Christopher Hogwood

Christopher Jarvis Haley Hogwood CBE (10 September 1941 – 24 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century.

Christopher Hogwood

CBE
Hogwood leading rehearsals for his final Gresham College lecture in 2014
Born
Christopher Jarvis Haley Hogwood

(1941-09-10)10 September 1941
Nottingham, Nottinghamshire, England
Died24 September 2014(2014-09-24) (aged 73)
Cambridge, Cambridgeshire, England
NationalityEnglish
Occupation
OrganizationAcademy of Ancient Music

Early life and education

Born in Nottingham, Hogwood went to the Skinners School Tunbridge Wells and studied music and classical literature at Pembroke College, Cambridge. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship.[1]

Career

In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and early Classical music using period instruments.[1] The Early Music Consort was disbanded following Munrow's death in 1976, but Hogwood continued to perform and record with the Academy of Ancient Music.

From 1981, Hogwood conducted regularly in the United States. He was Artistic Director of Boston's Handel and Haydn Society from 1986 to 2001, and for the remainder of his life held the title of Conductor Laureate. From 1983 to 1985 he was artistic director of the Mostly Mozart Festival in the Barbican Centre in London. From 1988 to 1992, he was musical director of the Saint Paul Chamber Orchestra in Minnesota.[1]

In 1994 he conducted the Handel and Haydn Society in a recreation of the concert that premiered Beethoven's Sixth and Fifth symphonies for the Historic Keyboard Society of Milwaukee.[2]

Hogwood leading a rehearsal for his Gresham College lecture in 2013

Hogwood conducted a considerable amount of opera. He made his operatic debut in 1983, conducting Don Giovanni in St. Louis, Missouri.[1] He worked with Berlin State Opera; La Scala, Milan; Royal Opera Stockholm; the Royal Opera House at Covent Garden, Chorégies d'Orange and Houston Grand Opera. With Opera Australia, he performed Idomeneo in 1994 and La Clemenza di Tito in 1997. In 2009, he returned to the Royal Opera House to conduct the Orchestra of the Age of Enlightenment in Purcell's Dido and Aeneas, and Handel's Acis and Galatea. 2009 also saw him conducting Stravinsky's The Rake's Progress at the Teatro Real in Madrid, in a production directed by Robert Lepage. In late 2010 and early 2011, he conducted a series of performances of Mozart's The Marriage of Figaro at Zurich Opera House.

On 1 September 2006, harpsichordist Richard Egarr succeeded Hogwood as Music Director of the Academy of Ancient Music and Hogwood assumed the title of Emeritus Director. Hogwood said he expected to conduct 'at least one major project' with the Academy each year. He conducted the Academy in a series of concert performances of Handel operas which began in 2007 with Amadigi. 2008 saw performances of Flavio, and the series concluded in May 2009, the Handel anniversary, with Arianna in Creta. In 2013 he conducted the Academy in Imeneo.[3]

Although Hogwood was best known for the baroque and early classical repertoire, he also performed nineteenth-century and contemporary music, with a particular affinity for the neo-baroque and neoclassical schools including many works by Stravinsky, Martinů and Hindemith.[1]

He made many solo recordings of harpsichord works (including Louis Couperin, J. S. Bach, Thomas Arne, William Byrd's My Lady Nevells Booke), and did much to promote the clavichord in the Secret Bach/Handel/Mozart series of recordings, which puts in historical context the most common domestic instrument of that epoch. He owned a collection of historical keyboard instruments.[4]

In July 2010, he was appointed Professor of Music at Gresham College, London, a position originally held by John Bull.[5] In this role he delivered four series of free public lectures on Aspects of Authenticity (2010–11), The Making of a Masterpiece (2011–12), European Capitals of Music (2012–13)[6] and Music in Context (2013–14).[7] He was unable to deliver all of his lectures during his final year of appointment due to illness and it was only seven months after his final lecture at the College that he died.[8]

In 2011, Hogwood was a juror for the Westfield International Fortepiano Competition hosted at Cornell University. This was the first fortepiano competition in the United States and only the second competition of its kind in the world.[9]

In 2012, he was appointed Andrew D. White Professor-at-Large at Cornell University, for a six-year term of office. He was a member of Lowell House Senior Common Room in Harvard University.

Editing

Hogwood's editing work included music by composers as diverse as John Dowland and Felix Mendelssohn. He was the chairman of the new edition Carl Philipp Emanuel Bach: The Complete Works, which aimed to publish a complete edition of C.P.E. Bach's music in 2014.[10]

He was involved with The Wranitzky Project, dedicated to the study and publishing of the music of Moravian composer Paul Wranitzky (1756–1808).[11] His last editing project was complete critical edition of piano sonatas by the Czech composer Leopold Koželuh.[12]

Brahms "discovery"

