Lloyd's building

The Lloyd's building (sometimes known as the Inside-Out Building)[3] is the home of the insurance institution Lloyd's of London. It is located on the former site of East India House in Lime Street, in London's main financial district, the City of London. The building is a leading example of radical Bowellism architecture in which the services for the building, such as ducts and lifts, are located on the exterior to maximise space in the interior.

Lloyd's building
Lloyd's building in 2011
General information
TypeOffice building
Architectural styleStructural expressionism
LocationLime Street
London, EC3
Coordinates51°30′47″N 0°04′56.5″W
Construction started1978
Completed1986 (1986)
Cost£75,000,000
OwnerPing An Insurance[1]
Height
Antenna spire95.1 m (312 ft)
Roof88 m (289 ft)
Technical details
Floor count14
Lifts/elevators14 (12 external, 2 internal)
Design and construction
Architecture firmRichard Rogers and Partners
Project Architects:[2]
Richard Rogers
Graham Stirk
Ivan Harbour
Chris Wilkinson
John McAslan
Peter St. John
Structural engineerArup
Peter Rice
Services engineerArup
Main contractorBovis
DesignationsGrade I listed

Twenty-five years after completion in 1986, the building received Grade I listing in 2011; it was the youngest structure ever to obtain this status. It is said by Historic England to be "universally recognised as one of the key buildings of the modern epoch".[4]

History

The first Lloyd's building (address 12 Leadenhall Street) had been built on this site in 1928. In 1958, due to expansion of the market, a new building was constructed across the road at 51 Lime Street (now the site of the Willis Building). Lloyd's now occupied the Heysham Building and the Cooper Building.

By the 1970s Lloyd's had again outgrown these two buildings and proposed to extend the Cooper Building. In 1978, the corporation ran an architectural competition which attracted designs from practices such as Foster Associates, Arup and I.M. Pei.[5] Lloyd's commissioned Richard Rogers to redevelop the site, and the original 1928 building on the western corner of Lime and Leadenhall Streets was demolished to make way for the present one which was officially opened by Queen Elizabeth II on 18 November 1986. The 1928 building's entrance at 12 Leadenhall Street was preserved and forms a rather incongruous attachment to the 1986 structure. Demolition of the 1958 building commenced in 2004 to make way for the 26-storey Willis Building.

Design
Inside the Lloyd's building

The current Lloyd's building (address 1 Lime Street) was designed by the architect company Richard Rogers and Partners (now Rogers Stirk Harbour + Partners) and built between 1978 and 1986. Bovis was the management contractor.[6] Like the Pompidou Centre in Paris (designed by Renzo Piano and Rogers), the building was innovative in having its services such as staircases, lifts, ductwork, electrical power conduits and water pipes on the outside, leaving an uncluttered space inside. The 12 glass lifts were the first of their kind in the United Kingdom. Like the Pompidou Centre, the building was highly influenced by the work of Archigram in the 1950s and 1960s.

The building consists of three main towers and three service towers around a central, rectangular space. Its core is the large Underwriting Room on the ground floor, which houses the Lutine Bell within the Rostrum. Also on the first floor is the loss book which for 300 years has had entries of significant losses entered by quill.[7] The Underwriting Room (often simply called "the Room") is overlooked by galleries, forming a 60 metres (197 ft) high atrium lit naturally through a huge barrel-vaulted glass roof. The first four galleries open onto the atrium space, and are connected by escalators through the middle of the structure. The higher floors are glassed in and can only be reached via the exterior lifts.

The 11th floor houses the Committee Room (also known as the Adam Room), an 18th-century dining room designed for the 2nd Earl of Shelburne by Robert Adam in 1763; it was transferred piece by piece from the previous (1958) Lloyd's building across the road at 51 Lime Street.

The Lloyd's building is 88 metres (289 ft) to the roof, with 14 floors.[8] On top of each service core stand the cleaning cranes, increasing the overall height to 95.10 metres (312 ft). Modular in plan, each floor can be altered by addition or removal of partitions and walls.

