Dagger (typography)

A dagger, obelisk, or obelus † is a typographical symbol that usually indicates a footnote if an asterisk has already been used.[1] It is one of the modern descendants of the obelus, a mark used historically by scholars as a critical or highlighting indicator in manuscripts. (The term obelisk derives from the Greek: ὀβελίσκος (obeliskos), which means "little obelus"; from ὀβελός (obelos) meaning 'roasting spit').[2]

"Double dagger" and "†" redirect here. For the punk rock band, see Double Dagger. For the album by Justice, see Cross (Justice album).
"Dagger character" redirects here. For other uses, see Dagger (disambiguation).
"‡" redirects here. It is not to be confused with ǂ, ≠, or キ.
† ‡
Dagger
In UnicodeU+2020 † DAGGER (HTML † · †)
U+2021 ‡ DOUBLE DAGGER (HTML ‡ · ‡, ‡)
Related
See alsoU+2E4B ⹋ TRIPLE DAGGER (HTML ⹋)
Different from
Different fromU+271D ✝ LATIN CROSS (HTML ✝)
U+2628 ☨ CROSS OF LORRAINE (HTML ☨)

A double dagger or diesis ‡ is a variant with two handles that usually marks a third footnote after the asterisk and dagger.[3]

The triple dagger ⹋ is a variant with three handles and is used by medievalists to indicate another level of notation.[4]

History
Main article: Obelus
See also: Obelism

The dagger symbol originated from a variant of the obelus, originally depicted by a plain line − or a line with one or two dots ÷.[5] It represented an iron roasting spit, a dart, or the sharp end of a javelin,[6] symbolizing the skewering or cutting out of dubious matter.[7][8][9]

Three variants of obelus glyphs

The obelus is believed to have been invented by the Homeric scholar Zenodotus as one of a system of editorial symbols. They marked questionable or corrupt words or passages in manuscripts of the Homeric epics.[2][7] The system was further refined by his student Aristophanes of Byzantium, who first introduced the asterisk and used a symbol resembling a ⊤ for an obelus; and finally by Aristophanes' student, in turn, Aristarchus, from whom they earned the name of "Aristarchian symbols".[10][11]

While the asterisk (asteriscus) was used for corrective additions, the obelus was used for corrective deletions of invalid reconstructions.[12] It was used when non-attested words are reconstructed for the sake of argument only, implying that the author did not believe such a word or word form had ever existed. Some scholars used the obelus and various other critical symbols, in conjunction with a second symbol known as the metobelos ("end of obelus"),[13] variously represented as two vertically arranged dots, a γ-like symbol, a mallet-like symbol, or a diagonal slash (with or without one or two dots). They indicated the end of a marked passage.[14][15]

It was used much in the same way by later scholars to mark differences between various translations or versions of the Bible and other manuscripts.[16] The early Christian Alexandrian scholar Origen (c. 184–253 AD) used it to indicate differences between different versions of the Old Testament in his Hexapla.[10][13][17] Epiphanius of Salamis (c. 310–320 – 403) used both a horizontal slash or hook (with or without dots) and an upright and slightly slanting dagger to represent an obelus. St. Jerome (c. 347–420) used a simple horizontal slash for an obelus, but only for passages in the Old Testament.[15][18] He describes the use of the asterisk and the dagger as: "an asterisk makes a light shine, the obelisk cuts and pierces".[9]

Isidore of Seville (c. 560–636) described the use of the symbol as follows: "The obelus is appended to words or phrases uselessly repeated, or else where the passage involves a false reading, so that, like the arrow, it lays low the superfluous and makes the errors disappear ... The obelus accompanied by points is used when we do not know whether a passage should be suppressed or not."[8]

Medieval scribes used the symbols extensively for critical markings of manuscripts.[15] In addition to this, the dagger was also used in notations in early Christianity, to indicate a minor intermediate pause in the chanting of Psalms, equivalent to the quaver rest notation or the trope symbol in Hebrew cantillation. It also indicates a breath mark when reciting, along with the asterisk, and is thus frequently seen beside a comma.[19][20]

