Bernard Malamud

Bernard Malamud (April 26, 1914 – March 18, 1986) was an American novelist and short story writer. Along with Saul Bellow, Joseph Heller, and Philip Roth, he was one of the best known American Jewish authors of the 20th century. His baseball novel, The Natural, was adapted into a 1984 film starring Robert Redford. His 1966 novel The Fixer (also filmed), about antisemitism in the Russian Empire, won both the National Book Award[1] and the Pulitzer Prize.[2]

Bernard Malamud
Born(1914-04-26)April 26, 1914
Brooklyn, New York, United States
DiedMarch 18, 1986(1986-03-18) (aged 71)
Manhattan, New York, United States
OccupationAuthor, teacher
NationalityAmerican
Period1940–1985
GenreNovel, short story
Notable worksThe Natural, The Fixer

Biography

Bernard Malamud was born in 1914 in Brooklyn, New York, the son of Bertha (née Fidelman) and Max Malamud, Russian Jewish immigrants. A brother, Eugene, born in 1917, suffered from mental illness,[3] lived a hard and lonely life and died in his fifties. Malamud entered adolescence at the start of the Great Depression. From 1928 to 1932, Bernard attended Erasmus Hall High School in Brooklyn.[4] During his youth, he saw many films and enjoyed relating their plots to his school friends. He was especially fond of Charlie Chaplin's comedies. Malamud worked for a year at $4.50 a day (equivalent to $84 in 2019) as a teacher-in-training, before attending college on a government loan. He received his B.A. degree from City College of New York in 1936. In 1942, he obtained a master's degree from Columbia University, writing a thesis on Thomas Hardy. He was excused from military service in World War II because he was the sole support of his widower father. He first worked for the Bureau of the Census in Washington D.C., then taught English in New York, mostly high school night classes for adults.

Starting in 1949, Malamud taught four sections of freshman composition each semester at Oregon State University (then Oregon State College, or OSC), an experience fictionalized in his 1961 novel A New Life. Because he lacked the Ph.D., he was not allowed to teach literature courses, and for a number of years his rank was that of instructor. In those days, OSC, a land grant university, placed little emphasis on the teaching of humanities or the writing of fiction. While at OSC, he devoted three days out of every week to his writing, and gradually emerged as a major American author. In 1961, he left OSC to teach creative writing at Bennington College, a position he held until retirement. In 1967, he was made a member of the American Academy of Arts and Sciences.

In 1942, Malamud met Ann De Chiara (November 1, 1917 – March 20, 2007), an Haitian-American Roman Catholic, and a 1939 Cornell University graduate. They married on November 6, 1945, despite the opposition of their respective parents. Ann typed his manuscripts and reviewed his writing. Ann and Bernard had two children, Paul (b. 1947) and Janna (b. 1952). Janna Malamud Smith is the author of a memoir about her father, titled My Father Is A Book.

Raised Jewish, Malamud was in adulthood an agnostic humanist.[5]

Malamud died in Manhattan in 1986, at the age of 71.[6] He is buried in Mt. Auburn Cemetery in Cambridge, Massachusetts.[7]

In his writing, Malamud depicts an honest picture of the despair and difficulties of the immigrants to America, and their hope of reaching their dreams despite their poverty.

Writing career

Malamud wrote slowly and carefully; he was not especially prolific. He is the author of eight novels[8] and four collections of short stories. The posthumously published Complete Stories contains 55 short stories and is 629 pages long. Maxim Lieber served as his literary agent in 1942 and 1945.

He completed his first novel, The Light Sleeper, in 1948, but later burned the manuscript. His first published novel was The Natural (1952), which has become one of his best remembered and most symbolic works. The story traces the life of Roy Hobbs, an unknown middle-aged baseball player who achieves legendary status with his stellar talent. This novel was made into a 1984 movie starring Robert Redford (described by the film writer David Thomson as "poor baseball and worse Malamud").

Malamud's second novel, The Assistant (1957), set in New York and drawing on Malamud's own childhood, is an account of the life of Morris Bober, a Jewish immigrant who owns a grocery store in Brooklyn. Although he is struggling financially, Bober takes in a drifter of dubious character. This novel was quickly followed by The Magic Barrel, his first published collection of short stories (1958). It won Malamud the first of two National Book Awards that he received in his lifetime.[9]

In 1967, his novel The Fixer, about anti-semitism in the Russian Empire, won both the National Book Award for Fiction and the Pulitzer Prize for Fiction.[1][2] His other novels include Dubin's Lives, a powerful evocation of middle age which uses biography to recreate the narrative richness of its protagonists' lives, and The Tenants, perhaps a meta-narrative on Malamud's own writing and creative struggles, which, set in New York City, deals with racial issues and the emergence of black/African American literature in the American 1970s landscape.

