Wes Anderson
Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and distinctive visual and narrative styles,[1] and he is regarded by some critics as a modern-day example of the auteur. Three of his films—The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel—appeared in BBC's 2016 poll of the greatest films since 2000.[2]
Wes Anderson | |
---|---|
Wes Anderson at the 64th Berlin Film Festival (2014) | |
Born | Wesley Wales Anderson May 1, 1969 |
Alma mater | University of Texas at Austin |
Occupation |
|
Years active | 1992–present |
Partner(s) | Juman Malouf (2010–present) |
Children | 1 |
Relatives | Eric Chase Anderson (brother) |
Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums (2001), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), as well as the Academy Award for Best Animated Feature for the stop-motion films Fantastic Mr. Fox (2009) and Isle of Dogs (2018). With The Grand Budapest Hotel, he received his first Academy Award nominations for Best Director and Best Picture, and won the Golden Globe Award for Best Motion Picture – Musical or Comedy and the BAFTA Award for Best Original Screenplay. He currently runs the production company American Empirical Pictures, which he founded in 1998.[3] Anderson won the Silver Bear for Best Director for Isle of Dogs in 2018.[4]
Early life
Wesley Wales Anderson was born on May 1, 1969, in Houston, Texas. He is the son of Texas Ann Anderson (née Burroughs), a realtor and archaeologist,[5] and Melver Leonard Anderson, who worked in advertising and public relations.[6][7][8][9][10] He is the second of three boys; his parents divorced when he was eight.[10] His older brother, Mel, is a physician, and his younger brother, Eric Chase Anderson, is a writer and artist whose paintings and designs have appeared in several of Anderson's films, such as The Royal Tenenbaums.[11] Anderson is of English, Swedish and Norwegian ancestry.[12]
He graduated from St. John's School in Houston in 1987, which he later used as a prominent location throughout Rushmore.[13] As a child, Anderson made silent films on his father's Super 8 camera and starred his brothers and friends, although his first ambition was to be a writer.[10][11] Anderson worked part-time as a cinema projectionist while attending the University of Texas at Austin, where he met future collaborator Owen Wilson.[10][14] He graduated in 1990 with a degree in philosophy.[11]
Film career
1996–2012
Anderson's first film was Bottle Rocket (1996), based on a short film of the same name that he made with Luke and Owen Wilson. It was a crime caper about a group of young Texans aspiring to achieve major heists. It was well reviewed but performed poorly at the box office.[15][16][17]
His next film was Rushmore (1998), a quirky comedy about a high school student's crush on an elementary school teacher starring Bill Murray and Jason Schwartzman. It was a critical success.[18] Murray has since appeared in every Anderson film to date. In 2000, filmmaker Martin Scorsese praised Bottle Rocket and Rushmore.[19]
The Royal Tenenbaums (2001) was Anderson's next comedy-drama film, about a successful artistic New York City family and its ostracized patriarch. It represented his greatest success until Moonrise Kingdom in 2012, earning more than $50 million in domestic box office receipts. The Royal Tenenbaums was nominated for an Academy Award and ranked by an Empire poll as the 159th greatest film ever made.[20]
Anderson's next feature was The Life Aquatic with Steve Zissou (2004) about a Jacques Cousteau-esque documentary filmmaker played by Bill Murray. It serves as a classic example of Anderson's style, but its critical reception was less favorable than his previous films, and its box office did not match the heights of The Royal Tenenbaums.[21] In September 2006, Steely Dan's Walter Becker and Donald Fagen released a tongue-in-cheek "letter of intervention" for Anderson's artistic "malaise" following the disappointing commercial and critical reception of The Life Aquatic with Steve Zissou, proclaiming themselves to be fans of World Cinema and of Anderson in particular. They offered Anderson their soundtrack services for his The Darjeeling Limited, including lyrics for a title track.[22]
The Darjeeling Limited (2007) was about three emotionally distant brothers traveling together on a train in India. It reflected the more dramatic tone of The Royal Tenenbaums but faced criticisms similar to The Life Aquatic with Steve Zissou. Anderson has acknowledged that he went to India to film the movie partly as a tribute to Indian filmmaker Satyajit Ray, whose "films have also inspired all my other movies in different ways" (the film is dedicated to him).[23] The film starred Anderson staples Jason Schwartzman and Owen Wilson in addition to Adrien Brody, and the script was co-written by Anderson, Schwartzman, and Roman Coppola.[24]
In 2008, Anderson was hired to write the screenplay of the American adaptation of My Best Friend, a French film, for producer Brian Grazer; Anderson's first draft was titled "The Rosenthaler Suite".
