures of Pinocchio), not to mention the Italian, French, Russian, German, Japanese and many other versions for the big screen and for television, and several musical adaptations.

Films
  • The Adventures of Pinocchio (1911 film) (1911), a live-action silent film directed by Giulio Antamoro, and the first movie based on the novel. The rest of the film is lost.
  • The Adventures of Pinocchio (1936), a historically-notable, unfinished Italian animated feature film.
  • Pinocchio (1940), a Disney animated film which is considered a masterpiece of the art of animation. It was deemed culturally significant by the Library of Congress and selected for preservation in the United States National Film Registry.
  • Le avventure di Pinocchio (1947 film) (1947), an Italian live action film with Alessandro Tomei as Pinocchio.
  • Pinocchio in Outer Space, 1965, feature: Pinocchio has adventures in outer space, with an alien turtle as a friend.
  • Turlis Abenteuer an East German version released in 1967. In 1969 it was dubbed into English and shown in the US as Pinocchio.
  • The Adventures of Pinocchio (1972, original title Un burattino di nome Pinocchio, literally "A puppet named Pinocchio"), an Italian animated film written and directed by Giuliano Cenci. Carlo Collodi's grandchildren, Mario and Antonio Lorenzini advised the production.
  • The Adventures of Buratino, a 1976 USSR film, one of the most popular movies in Soviet Union of all times.
  • Pinocchio and the Emperor of the Night, 1987 animation, a follow up.
  • The animated Pinocchio (1992) from American Film Investment Corporation II, produced by Diane P. Eskenazi.
  • The Adventures of Pinocchio (1996), a film by Steve Barron starring Martin Landau as Geppetto and Jonathan Taylor Thomas as Pinocchio.
  • The New Adventures of Pinocchio (1999), a direct-to-video film sequel of the 1996 movie. Martin Landau reprise his role of Geppetto, while Gabriel Thomson plays Pinocchio.
  • Pinocchio (2002), a live-action Italian film directed by, co-written by and starring Roberto Benigni.
  • Pinocchio 3000 (2004), a CGI animated Canadian film.
  • Bentornato Pinocchio (2007), an Italian animated film directed by Orlando Corradi, which acts as a sequel to the original story. Pinocchio is voiced by Federico Bebi.
  • Pinocchio (2012), an Italian-Belgian-French animated film directed by Enzo D'Alò.
  • Pinocchio (2015), a live-action Czech film featuring a computer-animated and female version of the Talking Cricket, given the name, Coco, who used to live in the wood Pinocchio was made out of.
  • Pinocchio (2019), a live-action Italian film co-written, directed and co-produced by Matteo Garrone. It stars child actor Federico Ielapi as Pinocchio and Roberto Benigni as Geppetto. Prosthetic makeup was used to turn Ielapi into a puppet. Some actors, including Ielapi, dubbed themselves in the English-language version of the movie.

Upcoming films:

  • Pinocchio (2021), a stop-motion musical film co-directed by Guillermo del Toro and Mark Gustafson, scheduled to be released in 2021 on Netflix.[14] It will be a darker story set in Fascist Italy.
  • In April 2015, Deadline reported that Disney is developing a live action film based on the 1940 animated Pinocchio.[15] In January 2020, it was announced that Robert Zemeckis will direct and co-write the film.[16]

Television

Cultural influence
  • Totò plays Pinocchio in Toto in Color (1952)
  • The Erotic Adventures of Pinocchio, 1971 was advertised with the memorable line, "It's not his nose that grows!"
  • Weldon, John (1977), Spinnolio (parody), National Film Board of Canada.[17]
  • Edward Scissorhands, 1990, movie, contains elements both of Beauty and Beast, Frankenstein and Pinocchio.
  • Pinocchio's Revenge, 1996, a horror movie where Pinocchio supposedly goes on a murderous rampage.
  • Android Kikaider was influenced by Pinocchio story.
  • Astro Boy (鉄腕アトム, Tetsuwan Atomu) (1952), a Japanese manga series written and illustrated by Osamu Tezuka, recasts loosely the Pinocchio theme.[18]
  • Marvel Fairy Tales, a comic book series by C. B. Cebulski, features a retelling of The Adventures of Pinocchio with the robotic superhero called The Vision in the role of Pinocchio.
  • The story was adapted in an episode of Simsala Grimm.
  • Spielberg, Steven (2001), A.I. Artificial Intelligence, film, based on a Stanley Kubrick project that was cut short by Kubrick's death, recasts the Pinocchio theme; in it an android with emotions longs to become a real boy.[19]
  • Shrek, 2001, Pinocchio is a recurrent supporting character.
  • Shrek the Musical, Broadway, December 14, 2008.
  • A Tree of Palme, a 2002 anime film, is an interpretation of the Pinocchio tale.
  • Teacher's Pet, 2004 contains elements and references of the 1940 adaptation and A.I. Artificial Intelligence.
  • Happily N'Ever After 2: Snow White Another Bite @ the Apple, 2009 Pinocchio appears as a secondary character.
  • In The Simpsons episode "Itchy and Scratchy Land", there is a parody of Pinocchio called Pinnitchio where Pinnitchio (Itchy) stabs Geppetto (Scratchy) in the eye after he fibs to not to tell lies.
  • In the Rooster Teeth webtoon RWBY, the characters Penny Polendina and Roman Torchwick are based on Pinocchio and Lampwick respectively.

