Medang Kingdom

The Medang Kingdom or Mataram Kingdom was a Javanese Hindu–Buddhist kingdom that flourished between the 8th and 11th centuries. It was based in Central Java, and later in East Java. Established by King Sanjaya, the kingdom was ruled by the Sailendra dynasty.

Medang i Bhumi Mataram
732–1006
The Medang Kingdom during the Central Java and Eastern Java periods
Capital	Central Java: Mdaη i Bhumi Mataram (exact location unknown, perhaps somewhere on the Prambanan Plain), and later moved to Mamrati and Poh Pitu; East Java: Mdaη i Tamwlang and Mdaη i Watugaluh (near modern Jombang), later moved to Mdaη i Wwatan (near modern Madiun)
Common languages	Old Javanese, Sanskrit
Religion	Kejawen, Hinduism, Buddhism, Animism
Government	Monarchy
Maharaja
• 732–760	Sanjaya
• 985–1006	Dharmawangsa
History
• Sanjaya established the kingdom (Canggal inscription)	732
• Dharmawangsa defeat to Wurawari and Srivijaya	1006
Currency	Masa and Tahil (native gold and silver coins)
Preceded by Succeeded by Kalingga Sunda Kingdom Kahuripan

During most of its history the kingdom seems have relied heavily on agriculture, especially extensive rice farming, and later also benefited from maritime trade. According to foreign sources and archaeological findings, the kingdom seems to have been well populated and quite prosperous. The kingdom developed a complex society,[1] had a well developed culture, and achieved a degree of sophistication and refined civilization.

In the period between the late 8th century and the mid-9th century, the kingdom saw the blossoming of classical Javanese art and architecture reflected in the rapid growth of temple construction. Temples dotted the landscape of its heartland in Mataram (Kedu and Kewu Plain). The most notable of the temples constructed in Medang Mataram are Kalasan, Sewu, Borobudur and Prambanan, all quite close to present-day city of Yogyakarta.[2] At its peak, the kingdom had become a dominant empire—not only in Java, but also in Sumatra, Bali, southern Thailand, Indianized kingdoms of the Philippines, and the Khmer in Cambodia.[3][4][5]

Later the dynasty divided into two kingdoms identified by religious patronage—the Buddhist and Shivaist dynasties. Civil war followed. The outcome was that the Medang empire was divided into two powerful kingdoms; the Shivaist dynasty of Medang kingdom in Java led by Rakai Pikatan and the Buddhist dynasty of Srivijaya kingdom in Sumatra led by Balaputradewa. Hostility between them did not end until 1006 when the Sailendra clan based in Srivijaya incited a rebellion by Wurawari, a vassal of the Medang kingdom, and sacked the capital of Watugaluh in East Java. Srivijaya rose to become the undisputed hegemonic empire in the region. The Shivaist dynasty survived, reclaimed east Java in 1019, and then established the Kahuripan kingdom led by Airlangga, son of Udayana of Bali.[6]

Historiography

A lithograph of Tjandi Sewoe ruins near Prambanan, circa 1859

In the early 19th century, the discovery of numerous ruins of great monuments—such as Borobudur, Sewu and Prambanan— which dominated the landscape of the Kedu and Kewu plains in Yogyakarta and Central Java, caught the attention of some historians and scholars in the colonial Dutch East Indies.[7] This spurred archaeological studies to uncover the history of this ancient civilisation.

The history of the Mataram area as the capital of the Central Javanese Medang kingdom is also part of the historical Yawadvipa or Bhumijava (the land of Java), and the classical Javanese civilisation. The Indians collectively called them as Yawadvipa, the Khmer refer to them as Chvea, the Chinese called them as Shepo, Chopo or Chao-wa, the Arabs called them as Jawi or Jawah, and Srivijayan refer to them as Bhumijava. The native Javanese most often refer to their lands and country simply as Jawi (Java), while the name of their nagara (country) is often based on their capital. The only foreign source mentioning Mdaη was found from the Philippines inscription, dated 822 saka (900).[8]

Borobudur, the largest single Buddhist structure in the world, one of the monuments constructed by the Sailendran of the Medang Kingdom.

There are no comprehensive written records that have survived in Java except numbers of prasasti (inscriptions) written on stones or copper plates. These inscriptions most often recorded the political and religious deeds of the rulers. The most common theme mentioned in inscriptions is the establishment of Sima (taxed rice cultivation land recognised through royal edict), and sometimes some portion or the whole of tax collected from this Sima land is appointed to fund the construction and maintenance of religious building. Nevertheless, some local legends and historical records, written on lontar—most often dated from later period—might also provides data and source to reconstruct the historical event.

Native Javanese mythology and beliefs composed in the Mataram Sultanate era (circa 17th century), but probably originating from an earlier period, mentioned a semi-mythological kingdom named Medang Kamulan, which in Javanese translates to "Medang the origin" kingdom. The kingdom is mentioned in the myth of Dewi Sri and also Aji Saka. This is probably the remnant of vague native Javanese collective memory of the existence of an ancient kingdom called "Medang".

Current knowledge of historical Javanese civilisation is thus primarily derived from:

• Archaeological excavations, reconstruction and investigation of ancient structures, especially candi (temples), and also the discovery of ancient relics, such as the Wonoboyo hoard.
• Stone inscriptions, most common are those which mention the foundation and funding of temples which report on the political and religious deeds of the kings, or stating their lineage; the most notable are the Canggal, Kalasan, Shivagrha and Balitung charter.
• Bas reliefs in a series of temple walls with depictions of life in the palace, village, temple, ship, marketplace and also the everyday lives of the population. The most notable are the bas reliefs found on Borobudur and Prambanan temple.
• Native manuscripts mentioning stories of kings, their deeds and exploits, that somehow link across to accounts mentioned in stone inscriptions. The notable example is the Carita Parahyangan.
• Reports and chronicles of foreign diplomats, traders and travellers, mainly from Chinese, Indian, and Arab sources.

Etymology

The Prambanan temple compound originally consisted of hundreds of temples, built and expanded in the period between the reign of Pikatan and Balitung

Initially, the kingdom was identified only through its location Yawadvipa (Java island) as mentioned in Canggal inscription (732). The inscription mentioned Rakai Mataram Sang Ratu Sanjaya (King Sanjaya, the Rakai (lord) of Mataram). The earlier historians such as Soekmono, identify this kingdom as Mataram, a historic geographical name to identify the plain south of Mount Merapi in central Java, roughly corresponds to modern Muntilan (where the Canggal temple on Gunung Wukir hill is located), Yogyakarta, Sleman and Bantul Regency. This is based on the locations where large numbers of candi were discovered in and around Prambanan Plain. The etymology of the name "Mataram" derived from a Sanskrit term for "mother".[9]

The name Medang appear later in East Javanese inscriptions such as Anjukladang inscription (937) and Minto Stone (982), Paradah inscription and some inscriptions discovered in Surabaya. As the result, historians tends to identify the Eastern Java period (929—1006) of this kingdom as Medang to differ it with its earlier Central Java period of Mataram (732—929). However, by examining the phrase in Anjukladang inscription mentioning: "Kita prasiddha mangrakpa kadatwan rahyang ta i Mdaŋ i Bhûmi Matarâm" suggests that the name Mdaŋ (read: Mdang or Medang) was already used earlier in Central Java period. The phrase "Mdaŋ i Bhûmi Matarâm" literally means "Medang in the land of Mataram", which means the kingdom name is Medang with its capital in Mataram.[10] The etymology of the name "Medang" might be derived from a local name of the hardwood "medang" tree which refer to trees of the genus Phoebe.[11] However, another etymological approach suggests that it might derived from old Javanese term "medang" which means "gracefully appear". It might be related to a Javanese term "medal" which means "going out", and Sundanese term "midang" which refer to dress up and appear gracefully in public.[12]

Plaosan temple

The court moved several times after Mataram (reign of Sanjaya) to Mamrati or Amrati (reign of Rakai Pikatan), Poh Pitu (reign of Balitung), again to Bhumi Mataram (reign of Dyah Wawa), Tamwlang (reign of Sindok), Watugaluh (reign of Sindok), and last to Wwatan (reign of Dharmawangsa Teguh).

The name "Mataram" reappeared again later in the 14th century as one of Majapahit's province. Later in the 16th century appeared the Islamic Mataram Sultanate located in the same area in Yogyakarta vicinity. As the result, earlier historian also named this kingdom as Hindu Mataram or Ancient Mataram to differ it with later Islamic Mataram Sultanate.

This historic Javanese Kingdom of Mataram should not be confused with the Mataram city located on Lombok island, currently the capital of West Nusa Tenggara province. The latter was actually the royal capital of the Cakranegara, a branch of Balinese Karangasem nobles that colonize Lombok in early 19th century. Indeed, Lombok's Mataram city was named after the historic region of Mataram in Java, as it is a common practice for Balinese to name their settlements after their Javanese Majapahit heritage.

History

Formation and growth

Canggal inscription (732), created by King Sanjaya.

