Ruth Gordon

Ruth Gordon Jones (October 30, 1896 – August 28, 1985) was an American actress, screenwriter, and playwright. Gordon began her career performing on Broadway at age nineteen. Known for her nasal voice and distinctive personality, she gained international recognition and critical acclaim for film roles that continued into her seventies and eighties. Her later work included performances in Rosemary's Baby (1968), Where's Poppa? (1970), Harold and Maude (1971), Every Which Way but Loose (1978), and Any Which Way You Can (1980).[1]

Ruth Gordon
Gordon with Garson Kanin, 1946
Born
Ruth Gordon Jones

(1896-10-30)October 30, 1896
DiedAugust 28, 1985(1985-08-28) (aged 88)
Occupation
  • Actress
  • writer
Years active1915–1981
Spouse(s)
    Gregory Kelly
    (
    m. 1921; died 1927)
      (
      m. 1942)
      Children1

      In addition to her acting career, Gordon wrote numerous plays, film scripts, and books, most notably co-writing the screenplay for the 1949 film Adam's Rib. Gordon won an Oscar, a Primetime Emmy, and two Golden Globe Awards for her acting, as well as received three Academy Award nominations for her writing.

      Early life

      Ruth Gordon at age four

      Ruth Gordon Jones was born in Quincy, Massachusetts, at 41 Winthrop Avenue. She later resided at 41 Marion Street (1901-1903) and 14 Elmwood Avenue (1903-1914). All 3 homes are in the Wollaston section of town.[2]

      She was the child of Annie Tapley (née Ziegler) and Clinton Jones. Her only sibling was an older half-sister Claire, from her father's first marriage.[3] She was baptized an Episcopalian.[4][5] Her first appearance in the public eye came as an infant when her photograph was used in advertising for her father's employer, Mellin's Food for Infants & Invalids.[6] Prior to graduating from Quincy High School, she wrote to several of her favorite actresses requesting autographed pictures. A personal reply from Hazel Dawn (whom she had seen in a stage production of The Pink Lady) inspired her to go into acting.[7] Although her father was skeptical of her chances of success in a difficult profession, in 1914, he took his daughter to New York, where he enrolled her in the American Academy of Dramatic Arts.

      Early career

      Gregory Kelly and Gordon in the 1918 Broadway production of Seventeen
      Jed Harris in 1928
      Gordon in 1930

      In 1915, Gordon appeared as an extra in silent films that were shot in Fort Lee, New Jersey, including as a dancer in The Whirl of Life, a film based on the lives of Vernon and Irene Castle.[8] That same year, she made her Broadway debut in a revival of Peter Pan, or The Boy Who Wouldn't Grow Up, in the role of Nibs (one of the Lost Boys), appearing onstage with Maude Adams and earning a favorable mention from the powerful critic Alexander Woollcott. Woollcott, who described her favorably as "ever so gay", would become her friend and mentor.[7]

      In 1918, Gordon played opposite actor Gregory Kelly in the Broadway adaptation of Booth Tarkington's Seventeen. The pair continued to perform together in North American tours of Frank Craven's The First Year and Tarkington's Clarence and Tweedles. Then in 1921, Gordon and Kelly were wed.

      In December 1920, Gordon checked into a Chicago hospital to have her legs broken and straightened to treat her lifelong bow-leggedness.[9] After a three-month recovery, she and Kelly relocated to Indianapolis where they started a repertory company.

      Kelly died of heart disease in 1927, at the age of 36. Gordon at the time had been enjoying a comeback, appearing on Broadway as Bobby in Maxwell Anderson's Saturday's Children, performing in a serious role after being typecast for years as a "beautiful, but dumb" character.[7]

      In 1929, Gordon was starring in the hit play, Serena Blandish, when she became pregnant by the show's producer, Jed Harris. Their son, Jones Harris, was born in Paris that year and Gordon brought him back to New York. Although they never married, Gordon and Harris provided their son with a normal upbringing and his parentage became public knowledge as social conventions changed.[10] In 1932 the family was living discreetly in a small, elegant New York City brownstone.[11]

