Taishanese

Taishanese, or in the Cantonese romanization Toisanese (simplified Chinese: 台山话; traditional Chinese: 台山話; Taishanese: [hɔi˨san˧wa˧˨˥]), is a dialect of Yue Chinese. The dialect is related to and is often referred to as Cantonese but has little mutual intelligibility with the latter. Taishanese is spoken in the southern part of Guangdong Province in China, particularly around the city-level county of Taishan located on the western fringe of the Pearl River Delta. In the late 19th century and early 20th century, a significant amount of Chinese emigration to North America originated from Siyi, the area where this variety is natively spoken; making Toishanese a dominant variety of the Chinese language spoken in Chinatowns in Canada and the United States. It was formerly the lingua franca of the overseas Chinese residing in the United States.[2]

This article is about the dialect. For the people, see Taishanese people.
Taishanese
台山话 / 台山話
Native toChina, overseas communities particularly in United States and Canada
Regionwestern and southern Guangdong, the Pearl River Delta; historic Chinese communities in California and New York City, Montreal, Toronto and Vancouver
Native speakers
3+ million
Sino-Tibetan
Language codes
ISO 639-3–
ISO 639-6tisa
Glottologtois1237[1]
Linguasphere79-AAA-mbc
Taishanese
Traditional Chinese台山話
Simplified Chinese台山话

Names

The earliest linguistic studies refer to the dialect of Llin-nen or Xinning (simplified Chinese: 新宁; traditional Chinese: 新寧).[3] Xinning was renamed Taishan in 1914, and linguistic literature has since generally referred to the local dialect as the Taishan dialect, a term based on the pinyin romanization of Standard Mandarin Chinese pronunciation.[4][5][6][7][8][9] Alternative names have also been used. The term Toishan is a convention used by the United States Postal Service,[10] the Defense Language Institute[11] and the 2000 United States Census.[12] The terms Toishan, Toisan, and Toisaan are all based on Cantonese pronunciation and are also frequently found in linguistic and non-linguistic literature.[13][14][15][16] Hoisan is a term based on the local pronunciation, although it is not generally used in published literature.[17]

These terms have also been anglicized with the suffix -ese: Taishanese, Toishanese, and Toisanese. Of the previous three terms, Taishanese is most commonly used in academic literature, to about the same extent as the term Taishan dialect.[18][19] The terms Hoisanese and Hoisan-wa[20] do appear in print literature, although they are used more on the internet.[21][22]

Another term used is Sìyì (Sze Yup or Seiyap in Cantonese romanization; Chinese: 四邑; lit.: 'four towns'). Sìyì or Sze Yup refers to a previous administrative division in the Pearl River Delta consisting of the four counties of Taishan, Kaiping, Enping and Xinhui. In 1983, a fifth county (Heshan) was added to the Jiangmen prefecture; so whereas the term Sìyì has become an anachronism, the older term Sze Yup remains in current use in overseas Chinese communities where it is their ancestral home. The term Wuyi (Chinese: 五邑), literally "five counties", refers to the modern administrative region, but this term is not used to refer to Taishanese.

History

Taishanese originates from the Taishan region, where it is spoken. Taishanese can also be seen as a group of very closely related, mutually intelligible dialects spoken in the various towns and villages in and around Siyi (the four counties of Toisan, Hoiping, Yanping, Sanwui, phonetized in Hoishanese; while "Taishan, Kaiping, Enping and Xinhui" as above, is phonetizied in Mandarin).

A vast number of Taishanese immigrants journeyed worldwide through the Taishan diaspora. The Taishan region was a major source of Chinese immigrants in the Americas from the mid-19th and late-20th centuries. Approximately 1.3 million people are estimated to have origins in Taishan.[23] Prior to the signing of the Immigration and Naturalization Act of 1965, which allowed new waves of Chinese immigrants,[24] Taishanese was the dominant dialect spoken in Chinatowns across North America.[20]

Taishanese is still spoken in many Chinatowns throughout North America, including those of San Francisco, Oakland, Los Angeles, New York City, Boston, Vancouver, Toronto, Chicago, and Montreal by older generations of Chinese immigrants and their children, but is today being supplanted by mainstream Cantonese and increasingly by Mandarin in both older and newer Chinese communities alike, across the continent.[25]