The earliest account of the Medang Mataram Kingdom is in the Canggal inscription, dated 732, discovered within the compound of Gunung Wukir temple in Canggal village, southwest of the town of Magelang. This inscription, written in Sanskrit using the Pallava script, tells of the erection of a lingga (a symbol of Shiva) on the hill in the Kunjarakunja area, located on a noble island called Yawadwipa (Java) which was blessed with abundance of rice and gold. The establishment of lingga was under the order of Rakai Mataram Sang Ratu Sanjaya (King Sanjaya Rakai (lord) of Mataram). This inscription tells that Yawadwipa was ruled by King Sanna, whose long reign was marked by wisdom and virtue. After Sanna died, the kingdom fell into disunity. Sanjaya, the son of Sannaha (Sanna's sister) ascended to the throne. He conquered the areas around his kingdom, and his wise reign blessed his land with peace and prosperity for all of his subjects.[13][14]^:87

It seemed that Sanjaya came to power c. 717 CE, that was the starting year of Sanjaya chronicle used in King Daksa's inscription far later in early 10th-century.[15] According to Canggal inscription, Sanjaya established a new kingdom in Southern Central Java. And yet it seems to be the continuation of earlier polity ruled by King Sanna, Sanjaya's uncle. This earlier polity is linked to the earlier temple structures in Dieng Plateau, in the northern part of Central Java, which is the oldest surviving structure found in Central Java. The earlier kingdom linked as the predecessor of Medang kingdom is Kalingga, located somewhere in Central Java northern coast.

The story of Sanna and Sanjaya are also described in the Carita Parahyangan, a book from a later period composed around late 16th-century, which mainly describes the history of Pasundan (the Sunda Kingdom). However, in this book, Sanjaya is described as Sanna's son, rather than his nephew. It also mentions that Sanna was defeated by Purbasora, King of Galuh, and retreated to Mount Merapi. So, to avenge the defeat of his father, Sanjaya attacked Galuh and killed Purbasora and his family. Afterwards, Sanjaya reclaimed Sanna's kingdom and ruled West Java, Central Java, East Java, and Bali. He also battled the Malayu and Keling (against their king, Sang Srivijaya). Although the manuscript seems to be romanticised, vague and not providing certain details on the period, nevertheless the almost exact name and theme of the story with historical Canggal inscription seems to confirm that the manuscript was based or inspired from the historical event.

Golden age

The 9th century Central Javanese gold and silver image of the Mahayana Buddhist goddess Tara

The period between the reign of King Panangkaran to King Balitung (span between 760—910) that roughly lasted for 150 years, marked the apogee of Javanese classic civilisation. This period witnessed the blossoming of Javanese art and architecture, as numbers of majestic temples and monuments were erected and dominated the skyline of Kedu and Kewu Plain. Most notable of these temples are Sewu, Borobudur and Prambanan temple. The Sailendras are known as the ardent temple builder.[14]^:89–90

King Sanjaya was a Shivaist, and yet his successor Panangkaran was a Mahayana Buddhist.[14]^:89 This shift of faith, from Shivaist Sanjaya to Buddhist Panangkaran has raised problematic questions among scholars; whether there were two competing royal families that dominated the political landscapes in Central Java, that each are patrons of either Shivaist Hindu or Mahayana Buddhism. Or more recently suggested theory, that there were only one dynasty—the Sailendras—and there was only the shift or split of royal patronage in favour to Hinduism or Buddhism.

The great builder

The construction of Kalasan temple was mentioned in Kalasan inscription, under the auspices of King Panangkaran.

Panangkaran (r. 760—780) was an enthusiastic developer, he was credited for at least five major temple projects conducted and started during his reign. According to the Kalasan inscription, dated 778 and written in the Pranagari script in Sanskrit, the Kalasan temple was erected by the will of Guru Sang Raja Sailendravamçatilaka (the teacher of the ornament of Sailendra family), who persuaded Panangkaran (Sanjaya's successor) to construct a holy building for the goddess (boddhisattvadevi) Tara and build a vihara (monastery) for Buddhist monks from the Sailendra realm. Panangkaran also awarded Kalaça village to a sangha (Buddhist monastic community).[16] The temple connected to this inscription is the Kalasan temple that housed the image of Tara, and the nearby Sari temple that was probably functioned as the monastery.

Panangkaran was also responsible for the construction of Abhayagiri Vihara, connected to the today site of Ratu Boko. This hilltop compound was actually not a religious structure; consist of series of gates, ramparts, fortified walls, dry moats, walled enclosure, terraces and building bases. This site displays attributes of an occupation or settlement site, although its precise functions is unknown.[17] This led to a suggestion that this compound probably was served as the palace. Initially probably it was intended as a secluded hilltop Buddhist monastery, as mentioned in the Abhayagiri Vihara inscription. However, later it seems to be converted to become a fortified palace or a citadel, which evidence in the remnant of defensive structures.[18]

The construction of Manjusrigrha temple was mentioned in Manjusrigrha inscription, under the auspices of King Panangkaran and completed during Dharanindra reign.

King Panangkaran probably also responsible to the conception and laid the foundation for the construction of grand Manjusrigrha temple, as mentioned in Manjusrigrha inscription dated 792. The king however, never saw the completion of this grand temple complex, as it finished in 792, long after his death probably around 780. This massive temple complex with total of 249 structures was the grandest of its time, and probably served as the official state's temple that conducted important stately religious ceremonies.[19]

The great conqueror

The construction of Mendut temple was initiated and completed during the reign of King Indra (r. 780—800), a valiant king of Shailendra dynasty.

There are some reports that naval Javanese raiders invaded Tran-nam in 767, Champa in 774, and Champa again in 787.[20] The successor of Panangkaran was Dharanindra (r. 780—800) or commonly known as King Indra. He was mentioned in Kelurak inscription (dated 782) in his formal reign name Sri Sanggrama Dhananjaya. In this inscription he was hailed as Wairiwarawiramardana or "the slayer of courageous enemies". The similar title also found in Ligor B inscription discovered in Southern Thailand Malay Peninsula; Sarwwarimadawimathana, which suggest it referred to the same person. Dharanindra seems to be a valiant and warlike character, as he embarked on military naval expedition overseas and has brought Sailendras' control on Ligor in Malay Peninsula.[14]^:91–92

King Indra seems to continue the builder tradition of his predecessor. He continued the construction of Manjusrigrha temple (Sewu complex), and according to the Karangtengah inscription (dated 824) responsible for the construction of Venuvana temple, connected to Mendut or probably Ngawen temple. He was also probably responsible for the conception and initiation of the construction of Borobudur and Pawon temple.

Dharanindra ascends as the Maharaja of Srivijaya. The nature of Sailendras' close relations with the neighbouring Srivijayan empire based on Sumatra is quite uncertain and complicated. It seems that in earlier times, Sailendra family belonged within Srivijayan mandala sphere of influence. And for later period of time Sailendras' monarch rose to become the head of Srivijayan mandala. The shift that rendered Sailendras in return to become the ruler of Srivijaya was unclear. Was it led by military campaign by Dharanindra against Srivijaya in Sumatra, or more likely formed by close alliance and kinship between the house of Sailendra and the Maharaja of Srivijaya.

The Laguna Copperplate Inscription (circa 900 CE) from the Laguna de Bay area in Luzon, the Philippines. The inscription invokes the "chief" (pamegat) of "Mdang" as one of the authorities in the clearing of a debt owed to the "chief and commander" (pamegat senapati) of "Tundun".

Based on the Ligor inscription, Laguna copperplate inscription and Pucangan inscription, the influence and knowledge of the Medang Kingdom reached as far as Bali, southern Thailand, the Indianized kingdoms in the Philippines, and the Khmer in Cambodia.[3][4][5]

The pacifist ruler

Dharanindra's successor was Samaragrawira (r. 800—819), mentioned in Nalanda inscription (dated 860) as the father of Balaputradewa, and the son of Śailendravamsatilaka (the ornament of Śailendra family) with stylised name Śrīviravairimathana (the slayer of enemy hero), which refer to Dharanindra.[14]^:92 Unlike his predecessor the expansive warlike Dharanindra, Samaragrawira seems to be a pacifist, enjoying a peaceful prosperity of interior Java in Kedu Plain, and more interested on completing the Borobudur project. He appointed the Khmer prince Jayavarman as the governor of Indrapura in the Mekong delta under Sailendran rule. This decision was proven as a mistake, as Jayavarman later revolted, moved his capital further inland north from Tonle Sap to Mahendraparvata, severed the link and proclaimed Cambodian independence from Java in 802. Samaragrawira was mentioned as the king of Java that married Tārā, daughter of Dharmasetu.[14]^:108 He was mentioned as his other name Rakai Warak in Mantyasih inscription.

Earlier historians, such as N. J. Krom, and Coedes, tend to equate Samaragrawira and Samaratungga as the same person.[14]^:92 However, later historians such as Slamet Muljana equate Samaratungga with Rakai Garung, mentioned in Mantyasih inscription as the fifth monarch of Mataram kingdom. Which means Samaratungga was the successor of Samaragrawira.

The massive stone stupa-mandala of Borobudur was completed in 825 during the reign of King Samaratungga.

Samaratungga (r. 819–838) was credited for the completion of massive stone mandala, the grand monument of Borobudur (completed in 825). Samaratungga just like Samaragrawira, seems to be deeply influenced by peaceful Mahayana Buddhist beliefs and strive to become a pacifist and a benevolent ruler. His successor was Princess Pramodhawardhani that betrothed to Shivaite Rakai Pikatan, son of the influential Rakai Patapan, a landlord in Central Java. The political move that seems as an effort to secure peace and Sailendran rule on Java by reconciling the Mahayana Buddhist with Shivaist Hindus.