In the 16th century, the printer and scholar Robert Estienne (also known as Stephanus in Latin and Stephens in English) used it to mark differences in the words or passages between different printed versions of the Greek New Testament (Textus Receptus).[21]

Due to the variations as to the different uses of the different forms of the obelus, there is some controversy as to which symbols can actually be considered an obelus. The ⨪ symbol and its variant, the ÷, is sometimes considered to be different from other obeli. The term 'obelus' may have referred strictly only to the horizontal slash and the dagger symbols.[15]

Modern usage

The dagger usually indicates a footnote if an asterisk has already been used.[1] A third footnote employs the double dagger.[3] Additional footnotes are somewhat inconsistent and represented by a variety of symbols, e.g., parallels ( ‖ ), section sign §, and the pilcrow  – some of which were nonexistent in early modern typography. Partly because of this, superscript numerals have increasingly been used in modern literature in the place of these symbols, especially when several footnotes are required. Some texts use asterisks and daggers alongside superscripts, using the former for per-page footnotes and the latter for endnotes.

The dagger is also used to indicate death,[3][22] extinction,[23] or obsolescence.[1][24] The asterisk and the dagger, when placed beside years, indicate year of birth and year of death respectively.[3] This usage is particularly common in German. When placed immediately before or after a person's name, the dagger indicates that the person is deceased.[3][25][26][27] In this usage, it is referred to as the "death dagger".[28] In the Oxford English Dictionary, the dagger symbol indicates an obsolete word.[24]

The dagger should not be confused with the Unicode characters "Latin cross" (✝, U+271D), "box drawings light vertical and horizontal" (┼, U+253C), and other cross symbols. The double dagger should not be confused with the palatal click ([ǂ], U+01C2), Canadian Syllabics Woods-Cree Final Th (ᙾ, U+167E), the Cross of Lorraine (☨, U+2628), or the patriarchal cross (☦, U+2626).

  • In mathematics and, more often, physics, a dagger denotes the Hermitian adjoint of an operator; for example, A† denotes the adjoint of A. This notation is sometimes replaced with an asterisk, especially in mathematics. An operator is said to be Hermitian if A† = A.[29]
  • In textual criticism and in some editions of works written before the invention of printing, daggers enclose text that is believed not to be original.[10]
  • In biology, the dagger next to a taxon name indicates that the taxon is extinct.[22][23][30]
  • In linguistics, the dagger placed after a language name indicates an extinct language.
  • In cataloging, a double dagger delimits MARC subfields.
  • In chess notation, the dagger may be suffixed to a move to signify the move resulted in a check, and a double dagger denotes checkmate. This is a stylistic variation on the more common + (plus sign) for a check and # (number sign) for checkmate.
  • In chemistry, the double dagger is used in chemical kinetics to indicate a transition state species.
  • In psychological statistics the dagger indicates that a difference between two figures is not significant to a p<0.05 level, however is still considered a "trend" or worthy of note. Commonly this will be used for a p-value between 0.1 and 0.05.
  • On a cricket scorecard or team list, the dagger indicates the team's wicket-keeper.[31]
  • In military history, a dagger is often placed next to the name of a commander who is killed in action.
  • The asteroid 37 Fides, the last asteroid to be assigned an astronomical symbol before the practice faded, was assigned the dagger.
  • In philology, the dagger indicates an obsolete form of a word or phrase.[1]
  • In the early printings of the King James Bible, a dagger indicates a literal translation of a word or phrase is to be found in the margin. When used the margin begins with an abbreviation (Heb. Gk. Chald. Lat.) for the original language.
  • In the Geneva Bible, a double dagger indicates a literal translation of a word or phrase is to be found in the margin. When used the margin begins with an abbreviation (Heb. Gk. Chald. Lat.) for the original language.
  • In Anglican chant pointing, the dagger indicates a verse to be sung to the second part of the chant.
  • Some logicians use the dagger as an affirmation ('it is true that ...') operator.[32]
Dagger and double-dagger symbols in a variety of fonts, showing the differences between stylized and non-stylized characters. Fonts from left to right: DejaVu Sans, Times New Roman, LTC Remington Typewriter, Garamond, and Old English Text MT