Anderson's stop motion animation adaptation of the Roald Dahl book Fantastic Mr Fox was released in 2009. The film was highly praised and nominated for the Academy Award for Best Animated Feature, although not earning much more than its production budget.
2012–present
Following the critical success of Fantastic Mr. Fox, Anderson made Moonrise Kingdom which opened at the Cannes Film Festival 2012.[25] The film was emblematic of Anderson's style, was a financial success, and earned Anderson another Academy Award nomination for his screenplay.
Anderson's next film, The Grand Budapest Hotel (2014), starred Ralph Fiennes, Jude Law, F. Murray Abraham, and Saoirse Ronan, along with several of his regular collaborators including Bill Murray, Owen Wilson, and Jason Schwartzman.[26] It is set in the 1930s and follows the adventures of M. Gustave, the hotel's concierge, making "a marvelous mockery of history, turning its horrors into a series of graceful jokes and mischievous gestures", according to The New York Times.[27] The film represented one of Anderson's greatest critical and commercial successes, grossing nearly $175 million worldwide and earning dozens of award nominations, including nine Oscar nominations with four wins.[28] These nominations also included his first for Best Director.
Anderson returned to stop motion animation with Isle of Dogs.[29] Production on the film started in the United Kingdom in October 2016, and it was released in select theaters on March 23, 2018, and wide on April 6, 2018.[30][31][32] The film received Academy Award nominations for Best Animated Feature and Best Original Score.[33] In August 2018, it was reported that Anderson is working on his next film, set in post-war France, and was set to begin filming at Angoulême, beginning in November 2018. Named The French Dispatch, the film stars Bill Murray, Frances McDormand, Owen Wilson, Willem Dafoe, Adrien Brody, and Timothée Chalamet, and was previously scheduled to be released in July 2020, before being delayed due to the COVID-19 pandemic to October 2020, before being pulled from the schedule.[34][35][36][37][38]
Anderson has also created several notable short films. In addition to the original Bottle Rocket short, he made the Paris-set Hotel Chevalier (2007), which was created as a prologue to The Darjeeling Limited and starred Jason Schwartzman alongside Natalie Portman, and the Italy-set Castello Cavalcanti (2013),[39] which was produced by Prada and starred Jason Schwartzman as an unsuccessful race-car driver. Additionally, he has directed a number of television commercials for companies such as Stella Artois and Prada, including an elaborate American Express ad, in which he starred as himself.[40]
Directing techniques
Anderson's cinematic influences include François Truffaut, Louis Malle, Pedro Almodóvar,[41] Satyajit Ray,[42] John Huston, Mike Nichols, Hal Ashby,[43] Stanley Kubrick, Woody Allen, Martin Scorsese, Orson Welles, and Roman Polanski.[44] Anderson has a unique directorial style that has led several critics to consider him an auteur.[45][46][47][48]
Themes and stories
Anderson has chosen to direct mostly fast-paced comedies marked by more serious or melancholic elements, with themes often centered on grief, loss of innocence, dysfunctional families, parental abandonment, adultery, sibling rivalry and unlikely friendships. His movies have been noted for being unusually character-driven, and by turns both derided and praised with terms like "literary geek chic".[49][50] The plots of his movies often feature thefts and unexpected disappearances, with a tendency to borrow liberally from the caper genre.[51]
Visual style