In 2008 the Twentieth Century Society called for the building to be Grade I listed[9] and in 2011 it was granted this status.[10][11]

The building was previously owned by Dublin-based real estate firm Shelbourne Development Group, who purchased it in 2004 from a German investment bank.[12] In July 2013 it was sold to the Chinese company Ping An Insurance in a £260 million deal.[13]

Simplified plan and rotating 3D model (to see rotation model view the image at its direct link)
Use in feature films and record album covers

It is seen on the cover of British pop group Five Star's 1986 album Silk and Steel; Hundred Reasons' debut album Ideas Above Our Station; and the 2001 reissue of British electronic musician Mike Paradinas' 1993 album Tango n' Vectif, under the alias μ-ziq.

Use as a location in films
Images inside and outside of the Lloyd's building
  • The Lloyd's building among the City skyline (2007)
  • Lloyd's building at night
  • The lifts on the outside of the building
  • The atrium
  • The atrium
  • The 1925 building façade on the northwest corner
  • The Lutine Bell is housed in the Rostrum
  • A Liveried Waiter writes in the Loss Book
  • The Committee Room, on the 11th floor of the building
  • The Willis Building (left) and the Lloyd's building (right)
gollark: Anyway, the centralized version would not be very blockchainy but just a thing to execute sandboxed JS with connectivity to Krist and publicly visible source code.
gollark: I see.
gollark: How would you do that with this?
gollark: If enough people come up with interesting non-stupid uses for this sort of thing, I *can* put together a centralized version.
gollark: You *could* sort of do that, in a kristaceous centralized fashion, by having some server just connect to KristQL and run user-submitted bits of JS code to validate things.

See also

References
  1. "中国平安24亿元购英国劳埃德大厦_财经_腾讯网". finance.qq.com (in Chinese). Retrieved 16 June 2018.
  2. "Lloyd's Building". Architects Journal. Retrieved 30 October 2016.
  3. Lloyd's of London Homepage Archived 24 September 2009 at the Wayback Machine. Page accessed 20 May 2010.
  4. Waite, Richard (19 December 2011). "Rogers' Lloyd's becomes youngest Grade-I listed building". Architects Journal. Retrieved 7 February 2013.
  5. "English Heritage Listing Information" (PDF). English Heritage. 19 December 2011. p. 2. Retrieved 6 February 2013.
  6. Richard Rogers Partnership Archived 6 July 2009 at the Wayback Machine
  7. Moynihan, Shawn (6 October 2016). "Here's what Lloyd's of London looks like on the inside". Property Casualty 360. ALM Media, LLC. Retrieved 6 October 2016.
  8. Skyscrapernews
  9. Thompson, Max (24 January 2008). "Call for 'urgent' Grade-I listing of Lloyd's building". The Architects' Journal. Retrieved 26 August 2016.
  10. Lloyd’s Building Gets Grade I Listed Status
  11. Waite, Richard (19 December 2011). "Rogers' Lloyd's becomes youngest Grade-I listed building". The Architects' Journal. Retrieved 26 August 2016.
  12. "Lloyd's Tower Purchased". The New York Times. 10 January 2004. Retrieved 14 July 2013.
  13. "Lloyd's building sold to Chinese insurance group in £260m deal". The Guardian. London. 8 July 2013. Retrieved 14 July 2013.
  14. Lloyds building appears briefly in a sequence where Xandar is under attack
  15. Total of 16 seconds from 3min. 10sec. mark after film start
  16. Lloyds building masquerades as a New York office, from where Pierce Brosnan's character leaves at the beginning of the film for the Greek island. Yellow cabs and an actor representing a New York mounted policeman were used for authenticity.
  17. K-9 rolls about the building, examining different coloured Smarties candies that represent stars at various points in their life cycles, while being cheered on by Ace and challenged by the Seventh Doctor.
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