      Gordon continued to act on the stage throughout the 1930s, including notable runs as Mattie in Ethan Frome, Margery Pinchwife in William Wycherley's Restoration comedy The Country Wife at London's Old Vic and on Broadway, and Nora Helmer in Henrik Ibsen's A Doll's House at Central City, Colorado, and on Broadway.[12]

      Career

      Gordon was signed to a Metro-Goldwyn-Mayer film contract for a brief period in the early 1930s but did not make a movie for the company until her supporting role in Greta Garbo's final film, Two-Faced Woman (1941). Gordon had better luck at other studios in Hollywood, appearing in supporting roles in a string of films, including Abe Lincoln in Illinois (as Mary Todd Lincoln), Dr. Ehrlich's Magic Bullet (as Mrs. Ehrlich) and Action in the North Atlantic, in the early 1940s. Gordon's Broadway acting appearances in the 1940s included Iris in Paul Vincent Carroll's The Strings, My Lord, Are False and Natasha in Katharine Cornell and Guthrie McClintic's revival of Anton Chekhov's Three Sisters, as well as leading roles in her own plays, Over Twenty-One and The Leading Lady. Gordon married her second husband, writer Garson Kanin, in 1942. Gordon and Kanin collaborated on the screenplays for the Katharine Hepburn Spencer Tracy films Adam's Rib (1949) and Pat and Mike (1952). Both films were directed by George Cukor. The couple were close friends of Hepburn and Tracy, and incorporated elements of the actors' real personalities in the films. Gordon and Kanin received Academy Awards nominations for both of those screenplays, as well as for that of a prior film, A Double Life (1947), which was also directed by Cukor.[13][14][15]

      The Actress (1953) was Gordon's film adaptation of her own autobiographical play, Years Ago, filmed by MGM with Jean Simmons portraying the girl from Quincy, Massachusetts, who convinced her sea captain father to let her go to New York to become an actress. Gordon would go on to write three volumes of memoirs in the 1970s: My Side, Myself Among Others and An Open Book.[16][17][18]

      Gordon continued her stage acting career in the 1950s, and was nominated for a 1956 Tony, for Best Performance by a Leading Actress in a Play, for her portrayal of Dolly Levi in Thornton Wilder's The Matchmaker, a role she also played in London, Edinburgh and Berlin.

      In 1966, Gordon was nominated for an Academy Award and won a Golden Globe Award for Best Supporting Actress for Inside Daisy Clover opposite Natalie Wood. It was her first nomination for acting. Three years later, in 1969, she won an Academy Award for Best Supporting Actress for Rosemary's Baby, a film adaptation of Ira Levin's bestselling horror novel about a satanic cult residing in an Upper West Side apartment building in Manhattan. In accepting the award onstage, Gordon thanked the Academy by saying, "I can't tell you how encouraging a thing like this is ..." (rousing laughter from the audience). At the time she had been in the business for 50 years and was 72 years old. "And thank all of you who voted for me, and to everyone who didn't: please, excuse me", she added, prompting more laughter and applause.

      Gordon won another Golden Globe for Rosemary's Baby, and was nominated again, in 1971, for her role as Maude in Harold and Maude (with Bud Cort as her love interest).[19]

      She went on to appear in 22 more films and at least that many television appearances through her '70s and '80s, including such successful sitcoms as Rhoda (as Carlton the unseen doorman's mother, which earned her an Emmy nomination) and Newhart. She portrayed a murderous author on the 1977 episode Columbo: Try and Catch Me. She made countless talk show appearances, in addition to hosting Saturday Night Live in 1977.[20]

      Gordon won an Emmy Award for a guest appearance on the sitcom Taxi, for a 1979 episode called "Sugar Mama", in which her character tries to solicit the services of a taxi driver, played by series star Judd Hirsch, as a male escort.[1]

      Her last Broadway appearance was as Mrs. Warren in George Bernard Shaw's Mrs. Warren's Profession, produced by Joseph Papp at the Vivian Beaumont Theater in 1976. In the summer of 1976, Gordon starred in the leading role of her own play, Ho! Ho! Ho! at the Cape Playhouse in Dennis, Massachusetts. She had a minor role as Ma Boggs, the mother of Orville Boggs (Geoffrey Lewis), in the Clint Eastwood films Every Which Way but Loose and Any Which Way You Can.