While daggers are freely used in English-language texts, they are often avoided in other languages because of their similarity to the Christian cross. In German, for example, daggers are commonly employed only to indicate a person's death or the extinction of a word, language, species or the like.[33]

Encoding
  • U+2020 † DAGGER (HTML &#8224; · &dagger; · Alt+0134 in Windows or option-t in macOS)
  • U+2021 ‡ DOUBLE DAGGER (HTML &#8225; · &Dagger;, &ddagger; · Alt+0135 in Windows or option-shift-7 in macOS)
  • U+2E36 ⸶ DAGGER WITH LEFT GUARD - used in Alexander John Ellis's "palaeotype" transliteration to indicate retracted pronunciation[34]
  • U+2E37 ⸷ DAGGER WITH RIGHT GUARD - used in Alexander John Ellis's "palaeotype" transliteration to indicate advanced pronunciation[34]
  • U+2E38 ⸸ TURNED DAGGER - used in Alexander John Ellis's "palaeotype" transliteration to indicate retroflex pronunciation[34]
  • U+2E4B ⹋ TRIPLE DAGGER - A variant with three handles.[4]
gollark: With even more hackiness you can switch over to an in-memory rootfs.
gollark: Oracle Cloud ARM instances only have "Oracle Linux" or something terrible, but someone made a cool bootstrapping script which writes an Alpine install to the swap partition and boots into that.
gollark: Doesn't matter if they allow it officially, that's what the horrible accursion is for.
gollark: I always just use horrible accursion to install my favoured OS on cloud platforms.
gollark: Maybe I should run it on 1908254717975918 incredibly low-resource VMs, for purposes.

