Armenians in Italy

Armenians in Italy covers the Armenians who live in Italy. There are currently 2,500-3,500 Armenians in Italy mainly residing in Milan, Rome and Venice;[2] another main centre of Armenian culture and history is Padua.[3]

Armenians in Italy
Total population
2,500[1]
Regions with significant populations
Languages
  • Armenian
  • Italian
Religion
Mainly Armenian Apostolic Church
Related ethnic groups
Gjuro Baglivi
Enrico Porro
Vittoria Aganoor
Giacomo Luigi Ciamician
Paolo Kessisoglu
Giorgio Armani

Besides the general population, there are monastic communities on the island of San Lazzaro degli Armeni (Venice) as well as Armenian clergy at the Holy See (Vatican).

History

Armenians in Italy have had a presence since ancient Roman times. Teacher and rhetorician Prohaeresius was sent by the Emperor to Rome, where he became an object of popular veneration, culminating in the erection of his statue, which bore the inscription Regina rerum Roma, Regi Eloquentiae i.e. "(from) Rome, the queen of cities, to the king of eloquence".[4] Justinian's Armenian general Narses successfully attacked resistance to Roman rule wherever it was located and remained a celebrated governor of Venice.

Later, in the 9th-10th centuries, a great number of Armenians moved to Italy from Thrace and Macedonia. They were the descendants of Paulicians chased from Armenia by emperor Constantin. An Armenian Byzantine princess, Maria Argyra, became Dogaressa of Venice in 1003.

Palazzo Surian Bellotto in Venice

As to Armenian communities, they were formed in Italy in the 12th-13th centuries, when active trade was going on between Cilician Armenia and Italian big city-republics as Genoa, Venice and Pisa. Under Cilician Armenian king Levon II (1187–1219) (also known as King Leo II of Armenia), treaties were signed between the two parties, according to which Italian merchants had the right to open factories and to develop industrial activities in the Armenian Kingdom of Cilicia and Armenian merchants could do the same in Italian towns. These treaties were periodically renewed, as long as the Cilician Armenian Kingdom existed. In the 13th century the number of Armenians in Italy increased because of the new wave of emigrants after the invasion of Tatars and Mongols. Leonardo da Vinci made drawings of Armenians living in Italy.[5]

Surians were a Venetian patrician family of Armenian origin and members of the Great Council of Venice. Antonio Surian was the Patriarch of Venice from 1504 to 1508.[6] Michel Surian was instrumental in assisting Pope Pius V with creating the Holy League, which gathered its fleets to defeat the Turkish armada in the Battle of Lepanto in 1571. Another Antonio Surian, who was widely known as "The Armenian", was the Serene Republic's ambassador to England.[7] The Palazzo Surian Bellotto was built on the Cannaregio Canal by Surians in the 17th century. They were also famous for reorganising Venetian Arsenal.[8]

The Armenian Church of Livorno

The Seriman family from Isfahan had gained importance in Venice during the 17th century and owned the Palazzo Contarini-Sceriman.[9]

Art historians like Josef Strzygowski write about Armenian impact on Italian architecture. For example, he writes: "Brunelleschi may be said to have completed the Gothic cathedral of Florence in the Armenian style. Looking at the East end from without, one might take it for the work of an Armenian architect".[10]

Beginning with the 15th-16th centuries the process of catholicizing Armenians was strengthened in Italy which greatly contributed to their assimilation with Italian people. Nevertheless, some Armenian organizations continued to function with the aim to preserve national identity. According to Italian historical sources, it was more common to hear the Armenian language on the cosmopolitan lanes and canals of the Veneto than to hear English or German.[11] As a result, the first Armenian books were printed in Venice.

Besides, in the beginning of the 18th century the Armenian Congregation of the Mechitarists (Armenian: Մխիթարեան, also spelled Mekhitarists), was founded in Venice, on the St. Lazzaro Island (San Lazzaro degli Armeni). It exists up till now with its monastery, library, manuscripts depository and publishing house, and is considered as a centre of Armenian culture in Italy.[8]

Villa degli Armeni in Treviso

There was also the reputable Moorat-Raphael College in Venice for general education with student body from Armenians from many countries, which was founded in 1836 and functioned until 1997, and the Collegio Armeno (The Pontifical Armenian College) in Rome for preparation of clergy in the Armenian Catholic Church.

In 1895 the whole complex of Villa Contarini degli Armeni in Asolo became the ownership of the Mechitarists of Venice.

Two streets in Venice are bearing Armenian names, Ruga Giuffa (Julfa Street), and Sotoportego dei Armeni. In Livorno, also there are streets with Armenian names.[5]

The Church of St Bartholomew of The Armenians built in 1308 in Genoa, Italy is known for the Holy Face of Genoa kept in the church.

In 1924 a village for Armenian exiles, Nor Arax, was founded in the countryside of Bari.