Relationship with Cantonese

Taishanese is a dialect of the Yue branch of Chinese, which also includes Cantonese. However, due to ambiguities in the meaning of "Cantonese" in the English language, as it can refer to both the greater Yue dialect group or its prestige standard (Standard Cantonese), "Taishanese" and "Cantonese" are commonly used in mutually exclusive contexts, i.e. Taishanese is treated separately from "Cantonese". Despite the closeness of the two, they are not entirely mutually intelligible.[26][27][28]

The phonology of Taishanese bears a lot of resemblance to Cantonese, since both of them are part of the same Yue branch. Like other Yue dialects, such as the Goulou dialects, Taishanese pronunciation and vocabulary may sometimes differ greatly from Cantonese. Despite the fact that Taishan stands only 60 miles (100 km) from the city of Guangzhou, a linguist suggested that the dialect of Taishan is linguistically far removed from the Guangzhou dialect because of the numerous rivers that separate the two.[29] However, because Cantonese is one of the linguae francae of Guangdong, virtually all Taishanese-speakers in the province today also understand it. In fact, most Sze Yup people in Guangdong regard their own tongue as merely a differently-accented form of Cantonese.

Standard Cantonese functions as a lingua franca in Guangdong province, and speakers of other Chinese varieties (such as Chaozhou, Minnan, Hakka) living in Guangdong may also speak Cantonese. On the other hand, Standard Mandarin Chinese is the standard language of the People's Republic of China and the only legally-allowed medium for teaching in schools throughout most of the country (except in minority areas), so residents of Taishan speak Mandarin as well. Although the Chinese government has been making great efforts to popularize Mandarin by administrative means, most Taishan residents do not speak Mandarin in their daily lives, but treat it as a second language, with Cantonese being the lingua franca of their region.

Sounds

Initial consonants

There are 19 to 23 initials consonants (or onsets) in Taishanese, which is shown in the chart below in IPA:

Labial Dental/
Alveolar		 Palatal Velar Glottal
plain sibilant
Nasal m1 n1 ŋ1
Stop prenasalized voiced ᵐb1 ⁿd1 ᵑɡ1
plain p t t͡s2 t͡ɕ2 k ʔ
aspirated pʰ tʰ t͡sʰ2 t͡ɕʰ2 kʰ
Fricative voiceless f ɬ s2 ɕ2 h
voiced v ʒ3
Approximant l j3,4 w5
  1. The respective nasal onsets (/m/, /n/, and /ŋ/) are allophones of the pre-nasalized voiced stop onsets (/ᵐb/, /ⁿd/, and /ᵑɡ/).
  2. The palatal sibilants (/t͡ɕ/, /t͡ɕʰ/, and /ɕ/) are allophones of the respective alveolar sibilants (/t͡s/, /t͡sʰ/, and /s/) when the first vowel of the final consonant is high (/i/ and /u/).
  3. The palatal approximate (/j/) is an allophone of the voiced fricative sibilant initial (/ʒ/).
  4. The palatal approximate (/j/) can be a semivowel of the vowel /i/ when used as a glide.
  5. The labio-velar approximate (/w/) can be a semivowel of the vowel /u/ when used as a glide.

Vowels

There are about seven different vowels in Taishanese:

  Front Central Back
Close /i/1 /u/2
Close-Mid /e/ /ɵ/3
Mid /ə/3
Open-Mid /ɛ/ /ɔ/
Open /a/
  1. The closed front vowel (/i/) can be a palatal approximant (/j/) as a semivowel.
  2. The closed back vowel (/u/) can be a labiovelar approximant (/w/) as a semivowel.
  3. The closed-mid central vowel (/ɵ/) is an allophone of the mid vowel central vowel (/ə/).

Final consonants

The final consonant (or rime) occurs after the initial sound, which consists of a medial, a nucleus, and a coda. There are three medial (or glides) in Taishanese that occur after the initial sound: null or no medial, /i/, or /u/. There are five main vowels after the medial: /a/, /e/, /i/, /u/, and null or no vowel. There are nine main codas at the end of the final: null or no coda, /i/, /u/, /m/, /n/, /ŋ/, /p/, /t/, and /k/.

