Four Weddings and a Funeral

Four Weddings and a Funeral is a 1994 British romantic comedy film directed by Mike Newell. It was the first of several films by screenwriter Richard Curtis to feature Hugh Grant, and follows the adventures of Charles (Grant) and his circle of friends through a number of social occasions as they each encounter romance. Andie MacDowell stars as Charles's love interest Carrie, with Kristin Scott Thomas, James Fleet, Simon Callow, John Hannah, Charlotte Coleman, David Bower, Corin Redgrave, and Rowan Atkinson in supporting roles.

Four Weddings and a Funeral
UK theatrical release poster
Directed byMike Newell
Produced byDuncan Kenworthy
Written byRichard Curtis
Starring
Music byRichard Rodney Bennett
CinematographyMichael Coulter
Edited byJon Gregory
Production
company
Distributed byRank Film Distributors
Release date
  • 20 January 1994 (1994-01-20) (Sundance Festival)
  • 13 May 1994 (1994-05-13) (UK)
Running time
117 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£2.8 million
Box office$245.7 million[1]

The film was made in six weeks, cost under £3 million,[2] and became an unexpected success and the highest-grossing British film in history at the time, with worldwide box office in excess of $245.7 million, and receiving Academy Award nominations for Best Picture and Best Original Screenplay. Additionally, Grant won the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the BAFTA Award for Best Actor in a Leading Role, and the film won the BAFTA Awards Best Film, Best Direction, and Best Actress in a Supporting Role for Scott Thomas. The film's success propelled Hugh Grant to international stardom, particularly in the United States.[3]

In 1999, Four Weddings and a Funeral placed 23rd, on the British Film Institute's 100 greatest British films of the 20th century. In 2016, Empire magazine ranked it 21st in their list of the 100 best British films.[4] A 2017 poll of 150 actors, directors, writers, producers, and critics for Time Out magazine ranked it the 74th best British film ever.[5]

Curtis reunited director Newell and the surviving cast for a 25th anniversary reunion Comic Relief short entitled One Red Nose Day and a Wedding, which aired in the UK during Red Nose Day on 15 March 2019.[6]

Plot

At the wedding of Angus and Laura in Somerset, the unmarried best man Charles, his sister Scarlett; his friend Fiona and her brother Tom; Gareth, a gay man, and his Scottish lover Matthew; and Charles's deaf-mute brother David endure the festivities. At the reception, Charles becomes smitten with Caroline (Carrie), a beautiful young American, and the two spend the night together. In the morning, Carrie jokingly demands that Charles propose to her, observing that they may have "missed a great opportunity", and then leaves for America.

Three months later, at the wedding of Bernard and Lydia, who became sexually involved at the previous wedding, Charles meets Carrie again, now accompanied by her new Scottish fiancé Sir Hamish. Charles faces further humiliation from several of his ex-girlfriends, including the distraught Henrietta, and retreats to an empty hotel suite; he watches Carrie and Hamish depart, and becomes trapped in a cupboard when the horny newlyweds stumble in to have sexual relations. Charles makes an awkward exit and is confronted by an angry Henrietta about his habit of “serial monogamy” and his fear of letting anyone get too close. Carrie reappears, and she and Charles spend another night together again.

A month later, Charles receives an invitation to Carrie's wedding. While shopping for a gift, he runs into Carrie and helps her select a wedding dress. She recounts her 33 sexual partners; Charles, who turns out to have been number 32, makes an awkward confession of his love to her, but to no avail.

Another month later, Charles and his friends attend Carrie's wedding in Scotland. The gregarious Gareth instructs the group to seek potential mates; Scarlett hits it off with an American named Chester. As Charles watches Carrie and Hamish dance, Fiona deduces his heartbreak. When Charles asks Fiona why she is single, she confesses that she has loved Charles since they first met; though empathic to her feelings, Charles does not reciprocate them. During the bridegroom's toast, Gareth suddenly dies of a heart attack.

