Jo Davidson

Jo Davidson (March 30, 1883 – January 2, 1952) was an American sculptor. Although he specialized in realistic, intense portrait busts, Davidson did not require his subjects to formally pose for him; rather, he observed and spoke with them. He worked primarily with clay, while the final products were typically cast in terra-cotta or bronze, or carved from marble.

Jo Davidson

Background
Young American Artists of the Modern School, L. to R. Jo Davidson, Edward Steichen, Arthur B. Carles, John Marin; back: Marsden Hartley, Laurence Fellows, c. 1911, Bates College Museum of Art

Davidson was born in New York City, where he was educated before going to work in the atelier of American sculptor Hermon Atkins MacNeil. He subsequently moved to Paris in 1907 to study sculpture at the Ecole des Beaux-Arts.

Career

Art

After returning to the United States, he was befriended by Gertrude Vanderbilt Whitney, who purchased some of his work.

In 1911 Davidson secured his first solo gallery shows. In 1927 he was one of a dozen sculptors invited by the oilman E. W. Marland to compete for a commission for a Pioneer Woman statue in Ponca City.[1] Each was paid a commission to produce a small model, and the dozen works were exhibited in major cities in the US. Davidson did not win the commission.

In 1934 Davidson won the National Academy of Design's Maynard Prize. In 1944, he was elected into the National Academy of Design as an Associate Academician. In 1947 the American Academy of Arts and Letters hosted a retrospective featuring nearly 200 of his works. In the summer of 1949, Davidson was one of 250 sculptors who exhibited in the 3rd Sculpture International held at the Philadelphia Museum of Art.

Among Davidson's commissions are a design for a United States War Industries badge, a collection of pieces for the Government of France to commemorate the first victory of the Troupes de Marine, and bronze busts of the leaders of the First World War Allies.[2] His portraits of world leaders and celebrated figures gained him international acclaim. He created statues of oilman and future governor E. W. Marland and his two adoptive grown children.

Politics
Members of the Independent Voters Committee of the Arts and Sciences for Roosevelt visit FDR at the White House (October 1944). From left, Van Wyck Brooks, Hannah Dorner, Jo Davidson, Jan Kiepura, Joseph Cotten, Dorothy Gish, Dr. Harlow Shapley.
Progressive Citizens of America members, 1947. From left, seated, Henry A. Wallace, Elliott Roosevelt; standing, Dr. Harlow Shapley, Jo Davidson

Davidson served as chairman of the Independent Citizens Committee of the Arts, Sciences and Professions (ICCASP), a leftist-liberal group that supported the policies of President Franklin D. Roosevelt and his re-election. In 1946 this group merged with the National Citizens Political Action Committee (NCPAC) to become the Progressive Citizens of America (PCA); Davidson became co-chairman (the other chairman being Dr. Frank Kingdon).

PCA struggled during tensions of the Cold War, with its members under suspicion by the House Un-American Activities Committee (HUAC) for leftist leanings. It worked for racial equality, economic justice and civil liberties. Important segments of the PCA became the base for Henry A. Wallace's candidacy for U.S. President in 1948 on the Progressive Party ticket.

Commissions
E. W. Marland, Ponca City, Oklahoma
Lydie Marland
Walt Whitman Bridge Entrance, Philadelphia
The bas-relief of Emma Goldman's gravestone, Forest Home Cemetery, Forest Park, Illinois

Collections

Some of Davidson's work is in the National Gallery of Art.

He also designed a statue of Henry D. Thoreau, the author of the book Walden. The statue is located at Walden Pond State Reservation in Concord, Massachusetts.

In 2006, The Smithsonian Institution's National Portrait Gallery opened a permanent exhibition, "Jo Davidson: Biographer in Bronze", showcasing fourteen Davidson works in terracotta and bronze, including portraits of Gertrude Stein and Lincoln Steffens.

gollark: And possibly use a lot of mirrors.
gollark: If you set one side to opaque mode.
gollark: They can be positioned to block some of the light which would otherwise heat India.
gollark: I mean, I would mostly just deploy artificial orbital suns to warm it up.
gollark: Oh, I assumed you just wanted to go there.

References
  1. ’Exhibition of Models for a Monument to the Pioneer Woman, Art Institute of Chicago, June 25 to August 1, 1927
  2. Davidson. Jo, ‘’Between Sittings: An Informal Autobiography of Jo Davidson’’, The Dial Press, NY : 1951, p. 134
  3. The Smithsonian Institution, National Portrait Gallery, has the Otto Kahn bust by Jo Davidson:https://npg.si.edu/object/npg_NPG.68.44
  4. Prijem američkog vajara Džo Dejvidsona i poziranje. foto.mij.rs

Sources

  • Armstrong, Craven et al., 220 Years of American Sculpture, Whitney Museum of Art & David R. Goodine, Publisher, NY 1976
  • Compilation of Works of Art and Other Objects in the United States Capitol, Prepared by the Architect of the Capitol under the Direction of the Joint Committee on the Library, United States Government Printing Office, Washington D.C. 1965
  • Connor, Janis and Joel Rosenkranz, photographs by David Finn, Rediscoveries in American Sculpture: Studio Works, 1893 - 1939, University of Texas Press, Austin TX 1989
  • Craven, Wayne, Sculpture in America: From the Colonial Period to the Present, Thomas Y, Crowell Company, NY 1968
  • Davidson, Jo, Between Sittings: an informal autobiography, The Dial Press, NY 1951
  • Griffin, Henry F. (August 1911). "Jo Davison, Sculptor: The Striking Work Of A Man Who Loves His Art More Than He Loves "Success"". The World's Work: A History of Our Time. XXII: 14746–14755. Retrieved 2009-07-10.
  • Homepage of the National Portrait Gallery, Washington, DC: Permanent Exhibitions.
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