Nucleus -a- -e- -ɵ~ə- -i- -u- -∅-
Medial ∅- i- u- ∅- ∅ ∅- ∅- ∅-
Coda -∅ [a] [iɛ] [uɔ] [i] [u]
-i [ai] [uɔi] [ei] [ui]
-u [au] [iau] [eu] [iu]
-m [am] [iam] [em] [im] [m]
-n [an] [uɔn] [en] [in] [un]
-ŋ [aŋ] [iaŋ] [ɔŋ] [ɵŋ] ~ [əŋ]
-p [ap] [iap] [ep] [ip]
-t [at] [uɔt] [et] [ɵt] ~ [ət] [it] [ut]
-k [ak] [iak] [ɔk] [ɵk] ~ [ək]

Tones

Taishanese is tonal. There are five contrastive lexical tones: high, mid, low, mid falling, and low falling.[5] In at least one Taishanese dialect, the two falling tones have merged into a low falling tone.[30] There is no tone sandhi.[10]

Tone Tone contour[31] Example Changed tone Chao Number Jyutping tone number
high (yin shang) ˥ (55) hau˥ 口 (mouth) (none) - 2
mid (yin ping) ˧ (33) hau˧ 偷 (to steal) mid rising ˧˥ (35) 1
low (yang ping) ˨ or ˩ (22 or 11) hau˨ 頭 (head) low rising ˨˥ (25) 4
mid falling ˧˩ (31) hau˧˩ 皓 (bright) mid dipping ˧˨˥ (325) 6
low falling (yang shang) ˨˩ (21) hau˨˩ 厚 (thick) low dipping ˨˩˥ (215) 5

Taishanese has four changed tones: mid rising, low rising, mid dipping and low dipping. These tones are called changed tones because they are the product of morphological processes (e.g. pluralization of pronouns) on four of the lexical tones. These tones have been analyzed as the addition of a high floating tone to the end of the mid, low, mid falling and low falling tones.[8][30][32][33] The high endpoint of the changed tone often reaches an even higher pitch than the level high tone; this fact has led to the proposal of an expanded number of pitch levels for Taishanese tones.[5] The changed tone can change the meaning of a word, and this distinguishes the changed tones from tone sandhi, which does not change a word's meaning.[4] An example of a changed tone contrast is 刷 /tʃat˧/ (to brush) and 刷 /tʃat˨˩˥/ (a brush).

Tone name Level
píng 平		 Rising
shàng 上		 Departing
qù 去		 Entering
rù 入
Upper
yīn 陰		 高 ˧ (33) ˥ (55) ˧ (33) ˥ (5)
低 ˧ (3)
Lower
yáng 陽		 高 ˨ or ˩ (22 or 11) ˨˩ (21) ˧˨ or ˧˩ (32 or 31) ˧˨ or ˧˩ (32 or 31)
低 ˨˩ (21)

Writing system

Writing uses Chinese characters and Mandarin vocabulary and grammar, with many common words used in spoken Taishanese having no corresponding Chinese characters. No standard romanization system for Taishanese exists. The ones given on this page are merely traditional.

The writing system is Chinese. Though most commonly associated with Mandarin, Mandarin is but a dialect, just as Taishanese and Cantonese are. As a written language, it was the writing system of Classical Literary Chinese, not the spoken dialects that united and facilitated cross-dialect exchange in dynastic china.

The sound represented by the IPA symbol ⟨ɬ⟩ (the voiceless alveolar lateral fricative) is particularly challenging, as it has no standard romanization. The digraph "lh" used above to represent this sound is used in Totonac, Chickasaw and Choctaw, which are among several written representations in the languages that include the sound. The alternative "hl" is used in Xhosa and Zulu, while "ll" is used in Welsh. Other written forms occur as well.

The following chart compares the personal pronouns among Taishanese, Cantonese, and Mandarin. In Taishanese, the plural forms of the pronouns are formed by changing the tone,[29] whereas in Cantonese and Mandarin, a plural marker (地/哋/等 dei6 and 们/們 men, respectively) is added.