At Gareth's funeral, Matthew recites the poem "Funeral Blues" by the homosexual English poet W. H. Auden, commemorating his relationship with Gareth and calling Auden “another splendid bugger.” Afterward, Carrie and Charles share a brief moment, and Charles and Tom ponder the fact that despite their clique's pride in being single, Gareth and Matthew were a "married" couple all the while, and whether the search for "one true love" is a futile effort.

Ten months later, Charles's own wedding day arrives; the bride turns out to be Henrietta. Shortly before the wedding ceremony, Carrie arrives and tells Charles that she and Hamish have separated. Charles has a crisis of confidence and is counseled by David and Matthew, but proceeds with the wedding. When the vicar asks for any reason why the couple should not marry, however, the deaf David translates in sign language for Charles that he suspects the bridegroom loves someone else, which Charles confirms. Henrietta punches him in a rage, and the wedding is stopped.

Carrie tries to apologize to Charles, who confesses that at the altar, he realised that the one person he truly loved was she. Charles, who fears marriage, makes a proposal of a lifelong commitment without marriage to Carrie, and she accepts it.

At the end of the film, Henrietta marries an officer in the Grenadier Guards; David marries his girlfriend Serena; Scarlett marries Chester; Tom marries Deirdre, a distant cousin whom he met at Charles's wedding; Matthew finds a new male partner; Fiona is shown in a picture with a Prince Charles cut-out; the unmarried couple Charles and Carrie have a baby.

Cast

Production

Writing

Screenwriter Richard Curtis's own experiences as a wedding attendee inspired the premise for Four Weddings and a Funeral.[7] According to Curtis he began writing the script at age 34, after realizing he had attended 65 weddings in an 11-year period. At one wedding he was propositioned by a fellow guest, but he turned her down and forever regretted it; accordingly he based the origin of Charles and Carrie's romance on that situation.[7]

It took Curtis 17 drafts to reach the final version. He has commented on director Mike Newell's influence; ”I come from a school where making it funny is what matters. Mike was obsessed with keeping it real. Every character, no matter how small, has a story, not just three funny lines. It's a romantic film about love and friendship that swims in a sea of jokes." [8]

Curtis chose to omit any mention of the characters' careers, because he didn't think a group of friends would realistically discuss their jobs while together at a wedding.[7]

Casting

Curtis, Newell and the producers began the casting process for Four Weddings in early 1992, and continued scouting possible actors even after funding fell through in mid-1992. Roughly 70 actors auditioned for the role of Charles before Hugh Grant did.[3] Hugh Grant was ready to give up acting as a career when he received the script for Four Weddings and a Funeral; he stated in 2016 that: "I wasn't really getting any work at all, and then to my great surprise this script came through the letterbox from my agent, and it was really good. And I rang on and said there must be a mistake, you've sent me a good script."[9] Initially, writer Richard Curtis, who had modelled the character of Charles after himself, was opposed to casting Grant in the role because he thought he was too handsome. He was eventually persuaded by Mike Newell and the film's producers to approve of Grant.

The original choice for the role of Carrie was Jeanne Tripplehorn, but she had to drop out because of a death in her family.[10] Marisa Tomei and, reportedly, Sarah Jessica Parker, were also considered before Andie MacDowell was cast.[7]

Grant's participation hit another stumbling block when his agent requested a £5,000 rise over the £35,000 salary Grant was offered. The producers initially refused because of the extremely tight budget, but eventually agreed. The supporting cast-members were paid £17,500 apiece.