Malamud was renowned for his short stories, often oblique allegories set in a dreamlike urban ghetto of immigrant Jews. Of Malamud, Flannery O'Connor wrote: "I have discovered a short-story writer who is better than any of them, including myself." He published his first stories in 1943, "Benefit Performance" in Threshold and "The Place Is Different Now" in American Preface. In the early 1950s, his stories began appearing in Harper's Bazaar, Partisan Review, and Commentary.

Themes

Writing in the second half of the twentieth century, Malamud was well aware of the social problems of his day: rootlessness, infidelity, abuse, divorce, and more. But he also depicted love as redemptive and sacrifice as uplifting. In his writings, success often depends on cooperation between antagonists. For example, in "The Mourners" landlord and tenant learn from each other's anguish. In "The Magic Barrel", the matchmaker worries about his "fallen" daughter, while the daughter and the rabbinic student are drawn together by their need for love and salvation.[10]

Posthumous tributes
Grave of Bernard Malamud at Mount Auburn Cemetery

Philip Roth: "A man of stern morality," Malamud was driven by "the need to consider long and seriously every last demand of an overtaxed, overtaxing conscience torturously exacerbated by the pathos of human need unabated."[11]

Saul Bellow, also quoting Anthony Burgess: "Well, we were here, first-generation Americans, our language was English and a language is a spiritual mansion from which no one can evict us. Malamud in his novels and stories discovered a sort of communicative genius in the impoverished, harsh jargon of immigrant New York. He was a myth maker, a fabulist, a writer of exquisite parables. The English novelist Anthony Burgess said of him that he 'never forgets that he is an American Jew, and he is at his best when posing the situation of a Jew in urban American society.' 'A remarkably consistent writer,' he goes on, 'who has never produced a mediocre novel .... He is devoid of either conventional piety or sentimentality ... always profoundly convincing.' Let me add on my own behalf that the accent of hard-won and individual emotional truth is always heard in Malamud's words. He is a rich original of the first rank." [Saul Bellow's eulogy to Malamud, 1986]

Centenary
A signed copy of Malamud's book The Natural held by Oregon State University.[12]

There were numerous tributes and celebrations marking the centenary of Malamud's birth (April 26, 1914).[13][14] To commemorate the centenary, Malamud's current publisher (who still keeps most of Malamud's work in print) published on-line (through their blog) some of the "Introductions" to these works.[15] Oregon State University announced that they would be celebrating the 100th birthday "of one of its most-recognized faculty members" (Malamud taught there from 1949 to 1961).[16]

Media outlets also joined in the celebration. Throughout March, April, and May 2014 there were many Malamud stories and articles on blogs, in newspapers (both print and on-line), and on the radio. Many of these outlets featured reviews of Malamud's novels and stories, editions of which have recently been issued by the Library of America.[17] There were also many tributes and appreciations from fellow writers and surviving family members. Some of the more prominent of these kinds of tributes included those from Malamud's daughter, from Malamud's biographer Philip Davis,[18] and from fellow novelist and short story writer Cynthia Ozick.[19] Other prominent writers who gathered for readings and tributes included Tobias Wolff, Edward P. Jones, and Lorrie Moore.[20]

Awards

PEN/Malamud Award

Given annually since 1988 to honor Malamud's memory, the PEN/Malamud Award recognizes excellence in the art of the short story. The award is funded in part by Malamud's $10,000 bequest to the PEN American Center. The fund continues to grow thanks to the generosity of many members of PEN and other friends, and with the proceeds from annual readings. Past winners of the award include John Updike (1988), Saul Bellow (1989), Eudora Welty (1992), Joyce Carol Oates (1996), Alice Munro (1997), Sherman Alexie (2001), Ursula K. Le Guin (2002), and Tobias Wolff (2006).