      In 1983, Gordon was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.[21]

      Harold and Maude, Adam's Rib, and Rosemary's Baby have been selected for preservation in the National Film Registry of the United States Library of Congress.

      Death

      On August 28, 1985, Gordon died at her summer home in Edgartown, Massachusetts, following a stroke at age 88.[1] Her husband for 43 years, Garson Kanin, was at her side and said that even her last day of life was typically full, with walks, talks, errands, and a morning of work on a new play. She had made her last public appearance two weeks before, at a benefit showing of the film Harold and Maude, and had recently finished acting in four films.

      Legacy

      "She had a great gift for living the moment," said Glenn Close, who co-starred in Maxie, one of Gordon's last films, "... and it kept her ageless."

      In August 1979, a small movie theater in Westboro, Massachusetts, was named Ruth Gordon Flick. She attended the opening ceremony, standing on a bench in the lobby so she could be seen. The theater no longer exists.[22][23] In November 1984, the outdoor amphitheater in Merrymount Park[24] in Quincy, Massachusetts, was named Ruth Gordon Amphitheater[25] in her honor.[26]

      Body of work

      Filmography

      Year Title Role Notes
      1915 The Whirl of Life Extra Uncredited
      Madame Butterfly Minor Role Uncredited
      Camille Party Guest Uncredited
      1940 Abe Lincoln in Illinois Mary Todd Lincoln
      Dr. Ehrlich's Magic Bullet Hedwig Ehrlich
      1941 Two-Faced Woman Miss Ruth Ellis, Larry's Secretary
      1943 Edge of Darkness Anna Stensgard
      Action in the North Atlantic Mrs. Sarah Jarvis
      1965 Inside Daisy Clover Lucile Clover Golden Globe Award for Best Supporting Actress - Motion Picture
      Nominated—Academy Award for Best Supporting Actress
      1966 Lord Love a Duck Stella Bernard
      1968 Rosemary's Baby Minnie Castevet Academy Award for Best Supporting Actress
      Golden Globe Award for Best Supporting Actress - Motion Picture
      Kansas City Film Critics Circle Award for Best Supporting Actress
      Laurel Award for Top Female Supporting Performance (3rd place)
      1969 What Ever Happened to Aunt Alice? Alice Dimmock
      1970 Where's Poppa? Mrs. Hocheiser
      1971 Harold and Maude Maude Nominated—Golden Globe Award for Best Actress - Motion Picture Musical or Comedy
      1976 The Big Bus Old Woman
      1978 Every Which Way but Loose Senovia "Ma" Boggs
      1979 Boardwalk Becky Rosen
      Scavenger Hunt Arvilla Droll
      1980 My Bodyguard Gramma Peache
      Any Which Way You Can Senovia 'Ma' Boggs
      1982 Jimmy the Kid Bernice
      1985 Delta Pi Mugsy
      Voyage of the Rock Aliens Sheriff Filmed in 1983
      Maxie Mrs. Lavin Nominated—Saturn Award for Best Supporting Actress
      1987 The Trouble with Spies Mrs. Arkwright Filmed in 1984 and released after Gordon's death, (final film role)

      Television

      Year Title Role Notes
      1950 Prudential Family Playhouse Paula Wharton episode: Over 21
      1966 Blithe Spirit Madame Arcati TV movie
      1973 Isn't It Shocking? Marge Savage TV movie
      1975 Kojak Miss Eudora Temple episode: I Want to Report a Dream
      Rhoda Carlton's Mother episode: Kiss Your Epaulets Goodbye
      Nominated – Primetime Emmy Award for Outstanding Single Performance by a Supporting Actress in a Comedy or Drama Series
      Medical Story Emily Dobson episode: The Right to Die
      1976 The Great Houdini Cecilia Weiss Nominated – Primetime Emmy Award for Outstanding Performance by a Supporting Actress in a Comedy or Drama Special
      Look What's Happened to Rosemary's Baby Minnie Castevet TV movie
      Emergency! Lenore episode: The Nuisance
      1977 Columbo Abigail Mitchell episode: Try and Catch Me
      Saturday Night Live Host episode: Ruth Gordon/Chuck Berry
      The Love Boat Mrs. Warner episode: Joker Is Mild, The/First Time Out/Take My Granddaughter, Please
      The Prince of Central Park Mrs. Miller TV movie
      1978 Perfect Gentlemen Mrs. Cavagnaro TV movie
      1979 Taxi Dee Wilcox episode: Sugar Mama
      Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series
      1980 Hardhat and Legs Grandmother uncredited
      also writer
      1982 Don't Go to Sleep Bernice TV movie
      1983–1984 Newhart Blanche Devane episode: Grandma, What a Big Mouth You Have
      episode: Go, Grandma, Go (1984)

