Albright–Knox Art Gallery

The Albright–Knox Art Gallery is an art museum located at 1285 Elmwood Avenue, Buffalo, New York, in Delaware Park. The Albright-Knox's Elmwood Avenue campus is temporarily closed for construction. It is currently hosting exhibitions and events at Albright-Knox Northland, a project space located at 612 Northland Avenue in Buffalo’s Northland Corridor. The new Buffalo Albright Knox Gundlach Art Museum (AKG) is expected to open in 2022.

Albright–Knox Art Gallery
Location1285 Elmwood Avenue, Buffalo, New York
Coordinates42°55′57″N 78°52′32″W
Built1890–1905, 1962 (addition)
ArchitectAugustus Saint Gaudens, Edward Brodhead Green[1]
Architectural styleBeaux arts[1]
NRHP reference No.71000538[1]
Added to NRHPMay 27, 1971

The gallery is a major showplace for modern art and contemporary art. It is located directly opposite Buffalo State College and the Burchfield Penney Art Center.

History
View from Elmwood Avenue

The parent organization of the Albright–Knox Art Gallery is the Buffalo Fine Arts Academy, founded in 1862, one of the oldest public arts institutions in the United States.[2] On January 15, 1900, Buffalo entrepreneur and philanthropist John J. Albright, a wealthy Buffalo industrialist, donated funds to the Academy to begin construction of an art gallery.[3] The building was designed by prominent local architect Edward Brodhead Green.[4] It was originally intended to be used as the Fine Arts Pavilion for the Pan-American Exposition in 1901, but delays in its construction caused it to remain uncompleted until 1905[2]. When it finally opened its doors on May 31, 1905, it was named the Albright Art Gallery[2].

Clifton Hall, the third building on the museum's campus, was constructed in 1920 as the Buffalo Society of Natural Sciences. Today, Clifton Hall houses the F. Paul Norton and Frederic P. Norton Family Prints And Drawings Study Center, the AK Innovation Lab, working spaces for the Public Art Initiative, and staff offices.[5]

View from inside

In 1962, a new addition was made to the gallery through the contributions of Seymour H. Knox, Jr. and his family, and many other donors. At this time the museum was renamed the Albright–Knox Art Gallery. The new building was designed by Skidmore, Owings and Merrill architect Gordon Bunshaft, who is noted for the Lever House in New York City. The Albright–Knox Art Gallery is listed in the National Register of Historic Places.

The museum first began discussing a possible expansion in 2001. In 2012, the board commissioned the architectural firm Snøhetta to produce a master plan for future growth.[6] In 2014, the board voted to initiate a museum expansion and, in June 2016, the museum announced its selection of OMA partner Shohei Shigematsu as the architect for the project.[7] Doubleline CEO and Buffalo native Jeffrey Gundlach has pledged $42.5 million to the project, while businesses, foundations, government groups, and individuals have promised matching funds toward a $125 million goal.

Exhibitions

In 1978, the Gallery's exhibition on the work of Richard Diebenkorn was chosen to represent the United States at the 28th Venice Biennale. In 1988, the museum again won the competition to organize the exhibition representing the United States in Venice; the museum's curator Michael G. Auping proposed media artist Jenny Holzer.[8]

Collection
Albert Gleizes, L'Homme au Hamac (Man in a Hammock) (1913)

The Albright–Knox Art Gallery has long operated not by collecting artists' work in depth but by trying to acquire key works.[9] The gallery's collection includes several pieces spanning art throughout the centuries. Impressionistic and Post-Impressionistic styles can be found in works by artists of the nineteenth century such as Paul Gauguin and Vincent van Gogh.

Revolutionary styles from the early twentieth century such as cubism, surrealism, constructivism are represented in works by artists like Pablo Picasso, Georges Braque, Jean Metzinger, Albert Gleizes, Henri Matisse, André Derain, Joan Miró, Piet Mondrian, and Alexander Rodchenko. Frida Kahlo is represented by Self-Portrait with Monkey. Because of Seymour H. Knox and Gordon M. Smith, a former director, the Albright-Knox was one of the first museums to collect Abstract Expressionism in depth.[10]