In 2012 Hogwood's musicological activities came to the attention of a wider public when the BBC and the Guardian newspaper announced his discovery of a "previously unknown" piano piece by Johannes Brahms.[13][14] However, it emerged that the work in question, Albumblatt, was already known. The manuscript had been sold at public auction in April 2011, where it was described as "unpublished" and "of great importance," and the manuscript was reproduced in full in the catalogue.[15] The work had been given its premiere by Craig Sheppard on 28 April 2011.[16] Sheppard reportedly described the newspaper claim as "fatuous".[17] Hogwood's edition of the piece was published by Bärenreiter in February 2012 along with the Horn Trio in E-flat major, Op. 40, which is thematically related.[18]

Death

Hogwood died in Cambridge on 24 September 2014, fourteen days after his 73rd birthday.[19] At the time of his death, he had recently separated from his civil partner, the film director Anthony Fabian.[20][21]

Honours

At the time of his death, Hogwood was Honorary Professor of Music in the University of Cambridge, Consultant Visiting Professor of historical performance in the Royal Academy of Music and visiting professor at King's College London. He was Honorary Fellow of both Jesus College, Cambridge and Pembroke College, Cambridge.

In 1989 Hogwood was appointed a Commander of the Order of the British Empire (CBE). He was a recipient of the Halle Handel Prize in 2008.[22] In 2011, he was awarded the IRC Harrison Medal of the Society for Musicology in Ireland.[23]

Awards

Bibliography
  • Hogwood, Christopher (2005). Handel: Water Music and Music for the Royal Fireworks (Cambridge Music Handbooks). Cambridge University Press. ISBN 978-0-521-54486-3.
  • Hogwood, Christopher (1988). Handel. Thames & Hudson Ltd. ISBN 978-0-500-27498-9.
  • Hogwood, Christopher (1979). The Trio Sonata (Music Guides). BBC Books. ISBN 978-0-563-17095-2.
  • Hogwood, Christopher (1980). Music at Court. Gollancz. ISBN 978-0-575-02877-7.
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References
  1. "Christopher Hogwood". Allmusic. Retrieved 13 June 2013.
  2. Raabe, Nancy (18 April 1994). "Historic concert re-creation establishes performance standard". The Milwaukee Sentinel.
  3. "Imeneo, Academy of Ancient Music, Hogwood, Barbican Hall - The Arts Desk". Theartsdesk.com. Retrieved 9 December 2017.
  4. "Catalogue of the Christopher Hogwood Instrument Collection". Hogwood.org. Retrieved 9 December 2017.
  5. "Appointments". Timeshighereducation.co.uk. 22 July 2010. Retrieved 9 December 2017.
  6. "European Capitals of Music". Gresham.ac.uk. Retrieved 9 December 2017.
  7. "Music in Context". Gresham.ac.uk. Retrieved 9 December 2017.
  8. "Music in Context: For Self-promotion - Mozart". Gresham.ac.uk. Retrieved 9 December 2017.
  9. "Announcement - Westfield Center". Westfield.org. Retrieved 9 December 2017.
  10. "Reviews of Carl Philipp Emanuel Bach: The Complete Works". Hogwood.org. Retrieved 9 December 2017.
  11. "The Wranitzky Project". Wranitzky.com. Retrieved 9 December 2017.
  12. More information about this edition is in the article of Lukáš M. Vytlačil: From Velvary, Bohemia, to the court in Vienna. The life of the imperial Kapellmeister Leopold Koželuh and a new complete edition of his keyboard sonatas; in: Czech Music Quarterly 16/2 (2016), pp. 7-11. (on-line)
  13. Alex Needham (2012), Brahms piano piece to get its premiere 159 years after its creation The Guardian
  14. Tom Service, A world premiere... by Brahms!, The Guardian
  15. Doyle New York, Auctioneers and Appraisers, Auction of April 20, 2011, Lot 228
  16. "Craig Sheppard plays the World Premiere of the Brahms Albumblatt in A minor, 28 April, 2011, Seattle". YouTube. 6 February 2012. Retrieved 22 February 2013.
  17. "Opinion". Blogs.telegraph.co.uk. 16 March 2016. Retrieved 9 December 2017.
  18. ISMN 979-0-006-54109-6
  19. "Conductor Christopher Hogwood dies". Bbc.co.uk. 24 September 2014. Retrieved 9 December 2017.
  20. "Obituary: Christopher Hogwood CBE, conductor". The Scotsman. 27 September 2014. Retrieved 29 September 2014.
  21. "Christopher Hogwood - obituary". The Telegraph. London. 25 September 2014. Retrieved 29 September 2014.
  22. "HÄNDEL-Festspiele Halle (Saale)". Haendelhaus.de. Archived from the original on 4 August 2012. Retrieved 22 February 2013.
  23. "Irish Research Council - Harrison Medal | Society for Musicology in Ireland". musicologyireland.com. Retrieved 14 April 2020.
  24. "Christopher Hogwood (conductor) on Hyperion Records". Hyperion Records.
Cultural offices
Preceded by
no predecessor		 Music Director, Academy of Ancient Music
1973–2006		 Succeeded by
Richard Egarr
Preceded by
Thomas Dunn		 Music Director, Handel and Haydn Society
1986–2001		 Succeeded by
Grant Llewellyn
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