Person Singular Plural
Taishanese Standard
Cantonese		 Mandarin Taishanese Standard
Cantonese		 Mandarin
transliteration IPA transliteration IPA
First ngöi (我) [ŋɔɪ˧] ngo5 (我) wǒ (我) ngo̖i (哦/偔/呆) [ŋɔɪ˨˩] ngo5 dei6 (我哋) wǒmen (我们/我們)
Second nï (你) [nɪ˧] nei5 (你) nǐ (你) nie̖k (偌/逽/聶) [nɪɛk˨˩] nei5 dei6 (你哋) nǐmen (你们/你們)
Third küi (佢) [kʰuɪ˧] keoi5 (佢) tā (他) kie̖k (𠳞/佉/劇) [kʰɪɛk˨˩] keoi5 dei6 (佢哋) tāmen (他们/他們)
gollark: I see.
gollark: What was it intended to do?
gollark: As far as I know, most things do not have unused ARMv2 processors on board.
gollark: ?
gollark: What was it doing

See also

References
  • Anderson, Stephen R. (1978), "Tone features", in Fromkin, Victoria A. (ed.), Tone: A Linguistic Survey, New York, NY: Academic Press
  • Bauer, Robert S.; Benedict, Paul K. (1997), Modern Cantonese Phonology, Berlin: Walter de Gruyter
  • Chao, Yuen-Ren (1951), "Taishan Yuliao", Bulletin of the Institute of Historical Philology (Academia Sinica), 23: 25–76
  • Chen, Matthew Y. (2000), Tone Sandhi: Patterns Across Chinese Dialects, Cambridge, UK: Cambridge University Press
  • Cheng, Teresa M. (1973), "The Phonology of Taishan", Journal of Chinese Linguistics, 1 (2): 256–322
  • Chung, L. A. (2007), "Chung: Chinese 'peasant' dialect redeemed", San Jose Mercury News, San Jose, CA
  • Defense Language Institute (1964), Chinese-Cantonese (Toishan) Basic Course, Washington, DC: Defense Language Institute
  • Don, Alexander (1882), "The Lin-nen variation of Chinese", China Review: 236–247
  • Him, Kam Tak (1980), "Semantic-Tonal Processes in Cantonese, Taishanese, Bobai and Siamese", Journal of Chinese Linguistics, 8 (2): 205–240
  • Hom, Marlon Kau (1983), "Some Cantonese Folksongs on the American Experience", Western Folklore, Western Folklore, Vol. 42, No. 2, 42 (2): 126–139, doi:10.2307/1499969, JSTOR 1499969
  • Hom, Marlon Kau (1987), Songs of Gold Mountain: Cantonese Rhymes from San Francisco, Berkeley, CA: University of California Press
  • Hsu, Madeline Y. (2000), Dreaming of Gold, Dreaming of Home: Transnationalism and Migration between the United States and China, 1882-1943, Palo Alto, CA: Stanford University Press
  • Ladefoged, Peter; Maddieson, Ian (1996), The Sounds of the World's Languages, Blackwell Publishing, p. 203, ISBN 0-631-19815-6
  • Lee, Gina (1987), "A Study of Toishan F0", Ohio State University Working Papers in Linguistics, 36: 16–30
  • Leung, Genevieve Yuek-Ling (2012), Hoisan-wa reclaimed: Chinese American language maintenance and language ideology in historical and contemporary sociolinguistic perspective, Philadelphia, PA: University of Pennsylvania (Ph.D. Dissertation)
  • Light, Timothy (1986), "Toishan Affixal Aspects", in McCoy, John; Light, Timothy (eds.), Contributions to Sino-Tibetan Studies, Leiden, Netherlands: Brill, pp. 415–425
  • Ma, Laurence; Cartier, Carolyn L., eds. (2003), The Chinese Diaspora: Space, Place, Mobility, and Identity, Rowman & Littlefield, p. 57, ISBN 0-7425-1756-X
  • McCoy, John (1966), Szeyap Data for a First Approximation of Proto-Cantonese, Ithaca, NY: Cornell University (Ph.D. Dissertation)
  • Ramsey, S. Robert (1987), The Languages of China, Princeton University Press, pp. 23–104, ISBN 0-691-06694-9
  • Pulleyblank, Edwin (1984), Middle Chinese: A Study in Historical Phonology, UBC Press, p. 31, ISBN 0-7748-0192-1
  • Szeto, Cecilia (2000), "Testing intelligibility among Sinitic dialects" (PDF), Proceedings of ALS2K, the 2000 Conference of the Australian Linguistic Society, retrieved 2008-09-06