Production

Pre-production for the movie was a long process because funding was erratic, falling through in mid-1992 and leading to much uncertainty.[3] Finally in early 1993, Working Title Films stepped in to close the gap. Nonetheless, another $1.2 million was cut just before production began in the summer of 1993, forcing the film to be made in just 36 days with a final budget of £2.7 million (appr. $4.4 million in 1994).[3] The budget was so tight that extras had to wear their own wedding clothes, while Rowan Atkinson was retained as the Vicar for two of the weddings so production wouldn't have to pay another actor.[7]

Future Home Secretary and MP Amber Rudd was given the credit of "Aristocracy Coordinator" after she arranged for several aristocrats to make uncredited appearances as wedding extras, including the then – Marquess of Hartington, Peregrine Cavendish and the Earl of Woolton, who conveniently wore their own morning suits.[7]

To make Grant look more nerdy, the producers styled him with shaggy hair, glasses, and deliberately unflattering, ill-fitting clothes.[11][12] Grant was encouraged by director Mike Newell to mess up and trip over his lines, written in "convoluted syntax" as Grant describes them, in order to give Charles a stammering, nervous quality.[12] Grant, who struggled with hay fever throughout filming, was unsure of Newell's direction and his own performance, which he thought was "atrocious"; on Newell he commented that: "He seemed to be giving direction against what I thought were the natural beats of the comedy. He was making a film with texture, grounding it, playing the truths rather than the gags".[8]

The film was shot mainly in London and the Home Counties, including Hampstead, Islington where the final moments take place on Highbury Terrace, Greenwich Hospital, Betchworth in Surrey, Amersham in Buckinghamshire, St Bartholomew-the-Great (wedding number four) and West Thurrock in Essex.[13] Exterior shots of guests arriving for the funeral were filmed in Thurrock, Essex overlooking the River Thames with the backdrop of the Dartford River Crossing and at stately homes in Bedfordshire (Luton Hoo for wedding two's reception) and Hampshire.[14]

Post-production

According to Hugh Grant, the initial screening of a rough-cut of Four Weddings went very badly.

"I thought we'd screwed it up. When we went to watch a rough cut, all of us, me, Richard Curtis, Mike Newell, the producers, all thought this was the worst film that's ever been perpetrated. We're gonna go and emigrate to Peru when it comes out so no one can actually find us. And then they had a, a few cuts later they took it to Santa Monica for a test screening and everyone loved it. And it was a great surprise."[9]

Throughout production, Gramercy Pictures, the U.S. distributor for the film, sent frequent transatlantic faxes objecting to the explicit language and sexual content, fearing the final product would not be suitable for American distribution or television airings.[3] They particularly objected to the opening scene of the movie, in which Charles and Scarlett say the word "Fuck" over and over, after an initial screening of the movie in Salt Lake City led the conservative Mormon members of the city council to walk out.[7] Accordingly, Mike Newell and the actors agreed to reshoot the scene with the British swear word "Bugger" to be used in the American version.[7] The executives also objected to the title, believing Four Weddings and a Funeral would turn off male viewers from the film. In its place they suggested such titles as True Love and Near Misses, Loitering in Sacred Places, Skulking Around, and Rolling in the Aisles, none of which were accepted.[3]

Music and soundtrack

The original score was composed by British composer Richard Rodney Bennett. The movie also featured a soundtrack of popular songs, including a cover version of The Troggs' "Love Is All Around" performed by Wet Wet Wet that remained at number 1 on the UK Singles Chart for fifteen weeks and was then the ninth (now twelfth) biggest selling single of all time in Britain. This song would later be adapted into "Christmas Is All Around" and sung by the character of Billy Mack in Richard Curtis' 2003 film Love Actually, in which Grant also stars.

Release

Sundance Film Festival premiere

The movie made its world premiere in February 1994 at the Sundance Film Festival in Salt Lake City, Utah.[3]

Publicity

The box office receipts from the first five days of the film's general release in North America averaged $27,697 per screen, which so impressed the movie's distributor that it decided to spend lavishly on promotion, buying full-page newspaper ads and TV-spots totaling some $11 million, against a budget that had only amounted to $4.4 million.[3]