The rule of Shivaist Rakai Pikatan (r. 838–850) and his Buddhist queen consort Pramodhawardhani marked the return of the Medang Mataram court favour to Shivaist Hindu,[14]^:108 instead of Mahayana Buddhism favoured by previous king Samaratungga. This is evident in the construction of grand Shivagrha temple compound in the Mataram capital, located only few hundred meters south from Manjusrigrha temple compound. Nevertheless, the inter-religious relations during Pikatan's reign seems to promote tolerance in the spirit of reconciliation. Their reign is credited to the construction and expansion of at least two of perwara temple and stupa in Plaosan complex, located east from Sewu (Manjusrigrha) temple. Plaosan temple with twin main temples is probably built and dated from an earlier period, probably started by Panangkaran, Samaragrawira or Samaratungga, but completed during Pikatan-Pramodhawardhani's reign.

The divide

Ratu Boko, a fortified hill, probably referred in Shivagrha inscription as the location of a battle.

Balaputra however, opposed the rule of Pikatan and Pramodhawardhani. The relations between Balaputra and Pramodhawardhani is interpreted differently by some historians. Older theory according to Bosch and De Casparis holds that Balaputra was the son of Samaratungga, which means he was the younger brother of Pramodhawardhani. Later historians such as Muljana on the other hand, argued that Balaputra was the son of Samaragrawira and the younger brother of Samaratungga, which means he was the uncle of Pramodhawardhani.[21]

It is not known whether Balaputra was expelled from Central Java because of succession dispute with Pikatan, or was he already ruled in Suvarnadvipa (Sumatra). Either ways, it seems that Balaputra eventually ruled the Sumatran branch of Sailendra dynasty and enthroned in Srivijayan capital of Palembang. Historians argued that this was because Balaputra's mother—Tara, the queen consort of King Samaragrawira was the princess of Srivijaya, this rendered Balaputra as the heir of Srivijayan throne. Balaputra the Maharaja of Srivijaya later stated his claim as the rightful heir of Sailendra dynasty from Java, as proclaimed in Nalanda inscription dated 860.[14]^:108

Shivagrha inscription dated 778 Saka (856 CE), one of the historical source dated from the Medang Mataram Kingdom.

The Shivagrha inscription (dated 856) mentioned about a war challenging Pikatan's reign, the inscription however did not mention who was the enemy that challenged Pikatan's authority. The earlier historians suggests that it was Balaputradewa that rose against Pikatan, however later historians suggest it was another enemy, argued by that time Balaputra already ruled in Srivijaya. The Shivagrha inscription only mentioned that the battle happened in a fortress on a hill protected by bulk of stone walls, this fortress hill is identified with Ratu Boko archaeological site. The eldest children of Pikatan and Pramodhawardhani was Rakai Gurunwangi Dyah Saladu. Eventually the revolt was successfully defeated by Pikatan's youngest son—the valiant Dyah Lokapala also known as Rakai Kayuwangi. As the reward for his heroic deed and bravery, the people and many of Pikatan's state advisors urged that Lokapala should be named as crown prince instead of Gurunwangi. Gurunwangi's loss of favour in succession—despite being the eldest sibling, has raised a question among scholars. It was previously thought that the name Rakai Gurunwangi Dyah Saladu refer to a female character (princess), although it is more likely that Gurunwangi was a prince.

This revolt seems to have succeeded in taking over the capital in Mataram for a certain period. After defeating the usurper, Pikatan found that this bloodshed has made the capital in Mataram inauspicious, thus he moved the karaton (court) to Mamrati or Amrati located somewhere in Kedu Plain (Progo river valley), northwest from Mataram.

Later Pikatan decided to abdicate his throne in favour of his youngest son Dyah Lokapala (r. 850—890). Rakai Pikatan retired, renounce worldly affairs and become a hermit named Sang Prabhu Jatiningrat. The event also marked with the consecrated ceremony of Shiva image in Prambanan main temple. Boechari suggests that the enemy that challenged Pikatan was Rakai Walaing pu Kumbhayoni, a powerful Shivaist landlord and also the branch of the ruling dynasty as he claimed as the descendant of a king that ruled Java.[22]^:159

The short peace

Ijo, a 10th century Hindu temple located on Ijo Hill Southeast from Prambanan.

The Medang Mataram kings after Pikatan; from Lokapala, Watuhumalang (r. 890—898) and Balitung are the patrons of Shivaist Hindu, "after the decline of the power of the Buddhist Sailendras in central Java."[14]^:125–127 Their reign seems to enjoyed a relative peace. The grand Shivagrha temple compound are continuously expanded and completed with hundreds of perwara (complementary) temples surrounding the main three prasada (tower) of Trimurti Hindu Gods. It is probably during their reign that some Hindu temples are constructed in the area, such as Sambisari, Barong, Ijo, Kedulan, Kimpulan, Kadisoka, Gebang and Merak temple. Barong and Ijo temples in particular are interesting, for they are built on the hill and has different layout compared to earlier temples. Sewu and Prambanan temples are arranged in concentric mandala layout. Barong and Ijo temples however, are arranged in completely different way; the main temple is located in further back of the compound on the most higher ground, while the perwara complementary temples are built in front of the main temple on the lower ground, the layout corresponds to the uneven topography of the site. This style of temple layout is most likely the predecessor and will be continued in the later East Javanese temple architecture.

King Pikatan, Lokapala (Rakai Kayuwangi), and Watuhumalang ruled from their court in Mamrati or Amrati, they are known as "Amrati Kings". The exact location of Mamrati is unknown, suggested somewhere in Kedu Plain (modern day Magelang and Temanggung regencies), located north from Mataram along Progo River valley. It was suggested that Amrati might be located near the location of Wanua Tengah III inscription, in Kedunglo hamlet, Kaloran village, within Temanggung Regency.

A battle scene depicted on a bas-relief in Prambanan.

After absent for several generations, the name "Mataram" reappears in Javanese inscription during the reign of Balitung, which probably signify the transfer of capital. King Balitung moved his capital from Amrati to Poh Pitu, and renamed Poh Pitu as Yawapura. Again the exact location of this capital is unknown, probably also located within Kedu Plain. However, it is highly possible that Poh Pitu was located around the Poh inscription (905), in Dumpoh hamlet, Potrobangsan village, North Magelang district within Magelang city. Balitung productively issued several inscriptions, among others are Telahap inscription (dated 11 September 899), Watukura inscription (27 July 902), Telang (11 January 904), Poh (17 July 905), Kubu-Kubu (17 October 905), Mantyasih (11 April 907), and Rukam (907).

Our current knowledge of the names of kings that reign the Medang Mataram kingdom is much owed to Mantyasih inscription (dated 907), issued by King Balitung (r. 898—910)—that contains genealogy and the reign order of Medang Mataram kings, and he seek ancestor as far as King Sanjaya. This inscription is also known as "Balitung charter". The motivation of Balitung's edict has sparked various assumptions from historians—as if Balitung eagerly seeks legitimacy of his rule, by stating his ancestral lineage. It is highly possible that he related to the royal family and shared common ancestry. Thus, suggested that he married to the daughter of previous king, which made him the royal son in-law as well as heir.

Bubrah temple.

The Watukura inscription (902) is the oldest inscription in Javanese statecraft that mentioned the position of Rakryan Kanuruhan (Prime Minister), while the position of Rakryan Mapatih—which in Balitung's era is equivalent to crown prince, was held by Mpu Daksa. The relation between Balitung and his successor Daksha is quite problematic, as historians suggested Daksha was the son of previous king (Watuhumalang), while the court was held by Balitung who is probably Dakhsa's brother in-law. The Telang inscription, dated 11 January 904, revealed the development of the port complex of Paparahuan which was led by Rakai Welar Mpu Sudarsana, located on the bank of Bengawan Solo river. By building port and ferry crossing in navigable Bengawan Solo, might signify the growing interest in maritime trade, thus the court interest has shifted eastward.

The Kubu-Kubu inscription (17 October 905) revealed the village Kubu-kubu was awarded to Rakryan Hujung Dyah Mangarak and Rakryan Matuha Dyah Majawuntan in recognition of their valor on conquering Bantan. The toponym of Bantan is unclear, it might be corresponds to the 10th century site of Banten Girang in present-day Banten province of western Java, or might be other place. While other historians speculated that Bantan might be an alternative name to Bali. In old Javanese, the term Bantan means "sacrifice" which often used interchangeably with Bali that means "offering".

Sajiwan Buddhist temple, linked to Nini Haji Rakryan Sanjiwana or Sri Kahulunnan.

The Mantyasih inscription (11 April 907) revealed the gifts awarded to five junior patihs (officials) for their service on maintained peace during Balitung's wedding. Also in 907, in Rukam inscription, Balitung offers that the Sima taxes being collected from the village of Rukam to be allocated for the construction and maintenance of a temple dedicated to his grandmother, Nini Haji Rakryan Sanjiwana. The temple mentioned here is Sajiwan Buddhist temple, located not far south from Prambanan, probably was built during the end of Rakai Kayuwangi (King Lokapala) reign and completed in Balitung's reign. The temple is dedicated to Nini Haji Rakryan Sanjiwana, linked to Sri Kahulunnan, another name of queen Pramodhawardhani. This temple probably was a mortuary temple dedicated as pedharmaan (dedication) for the deceased queen mother.

The rivalry between Balitung and Daksha was probably a result of the previous contest of succession between Rakai Gurunwangi and Rakai Kayuwangi (King Lokapala)—both are descendants of Rakai Pikatan. During the rule of his brother-in-law—Balitung, Mpu Daksa held the position as Rakai Hino, according to Taji Gunung inscription (dated 21 December 910), that mentioned about the partition of Taji Gunung area between him and Rakai Gurunwangi. It seems that Rakai Gurunwangi allied himself with his nephew Daksha. Historian Boechari is certain that the reign of Balitung was ended as the result of Mpu Daksha's rebellion. According to Taji Gunung inscription (910) Daksha was still as Rakai Hino, while in the stele of Timbangan Wungkal (913) he already ascended to the throne as the king. Although the kingdom also enjoyed relative peace and prosperity, after King Balitung, it seems that the construction of grand temples are decreased in both quality and quantity.