See also

References
  1. Eric Partridge (2004). You Have a Point There: A Guide to Punctuation and Its Allies. Routledge. p. 235. ISBN 978-0-203-37992-9.
  2. "obelus". Oxford Dictionaries Online. April 2010.
  3. Hoefler, Jonathan (4 June 2009). "House of Flying Reference Marks, or Quillon & Choil". Hoefler & Frere-Jones. Archived from the original on 5 February 2010. Retrieved 6 April 2010.
  4. "Proposal to add Medievalist punctuation characters to the UCS" (PDF). 25 January 2016. Archived (PDF) from the original on 15 December 2017. Retrieved 24 March 2018.
  5. Merriam-Webster's collegiate dictionary. Merriam-Webster, Inc. 2003. p. 855. ISBN 978-0-87779-809-5. obelos.
  6. William Harrison Ainsworth, ed. (1862). The New monthly magazine. 125. Chapman and Hall. p. 1.
  7. Harold P. Scanlin (1998). "A New Edition of Origen's Hexapla: How It Might Be Done". In Alison Salvesen (ed.). Origen's Hexapla and fragments: papers presented at the Rich Seminar on the Hexapla, Oxford Centre for Hebrew and Jewish Studies, 25th-3rd August. Mohr Siebeck. p. 439. ISBN 978-3-16-146575-8.
  8. Richard Barrie Dobson (2000). Encyclopedia of the Middle Ages, Volume 2. Routledge. p. 1038. ISBN 978-1-57958-282-1.
  9. Johann Georg Hamann; Kenneth Haynes (2007). Writings on philosophy and language. Cambridge University Press. p. 94. ISBN 978-0-19-920246-1. obelus dagger.
  10. Paul D. Wegner (2006). A student's guide to textual criticism of the Bible. InterVarsity Press. p. 194. ISBN 978-0-19-814747-3.
  11. George Maximilian Anthony Grube (1965). The Greek and Roman critics. Hackett Publishing. p. 128. ISBN 978-0-87220-310-5.
  12. "BHS Critical Apparatus" (PDF). A Simplified Guide to BHS. Archived (PDF) from the original on 2011-01-24. Retrieved 2011-08-27.
  13. "Hexapla". The Catholic Encyclopedia. Archived from the original on September 4, 2011. Retrieved August 27, 2011.
  14. Ernst Würthwein (1995). The text of the Old Testament: an introduction to the Biblia Hebraica. Wm. B. Eerdmans Publishing. p. 58. ISBN 978-0-8028-0788-5.
  15. "The Meaning of the Markings, Critical Marks and Marginal Notes: Their True Significance". The Nazaroo Files. February 19, 2009. Archived from the original on March 11, 2012. Retrieved August 27, 2011.
  16. Daniel H. Garrison (2004). The student's Catullus. University of Oklahoma Press. p. 184. ISBN 978-0-8061-3635-6.
  17. R. Grant Jones (2000). "The Septuagint in Early Christian Writings" (PDF). Notes on the Septuagint. p. 4. Archived (PDF) from the original on 2011-08-13. Retrieved 2011-08-27.
  18. William Smith; Henry Wace, eds. (1882). A Dictionary pf Christian Biography, Literature, Sects and Doctrines; During the First Eight Centuries. Being A Continuation of 'The Dictionary of the Bible'. Volume III. Hermogenes–Myensis. John Murray.
  19. Kay Kaufman Shelemay; Peter Jeffery & Ingrid Monson (1994). "Oral and written transmission in Ethiopian Christian chant". In Iain Fenlon (ed.). Early Music History: Studies in Medieval and Early Modern Music. Cambridge University Press. p. 81. ISBN 978-0-521-45180-2.
  20. "Obelisk, Obelus, Dagger". seiyaku.com. Archived from the original on September 29, 2011. Retrieved August 26, 2011.
  21. David Martin (French divine) (1719). "Chap. X. Of the Obelus and Semicircle, the passage of St. John is mark'd with in Stephen's Edition". A critical dissertation upon the seventh verse of the fifth chapter of St. John's First Epistle: there are three that bear record in Heaven, &c. : wherein the authentickness of this text is fully prov'd against the objections of Mr. Simon and the modern Arians. Printed for William and John Innys. p. 65.
  22. John D. Reynolds (2002). Handbook of fish biology and fisheries. Wiley-Blackwell. p. 108. ISBN 978-0-632-05412-1.
  23. Colin Tudge (2000). "Conventions for Naming Taxa". The variety of life: a survey and a celebration of all the creatures that have ever lived. Oxford University Press. p. 93. ISBN 978-0-19-860426-6.
  24. "Guide to the Third Edition of the OED". Oxford University Press. Archived from the original on August 30, 2011. Retrieved August 26, 2011.
  25. Elizabeth Knowles (2006). Oxford dictionary of phrase and fable. Oxford University Press. ISBN 978-0-19-920246-1.
  26. Alastair Campbell (2004). The digital designer's jargon buster. The Ilex Press Ltd. p. 84. ISBN 978-1-904705-35-2.
  27. John Lennard, ed. (2005). "Punctuation". The poetry handbook: a guide to reading poetry for pleasure and practical criticism. Oxford University Press. p. 140. ISBN 978-0-19-926538-1.
  28. "Author Line". The APS Online Style Manual. Archived from the original on March 31, 2012. Retrieved August 26, 2011.
  29. Weisstein, Eric W. "Dagger". MathWorld.
  30. David L. Hull (1990). Science as a process: an evolutionary account of the social and conceptual development of science. University of Chicago Press. p. 254. ISBN 978-0-226-36051-5. dagger symbol extinction.
  31. "Cricket Scorecard: 43rd Match, Super Eights: Australia v Sri Lanka at St George's". ESPN Cricinfo. 2007-04-16. Archived from the original on 2015-04-04. Retrieved 2015-03-19.
  32. Beall, Jc. "Christ – a contradiction". Journal of Analytic Theology. 7: 400–433. doi:10.12978/jat.2019-7.090202010411.
  33. Verein Herold, eds.: Genealogisches Handbuch bürgerlicher Familien, vol. 5, 1897, reprint 1912 Archived 2017-03-18 at the Wayback Machine (Digitalisat of the Mazowiecka Biblioteka Cyfrowa)
  34. Everson, Michael (2009-12-05). "L2/09-425: Proposal to encode six punctuation characters in the UCS" (PDF). Archived (PDF) from the original on 2016-04-07. Retrieved 2018-03-24.
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