Bibliography
For a more comprehensive listing of works, see Bernard Malamud bibliography

Novels

Story collections
  • The Magic Barrel (1958)
  • Idiots First (1963)
  • Rembrandt's Hat (1974)
  • The Stories of Bernard Malamud (1983)
  • The People and Uncollected Stories (includes the unfinished novel The People) (1989)
  • The Complete Stories (1997)

Short stories

Books about Malamud
  • Smith, Janna Malamud. My Father Is a Book: A Memoir of Bernard Malamud. (2006)
  • Davis, Philip. Bernard Malamud: A Writer's Life. (2007)
  • Swirski, Peter. "You'll Never Make a Monkey Out of Me or Altruism, Proverbial Wisdom, and Bernard Malamud's God's Grace". American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York, Routledge 2011.
gollark: What if it's not a man, hmmmm?
gollark: We will laser-etch backup copies of important government data into picturesque parts of mountains.
gollark: To ensure our ancestors' traditions are respected, we will randomly dig them up and drag them to voting booths.
gollark: - If a foreign country's relations with our own are poor, it should be removed from all maps and not acknowledged by government policy.
gollark: - I think markets are a reasonably good resource allocation system, and to ensure liquidity would support requiring any property someone owns whatsoever to be put up for auction if someone requests it.

References
  1. "National Book Awards – 1967". National Book Foundation. Retrieved 2012-03-30.
    (With essay by Harold Augenbraum from the Awards 60-year anniversary blog.)
  2. "Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved 2012-03-30.
  3. https://www.nytimes.com/2006/03/09/books/bernard-malamuds-daughter-finally-tells-his-secrets.html
  4. Boyer, David. "NEIGHBORHOOD REPORT: FLATBUSH; Grads Hail Erasmus as It Enters a Fourth Century", The New York Times, March 11, 2001. Retrieved 2007-12-01.
  5. Markose Abraham (2011). American Immigration Aesthetics: Bernard Malamud and Bharati Mukherjee As Immigrants. AuthorHouse. p. 146. ISBN 978-1-4567-8243-6. An agnostic humanist, Malamud has unflinching faith in man's ability to choose and make 'his own world' from the 'usable past'.
  6. Rothstein, Mervyn (March 19, 1986). "Bernard Malamud Dies at 71" (obituary). The New York Times. Retrieved 2010-07-30.
  7. "Bernard Malamud's page on Find A Grave". Retrieved July 2, 2017.
  8. Malamud, Bernard. The People: And Other Uncollected Fiction. Farrar, Straus and Giroux, 1989
  9. "National Book Awards – 1959". National Book Foundation. Retrieved 2012-03-30.
    (With essays by Liz Rosenberg and Harold Augenbraum from the Awards 60-year anniversary blog.)
  10. "Bernard Malamud (1914–1986)". Contributing Editor: Evelyn Avery(?). Georgetown University course materials(?).
  11. Roth, Philip, "Pictures of Malamud", The New York Times, April 20, 1986. Retrieved 2008-07-15.
  12. "Inscribed, first-edition copy of acclaimed novel, "The Natural," donated to OSU". Oregon State University. Retrieved 5 May 2016.
  13. "Bernard Malamud at 100". 92Y. Archived from the original on 2014-04-22.
  14. "Bernard Malamud Tribute, Thursday May 1, 2014 (video)". Center for Fiction. Archived from the original on April 26, 2014.
  15. "Bernard Malamud Centenary - Work in Progress". Work in Progress.
  16. "OSU to celebrate 100th birthday of former faculty member Bernard Malamud - News & Research Communications - Oregon State University".
  17. James Campbell (21 March 2014). "Book Review: Library of America's Bernard Malamud volumes". WSJ.
  18. "Fuse Interview: Jewish-American Writer Bernard Malamud at 100 — Appreciating the Beauty of the Ethical".
  19. Ozick, Cynthia (March 13, 2014). "Judging the World: Library of America's Bernard Malamud Collections". The New York Times.
  20. "Episode 40 – The Legacy of Bernard Malamud | PEN / Faulkner". www.penfaulkner.org. Retrieved 2018-03-21.
  21. "National Jewish Book Award past winners". jewishbookcouncil.org. Archived from the original on November 16, 2018. Retrieved April 23, 2019.
  22. "Past Winners". Jewish Book Council. Retrieved 2020-01-19.
  23. "The O. Henry Prize Past Winners". Randomhouse.com. Retrieved 30 September 2017.

Sources
  • Contemporary Authors Online, Gale, 2004.
  • Contemporary Literary Criticism
  • Dictionary of Literary Biography, Volume 28: Twentieth Century American-Jewish Fiction Writers. A Bruccoli Clark Layman Book. Edited by Daniel Walden, Pennsylvania State University. The Gale Group. 1984. pp. 166–175.
  • Smith, Janna Malamud. My Father Is a Book. Houghton-Mifflin Company. New York: New York. 2006
  • Mark Athitakis, "The Otherworldly Malamud", Humanities, March/April 2014 | Volume 35, Number 2
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