Daksha ruled over the centre and the east portions of Java.[14]^:127 King Daksha (r. 910—919) and his successor King Tulodong (r. 919—924) also ruled from Poh Pitu. The next monarch, King Wawa (r. 924—929) returned the capital back from Poh Pitu to Mataram. The Sanggurah inscription (dated 2 August 928)—found in Malang area in East Java is particularly interesting, since it mentioned about the deed of Sri Maharaja Rakai Pangkaja Dyah Wawa Sri Wijayalokanamottungga (King Wawa) that granted the Sima status to the land in and around the source of Brantas river in present-day Batu and Malang area. This means that during the reign of Wawa, the kingdom has expanded eastward by establishing settlements (Sima lands) along the river Bengawan Solo and Brantas.

Moving eastward

Towering Merapi volcano overlooking Prambanan prasad tower. It was suggested that Merapi volcanic eruption had devastated Mataram capital, forcing them to relocate in the east.

Around the year 929, the centre of the kingdom was shifted from Central Java to East Java by Mpu Sindok,[14]^:128 who established the Isyana Dynasty. The exact cause of the move is still uncertain. Historians have proposed various possible causes; from natural disaster, epidemic outbreak, politics and power struggle, to religious or economic motives.

According to van Bemmelen's theory, which was supported by Prof. Boechari a severe eruption of Mount Merapi volcano probably has caused the move.[23] Historians suggest that, some time during the reign of King Wawa of Mataram (924—929), Merapi volcano erupted and devastated the kingdom's capital in Mataram. The historic massive volcano eruption is popularly known as Pralaya Mataram (the debacle of Mataram). The evidence for this eruption can be seen in several temples that were virtually buried under Merapi's lahar and volcanic debris, such as the Sambisari, Morangan, Kedulan, Kadisoka and Kimpulan temples.

Sambisari temple buried five metres under volcanic debris of Mount Merapi.

Archeologist Agus Aris Munandar proposed a hypothesis, that the move was caused by a religious motives. He mentions that the incessant eruptions of Mount Merapi has caused the kingdom to move.[23] Pointing out that in ancient Javanese beliefs, Merapi was considered as the Mahameru for the people in the ancient Mataram. According to Hindu teachings, the Mahameru peak symbolises the centre of the universe, the sacred realm where the gods live. Since their Mahameru in Central Java continued to erupt, they decided to move, but they still looked for another Mahameru. As East Java was still part of Mataram territory, it is possible that some of the people informed the Central Java kingdom that there was another Mahameru in the east. He suggests that the new sacred mountain was Mount Penanggungan in East Java, which resembles Mahameru.[23]

Another hypothesis proposed by N.J. Krom says that the demise was caused by an epidemic break-out, forcing people to seek a new place to live.[23] On the other hand, B. Schrieke says the move was caused by economic reasons; the vigorous temple construction boom during the era of Sailendran kings has put a tremendous economic burden upon the peasant. People were suffering as they were forced to build grand temples by the kings, instead of working their farms. Slowly they moved to the east to avoid the kings' orders.[23]

Barong Hindu temple, constructed on large terraces.

A power struggle is also proposed as the cause of the move. Coedes suggested that the move to East Java was probably in response to the Buddhist Sailendras.[14]^:79,90 This theory is inline with the one proposed by J.G. de Casparis which suggests, that the shift of capital city eastward was to avoid a Srivijaya invasion from Sumatra.[23]

However, it was most likely motivated by economic reasons. De Casparis then expands his theory, saying that the location of the kingdom in Central Java was less accessible than East Java. The Brantas river valley was considered to be a strategic location, as the river provides easy access to reach ports on East Java's north coast and Java Sea, strategic for the control of maritime trade routes to the eastern parts of archipelago, being especially vital for control of the Maluku spice trade. This is in contrast with Mataram's Kedu and Kewu Plain that relatively isolated from the north coast of Central Java. Despite its fertility, ideal for rice agricultural kingdom, the Mataram Plain is quite isolated, its northern borders are protected by natural barrier of Merapi, Merbabu, Sumbing, Sundoro, Dieng and Ungaran volcanoes. Ideal for inward-looking agricultural polity, but insufficient to develop a maritime trading kingdom.[23]

Badut temple near Malang, East Java circa 8th century.

The recent studies suggest, that the move eastward was not an abrupt event. During the Mataram period in Central Java, the kingdom most likely already expanded eastward and established settlements along Brantas river in East Java. It was more likely that the move was done in gradual manner over long period. The cause of the move was also motivated from multiple factors; either natural, economy or politics. The Sanggurah inscription or popularly known as the "Minto Stone", dated to 982 — found in Malang, East Java in early 19th century — mentions the name of a Javanese king, Sri Maharaja Rakai Pangkaja Dyah Wawa Sri Wijayalokanamottungga (King Wawa Wijayaloka[24]), who then ruled the Malang area. This suggests that even during the reign of King Wawa, the Malang region in East Java already belongs within the realm of Medang Kingdom. The inscription contains elements about the shift of power that consequently took place to East Java.[25]

Whatever the true reasons behind the move of political centre from Central to East Java, this event marked the end of an era profoundly. Indeed, the temple-building activity has decreased since the era of King Balitung in scale, quality and quantity, and yet the Eastern Java period of Medang kingdom leave no tangible traces of any temple structure comparable to those of the previous Central Javanese Sailendra era. It seems that the kingdom no longer has the intention and the resource to embark on a grand scale construction project.

Establishing the eastern country

Anjukladang inscription (937), issued by King Sindok during his power consolidation in East Java.

According to Turyan inscription (dated 929), Sindok moved the capital to Tamwlang and later moved it again to Watugaluh. Historian identify those names with the Tambelang and Megaluh area near modern Jombang, East Java. Although Sindok establishes a new dynasty, the Isyana dynasty named after his daughter, Sindok seems to be closely related to the royal house of Medang Mataram, thus he can be viewed as the continuation of a long line of Javanese Kings lineage stretched from King Sanjaya. During his reign Sindok created quite a number of inscriptions, most are related to the establishment of Sima lands; these inscriptions are among others; Linggasutan (929), Gulung-Gulung (929), Cunggrang (929), Jru-Jru (930), Waharu (931), Sumbut (931), Wulig (935), and Anjukladang (937). Most of these inscription mentioned about the establishment of Sima or Swatantra lands. This signify that Sindok seems to consolidated his authority over East Java as collections of villages are declared as Sima lands, which means the settlements have developed wet rice cultivation and can be taxed and swore allegiance as part of Sindok's kingdom.

The Anjukladang inscription dated from 937 in particular is interesting, because it stated the Sima status is awarded to Anjukladang village and a temple is erected in recognition of their service on repelling the invading forces from Malayu. The temple mentioned here is probably the Candi Lor made of bricks which is now in ruins, located in Candirejo village in Nganjuk Regency.[26] The mentioning of invading Malayu forces refer to the old name of Sumatran Malayu Kingdom, which probably means Srivijaya instead. This means the relations between East Javanese Medang kingdom with Srivijaya has badly deteriorated to the state of hostility.

Expansion to Bali

Bodhisattva Manjushri from Goa Gajah cave, Bali, demonstrated the influence of Javanese Medang Mataram Sailendran art.

Sindok was succeeded by his daughter Isyana Tunggawijaya.[14]^:129 According to Gedangan inscription (dated 950), Queen Isyana married to Sri Lokapala, a nobleman from Bali. She later succeeded by her son Makutawangsa Wardhana c. 985. According to Pucangan inscription (dated 1041), King Makutawangsa Wardhana has a daughter named Mahendradatta, Makutawangsa Wardhana was replaced by his son Dharmawangsa Tguh c. 990s.

A later king, Dharmawangsa, moved the capital again to Wwatan, identified as the Wotan area near modern Madiun. Dharmawangsa's sister, Mahendradatta later would be betrothed to a Balinese king Udayana Warmadewa. This report indicated that somehow Bali had been absorbed into the Medang Kingdom's mandala sphere of influence, probably as vassal. In literature development, King Dharmawangsa also ordered the translation of the Mahabharata into Old Javanese in 996.

Collapse

In the late 10th century, the rivalry between the Sumatran Srivijaya and Javanese Mataram became more hostile.[14]^:130 The animosity was probably caused by the Srivijayan effort to reclaim Sailendra lands in Java, as Balaputra and his offspring — a new dynasty of Srivijaya maharajas — belonged to the Sailendra dynasty, or by Medang aspirations to challenge Srivijaya dominance as the regional power. Previously the Anjukladang inscription dated from 937 mentioned about infiltration attack from Malayu which refer to a Srivijayan attack.

War against Srivijaya

Ancient Javanese vessel depicted in Borobudur. In 990 King Dharmawangsa launched a naval attack against Srivijaya in Sumatra, the hostility between two kingdoms has led to the collapse of Medang kingdom.