The movie also benefited from much free publicity because of Grant's reception in the United States, where he became an instant sex symbol and undertook a successful media tour promoting the film. Producer Duncan Kenworthy stated that "It was the most amazing luck that when Hugh went on the publicity trail he turned out to be incredibly funny, and very like the character of Charles. That doesn't ever happen."[3] Hugh Grant's then-girlfriend Elizabeth Hurley also garnered much publicity for the film when she wore a black Versace safety-pin dress to the premiere in Leicester Square which became a sensation in the press.[3]

Box office and theatrical run

The film earned £27.8 million in the United Kingdom.[15] Upon its North American limited release on 11 March 1994, Four Weddings and a Funeral opened with $138,486 in five theatres.[16] But upon its wide release on 15 April 1994, the film topped the box office with $4,162,489.[17] The film would continue to gross $52.7 million in North America with an additional $193 million internationally, earning $245.7 million worldwide.[1]

Reception

Critical response

The film was very well received with critics, currently holding a 96% "Certified Fresh" approval on review aggregator Rotten Tomatoes based on 67 reviews, with an average rating of 7.64/10. The site's consensus states, "While frothy to a fault, Four Weddings and a Funeral features irresistibly breezy humor, and winsome performances from Hugh Grant and Andie MacDowell."[18] Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it "delightful and sly", and directed with "light-hearted enchantment" by Newell. He praised Grant's performance, describing it as a kind of "endearing awkwardness".[19] Metacritic gave the film a score of 81 based on 19 reviews, indicating "universal acclaim".[20]

Producer Duncan Kenworthy attributes much of the stimulus for Four Weddings' box office success to its first glowing review by Todd McCarthy in Variety, who called it a "truly beguiling romantic comedy" which was "frequently hilarious without being sappily sentimental or tiresomely retrograde."[3][21]

The film had its detractors. Writing for the Chicago Reader, Jonathan Rosenbaum called the film "generic" and "standard issue", stating that the audience shouldn't "expect to remember it ten minutes later".[22] Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would "forget all about [the movie] by the time they leave the multiplex," even joking at the end of his review that he had forgotten the film's name.[23] The character of Carrie was voted one of the most annoying film characters of all time in a British online poll.[24]

Recognition

The film was voted the 27th greatest comedy film of all time by readers of Total Film in 2000. In 2004, the same magazine named it the 34th greatest British film of all time. It is number 96 on Bravo's "100 Funniest Movies".

The Guardian, in a 20th anniversary retrospective of Four Weddings, stated that "Its influence on the British film industry, on romantic-comedy writing, on the pop charts, on funeral readings, on haircuts, was enormous."[3]

Hugh Grant commented of the experience of the film's phenomenal success and its effect on his career in 2016: "I was making An Awfully Big Adventure at the time that Four Weddings came out, with Mike Newell again, same director, even tinier budget, in Dublin. And we'd get back from brutal days on the set, very long and no money, and the fax machines...were coming out saying that now your film Four Weddings is #5 in America, now it's #3, now it's #1 and here's an offer Hugh, for Captain Blood and they'll pay you $1 million. It was completely surreal."[9]

Awards and accolades

Year-end lists

Awards
Award Category Recipient Result
Academy Awards Best Picture Duncan Kenworthy Nominated
Best Original Screenplay Richard Curtis Nominated
BAFTA Awards Best Film Duncan Kenworthy Won
Best Direction Mike Newell Won
Best Original Screenplay Richard Curtis Nominated
Best Actor Hugh Grant Won
Best Supporting Actor Simon Callow Nominated
John Hannah Nominated
Best Supporting Actress Kristin Scott Thomas Won
Charlotte Coleman Nominated
Best Editing Jon Gregory Nominated
Best Film Music Richard Rodney Bennett Nominated
Golden Globe Awards Best Musical or Comedy Four Weddings and a Funeral Nominated
Best Actor – Musical or Comedy Hugh Grant Won
Best Actress – Musical or Comedy Andie MacDowell Nominated
Best Screenplay Richard Curtis Nominated
Directors Guild of America Award Outstanding Directing – Feature Film Mike Newell Nominated
Australian Film Institute Best Foreign Film Four Weddings and a Funeral Won
British Comedy Awards Best Comedy Film Four Weddings and a Funeral Won
César Awards Best Foreign Film Four Weddings and a Funeral Won
Chicago Film Critics Most Promising Actor Hugh Grant Won
Evening Standard Awards Best Actress Kristin Scott Thomas Won
Best Screenplay Richard Curtis Won
London Film Awards British Film of the Year Four Weddings and a Funeral Won
British Director of the Year Mike Newell Won
British Producer of the Year Duncan Kenworthy Won
British Screenwriter of the Year Richard Curtis Won
Writers Guild of America Award Best Original Screenplay Won
Writers' Guild of Great Britain Film – Screenplay Won