  • Wong, Maurice Kuen-shing (1982), Tone Change in Cantonese, Champaign, IL: University of Illinois at Urbana-Champaign
  • Yang, Fenggang (1999), Chinese Christians in America: Conversion, Assimilation, and Adhesive Identities, Penn State Press, p. 39
  • Yip, Moira (2002), Tone, Cambridge, UK: Cambridge University Press
  • Yiu, T'ung (1946), The T'ai-Shan Dialect, Princeton, NJ: Princeton University (Ph.D. Dissertation)
  • Yu, Alan (2007), "Understanding near mergers: The case of morphological tone in Cantonese", Phonology, 24 (1): 187–214, doi:10.1017/S0952675707001157
  • Yue-Hashimoto 余, Anne O. 霭芹 (2005), The Dancun Dialect of Taishan 台山淡村方言研究, Language Information Sciences Research Centre, City University of Hong Kong, ISBN 962-442-279-6
Notes
  1. Hammarström, Harald; Forkel, Robert; Haspelmath, Martin, eds. (2017). "Toishanese". Glottolog 3.0. Jena, Germany: Max Planck Institute for the Science of Human History.
  2. (Yang 1999)
  3. (Don 1882)
  4. (Chen 2000)
  5. (Cheng 1973)
  6. Cantonese speakers have been shown to understand only about 31.3% of what they hear in Taishanese (Szeto 2000)
  7. (Yiu 1946)
  8. (Yu 2007)
  9. (Anderson 1978)
  10. (Lee 1987)
  11. (Defense Language Institute 1964)
  12. "Language code list" (PDF). United States Census, 2000. University of Michigan Library. Archived from the original (PDF) on June 2, 2008.
  13. (Hom 1983)
  14. (Light 1986)
  15. (McCoy 1966)
  16. (Hom 1987)
  17. (Grimes 1996)
  18. (Him 1980)
  19. (Hsu 2000)
  20. (Leung 2012)
  21. Taishan (Hoisanese Sanctuary) Archived 2011-07-19 at the Wayback Machine from asianworld.pftq.com
  22. (Chung 2007)
  23. Taishan International Web Archived 2008-06-10 at the Wayback Machine
  24. Although the Chinese Exclusion Act was repealed by the signing of the Magnuson Act in 1943, immigration from China was still limited to only 2% of the number of Chinese already living in the United States (Hsu 2000)
  25. http://www.modernluxury.com/san-francisco/story/chinatown-decoded-what-language-everybody-speaking
  26. Szeto, Cecilia (2001), "Testing intelligibility among Sinitic dialects" (PDF), in Allan, Keith; Henderson, John (eds.), Proceedings of ALS2k, the 2000 Conference of the Australian Linguistic Society, retrieved 5 Jan 2014
  27. Phonology of Cantonese - Page 192 Oi-kan Yue Hashimoto - 1972 "... affricates and aspirated stops into consonant clusters is for external comparative purposes, because the Cantonese aspirated stops correspond to /h/ and some of the Cantonese affricates correspond to stops in many Siyi (Seiyap) dialects."
  28. Language in the USA - Page 217 Charles A. Ferguson, Shirley Brice Heath, David Hwang - 1981 "Even the kind of Cantonese which the Chinese Americans speak causes difficulties, because most of them have come from the rural Seiyap districts southwest of Canton and speak dialects of that region rather than the Standard Cantonese of the city"
  29. (Ramsey 1987)
  30. (Wong 1982)
  31. Chao's tone numbers are generally used in the literature. Each tone has two numbers, the first denotes the pitch level at the beginning of the tone, and the second denotes the pitch level at the end of the tone. Cheng modified the numerical range from 1 (lowest) to 7 (highest): high tone as 66, mid tone as 44, and low tone as 22. In this article Chao's tone letters are used, as they've been adopted by the IPA.
  32. (Bauer & Benedict 1997)
  33. (Yip 2002)
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