In 990, Dharmawangsa launched a naval invasion against Srivijaya[14]^:130 in an attempt to capture Palembang. The news of Javanese invasion of Srivijaya was recorded in Chinese accounts from Song period. In 988, an envoy from San-fo-qi (Srivijaya) was sent to Chinese court in Guangzhou. After sojourned for about two years in China, the envoy learned that his country has been attacked by She-po (Java) thus made him unable to return home. In 992 the envoy from She-po (Java) arrived in Chinese court and explaining that their country has involved in continuous war with Srivijaya. In 999 the Srivijayan envoy sailed from China to Champa in an attempt to return home, however he received no news about the condition of his country. The Srivijayan envoy then sailed back to China and appealed Chinese Emperor for the protection of China against Javanese invaders.[27]^:229

Dharmawangsa's invasion led the Maharaja of Srivijaya, Sri Cudamani Warmadewa to seek protection from China.[14]^:141 Srivijayan Maharaja, Sri Cudamani Warmadewa was an able and astute ruler, with shrewd diplomatic skills. In the midst of crisis brought by Javanese invasion, he secured Chinese political support by appeasing the Chinese Emperor. In 1003, a Song historical record reported that the envoy of San-fo-qi dispatched by the king Sri Cudamani Warmadewa, informed that a Buddhist temple had been erected in their country to pray for the long life of Chinese Emperor, thus asked the emperor to give the name and the bell for this temple which was built in his honor. Rejoiced, the Chinese Emperor named the temple Ch'eng-t'en-wan-shou ('ten thousand years of receiving blessing from heaven, which is China) and a bell was immediately cast and sent to Srivijaya to be installed in the temple.[27]^:6

After 16 years of war, in 1006, Srivijaya managed to repelled the Medang invaders and liberated Palembang. This attack opened the eyes of the Srivijayan Maharaja to how dangerous the Medang kingdom could be, and he planned to destroy his new Javanese nemesis.

Mahapralaya

Buddhist bronze figure depicting Boddhisattva Padmapani, 10th-century dated from late period of Medang Kingdom.

In retaliation, in 1016-1017, Srivijaya forces assisted Haji (king) Wurawari to revolt. He launched an invasion from Lwaram, attacked and destroyed the Medang Palace, killing Dharmawangsa and most of the royal family.[14]^:130 Wurawari was a vassal polity located in present-day Banyumas area, south of Karang Kobar.[22]^:201 Lwaram is connected to the modern day Ngloram village in Cepu region, Blora, Central Java. This sudden and unexpected attack took place during the wedding ceremony of Dharmawangsa's daughter, which rendered the court unprepared and shocked.

This calamity was recorded in Javanese account as the pralaya (the debacle) the death of the Mataram kingdom.[14]^:144 With the death of Dharmawangsa and the fall of the capital, under military pressure from Srivijaya, the kingdom finally collapsed and fell to chaos. With the absence of Medang paramount ruler, warlords in regional provinces and settlements in central and east Java rebelled and break loose from the central Medang government and forming their own polities serving local dynasties. Raids and robbery were rampant ravaging the country. There was further unrest and violence several years after the kingdom's demise.

Airlangga, a son of King Udayana Warmadewa of Bali and Queen Mahendradatta,[14]^:129 also a nephew of slain King Dharmawangsa, managed to escape the destruction and went into exile in Vanagiri forest in interior Central Java. He later rallied popular support, reunited the remnants of the Medang Kingdom and re-established the kingdom (including Bali) under the name of Kingdom of Kahuripan in 1019. The Kingdom of Kahuripan can be considered as the successor state of Medang, and from this point on, the kingdom was known as Kahuripan,[14]^:144–147 with its capital located near Brantas river estuarine, somewhere around modern Surabaya, Sidoarjo or Pasuruan in East Java.

The Dynasty

The dual dynasties theory

Plaosan twin temples

Bosch in his book "Srivijaya, de Sailendravamsa en de Sanjayavamsa" (1952) suggested that king Sanjaya was the progenitor of the Sanjaya Dynasty, and there were two dynasties that ruled Central Java; the Buddhist Sailendra and the Shivaist Sanjaya dynasty.[28] The inscription also states that Sanjaya was an ardent follower of Shaivism. From its founding in the early 8th century until 928, the kingdom was ruled by the Sanjaya dynasty. The first king was Sanjaya, who ruled in the Mataram region in the vicinity of modern Yogyakarta and Prambanan, and left the written records on the Canggal inscription. However, around the mid 8th century, the Sailendra dynasty emerged in Central Java and challenged Sanjaya domination in the region.

The prevailing historical interpretation holds that the Sailendra dynasty co-existed next to the Sanjaya dynasty in Central Java, and much of the period was characterised by peaceful co-operation. The Sailendra, with their strong connections to Srivijaya, managed to gain control of Central Java and become overlords of the Rakai (local Javanese lords), including the Sanjayas, thus making the Sanjaya kings of Mataram their vassals. Little is known about the kingdom due to the dominance of the Sailendra, who during this period constructed Borobudur, a Buddhist monument. Samaratungga, the monarch of the Sailendra, tried to secure the Sailendra position in Java, cementing an alliance with the Sanjayas by arranging the marriage of his daughter Pramodhawardhani with Pikatan.

Around the middle of the 9th century, relations between the Sanjaya and the Sailendra deteriorated. In 852, the Sanjaya ruler, Pikatan, defeated Balaputra, the offspring of the Sailendra monarch Samaratunga and the princess Tara. This ended the Sailendra presence in Java; Balaputra retreated to the Srivijayan capital in Sumatra, where he became the paramount ruler.[29] The victory of Pikatan was recorded in Shivagrha inscription dated 856, created by Rakai Kayuwangi, Pikatan's successor.

The single dynasty theory

The scene of the Javanese court depicted in Borobudur bas relief

However, this dual Sailendra—Sanjaya dynasties theory proposed by Bosch and De Casparis was opposed by some Indonesian historians in later period. An alternate theory, proposed by Poerbatjaraka, suggests there was only one kingdom and one dynasty, the kingdom called Medang, with the capital in the Mataram area (thus the name of the kingdom: "Medang i Bhumi Mataram"), and the ruling dynasty being the Sailendra.

This theory is supported with Boechari interpretation on Sojomerto inscription and Poerbatjaraka study on Carita Parahyangan manuscript, Poerbatjaraka holds that Sanjaya and all of his offspring belongs to the Sailendra family, which initially was Shivaist Hindu. However, according to Raja Sankhara inscription (now missing); Sanjaya's son, Panangkaran, converted to Mahāyāna Buddhism. And because of that conversion, the later series of Sailendra kings who ruled Medang become Mahāyāna Buddhists also and gave Buddhism royal patronage in Java until the end of Samaratungga's reign.[30] The Shivaist Hindus regained royal patronage with the reign of Pikatan, which lasted until the end of the Medang Kingdom. During the reign of Kings Pikatan and Balitung, the royal Hindu Trimurti temple of Prambanan was built and expanded in the vicinity of Yogyakarta.

Government and economy

The complex stratified ancient Javan society, with its refined aesthetic taste in art and culture, is evidenced through the various scenes in narrative bas-reliefs carved on various temples dated from the Medang era.

Capital

Prambanan prāsāda (towers) viewed from Ratu Boko hill, the area in Prambanan Plain was the location of the Mataram capital

During this period the common concept of city, as it known in Europe, Middle East or China, as the urban concentration centre of politics, administration, religious and economic activities, was not quite established yet in ancient Java. The proper urban development as a city took place later in 13th century Majapahit's Trowulan.

The capital itself is more likely refer to the palace, a walled compound called pura in Sanskrit, or in local Javanese as karaton or kadatwan, this is where the king and his family reside and rule his court. The palace itself is more of a collection of pendopo style pavilions surrounded by walls. These pavilions and halls are made from organic wooden and thatched materials, so they had decayed over centuries leaving only stone walls, gates, terraces and bases. The example of this type of secular buildings can be found in Ratu Boko compound. The Javanese urban centre in this period did not recognise walled-city as it found in Chinese or Indian counterparts, the only walled, well-guarded and protected compound was the king's palace and temple compound. The nagara or capital itself was more of a collection of densely populated villages surrounding the pura (king's palace).

The religious activity centres, which refer to the location of where the temples stood, did not necessarily signify the administrative or economic centre as well. As according to inscriptions, numbers of lands has been awarded a Sima status with portion or the whole of its rice tax revenue was allocated to funding the construction and maintaining the temple. Nevertheless, it is quite possible that the Prambanan Plain with high concentration of temples located just few hundred meters away from each other — Sambisari, Kalasan, Sari, Sewu, Lumbung, Prambanan, Plaosan, Sajiwan, Banyunibo, Ratuboko, Barong and Ijo temples — was might be the location of the capital of Mataram. Other expert argued that the Prambanan area was indeed the religious centre of the kingdom, but was not the administrative centre, while suggesting other location in Muntilan as the possible political centre of the kingdom.[31]

Most of the time, the court of the Medang Kingdom was located in Mataram, possibly located somewhere in Muntilan or the Prambanan Plain near modern Yogyakarta. However, during the reign of Rakai Pikatan, the court was moved to Mamrati. Later, in the reign of Balitung, the court moved again, this time to Poh Pitu. Unlike Mataram, historians have been unable to pinpoint the possible locations of Mamrati and Poh Pitu, although most historians agree that both were located in the Kedu Plain, somewhere around the modern Magelang or Temanggung regencies. Later expert suggests that the area in Secang, on the upper Progo river valley in northern Magelang Regency — with relatively high temple density — was possibly the secondary political centre of the kingdom.[31] In later Eastern Java period, other centres were mentioned; such as Tamwlang and Watugaluh (near Jombang), also Wwatan (near Madiun).