Franchise

Hulu anthology television miniseries
Main article: Four Weddings and a Funeral (miniseries)

It was reported in November 2017 that the streaming service Hulu was developing an eponymous anthology television series based upon the film, to be written and executive produced by Mindy Kaling and Matt Warburton, with Richard Curtis also serving as an executive producer.[54] In October 2018, it was announced Jessica Williams, Nikesh Patel, Rebecca Rittenhouse, and John Reynolds had joined the cast.[55]

25th anniversary reunion Comic Relief television short film

On 5 December 2018, it was announced that Richard Curtis had written One Red Nose Day and a Wedding,[56] a 25th anniversary reunion short film. The original film's director, Mike Newell, returned, along with the film's surviving cast, including Hugh Grant, Andie MacDowell, Kristin Scott Thomas, John Hannah, Rowan Atkinson, James Fleet, David Haig, Sophie Thompson, David Bower, Robin McCaffrey, Anna Chancellor, Rupert Vansittart, Simon Kunz, Sara Crowe and Timothy Walker.[6] It was filmed from 13–14 December 2018 at St James' Church, Islington, London.[57] The 14-minute film premiered in the UK during Red Nose Day on Friday 15 March 2019.[6] It centered on the reunion of all the characters from the original film at the wedding of Charles and Carrie's daughter to Fiona's daughter.[58] The involvement of additional cast members Lily James and Alicia Vikander was not announced until the day the film aired in the UK, because they played the young women getting married.[59] The film aired in the US on their Red Nose Day on Thursday 23 May 2019.[60]

gollark: Australian laws actually supercede the laws of mathematics according to one of their prime ministers.
gollark: Are you one of those non-IPv6-using types?
gollark: It is now impossible to change as it is in too many configuration files.
gollark: Also `10.0.0.0/24` but this has conflicted with some things.
gollark: My internal Wireguard LAN uses `fdfa:6c7e:ac95:aec8::/64`, for purposes.

