Maurizio Pollini

Maurizio Pollini (born January 5, 1942) is an Italian pianist. He is known for performances of compositions by Beethoven, Chopin and Debussy, among others. He has also championed and performed works by contemporary composers such as Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Works composed for him include Luigi Nono's ..... sofferte onde serene ..., Giacomo Manzoni's Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's Fifth Sonata.

Pollini in 2009

Life and career

Pollini was born in Milan to the Italian rationalist architect Gino Pollini, who has been said to be the first to bring Modernist architecture to Italy in the 1930s.[1] Pollini studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18.[2] He received a diploma from the Milan Conservatory and won both the International Ettore Pozzoli Piano Competition in Seregno (Italy) in 1959 and the International Chopin Piano Competition in Warsaw in 1960.[3] Arthur Rubinstein, who led the jury, declared Pollini the winner of the competition, allegedly saying: "that boy can play the piano better than any of us".[4] Following his success at the competition, Pollini didn't perform for a year in order to expand his musical experience, leading to erroneous rumuors that he had become a recluse. [5] Soon afterwards, he recorded Chopin's Concerto No. 1 in E minor with the Philharmonia Orchestra under the Polish conductor Paul Kletzki for EMI, and taped performances of Chopin's etudes.[6] When the Philharmonia offered Pollini a series of concerts, he experienced what EMI producer Peter Andry has called "an apparent crisis of confidence".[7] After this, he studied with Arturo Benedetti Michelangeli, from whom he is said to have acquired "a precise technique and emotional restraint",[8] although some have expressed a concern that Michelangeli's influence resulted in Pollini's playing becoming "mannered and cold".[7] During the early 1960s, Pollini limited his concertizing, preferring to spend these years studying by himself and expanding his repertoire.[9]

There was a lot of tension in the air. We have to remember the situation in Italy back then. People were even talking about a possible Fascist coup. [...] I once read or rather tried to read a declaration against a hideous atrocity in the Vietnam War when the United States bombed Hanoi and Hai Phong. Several Italian musicians had signed the declaration: Claudio Abbado, Luigi Nono, Manzoni and the Quartetto Italiano, as well as Goffredo Petrassi, Luigi Dallapiccola. Contrary to all my expectations, at the mere sound of the word 'Vietnam,' the audience exploded in a kind of collective delirium, which made it impossible to continue my recital. I made several attempts to read this short statement. This was interrupted by the arrival of the police. Eventually, the piano was closed and that was that.

Maurizio Pollini on his experiences during the Years of Lead[10]

Since the mid-1960s, he has given recitals[11] and appeared with orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.

Pollini with Pierre Boulez in Paris (2009)

In 1985, on the occasion of Johann Sebastian Bach's tricentenary, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete piano concertos of Ludwig van Beethoven in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra's Honorary Ring. In 1993-94 he played his first complete Beethoven Piano Sonatas cycle in Berlin and Munich and later also in New York City, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the "Progetto Pollini", a series of concerts in which old and new works are juxtaposed. An analogous series took place at Carnegie Hall in 2000-01 with "Perspectives: Maurizio Pollini" and at London's Royal Festival Hall in 2010-11 with the "Pollini Project", a series of five concerts with programmes ranging from Bach to Stockhausen. Throughout his career, Pollini has advocated the performance of little known or forgotten works. [12]

In March 2012 it was announced that Pollini had cancelled all his forthcoming appearances in the USA for health reasons.[13]

In 2014, Pollini played on a tour including the Salzburg Festival[14] and his debut at the Rheingau Musik Festival, playing in the Kurhaus Wiesbaden Chopin's Preludes (Op. 28) and Book 1 of Debussy's Preludes.[15]

Pollini is father of the pianist and conductor Daniele Pollini.[16]

Recordings

Pollini's first recordings for Deutsche Grammophon in 1971 included Stravinsky's Trois mouvements de Petrouchka and Prokofiev's Seventh Sonata and are still considered a landmark of twentieth century piano discography.[17] He recorded Chopin's Etudes, Opp. 10 and 25, also under Deutsche Grammophon. In 2002, Deutsche Grammophon released a 13-CD commemorative edition to celebrate the pianist's 60th birthday, and a complete edition on 58 discs of his recordings for the label, on the occasion of his 75th. His Beethoven Piano Sonatas cycle was completed in 2014 and was released in an 8-CD box set.

While known for possessing an exceptional technique, Pollini has been criticised for emotional conservatism.[18] However, in his interviews, Maurizio Pollini has stated that throughout his career his concern has been to express the composer as accurately as possible. He is not concerned with his own emotion.