Administration

The bas relief of 8th century Borobudur depict the scene in royal court.

During this period the administration level of Javanese polity was only consists of two levels; the central government level centred in king's court, and the wanua or village level took form of settlements scattered around within kingdom's realm. The palace where the King resided was mentioned as kadatwan or karaton, the court was the centre of kingdom's administration. The wanua or village is more likely took shape of an "island" filled with housings and orchards in the middle of vast rice paddies, this village layout still can be found in modern Javanese desa.

Image of Boddhisattva on Plaosan temple.

The King was regarded as the paramount ruler or chakravartin, where the highest power and authority lies. He ruled the nagara or kadatwan which means the kingdom, from his puri (palace or walled compound). Under the king, there are state officials that serve to forward the king's laws and orders. They are using the title of Rakai or Samget. The Rakais ruled an administrative unit called watak that formed from the collection of several villages or wanua. Rakai can be considered as regional landlord or the landed gentry, that rule a large collection of villages. The rakais transmit the king's order to the Rama or village leaders that rules their own domain called karaman or watak. As the kingdom grew larger and complex, entering the 10th century during the reign of Balitung, series of state officials are added to add hierarchy levels.[32]

Most of the inscriptions dated from Medang Mataram period are related to the establishment of sima lands. This signify the formation and expansion of Javanese agricultural villages in the region during this period. Either by opening a forest or converting a ladang (dry rice cultivation) to sawah (wet rice cultivation). A sima is an arable wet rice agricultural land with rice surpluses available for taxation, and officially recognised through royal edict. Most of these sima lands are ruled by regional rakai or samget (landed gentry) in their realm. By acquiring prestigious sima status from the king, a watak regional unit held a higher prestige compared to non-sima settlements, yet this also means acknowledging the kingdom's overlordship over their land and swore their allegiance to the king. The Rakais that rule the land are granted a royal permission to collect tax, yet some parts of these tax should be regularly paid to the king's court (central government in the capital). In some instance, some of these sima inscription stated that this sima land has become a tax-free land, in exchange that the rice harvest surpluses collected from this land are used to construct or maintain a religious building. This means the rakai that traditionally ruled this lands no longer has the right to collect the tax, or at least reducing their tax earnings.

Other than their administrative and military-defense function, the king and the royal family is also known as the patron of arts and also religious piousness. The king, the royal family and the kingdom's officials had the authority to launch public projects, such as irrigation works or temple construction. The royal art and religious patronage can be seen in sponsoring temples constructions. The kingdom left behind several temples and monuments. The most notable ones are Borobudur, Prambanan, Sewu, and the Plaosan temple compound.

Economy

The bas-relief in 8th century Borobudur depicting rice agriculture in ancient Java

The common people of Medang mostly made a living in agriculture, especially as rice farmers, however, some may have pursued other careers, such as hunter, trader, artisan, weaponsmith, sailor, soldier, dancer, musician, food or drink vendor, etc. Rich portrayals of daily life in 9th century Java can be seen in many temple bas-reliefs. Rice cultivation had become the base for the kingdom's economy where the villages throughout the realm relied on their annual rice yield to pay taxes to the court. Exploiting the fertile volcanic soil of Central Java and the intensive wet rice cultivation (sawah) enabled the population to grow significantly, which contributed to the availability of labour and workforce for the state's public projects. Certain villages and lands were given the status as sima lands awarded through royal edict written in inscriptions. The rice yields from sima lands usually were allocated for the maintenance of certain religious buildings.

Earliest evidence of a currency system in Java. Javanese gold mas or tahil ingots, circa the 9th century.

The economic activity was also not solely centred in a single marketplace in the capital city. It is most likely that the marketplace was rotated in daily basis within a week among participating villages, in a Javanese system called pasaran. This system still can be found in rural Javanese villages, before most are turned into a permanent marketplace as it is commonly found today. The economic trading practice in these marketplace are most likely done in barter as well as using money, as during this period, Javanese economy has been partly monetised.

The bas-reliefs from temples of this period, especially from Borobudur and Prambanan describe occupations and careers other than agricultural pursuit; such as soldiers, government officials, court servants, massage therapists, travelling musicians and dancing troupe, food and drink sellers, logistics courier, sailors, merchants, even thugs and robbers are depicted in everyday life of 9th century Java. These occupations requires economic system that employs currency. The Wonoboyo hoard, golden artefacts discovered in 1990, revealed gold coins in shape similar to corn seeds, which suggests that 9th century Javan economy is partly monetised. On the surface of the gold coins engraved with a script "ta", a short form of "tail" or "tahil" a unit of currency in ancient Java.

Culture and society

Society

A nobleman accompanied by his entourage and servants, a bas-relief of Borobudur.

A Buddhist hermit meditating in secluded forest, Borobudur bas-relief.

A complex and stratified society of ancient Javanese people and their social order can be seen through studies on the rich portrayal in bas-reliefs from this period, as well as inscription studies. The kingdom had developed a complex society; which characterised by heterogeneity of their society, inequality of social stratification, and the formation of national administrative institution in their kingdom.[1] The ancient Javanese did recognise the Hindu catur varna or caste social classes; Brahmana (priests), Kshatriya (kings, warlords and nobles), Vaishya (traders and artisans), and Shudra (servants and slaves). Nevertheless, the social stratification system in ancient Java slightly differ from those of India, as it is less rigid.[33]

Pigeaud divides ancient Javanese society into four classes: the ruling class, religious authority, commoners, and slaves.[34] While de Casparis suggest; although the ancient Javanese society recognise caste differences, their rules and implementations was less rigid compared to those caste system in India. De Casparis divides them into three groups:

1. The commoners that formed the majority of kingdom's population.
2. The king with his royal family, including those nobles, landlords and the member of elite ruling class that depends on the king's court and his dynasty. Can be commonly called "the palace/court people".
3. The religious figures and religious authorities. The priests class; brahmins and monks, includes the lower rank servants employed in temple compounds and monasteries.[35]

Based on the study of the styles and types of clothing and jewelries worn by people depicted in bas-reliefs from the temple — especially Borobudur reliefs — the ancient Javanese society roughly can be divided into:[36]

1. The nobles, the king and the royal families, landlords, nobles and those that related to ruling elites. They wore luxurious clothing of kain long clothes wrapped around their hips to the ankle, waistband, and sash either wore around their hips as sampur, or wore around their body hanging from left shoulder to the hip. Adorned with intricate golden jewelries such as jamang (forehead ornaments), makuta (crown), earrings, kelat bahu (armlet), necklace, upavita (body ornament of golden chains wore across the chest), bracelets, rings, ankle bracelet. The gods and divinities also portrayed in similar fashion as nobles, although they are described as having prabhamandala (divine halo) around their head.
2. The royal servants or lower-ranked nobles, they are king's servants, entourages or royal attendants. They occupied positions as dayang-dayang (female royal attendants), guard or state officials. They wore long cloth around their hips to the ankle, and wore jewelries and ornaments too, such as earrings, necklace and bracelets, although not as complete and luxurious as those worn by the king and the nobles.
3. The priests, the brahmins, Buddhist monks, or those religious figures employed in temples or monasteries. They usually wore robes or cloaks called sinhel. Buddhist monks were usually portrayed as bald men wore robe with open right shoulder, while brahmins were usually depicted as bearded men wearing turbans.
4. The commoners, the majority of the people, mostly described as villagers. They wore simple clothing of around their hips, the lower end sometimes being tied upward to create a short loincloth. Usually they wore no jewelry or ornaments, but some wore a few simple ornaments, including necklaces or bracelets, or a rope worn as a waistband.

Religion

The statue of Dhyani Buddha Vairocana, Avalokitesvara, and Vajrapani inside the Mendut temple

Hinduism and Buddhism are the two religions adhered by the rulers and people of the kingdom. Nevertheless, the commoners' religious practices were probably still mixed with native shamanism and indigenous pre-Dharmic beliefs. Since the beginning of its formation, the Medang Mataram kings seemed to favour Shivaist Hinduism, such as the construction of linga in Gunung Wukir Hindu temple as mentioned in Canggal inscription by king Sanjaya. However, during the reign of Panangkaran, Mahayana Buddhism began to blossomed and gain court favour. The Kalasan, Sari, Sewu, Mendut, Pawon and the magnificent Borobudur temples testify the Buddhist renaissance in Central Java. The court patronage on Buddhism spanned from the reign of Panangkaran to Samaratungga. During the reign of Pikatan, Shivaist Hinduism began to regain court's favour, signified by the construction of grand Shivagrha (Prambanan).

Shiva statue in main chamber of Prambanan.

The kingdom recognised the religious authority of priest class, the brahmins. Buddhism was also well represented through the sangha Buddhist monastic community, consists of Buddhist monks living in viharas such as Sari and Plaosan and gaining court patronage. These Hindu and Buddhist religious authorities conducted state's and regional religious rituals and ceremonies in the temples. The ruling class of kshatriya royal family also indulged in spiritualism. Some monarch seems to immerse themselves in spiritualism and religion. For example, King Panangkaran seems to be deeply influenced by Mahayana Buddhism, and even strive to become a hermit during his later days. Numbers of other kings such as Samaragrawira and Samaratungga was also deeply influenced by Buddhism and strive to become a benevolent leaders. Rakai Pikatan also abdicated and renounced worldly affairs during his old days and become a rishi hermit named Sang Prabhu Jatiningrat.