      Writer

      Year Title Notes
      1944 Over 21
      1947 A Double Life Nominated- Academy Award for Best Original Screenplay (shared with Garson Kanin)
      1948 The Ford Theatre Hour episode: Years Ago
      1949 Adam's Rib Nominated- Academy Award for Best Story and Screenplay (shared with Garson Kanin)
      Nominated- Writers Guild of America Award for Best Written American Comedy (shared with Garson Kanin)
      1950 Prudential Family Playhouse episode: Over 21
      1952 Pat and Mike Nominated- Academy Award for Best Story and Screenplay (shared with Garson Kanin)
      Nominated- Writers Guild of America Award Best Written American Comedy (shared with Garson Kanin)
      The Marrying Kind Nominated- Writers Guild of America Award Best Written American Comedy (shared with Garson Kanin)
      1953 The Actress Nominated- Writers Guild of America Award for Best Written American Comedy (shared with Garson Kanin)
      1957 The Alcoa Hour episode: A Double Life
      1960 DuPont Show of the Month episode: Years Ago
      1967 Rosie!
      1973 Adam's Rib (TV series) episode: The Unwritten Law
      1980 Hardhat and Legs

      Broadway appearances

      Gordon as Lola Pratt holding her dog "Flopit" in the Broadway production Seventeen, 1918
      Year Title Role Notes
      December 21, 1915 – January 1916 Peter Pan Nibs Revival
      January 22, 1918 – August 1918 Seventeen Lola Pratt
      August 13, 1923 – November 1923 Tweedles Winsora
      January 5, 1925 – March 1925 Mrs. Partridge Presents Katherine Everitt
      August 31, 1925 – October 1925 The Fall of Eve Eva Hutton
      January 26, 1927 – April 1928 Saturday's Children Bobby
      January 23, 1929 – April 1929 Serena Blandish Serena Blandish
      January 31, 1929 – May 25, 1929 Lady Fingers Ruth also in ensemble
      April 14, 1930 – June 1930 Hotel Universe Lily Malone
      September 29, 1930 – November 1930 The Violet and One, Two, Three Ilona Stobri The Violet
      April 6, 1931 – May 1931 The Wiser They Are Trixie Ingram
      October 12, 1931 – March 1932 A Church Mouse Susie Sachs
      September 6, 1932 – October 1932 Here Today Mary Hilliard
      March 16, 1933 – May 1933 Three-Cornered Moon Elizabeth Rimplegar
      February 21, 1934 – April 1934 They Shall Not Die Lucy Wells
      October 8, 1934 – November 1934 A Sleeping Clergyman Harriet Marshall, Hope Cameron, Wilhelmina Cameron
      January 21, 1936 – May 5, 1936 Ethan Frome Mattie Silver
      December 1, 1936 – February 1937 The Country Wife Mrs. Margery Pinchwife
      December 27, 1937 – May 1938 A Doll's House Nora Helmer
      May 19, 1942 – May 30, 1942 The Strings, My Lord, Are False Iris Ryan
      December 21, 1942 – April 3, 1943 The Three Sisters Natalya Ivanovna
      January 3, 1944 – July 8, 1944 Over 21 Paula Wharton Written by Ruth Gordon
      December 3, 1946 – May 31, 1947 Years Ago Written by Ruth Gordon
      September 30, 1947 – November 22, 1947 How I Wonder Produced by Ruth Gordon
      October 18, 1948 – October 23, 1948 The Leading Lady Written by Ruth Gordon
      January 12, 1949 – January 15, 1949 The Smile of the World Sara Boulting
      December 5, 1955 – February 2, 1957 The Matchmaker Mrs. Dolly Gallagher Levi Nominated – 1956 Tony Award for Best Performance by a Leading Actress in a Play
      March 2, 1960 – March 19, 1960 The Good Soup Marie-Paule I
      March 21, 1963 – April 6, 1963 My Mother, My Father and Me Rona Halpern
      September 30, 1965 – October 23, 1965 A Very Rich Woman Mrs. Lord Written by Ruth Gordon
      October 6, 1966 – October 22, 1966 The Loves of Cass McGuire Cass
      October 17, 1974 – October 26, 1974 Dreyfus in Rehearsal Zina
      February 18, 1976 – April 4, 1976 Mrs. Warren's Profession Mrs. Kitty Warren
      gollark: Yes, indeed.
      gollark: They're green? How is that bad?
      gollark: Or implodes. Or is eaten.
      gollark: There's always next mùnth, unless DC explodes beforehand.
      gollark: Yes, 60 peoplez.