Political views

During the 1960s and 1970s, Pollini was a left-wing political activist. He collaborated with Luigi Nono in such works as Como una ola de fuerza y luz (1972), which was to mourn the accidental death of Luciano Cruz, a leader of the Chilean Revolutionary Front. He performed with Claudio Abbado at La Scala in a cycle of concerts for students and workers, in an attempt to build a new public as they believed that art should be for everybody.[19] At least one of Pollini's recitals was beset by audience unrest and concluded upon police intervention when he mentioned Vietnam. Pollini has said that he now questions the way left-wing activists operated in Italy, although he still identifies with the left. [20]

Awards and recognition

In 1996, Pollini received the Ernst von Siemens Music Prize. In 2001, his recording of Beethoven's Diabelli Variations won the Diapason d'or. In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes. He was awarded the Praemium Imperiale in 2010.[21] He entered the Gramophone Hall of Fame in 2012.[22]

Discography
  • Beethoven: Sonatas Op 31 & 49 (2015)
gollark: https://media.discordapp.net/attachments/453931191658348545/780198569821995071/iu.png
gollark: Some of which appear to be political, thus political view.
gollark: Which is a political view, yes.
gollark: See, I told you you had political views.
gollark: <@766274162036572171> satisfied?

References
  1. Carrick, Phil. "Maurizio Pollini at 70: International Superstar of the Piano". Music Makers. ABC Classic FM. Retrieved 29 January 2013.
  2. Huang, Hao (1998). Music in the 20th century, Volume 2. Armonk NY: M E Sharpe Reference. pp. 472. ISBN 978-0765680129.
  3. Dominguez, Frank, and Benjamin K. Roe. "Episode 62: Great Chopinists: Maurizio Pollini". World of Opera. WDAV Classical Public Radio. Retrieved 29 January 2013.
  4. Hewett, Ivan (14 September 2010). "Maurizio Pollini: ice-man of the ivories". The Daily Telegraph. London. Retrieved 18 September 2010.
  5. https://www.theguardian.com/culture/2011/jan/01/maurizio-pollini-interview-nicholas-wroe
  6. Current Biography Yearbook, Volume 41. New York: H. W. Wilson. 1980. p. 321. ISBN 978-9997377036.
  7. Andry, Peter, Robin Stringer, and Tony Locantro (2008). Inside the Recording Studio: Working with Callas, Rostropovich, Domingo, and the Classical Elite. Lanham MD: Scarecrow Press. p. 44. ISBN 978-0810860261.
  8. Morin, Alexander J. (2001). Classical Music: Third Ear: The Essential Listening Companion. San Francisco: Backbeat Books. p. 1134. ISBN 978-0879306380.
  9. Schonberg, Harold C. (1987). The Great Pianists: From Mozart to the Present. New York: Simon & Schuster. pp. 488. ISBN 978-0671638375.
  10. Ehrhardt, Bettina (Director) (2001). A Trail on the Water (Documentary). TDK.
  11. Jean-Pierre Thiollet, 88 notes pour piano solo, "Solo nec plus ultra", Neva Editions, 2015, p.50. ISBN 978 2 3505 5192 0.
  12. https://www.theguardian.com/culture/2011/jan/01/maurizio-pollini-interview-nicholas-wroe
  13. "Chicago Symphony Orchestra Tickets & Events". Retrieved 5 April 2012.
  14. "Pollini, Maurizio". Deutsche Grammophon. Retrieved 9 August 2014.
  15. Blum, Wolfgang (8 August 2014). "Spannender Abend mit Chopin-Virtuose". Allgemeine Zeitung (in German). Retrieved 9 August 2014.
  16. Michener, Charles (3 April 2000). "The Panoramic Pianist". The New Yorker. p. 86. Retrieved 19 April 2017.
  17. Siek, Stephen (10 Nov 2016). A Dictionary for the Modern Pianist. Rowman & Littlefield. p. 189. ISBN 9780810888807. Retrieved 18 August 2019.
  18. Schonberg, Harold. The Great Pianists from Mozart to the Present (1987 edition)
  19. Wroe, Nicholas (1 January 2011). "Maurizio Pollini: a life in music". The Guardian. London. The Guardian. Retrieved 5 April 2012.
  20. https://www.theguardian.com/culture/2011/jan/01/maurizio-pollini-interview-nicholas-wroe
  21. "Actress Loren among Japan art prize winners". Agence France-Presse. 14 September 2010. Retrieved 14 September 2010.
  22. "Maurizio Pollini (pianist)". Gramophone. Retrieved 12 April 2012.

Further reading
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