The period between the reign of King Panangkaran to the reign of King Balitung (late 8th century to the early 10th century) saw a fervent temple construction in the kingdom. This was probably motivated either by religious zeal, kingdom's immense wealth and resources or social-political reasons. Some historians such as Munoz suggest, that this ardent temple construction projects was actually a religious-political tool to control the regional Rakai landlords, to prevent them from rebelling against the king.[37] During this time, each of regional watak are ruled by Rakai landlords that nurturing their own dynasty. By appointing the Rakais' sima land to fund the construction and maintenance of a candi religious building, the Maharaja depriving the Rakais' ability to collect large sum of tax, that can be potentially misused to fund some army that might rose to challenge the Maharaja's authority. The Rakais might be willingly or reluctantly compliant to the king's will, for refusing to construct religious building might harm their reputation, and cast them not only as the enemy of the king, but also as the enemy of gods or Buddha.

Art and Architecture

Further information: Candi of Indonesia

The Wonoboyo hoard displays the immense wealth and artistic achievement of the Medang kingdom.

Other than examining bas-reliefs carved on the temple's walls, the study of ancient Javanese society is also conducted through archaeological relics. The Wonoboyo hoard golden artefacts attest to the wealth, art, and culture as well as the aesthetic achievement of the Medang Kingdom. The artefacts show the intricate artwork and technical mastery of the ancient Javanese goldsmith. The hoard was estimated to date from the reign of King Balitung.[38] The treasure has been identified as belonging to a noble or a member of the royal family.[39]

The earliest temple in the Southern Central Java Mataram region was the Hindu Shivaist Gunung Wukir temple, linked to Canggal inscription (732 CE) built by King Sanjaya. Almost 50 years later the oldest Buddhist temple was built in Prambanan region, the Buddhist Kalasan temple, linked to Kalasan inscription (778 CE) and King Panangkaran. From this time, the kingdom saw exuberant temple construction projects, such as Sari, Manjusrigrha, Lumbung, Ngawen, Mendut, Pawon and peaked in the construction of Borobudur, the massive stone mandala, that took shape of a mountain temple pinnacled with stupas that completed c. 825 CE.

The magnificent 9th century Hindu temple of Prambanan, Yogyakarta, was a major Hindu monument in the kingdom of Medang.

The monumental Hindu temple of Prambanan in the vicinity of Yogyakarta — initially built during the reign of King Pikatan (838—850), and expanded continuously through the reign of Lokapala (850—890) to Balitung (899–911) — is a fine example of ancient Medang Mataram art and architecture. The description of a grand temple compound dedicated for lord Shiva, and the public project to shift the course of the river near the temple (Opak river) to run straight along western wall of temple compound was also mentioned in Shivagrha inscription. The grand temple complex was dedicated to the Trimurti, the three highest gods in the Hindu pantheon (Shiva, Brahma, Vishnu). It was the largest Hindu temple ever built in Indonesia, evidence of the immense wealth and cultural achievement of the kingdom.

Other Hindu temples dated from Medang Mataram Kingdom era are: Sambisari, Gebang, Barong, Ijo, and Morangan. Although the Shivaist regain the favour, Buddhist remain under royal patronage. The Sewu temple dedicated for Manjusri according to Kelurak inscription was probably initially built by Panangkaran, but later expanded and completed during Rakai Pikatan's rule, whom married to a Buddhist princess Pramodhawardhani, daughter of Samaratungga. Most of their subjects retained their old religion; Shivaists and Buddhists seemed to co-exist in harmony. The Buddhist temple of Plaosan, Banyunibo and Sajiwan were built during the reign of King Pikatan and Queen Pramodhawardhani, probably in the spirit of religious reconciliation after the succession disputes between Pikatan-Pramodhawardhani against Balaputra.

Literature

Bas relief in Prambanan depicting a scene taken from Ramayana. The translation of Indian epic into Javanese Kakawin Ramayana took place during Medang Mataram kingdom.

From the 9th to mid 10th centuries, the Medang Kingdom witnessed the blossoming of art, culture and literature, mainly through the translation of Hindu-Buddhist sacred texts and the transmission and adaptation of Hindu-Buddhist ideas into Old Javanese text and visual bas-reliefs rendering. The bas-relief carved on each sides of Mendut temple stairs and also on the base of Sojiwan temple for example, narrating the popular Jataka Buddhist tales, the stories that tell about the previous lives of the Buddha, in both human and animal form. The Borobudur bas-relief particularly, contains the most complete rendering of Buddhist sacred texts. Ranged from Karmavibhanga (the law of karma), Lalitavistara (the story of the Buddha), the tale of Manohara, Jataka and Jatakamala, Avadana (collection of virtuous deeds) and Gandavyuha (Sudhana's quest for the ultimate truth).

The bas-relief narration of the Hindu epic Ramayana and also was carved on the wall of Prambanan temple's Shiva and Brahma temples, while the stories of Krishna taken from Bhagavata Purana was carved on Vishnu temple. During this period, the Kakawin Ramayana, an old Javanese rendering was written. This Kakawin Ramayana, also called the Yogesvara Ramayana, is attributed to the scribe Yogesvara c. the 9th century CE, who was employed in the court of the Medang in Central Java. It has 2774 stanzas in the manipravala style, a mixture of Sanskrit and archaic Javanese prose. The most influential version of the Ramayana is the Ravanavadham of Bhatti, popularly known as Bhattikavya. The Javanese Ramayana differs markedly from the original Hindu.

Relations with regional powers

Medang kingdom had an exceptionally intense relations with the regional hegemon Srivijaya of Sumatra. In earlier period, the relations was close and intimate, as Sailendran kings of Java has formed an alliance with Maharaja of Srivijaya and the two royal houses seems to be merged. In later period however, the relations was deteriorated to warfare, as Dharmawangsa launched failed attempt to capture Palembang, and Srivijaya well-crafted retaliation ensued. In its eastern boundary, the Medang kingdom seems to subjugate the neighboring Bali, and pulled the island into its sphere of influence.

Comparison between left: Borobudur of Java (825) and right: Bakong of Cambodia (881), both temples had similar basic design of stepped pyramid and similar corbelling method, which suggest there was a connection of technical and cultural influence between ancient Java and Cambodia.

The Khmer art and architecture during the formative early Angkor era also believed to being influenced by Javanese art and architecture; the striking similarity of the Bakong temple in Cambodia to Borobudur, strongly suggests that Bakong was inspired by Borobudur's design. There must had been exchanges of travellers, if not mission, between Kambuja and Java. Transmitting to Cambodia not only ideas, but also technical and architectural details, including arched gateways in corbelling method.[40]

The Kaladi inscription (c. 909 CE), mentioned Kmir (Khmer people of the Khmer Empire) together with Campa (Champa) and Rman (Mon) as foreigners from mainland Southeast Asia that frequently came to Java to trade. The inscription suggests a maritime trade network has been established between kingdoms in mainland Southeast Asia and Java.[41]

The name of the Medang Kingdom was mentioned in the Laguna Copperplate Inscription of the Philippines' Tondo, dated 822 saka (c. 900 CE), discovered in Lumban, Laguna, Philippines. The discovery of the inscriptions, written in the Kawi script in a variety of Old Malay containing numerous loanwords from Sanskrit and a few non-Malay vocabulary elements whose origin is ambiguous between Old Javanese and Old Tagalog, suggests that the people or officials of the Medang Kingdom had embarked on inter-insular trade and foreign relations in regions as far away as the Philippines, and that connections between ancient kingdoms in Indonesia and the Philippines existed.[42]

Legacy

National Vesak ceremony in Borobudur, the Hindu-Buddhist temples dated from Mataram Kingdom are especially important for pilgrimage and ceremony for Indonesian Buddhist and Hindus.

Celebrated as the golden age of ancient Indonesian civilisation — more precisely classic Javanese civilisation — the era of Medang i Bhumi Mataram kingdom has left an everlasting mark and legacy in Indonesian culture and history; their monuments. The grand and magnificent Borobudur and Prambanan in particular, has become the source of national pride, not only for local Javanese but also for the whole of Indonesians.[43] It is probably in the same fashion as how Khmer people of Cambodia took pride in their Angkorian legacy. These monuments today has become the nation's major attraction; Borobudur is the single most visited tourist attraction in Indonesia.[44]

Never before — and again — that Indonesia saw such vigorous passion for development and temple construction, which demonstrate such technological mastery, labour and resource management, aesthetics and art refinement, also architectural achievement, other than this era. The period between the late 8th century to the late 9th century, between the reign of Panangkaran to Balitung, has left numbers of impressive religious monuments; among others are Manjusrigrha, Bhumisambharabudhara and Shivagrha.

The Javanese Ramayana Ballet performance in Prambanan open air stage. The Mataram Kingdom era has left a profound impact in Javanese culture.

The Medang Mataram era is hailed as the classical period of Javanese civilisation; for during this period the Javanese culture, art and architecture was blossoming and developed further, consolidated and mixed their indigenous elements with dharmic influences. By incorporating Hindu-Buddhist frame of reference and elements into their culture, art and architecture, and by Sanskritization their language, Javanese has formulating their own Hindu-Buddhist Javanese style and developing an ingenious civilisation. This Javanese style of Sailendran art, either in sculpture and architecture, in return influenced regional arts, particularly the Srivijayan art in Sumatra and Southern Thailand Malay Peninsula.

It was also during this period that numbers of dharmic scriptures either Hindu or Buddhist, has made their way from India into Javanese culture. For example, the tales of Buddhist Jatakas and Lalitavistara, also Hindu epics Ramayana and Mahabharata were adopted into Javanese version. These tales and epics would further shaped the Javanese culture and performing arts, such as Javanese dances and wayang art.