See also

References
  1. Four Weddings and a Funeral (1994). Box Office Mojo. Retrieved 22 August 2016.
  2. BBC Radio 4 – The Reunion – Four Weddings and a Funeral, 13 April 2014
  3. Tom Lamont (26 April 2014). "Four Weddings and a Funeral 20 Years On: Richard Curtis Remembers". The Guardian. Retrieved 30 June 2018.
  4. "The 100 best British films". Empire. Retrieved 4 September 2019.
  5. "The 100 best British films". Time Out. Retrieved 26 October 2017
  6. Wiseman, Andreas (5 December 2018). "'Four Weddings and a Funeral' Cast And Creators To Reunite After 25 Years For Red Nose Day Short Film". Deadline.com. Retrieved 1 March 2019.
  7. Roger Cormier (10 January 2016). "15 Splendid Facts About Four Weddings and a Funeral". Mentalfloss.com. Retrieved 30 June 2018.
  8. Anne Thompson (6 May 1994). "'Four Weddings and a Funeral' A Surprise Hit". Entertainment Weekly. Retrieved 30 June 2018.
  9. SAG-AFTRA Foundation (19 August 2016). Conversations with Hugh Grant. YouTube. Retrieved 27 June 2018.
  10. Melissa Whitworth (7 June 2006). "How Jeanne Tripplehorn learnt to stop worrying and love polygamy". Daily Telegraph. Retrieved 30 June 2018.
  11. The Wedding Planners: Making of Four Weddings and a Funeral (dvd). Sony Pictures Home Entertainment. 2006.
  12. GQ (29 June 2018). Hugh Grant Reviews His Most Iconic Movie Roles GQ. YouTube. Retrieved 1 July 2018.
  13. "The Making of Four Weddings and a Funeral". Empire. June 1994. Retrieved 5 June 2015.
  14. Filming Locations for Four Weddings and a Funeral. Movie-locations.com. Retrieved 16 August 2011.
  15. "Top Films of All Time at the UK Box Office" (PDF). British Film Institute. April 2016. Retrieved 22 August 2016.
  16. Weekend Box Office Results for 11–13 March 1994. Box Office Mojo. Retrieved 16 August 2011.
  17. Weekend Box Office Results for 15–17 April 1994. Box Office Mojo. Retrieved 16 August 2011.
  18. Four Weddings and a Funeral at Rotten Tomatoes
  19. Four Weddings And A Funeral :: rogerebert.com :: Reviews. Chicago Sun-Times. Retrieved 16 August 2011.
  20. "Four Weddings and a Funeral Reviews". Metacritic.
  21. Todd McCarthy (19 January 1994). "Four Weddings and a Funeral Review". Variety. Retrieved 30 June 2018.
  22. Four Weddings and a Funeral. Chicago Reader. Retrieved 16 August 2011.
  23. CINEMA: Four Weddings and a Funeral: Well Groomed. Time (14 March 1994). Retrieved 16 August 2011.
  24. Handy, Bruce (19 May 1999), "The Daring Genesis of J.J. Abrams's Star Wars: The Force Awakens", Vanity Fair (June 2015), retrieved 7 November 2015
  25. Lovell, Glenn (25 December 1994). "The Past Picture Show the Good, the Bad and the Ugly -- a Year Worth's of Movie Memories". San Jose Mercury News (Morning Final ed.). p. 3.
  26. Davis, Sandi (1 January 1995). "Oklahoman Movie Critics Rank Their Favorites for the Year "Forrest Gump" The Very Best, Sandi Declares". The Oklahoman. Retrieved 20 July 2020.
  27. "Awards for 1994". National Board of Review. Archived from the original on 25 November 2010. Retrieved 20 July 2020.
  28. Vadeboncoeur, Joan (8 January 1995). "Critically Acclaimed Best Movies of '94 Include Works from Tarantino, Burton, Demme, Redford, Disney and Speilberg". Syracuse Herald American (Final ed.). p. 16.
  29. Hurley, John (30 December 1994). "Movie Industry Hit Highs and Lows in '94". Staten Island Advance. p. D11.
  30. Travers, Peter (29 December 1994). "The Best and Worst Movies of 1994". Rolling Stone. Retrieved 20 July 2020.
  31. P. Means, Sean (1 January 1995). "'Pulp and Circumstance' After the Rise of Quentin Tarantino, Hollywood Would Never Be the Same". The Salt Lake Tribune (Final ed.). p. E1.
  32. MacCambridge, Michael (22 December 1994). "it's a LOVE-HATE thing". Austin American-Statesman (Final ed.). p. 38.