Other books
  • Mongiardini-Rembadi, Gemma (1894), Il Segreto di Pinocchio, Italy. Published in the United States in 1913 as Pinocchio under the Sea.
  • Cherubini, E. (1903), Pinocchio in Africa, Italy.
  • Lorenzini, Paolo (1917), The Heart of Pinocchio, Florence, Italy.
  • Patri, Angelo (1928), Pinocchio in America, United States.
  • Della Chiesa, Carol (1932), Puppet Parade, New York.
  • Tolstoy, Aleksey Nikolayevich (1936), The Golden Key, or the Adventures of Buratino, Russia, a loose adaptation. Illustrated by Alexander Koshkin, translated from Russian by Kathleen Cook-Horujy, Raduga Publishers, Moscow, 1990, 171 pages, SBN 5-05-002843-4. Leonid Vladimirski later wrote and illustrated a sequel, Buratino in the Emerald City, bringing Buratino to the Magic Land that Alexander Melentyevich Volkov based on the Land of Oz, and which Vladimirski had illustrated.
  • Marino, Josef (1940), Hi! Ho! Pinocchio!, United States.
  • Coover, Robert (1991), Pinocchio in Venice, novel, continues the story of Pinocchio, the Blue Fairy, and other characters.
  • Dine, James ‘Jim’ (2006), Pinocchio, Steidl, illustrations.
  • ———— (2007), Pinocchio, PaceWildenstein.
  • Carter, Scott William (2012), Wooden Bones, novel, described as the untold story of Pinocchio, with a dark twist. Pino, as he’s come to be known after he became a real boy, has discovered that he has the power to bring puppets to life himself.
  • Morpurgo, Michael (2013), Pinocchio by Pinocchio Children's book, illustrated by Emma Chichester Clark.
  • London, Thomas (2015), Splintered: A Political Fairy Tale sets the characters of the story in modern-day Washington, D.C.
  • Bemis, John Claude. Out of Abaton "duology" The Wooden Prince and Lord of Monsters (Disney Hyperion, 2016 and 2017) adapts the story to a science fiction setting.

Theater
One of numerous stage adaptations of the novel, this one at the Serbian National Theatre (2018).
  • "Pinocchio" (1961-1999), by Carmelo Bene
  • "Pinocchio" (2002), musical by Saverio Marconi and musics by Pooh
  • An opera, The Adventures of Pinocchio, composed by Jonathan Dove to a libretto by Alasdair Middleton, was commissioned by Opera North and premièred at the Grand Theatre in Leeds, England, on 21 December 2007.
  • Navok, Lior (2009), opera, sculptural exhibition. Two acts: actors, woodwind quintet and piano.
  • Le Avventure di Pinocchio (2009) musical by Mario Restagno.
  • Costantini, Vito (2011), The other Pinocchio, musical, the first musical sequel to 'Adventures of Pinocchio'. The musical is based on The other Pinocchio, Brescia: La Scuola Editrice, 1999, book. The composer is Antonio Furioso. Vito Costantini wrote "The other Pinocchio" after the discovery of a few sheets of an old manuscript attributed to Collodi and dated 21/10/1890. The news of the discovery appeared in the major Italian newspapers.[20] It is assumed the Tuscan artist wrote a sequel to 'The Adventures of Pinocchio' he never published. Starting from handwritten sheets, Costantini has reconstructed the second part of the story. In 2000 'The other Pinocchio' won first prize in national children's literature Città of Bitritto.
  • La vera storia di Pinocchio raccontata da lui medesimo, (2011) by Flavio Albanese, music by Fiorenzo Carpi, produced by Piccolo Teatro.
  • L'altro Pinocchio (2011), musical by Vito Costantini based on L'altro Pinocchio (Editrice La Scuola, Brescia 1999).
  • Pinocchio. Storia di un burattino da Carlo Collodi by Massimiliano Finazzer Flory (2012)
  • Pinocchio (2017), musical by Dennis Kelly, with songs from 1940 Disney movie, directed by John Tiffany, premiered on the National Theatre, London.