In 1968 a Department of Armenian Studies was opened at the Polytechnic University of Milan. In June 1976 the Centre for the Study and Conservation of Armenian Culture (CSDCA) was established by Prof. Adriano Alpago Novello in Milan.[12] Since 1986 the Padus-Araxes Cultural Association organizes annual summer intensive courses of Armenian language and culture at Ca' Foscari University of Venice.[13]

San Lazzaro Island
Main article: San Lazzaro degli Armeni
19th century postcard of San Lazzaro degli Armeni
The cloister of the monastery on the island of San Lazzaro (Saint Lazarus) near Venice, Italy, headquarters of the Mechitarists

The Monastic headquarters of the Mekhitarist Order is on the island of St. Lazarus in Venice (San Lazzaro Monastero Armeno in Italian). It is located on San Lazzaro degli Armeni, (Armenian: "Սուրբ Ղազարոս Կղզի", English: Saint Lazarus Island), a small island in the Venetian Lagoon, lying immediately west of the Lido; completely occupied by an Armenian Catholic monastery that is the mother-house of the Mekhitarist Order. It is considered as one of the world's foremost centers of Armenian culture.

The beginnings of the island's Armenian history started when Mekhitar da Pietro and his seventeen monks built a monastery, restored the old church, and enlarged the island to its present 30,000 square metres, about four times its original area.

Its founder's temperament and natural gifts for scholarly pursuits immediately set the Mekhitarist Order in the forefront of Oriental studies: the monastery published Armenian historical, philological and literary works and related material, renowned for their scholarship and accuracy as well as for the beauty of the editions, on its own multilingual presses.

The island also houses a 150,000-volume library, as well as a museum with over 4,000 Armenian manuscripts and many Arab, Indian and Egyptian artifacts collected by the monks or received as gifts.

The Mekhitarist Order also publishes the longest-running Armenian periodical, the academic "Pazmaveb".

Collegio Armeno in Rome

Gregory XIII in 1584 had decreed the erection of a college for the Armenians (Bull "Romana Ecclesia"), but the plan fell through. When the Collegio Urbano of the Propaganda was founded later, there were always some places for Armenian students to study.

Finally, in 1885, thanks to the generosity of some wealthy Armenians and of Leo XIII, the Collegio Armeno (The Pontifical Armenian College) was granted the Church of S. Nicola da Tolentino in the street of that name and the original wishes and decree of Gregory XIII realized after so many years.

The president of Collegio Armeno is an Armenian prelate; the students numbering from 20 to 25 study and attend lectures at the Collegio Urbano of the Propaganda, and wear red sashes and large-sleeved Oriental cloaks.

Moorat Raphael College in Venice
Moorat Raphael College

Two wealthy Armenians from India, namely Mkertich Murat and Edward Raphael made donations to establish an Armenian college in Venice that was named Murat-Raphael College (Collegio Armeno Moorat Raphael) in honour of the donors.

The property housing the college was the Palazzo Zenobio, built in a Baroque style in 1690, and a subtle example of Venetian art and life in the 17th century, as testified tp by the beautiful Sala degli Specchi and Sala degli Stucchi. The college also maintained a high academic level of education, a reputable teaching staff, both clergy and laity, and the college had beautiful gardens. Moorat Raphael College has been closed recently, and the location serves as a motel, but occasionally art exhibitions, summer schools and workshops are organized to keep the special artistic atmosphere of the college.

Cardinal Agagianian and the Vatican

The Armenian Cardinal Gregorio Pietro Agagianian (Krikor Bedros Aghajanian (Armenian: Գրիգոր Պետրոս Աղաճանեան) (September 18, 1895 –May 16, 1971) was a leading prelate of the Armenian Catholic Church. He served as Patriarch Catholicos of Cilicia for Armenian Catholics from 1937 to 1962, and Prefect of the Congregation for the Propagation of the Faith (Congregation for the Evangelization of Peoples) in the Roman Curia from 1958 to 1970. Agagianian was elevated to the cardinalate in 1946 by Pope Pius XII.

Cardinal Agagianian was born in Akhaltsikhe (in modern Georgia), he studied at the seminary in Tbilisi and the Pontifical Urbaniana University in Rome. He was ordained as a priest on December 23, 1917. He entered the teaching Faculty of the Pontifical Armenian College in Rome in 1921; he became later the Rector of the same college from 1932 to 1937. Appointed Titular Bishop of Comana on July 11, 1935, he was elected Patriarch Catholicos of Cilicia of All Armenians by the Armenian Catholic Synod, on November 30, 1937, with the name of Gregory Peter XV. On February 18, 1946 he was elevated to the College of Cardinals by Pope Pius XII.

During the 1958 papal conclave, following the death of Pius XII, Agagianian received a large number of votes, eventually approaching the majority needed for election. This was confirmed by the elected pope himself, Pope John XXIII. The newly elected pope John XXIII appointed Cardinal Agagianian to be a member of the leading body of the Second Vatican Council together with Cardinals Leo Joseph Suenens, Julius Döpfner and Giacomo Lercaro. Aghajanian was Pro-Prefect of the Sacred Congregation for the Propagation of the Faith from 1958 and full Prefect from July 18, 1960 to October 19, 1970. He died in Rome on May 16, 1971.

Famous Italians of Armenian Origin

According to Kostan Zarian, the Armenians built 34 churches and monasteries in Italy, and eleven Saints of Italy had Armenian origin.[14] Armenian prince Saint Minias (3rd century) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him.[15]

Cristoforo Armeno was the author of The Three Princes of Serendip, published in 1557.