  33. Turan, Kenneth (25 December 1994). "1994: YEAR IN REVIEW : No Weddings, No Lions, No Gumps". Los Angeles Times. Retrieved 20 July 2020.
  34. Maslin, Janet (27 December 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved 19 July 2020.
  35. Anthony, Todd (5 January 1995). "Hits & Disses". Miami New Times.
  36. Persall, Steve (30 December 1994). ""Fiction': The art of filmmaking". St. Petersburg Times (City ed.). p. 8.
  37. Berardinelli, James (2 January 1995). "Rewinding 1994 -- The Year in Film". ReelViews. Retrieved 19 July 2020.
  38. Bates, Mack (19 January 1995). "Originality of `Hoop Dreams' makes it the movie of the year". The Milwaukee Journal. p. 3.
  39. Armstrong, Douglas (1 January 1995). "End-of-year slump is not a happy ending". The Milwaukee Journal. p. 2.
  40. Dudek, Duane (30 December 1994). "1994 was a year of slim pickings". Milwaukee Sentinel. p. 3.
  41. Webster, Dan (1 January 1995). "In Year of Disappointments, Some Movies Still Delivered". The Spokesman-Review (Spokane ed.). p. 2.
  42. Ross, Bob (30 December 1994). "1994 The Year in Entertainment". The Tampa Tribune (Final ed.). p. 18.
  43. "The Year's Best". The Atlanta Journal-Constitution. 25 December 1994. p. K/1.
  44. Movshovitz, Howie (25 December 1994). "Memorable Movies of '94 Independents, fringes filled out a lean year". The Denver Post (Rockies ed.). p. E-1.
  45. Meyer, George (30 December 1994). "The Year of the Middling Movie". The Ledger. p. 6TO.
  46. Carlton, Bob (29 December 1994). "It Was a Good Year at Movies". The Birmingham News. p. 12-01.
  47. King, Dennis (25 December 1994). "SCREEN SAVERS In a Year of Faulty Epics, The Oddest Little Movies Made The Biggest Impact". Tulsa World (Final Home ed.). p. E1.
  48. Pickle, Betsy (30 December 1994). "Searching for the Top 10... Whenever They May Be". Knoxville News-Sentinel. p. 3.
  49. Arnold, William (30 December 1994). "'94 Movies: Best and Worst". Seattle Post-Intelligencer (Final ed.). p. 20.
  50. Elliott, David (25 December 1994). "On the big screen, color it a satisfying time". The San Diego Union-Tribune (1, 2 ed.). p. E=8.
  51. Denerstein, Robert (1 January 1995). "Perhaps It Was Best to Simply Fade to Black". Rocky Mountain News (Final ed.). p. 61A.
  52. Mills, Michael (30 December 1994). "It's a Fact: 'Pulp Fiction' Year's Best". The Palm Beach Post (Final ed.). p. 7.
  53. Simon, Jeff (1 January 1995). "Movies: Once More, with Feeling". The Buffalo News. Retrieved 19 July 2020.
  54. Andreeva, Nellie (1 November 2017). "'Four Weddings And a Funeral' Anthology Series From Mindy Kaling in Works at Hulu". Deadline. Retrieved 2 November 2017.
  55. Andreeva, Nellie; Petski, Denise (26 October 2018). "'Four Weddings and a Funeral': Jessica Williams To Star in Hulu Series, 3 Others Cast". Deadline Hollywood. Retrieved 26 October 2018.
  56. "One Red Nose Day and A Wedding Is a Real Thing and We Have So Many Questions". Red Nose Day USA. Retrieved 1 March 2019.
  57. freud 🔴, emma (16 December 2018). "We couldn't have got through 15 pages of #RNDwedding filmed in 2 days without the amazing sustenance from @Pophamsbakery⁩ opposite the church we shot in. These are the rosemary and sea salt twists. We ate 40. I think I may have been responsible for 30 of those.pic.twitter.com/fgb2n1xIJG". Twitter. Retrieved 1 March 2019.
  58. "'Four Weddings and a Funeral' Cast, Lily James, Alicia Vikander Debut Rom-Com "Mini-Sequel"". The Hollywood Reporter.
  59. Petski, Denise (15 March 2019). "Lily James & Alicia Vikander Set For 'Four Weddings and a Funeral' Red Nose Day Return — Watch Teaser Clip".
  60. Petski, Denise (13 December 2018). "Red Nose Day Special Sets 2019 Date On NBC". Deadline.com. Retrieved 1 March 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.