Monuments and art works dedicated to Pinocchio
A giant statue of Pinocchio in the park Parco di Pinocchio, Pescia.
  • The name of a district of the city of Ancona is "Pinocchio", long before the birth of the famous puppet. Vittorio Morelli built the Monument to Pinocchio.[21]
  • Fontana a Pinocchio, 1956, fountain in Milan, with bronze statues of Pinocchio, the Cat, and the Fox.
  • In Pescia, Italy, the park "Parco di Pinocchio" was built in 1956.
  • Near the Lake Varese was built a metal statue depicting Pinocchio.[22]
  • 12927 Pinocchio, a main-belt asteroid discovered on September 30, 1999 by M. Tombelli and L. Tesi at San Marcello Pistoiese, was named after Pinocchio.
  • In the paintings series La morte di Pinocchio, Walther Jervolino, an Italian painter and engraver, shows Pinocchio being executed with arrows or decapitated, thus presenting an alternative story ending.
  • In the central square of Viù, Turin, there is a wooden statue of Pinocchio which is 6.53 meters tall and weighs about 4000 kilograms.[23]
  • In Collodi, the birthplace of the writer of Pinocchio, in February 2009 was installed a statue of the puppet 15 feet tall.
  • At the Expo 2010 in Shanghai, in the Italian Pavilion, was exposed to more than two meters tall an aluminum sculpture called Pinocchio Art of Giuseppe Bartolozzi and Clara Thesis.
  • He was used as the mascot for the 2013 UCI Road World Championships.
  • The National Foundation Carlo Collodi together with Editions Redberry Art London has presented - in MILAN at "I Chiostri dell'Umanitaria" - the artist's book The Adventures of Pinocchio with the works of Maestro Antonio Nocera. The exhibition was part of a Tuscany region food and fable project connected to the Milan Expo 2015.
gollark: I can COUNTERHACK them.
gollark: > That is the problem, nobody can fucking decide if it is 1000 or 1024There's a standard: kB/KB (kilobyte) is 1000, KiB (kibibyte) is 1024. But that's not really stuck with consistently and different platforms will randomly label it the wrong way and it's all quite bad.
gollark: 🦀 yay this will somewhat reduce annoyance 🦀
gollark: Oh, neat.
gollark: That makes as much as sense as saying that people who don't believe in free will shouldn't have human rights, i.e. not much, and slowmode is annoying.

See also

References
  1. "The Adventures of Pinocchio - Fondazione Pinocchio - Carlo Collodi - Parco di Pinocchio". Fondazione Pinocchio.
  2. Benedetto Croce, «Pinocchio», in Idem, La letteratura della nuova Italia, vol. V, Laterza, Bari 1957 (IV ed.), pp. 330-334.
  3. Giovanni Gasparini. La corsa di Pinocchio. Milano, Vita e Pensiero, 1997. p. 117. ISBN 88-343-4889-3
  4. Collodi, Edizione Nazionale delle Opere di Carlo Lorenzi- ni, Volume III
  5. Repubblica Italiana on Le Avventure di pinocchio: "“The Adventures of Pinocchio” translated in more of 260 languages." (1 July 2001)
  6. "Carlo Collodi, il papà del burattino più conformista della letteratura" (in Italian). artspecialday.com. April 3, 2018.
  7. [...]remains the most translated Italian book and, after the Bible, the most widely read[...] by Francelia Butler, Children's Literature, Yale University Press, 1972
  8. "Carlo Collodi - Britannica.com". Retrieved 2 December 2019.
  9. Gaetana Marrone; Paolo Puppa (26 December 2006). Encyclopedia of Italian Literary Studies. Routledge. pp. 485–. ISBN 978-1-135-45530-9.
  10. "The Story of Pinocchio by Carlo Collodi". www.yourwaytoflorence.com.
  11. "Pinocchio: Carlo Collodi - Children's Literature Review". Encyclopedia.com. Retrieved 2015-10-01.
  12. Collodi, Carlo (1996). "Introduction". In Zipes, Jack (ed.). Pinocchio. Penguin Books. pp. xiii–xv.
  13. Morrissey, Thomas J., and Richard Wunderlich. "Death and Rebirth in Pinocchio." Children's Literature 11 (1983): 64–75.
  14. Trumbore, Dave (6 November 2018). "Netflix Sets Guillermo del Toro's 'Pinocchio' and Henry Selick's 'Wendell & Wild' for 2021". Collider. Retrieved 6 November 2018.
  15. Fleming Jr., Mike (April 8, 2015). "'Pinocchio'-Inspired Live-Action Pic In The Works At Disney". Deadline.
  16. D'Alessandro, Anthony (January 24, 2020). "Robert Zemeckis Closes Deal To Direct & Co-Write Disney's Live-Action 'Pinocchio'". Deadline Hollywood.
  17. Weldon, John. "Spinnolio" (Adobe Flash). Animated short. Montreal: National Film Board of Canada. Retrieved 11 January 2011.
  18. Schodt, Frederik L. "Introduction." Astro Boy Volume 1 (Comic by Osamu Tezuka). Dark Horse Comics and Studio Proteus. Page 3 of 3 (The introduction section has 3 pages). ISBN 1-56971-676-5.
  19. "Plumbing Stanley Kubrick". Archived from the original on 2008-07-03. Retrieved 2017-04-01.
  20. La Stampa, IT, 1998-02-20.
  21. "MORELLI, Vittorio in "Dizionario Biografico"". www.treccani.it.
  22. MonrifNet. "Il Giorno - Varese - Per Pinocchio ha un nuovo look Restaurato al Parco Zanzi". www.ilgiorno.it.
  23. "Viù: Il Pinocchio gigante è instabile, via dalla piazza del paese: Torna nelle mani del falegname Silvano Rocchietti," (in Italian) Torino Today (Oct. 2, 2018).

Bibliography
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.