      See also

      References

      1. "Ruth Gordon, The Actress, Dies at 88". The New York Times. Retrieved 2017-01-09.
      2. Scheible, Sue. "Following actress Ruth Gordon's footsteps through Quincy". PatriotLedger.com.
      3. US Census 1900 and 1910, Massachusetts Marriage Records
      4. Gordon, R. (1986). My Side: The Autobiography of Ruth Gordon. D.I. Fine. ISBN 9780917657818. Retrieved 2015-08-25.
      5. Gordon, R. (1947). Years Ago: A Play. Viking Press. Retrieved 2015-08-25.
      6. LIFE. Time Inc. 1947-01-06. p. 58. ISSN 0024-3019. Retrieved 2015-08-25.
      7. Current Biography 1943. pp.238–41.
      8. Ruth Gordon on IMDb
      9. The Pittsburgh Press, Dec 24, 1920: "Actress, to continue her career, has bowed legs broken and straightened"
      10. Wada, Karen (August 29, 1985). "Ruth Gordon Dies; Stage, Film Career Spanned 7 Decades". Los Angeles Times. Retrieved 2015-12-29.
      11. Lanchester, Elsa (1983). Elsa Lanchester Herself. New York: St. Martin's Press. p. 102. ISBN 0-312-24376-6.
      12. Henrik Ibsen (6 June 2016). A Doll's House. Theatre Communications Group. pp. 72–. ISBN 978-1-55936-850-6.
      13. "AFI|Catalog A Double Life (1948) History". catalog.afi.com. Retrieved 2020-02-02.
      14. "AFI|Catalog Adam's Rib (1949) History". catalog.afi.com. Retrieved 2020-02-02.
      15. "AFI|Catalog Pat and Mike (1952) History". catalog.afi.com. Retrieved 2020-02-02.
      16. Gordon, Ruth (1 January 1976). My side: the autobiography of Ruth Gordon. Harper & Row. OCLC 2437769.
      17. Gordon, Ruth (1 January 1980). Ruth Gordon, an open book. Doubleday. OCLC 6014288.
      18. Gordon, Ruth (1 January 1971). Myself among others. Atheneum. OCLC 138331.
      19. "Ruth Gordon". Retrieved 1 November 2016.
      20. "Saturday Night Live - TV Series - Seasons and Episodes - NYTimes.com". nytimes.com. Retrieved 2015-08-25.
      21. "Past Recipients". Jun 30, 2011. Archived from the original on 2011-06-30. Retrieved Nov 29, 2019.
      22. Times, Eleanor Blau Special to The New York (Aug 27, 1979). "Ruth Gordon Nowa Theater and Glad of It". Retrieved Nov 29, 2019 via NYTimes.com.
      23. "Flick 1 & 2 in Westborough, MA - Cinema Treasures". cinematreasures.org. Retrieved 2020-02-02.
      24. "Merrymount Park | Discover Quincy". www.discoverquincy.com. Retrieved 2020-02-02.
      25. "Ruth Gordon Amphitheater | Discover Quincy". www.discoverquincy.com. Retrieved 2020-02-02.
      26. ParkWard5 Archived November 2, 2007, at the Wayback Machine
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