List of rulers

The ruler of Medang Kingdom.[14]^{:88–89,91,92,108,126–130}[45]

Central Java period

Period of reign	Personal name	Rakai (Javanese title)	Abhiseka (stylised) name	Mentioned in inscription	Year
732—760	Sanjaya	Mataram	–	Canggal	732
760—780	Pancapana	Panangkaran	Dharmatungga?	Kalasan	778
780—800	Dharanindra	Panunggalan	Sanggramadhananjaya –	Kelurak Ligor B	782 c 787
800—819	Samaragrawira	Warak	–	Nalanda	c 860
819—838	Samaratungga	Garung	–	Pengging Karangtengah	819 824
838—850	Jatiningrat	Pikatan	–	Shivagrha Tulang air Argapura	856 850 863
850—890	Lokapala	Kayuwangi Gurun Wangi	Sajanotsawatungga	Shivagrha Wuatan Tija Wanua Tengah Munggu Antan	856 880 863 887
890—898	Dewendra	Limus Watuhumalang	–	Poh Dulur Kewikuan Panunggalan	890 896
898—910	Balitung	Watukura	Sri Iswara Kesawottawatungga	Mantyasih	907
910—919	Daksa	Hino	Sri Maharaja Daksottama Bahubajra Pratipaksaksaya Uttunggawijaya	Taji Gunung	910
919—924	Tulodong	Layang	Sajanasanata Nuraga Tunggadewa	Lintakan	919
924—929	Wawa	Sumba Pangkaja	Sri Wijayaloka Namottungga	Sanggurah	982

East Java period

Period of reign	Personal name	Rakai (Javanese title)	Abhiseka (stylised) name	Mentioned in inscription	Year
929—947	Sindok	Hino	Sri Maharaja Isyana Wikramadharmottunggadewa	Turyan Anjukladang	929 937
947—985	–	–	Sri Isyana Tunggawijaya (queen regnant)	Gedangan Pucangan	950 1041
985—990	–	–	Sri Makutawangsa Wardhana	Pucangan	1041
990—1006	Wijayamreta Wardhana	–	Sri Maharaja Isyana Dharmawangsa Teguh Anantawikramottunggadewa	Pucangan	1041

See also

• List of monarchs of Java
• Medang Kamulan

References

General

• Soekmono, R, Drs., Pengantar Sejarah Kebudayaan Indonesia 2, 2nd ed. Penerbit Kanisius, Yogyakarta, 1973, 5th reprint edition in 1988

Notes

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2. Media, Kompas Cyber (18 February 2012). "Kisah Mataram di Poros Kedu-Prambanan - Kompas.com". KOMPAS.com (in Indonesian). Retrieved 8 September 2018.
3. Laguna Copperplate Inscription
4. Ligor inscription
5. Coedès, George (1968). Walter F. Vella, ed. The Indianized States of Southeast Asia. trans.Susan Brown Cowing. University of Hawaii Press. ISBN 978-0-8248-0368-1.
6. Brown (2003), p. 23 harvp error: no target: CITEREFBrown2003 (help)
7. Thomas Stamford Raffles (1817). The History of Java (1978 ed.). Oxford University Press. ISBN 0-19-580347-7.
8. Antoon, Postma. "The Laguna Copper-Plate Inscription: Text and Commentary". Loyola Heights, Quezon City, the Philippines: Philippine Studies, Ateneo de Manila University. p. 186. Retrieved 24 June 2014.
9. "Mataram". Sanskrit dictionary.
10. Slamet Muljana (2005). Menuju Puncak Kemegahan (in Indonesian). LKiS. p. 84. ISBN 9789798451355. Retrieved 3 March 2014.
11. "Medang". KBBI.
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13. Drs. R. Soekmono. Pengantar Sejarah Kebudayaan Indonesia 2, 2nd ed (1973, 5th reprint edition in 1988 ed.). Yogyakarta: Penerbit Kanisius. p. 40.
14. Cœdès, George (1968). The Indianized states of Southeast Asia. University of Hawaii Press. ISBN 9780824803681.
15. Marwati Djoened Poesponegoro; Nugroho Notosusanto (2008). Sejarah Nasional Indonesia: Zaman kuno (in Indonesian). Balai Pustaka. p. 131. ISBN 9789794074084. Retrieved 10 June 2014.
16. Soetarno, Drs. R. (2002). "Aneka Candi Kuno di Indonesia" (Ancient Temples in Indonesia) (second ed.). Dahara Prize. Semarang. p. 41. ISBN 979-501-098-0.
17. Didier Millet (August 2003). John Miksic (ed.). Indonesian Heritage Series: Ancient History. Singapore: Archipelago Press. p. 74. ISBN 981-3018-26-7.
18. Soetarno, Drs. R. (2002). "Aneka Candi Kuno di Indonesia" (Ancient Temples in Indonesia), second edition (in Indonesian). Dahara Prize, Semarang. p. 67. ISBN 979-501-098-0.
19. Gunawan Kartapranata; Septa Inigopatria; Emille Junior (20 April 2015), "Candi Sewu Mandala Suci Manjusrigrha", Harian Kompas via Youtube, retrieved 8 September 2018
20. Maspero, G. (2002). The Champa Kingdom. Bangkok: White Lotus Co., Ltd. p. 48,166,50. ISBN 9747534991.
21. Muljana, Slamet (2006). Sriwijaya (in Indonesian). Yogyakarta: LKiS. p. 21. ISBN 979-8451-62-7.
22. Marwati Djoened Poesponegoro; Nugroho Notosusanto (2008). Sejarah Nasional Indonesia: Zaman Kuno (in Indonesian). Balai Pustaka. ISBN 978-9794074084. OCLC 318053182.
23. Handewi Soegiharto (13 June 2006). "Merapi and the demise of the Mataram kingdom". The Jakarta Post. Retrieved 31 August 2015.
24. Brandes, J.L.A. (1913). "Oud-Javaansche Oorkonden. Nagelaten Transscripties". Verhandelingen van Het Bataviaasch Genootschap van Kunsten en Wetenschappen. 60: 12–.
25. de Longh, R.C. (1977). Handbook of Oriental Studies. Part 3. Brill. p. 55.
26. "Prasasti Anjukladang". Museum Anjuk Ladang (in Indonesian). 13 February 2016. Retrieved 21 May 2018.
27. Hermann Kulke; K Kesavapany; Vijay Sakhuja, eds. (2009). Nagapattinam to Suvarnadwipa: Reflections on the Chola Naval Expeditions to Southeast Asia, Volume 1 of Nalanda-Sriwijaya series. Institute of Southeast Asian Studies. ISBN 9789812309372.
28. Dr. Bosch, "Srivijaya, de Sailendravamsa en de Sanjayavamsa", 1952.
29. cf. De Casparis, 1956; Hall, 1985:111
30. Poerbatjaraka, 1958: 254–264
31. Degroot, Véronique (2009). Candi, Space and Landscape: A Study on the Distribution, Orientation and Spatial Organization of Central Javanese Temple Remains. Leiden: Sidestone Press, Issue 38 of Mededelingen van het Rijksmuseum voor Volkenkunde. p. 85. ISBN 978-9088900396.
32. Rahardjo, Supratikno (2002). Peradaban Jawa, Dinamika Pranata Politik, Agama, dan Ekonomi Jawa Kuno (in Indonesian). Komuntas Bambu, Jakarta. p. 111. ISBN 979-96201-1-2.
33. Inda Citraninda Noerhadi (July 2012). Busana Jawa Kuna (in Indonesian). Jakarta: Komunitas Bambu. pp. 49–50. ISBN 978-602-9402-16-2.
34. Pigeaud, 1958: 195
35. de Casparis, 1954: 56
36. Inda Citraninda Noerhadi (July 2012). Busana Jawa Kuna (in Indonesian). Jakarta: Komunitas Bambu. pp. 55–56. ISBN 978-602-9402-16-2.
37. Munoz, Paul Michel (2006). Early Kingdoms of the Indonesian Archipelago and the Malay Peninsula. Singapore: Editions Didier Millet. ISBN 981-4155-67-5.
38. "Warisan Saragi Diah Bunga". Majalah Tempo. 3 November 1990. Retrieved 21 July 2010.
39. "Indonesian Gold" Treasures from the National Museum Jakarta, grafico-qld.com, accessed July 2010
40. David G. Marr; Anthony Crothers Milner (1986). Southeast Asia in the 9th to 14th Centuries. Institute of Southeast Asian Studies, Singapore. p. 244. ISBN 9971-988-39-9. Retrieved 5 June 2014.
41. Fujita Kayoko; Shiro Momoki; Anthony Reid, eds. (2013). Offshore Asia: Maritime Interactions in Eastern Asia Before Steamships, volume 18 from Nalanda-Sriwijaya series. Institute of Southeast Asian Studies. p. 97. ISBN 978-9814311779.
42. Antoon, Postma. "The Laguna Copper-Plate Inscription: Text and Commentary". Loyola Heights, Quezon City, the Philippines: Philippine Studies, Ateneo de Manila University. p. 200. Retrieved 24 June 2014.
43. ̣"The Extraordinary Cultural Heritage of Central Java".
44. Mark Elliott ... (November 2003). Indonesia. Melbourne: Lonely Planet Publications Pty Ltd. pp. 211–215. ISBN 1-74059-154-2.
45. Muljana, Slamet (2006). Sriwijaya (in Indonesian). Yogyakarta: LKiS. pp. 243–244. ISBN 979-8451-62-7.