More modern pieces showing styles of abstract expressionism, pop art, and art of the 1970s through the end of the century can also be found represented by artists such as Arshile Gorky, Jackson Pollock, Clyfford Still, and Andy Warhol. Additionally, the gallery is also rich in various pieces of post-war American and European art;[11] their contemporary collection includes pieces by artists such as Kiki Smith, Allan Graham, Georg Baselitz, John Connell, and Per Kirkeby. The museum bought Anselm Kiefer's large-scale Die Milchstrasse (The Milkyway) (1985–87) in 1988 to celebrate its 125th anniversary.[12]

The Albright-Knox's current exhibition space can accommodate only 200 works — just 3% of its 6,740-piece collection.[6]

Selected collection highlights

Paintings

The Albright-Knox has more than 6,500 works in its collection, below is a list highlighting a few other notable paintings:[13]

Name Artist Year Notes
Hotel LobbyMax Beckmann1950
Music and LiteratureWilliam Michael Harnett1878
La Maison de la Crau (The Old Mill)Vincent Van Gogh1888
La Jeune bonne (The Servant Girl)Amedeo Modigliani1918
Self-Portrait with MonkeyFrida Kahlo1938
Nude FigurePablo Picasso1909-1910
La ToilettePablo Picasso1906
Chemin de haulage à argenteuil (tow path at argenteus)Claude Monet1875
ConvergenceJackson Pollock1952
Orange and YellowMark Rothko1956
CowAndy Warhol1976

Sculptures

The gallery contains a variety of sculptures on the exterior grounds. Some of the most notable, from the past and the present, include:

Name Artist Year Image
Alphabet SeriesFletcher BentonN/A
Big RedJames Rosati1971
BondAlexander Liberman1969
Stainless Steel, Aluminum, Monochrome I, Built to Live Anywhere, at Home HereNancy Rubins2011
CigaretteTony Smith1961
Diamond I of IIIAntoni Milkowski1967
Directional ILyman Kipp1962
KarmaDo-Ho Suh2010
E.C. ColumnKenneth Snelson1969–81
Flat Rate IILyman Kipp1969
Four ChancesKenneth Snelson1982
Into the BlueShayne Dark2005
LauraJaume Plensa2012
Look and SeeJim Hodges2005
Shark GirlCasey Riordan Millard2014
Stacked Revision StructureLiam Gillick2005
The CryIsamu Noguchi1962
Turning the World Upside Down #4Anish Kapoor1998

Deaccessioning and the Albright-Knox's mission
Artemis and the Stag, on display at the Metropolitan Museum of Art.

In 2007, the Albright–Knox Art Gallery deaccessioned a Roman-era bronze sculpture, Artemis and the Stag, that was auctioned at Sotheby's New York on June 7, 2007, and brought $28.6 million.[14] This was the highest price ever paid at auction for an antiquity or a sculpture of any period, according to Sotheby's. It was purchased by the London dealer Giuseppe Eskenazi on behalf of a private European collector.[15]

The event brought national attention to what until then had been a local question, the mission of the Albright-Knox. In February 2007, when the list of works to be deaccessioned was made public, Albright-Knox Director Louis Grachos defined the ancient sculpture as falling outside the institution's historical "core mission" of "acquiring and exhibiting art of the present." This definition made public critics wonder whether the position at the Gallery of "William Hogarth's Lady's Last Stake or Sir Joshua Reynolds' Cupid as a Link Boy were secure. Works by Gustave Courbet, Honoré Daumier, Jacques-Louis David and Eugène Delacroix had been purchased by the museum in earlier decades.[16]

The decision to deaccession certain art works was made by a vote of the museum's Board of Directors, was voted on and ratified by the entire membership, and followed the guidelines of the American Alliance of Museums.[17] The sale raised questions about how museums can remain vital when they are situated in economically declining regions and have limited means for raising funds for operations and acquisitions.[18]

Hours

The gallery is open from 10 a.m. to 5 p.m., Tuesday through Sunday. On the first Friday of each month, the gallery is open from 10 a.m. to 10 p.m. with free admission to the permanent collection through the support of M&T Bank.[19]

Management
View of Albright–Knox Art Gallery from Delaware Park

Governance

Since 2013, Janne Sirén has been director of the Albright–Knox Art Gallery. Sirén is believed to be the first director from the Nordic region to take the helm of a major American art museum.[20]

Complete list of directors:

  • Janne Gallen-Kallela-Sirén (2013–present)
  • Louis Grachos (2002-2013)
  • Douglas G. Schultz (1983-2002)
  • Robert T. Buck, Jr. (1973-1983)
  • Gordon M. Smith (1955–1973)
  • Edgar C. Schenck (1949–1955)
  • Andrew C. Ritchie (1942–1949)
  • Gordon B. Washburn (1931–1942)
  • William M. Hekking (1925–1931)
  • Cornelia Bentley Sage Quinton (1910–1924)
  • Charles McMeen Kurtz (1905–1909)

Funding

As of 2007, the Albright–Knox Art Gallery's endowment stood at about $58 million, generating about $1.1 million a year for acquisitions.[9] Since the proceeds from the sale of some 200 works of art in 2007 were added to the preexisting $22 million acquisitions endowment, the museum has been able to spend as much as almost $5 million on new art annually.[21] In 2013, the Albright–Knox Art Gallery received an $11 million bequest from the estate of longtime board member and Buffalo arts patron Peggy Pierce Elfvin, possibly the largest single gift in the museum's history.[22]

gollark: …
gollark: Regarding actually selecting on children: I think you could make some reasonable argument about not disadvantaging children genetically or something but also people are terrible and could not be trusted to do this in a nonterrible way.
gollark: limons did mention something about just using it for membership in some group and not for deciding who reproduces, but that's not particularly eugenicsy and just vaguely stupid like mensa.
gollark: Yeees, actually, hmm.
gollark: Anyway, limons, for the purpose you specified it would work fine to just rank people on accomplishments instead of some rough "intelligence" metric.

See also
Albright Art Gallery in 1913

References
  1. "National Register of Historical Places - New York (NY), Erie County". National Register of Historic Places. National Park Service. 2007-02-24.
  2. "Our History | Albright-Knox". www.albrightknox.org. Retrieved 2019-01-28.
  3. "John J. Albright | Albright-Knox". www.albrightknox.org. Retrieved 2019-01-28.
  4. "Edward B. Green | Albright-Knox". www.albrightknox.org. Retrieved 2019-01-28.
  5. "Our History | Albright-Knox". www.albrightknox.org. Retrieved 2019-02-14.
  6. Julia Halperin (October 22, 2014), Buffalo’s jewel-box art museum to grow Archived 2014-10-23 at the Wayback Machine The Buffalo News.
  7. "OMA Selected for Buffalo's Albright-Knox Art Gallery Expansion". ArchDaily. 2016-06-07. Retrieved 2020-03-15.
  8. Michael Brenson (July 27, 1988), Media Artist Named To Represent U.S. At '90 Venice Biennale The New York Times.
  9. Randy Kennedy (March 14, 2007), Buffalo’s Pain: Giving Up Old Art to Gain New The New York Times.
  10. Michael Brenson (October 18, 1987), When America Put Its Stamp On World Painting The New York Times.
  11. "History of Albright-Knox Art Gallery", Albrightknox.org Archived 2008-12-18 at the Wayback Machine, 23 September 2008
  12. Colin Dabkowski (August 24, 2013), Albright-Knox buys mammoth painting by German artist Anselm Kiefer The Buffalo News.
  13. "Collection Highlights". Albright-Knox Art Gallery. Retrieved April 6, 2012.
  14. "Artemis" fetches a staggering sum" The Buffalo News, 7 June 2007 Accessed 3 September 2008;
  15. "Albright-Knox rakes it in", Art In America, September 2007.
  16. Lee Rosenbaum, "Mission Creep: Albright-Knox Belatedly Releases Its Complete Deaccession List" Arts Journal
  17. "Archived copy". Archived from the original on February 1, 2010. Retrieved March 2, 2010.CS1 maint: archived copy as title (link)
  18. "Archived copy". Archived from the original on November 23, 2008. Retrieved March 2, 2010.CS1 maint: archived copy as title (link)
  19. "Hours & Admission". Albright–Knox Art Gallery. Retrieved August 6, 2016.
  20. Carol Vogel (January 14, 2013), Buffalo’s Albright-Knox Gets a Director from Much Farther North The New York Times.
  21. Kevin West (November 2007), In With The New - With contemporary art booming out of control, how can museums afford to play? W.
  22. Colin Dabkowski (October 9, 2013), Albright-Knox gets $11 million bequest from ex-board member, Peggy Pierce Elfvin Buffalo News.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.