Among the most famous Armenian names in Italy in earlier centuries was Gjuro Baglivi (Giorgio Baglivi), whom the Enciclopedia Italiana (known as Treccani) holds to be "one of the most eminent men in the history of medicine". Baglivi was the name of a doctor of Lecce who adopted him as an orphan of a Julfa family.[16] Other famous Italians of Armenian origin are the Venetian engineer Anton Surian, the Venetian abbot and author Zaccaria Seriman,[9] the poet Vittoria Aganoor and the chemist Giacomo Luigi Ciamician. Domenico Serpos was a ballet dancer, librettist and choreographer of the early 19th century.[17]

In spite of their small numbers, the Armenians in Italy have achieved notable successes in the country's cultural life. For example, often mentioned are the book and film critic Glauco Viazzi (Jusik Achrafian, 1921–1981), the art critic Eduardo Arslan (Yetwart, 1899–1968), the poet and writer Gostan Zarian, the musician Angelo Ephrikian (1913–1982), the Arslan family of ear, nose, and throat specialists in Padua and Genoa, and Alessandro Megighian (1928–1981), former president of the European Academy of Gnathology. The first three were commemorated in a praiseworthy initiative from 1982 to 1984 in Venice, under the general title "Armenians in Italian culture."

Italian-Armenian poet and playwright Tovmas Terzian is the author of Arshak II opera libretto. Giorgio Nurigiani was a writer, linguist, and historian. Hrand Nazariantz was a poet and translator whose candidacy was proposed for the Nobel Prize in Literature in 1953. Gregorio Sciltian was a painter. Léon Gurekian was an architect, writer and political activist. His son Ohannés Gurekian was an architect, engineer, and alpinist. A prominent living writer and academic is Antonia Arslan from Padua. Laura Ephrikian is an actress.

Among the well known Italians with Armenian ancestry are the showman Paolo Kessisoglu (1969), whose grandfather, born Keshishian, moved from Anatolia to Genoa at the beginning of 20th century fearing aggressions in Turkey (though having already changed his surname to a more Turkish version); Gevorg Petrosyan, a kickboxer and Muay Thai fighter living in Italy and fighting out of the Satori Gladiatorium in Gorizia; and the Italian fashion designer Giorgio Armani.[18] Writer Arthur Alexanian was awarded by the XI European authors competition's first prize for his Il bambino e i venti d'Armenia book.[19]

Community

In 2000, the issue of Recognition of the Armenian Genocide was floored as a bill in the Italian Parliament that went on to recognize the Armenian Genocide. A memorial dedicated to the victims of the Armenian Genocide was inaugurated in 2006 in the center of Rome.

Religion

Besides the San Lazzaro degli Armeni, Italy has a number of very important churches and religious establishments.

Also operating are the Levonian Monastery and the Armenian Immaculate Conception Order.

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See also

References
  1. "ARMENIAN POPULATION IN THE WORLD". Archived from the original on 11 March 2015. Retrieved 30 May 2012.
  2. "Archived copy". Archived from the original on 2013-05-11. Retrieved 2012-05-30.CS1 maint: archived copy as title (link)
  3. Armenians in Italy: a centuries-long presence
  4. Armenians in Italy
  5. The Hidden Language of Symbols in Oriental Rugs – Page 23, by Harry M. Raphaelian – 1953
  6. A Companion to Venetian History, 1400-1797, BRILL, 2013 - p. 960
  7. Mann, Avery (1 June 2015). Persona Non Grata: End of the Great Game. Dog Ear Publishing. pp. 18–. ISBN 978-1-4575-3489-8. Retrieved 19 April 2018.
  8. The Armenians in Venice
  9. Liceo Scientifico Statale Giovanni Battista Benedetti Archived 2016-03-04 at the Wayback Machine, entry on Armenian Sceriman family.
  10. Strzygowski, Josef. Origin of Christian Church Art, New Facts and Principles of Research. 1923. Reprint. London: Forgotten Books, 2013.
  11. Persona Non Grata: End of the Great Game – Page 18, by Avery Mann – 2015, p. 17
  12. The great heritage of Armenian culture, OASIS Center Archived April 7, 2016, at the Wayback Machine
  13. Padus-Araxes, About Us Archived March 16, 2016, at the Wayback Machine
  14. Leonardo da Vinci and Armenia // Havatamk monthly, Saint Petersburg, #9, 2015, p. 11, by Kostan Zarian
  15. Hare, Augustus John Cuthbert (2002). Florence. Adamant Media Corporation. p. 204. ISBN 1-4021-5933-1.
  16. The Armenians, by Adriano Alpago Novello - 1986, p. 67
  17. Armenians on the International Dance Scene, by Artsvi Bakhchinyan, 2016, p. 18
  18. http://news.1tv.am/en/2017/07/24/Forbes-Women-Giorgio-Armani-is-Armenian/66047
  19. Артур Алексанян: «Армянство может быть и шёлковой нитью, и цепью»
  20. Armenians in Venice
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