Anderson has been noted for his extensive use of flat space camera moves, obsessively symmetrical compositions, knolling, snap-zooms, slow-motion walking shots, a deliberately limited color palette, and hand-made art direction often utilizing miniatures.[52] These stylistic choices give his movies a highly distinctive quality that has provoked much discussion, critical study, supercuts, mash-ups, and even parody. Many writers, critics, and even Anderson himself, have commented that this gives his movies the feel of being "self-contained worlds", or a "scale model household".[53] According to Jesse Fox Mayshark, his films have "a baroque pop bent that is not realist, surrealist or magic realist", but rather might be described as "fabul[ist]".[54] In 2019, the company Murals Wallpaper from the UK launched a line of wallpapers inspired by the visual design of Anderson's films.[55]
From The Life Aquatic with Steve Zissou on, Anderson has relied more heavily on stop motion animation and miniatures, even making entire features with stop motion animation with Fantastic Mr. Fox and Isle of Dogs.[56]
Soundtracks
Anderson frequently uses pop music from the 1960s and '70s on the soundtracks of his films, and one band or musician tends to dominate each soundtrack. In Rushmore, Cat Stevens and British Invasion groups featured prominently, The Royal Tenenbaums included songs recorded by Nico, The Life Aquatic with Steve Zissou was replete with David Bowie including both originals and covers performed by Seu Jorge, The Kinks appeared on the soundtrack for The Darjeeling Limited and Rushmore, The Beach Boys in Fantastic Mr. Fox, and Hank Williams for Moonrise Kingdom. (Much of Moonrise Kingdom is filled with the music of Benjamin Britten, which is tied to a number of major plot points for that film.)[57] The Darjeeling Limited also borrowed music styles from Satyajit Ray's films. The Grand Budapest Hotel, which is mostly set in the 1930s, is notable for being the first Anderson film to eschew using any pop music, and instead used original music composed by Alexandre Desplat. Its soundtrack won Desplat the Academy Award for Best Original Score, the BAFTA Award for Best Film Music and World Soundtrack Award for Best Original Score of the Year. The soundtracks for his films have often brought renewed attention to the artists featured, most prominently in the case of "These Days", which was used in The Royal Tenenbaums.[58]
Personal life
Anderson is in a relationship with Lebanese writer, costume designer and voice actress Juman Malouf.[59][60] Malouf gave birth to the couple's daughter, Freya, in 2016. She is named after a character from the film The Mortal Storm.[61][62][63]
Anderson lives in Paris but has spent the majority of his adult life in New York.[64][65][66] He is the brother of artist Eric Chase Anderson, who illustrated the Criterion Collection releases of some of Anderson's films (Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou and The Darjeeling Limited) and provided the voice of Kristofferson Silverfox in Fantastic Mr. Fox.[67]
Filmography
Feature films
Year | Title | Director | Producer | Writer | Notes |
---|---|---|---|---|---|
1996 | Bottle Rocket | Yes | Yes | Co-written with Owen Wilson | |
1998 | Rushmore | Yes | Executive | Yes | |
2001 | The Royal Tenenbaums | Yes | Yes | Yes | |
2004 | The Life Aquatic with Steve Zissou | Yes | Yes | Yes | Co-written with Noah Baumbach |
2005 | The Squid and the Whale | Yes | |||
2007 | The Darjeeling Limited | Yes | Yes | Yes | Co-written with Roman Coppola and Jason Schwartzman |
2009 | Fantastic Mr. Fox | Yes | Yes | Yes | Co-written with Noah Baumbach |
2012 | Moonrise Kingdom | Yes | Yes | Yes | Co-written with Roman Coppola |
2014 | The Grand Budapest Hotel | Yes | Yes | Yes | Story co-written with Hugo Guinness |
She's Funny That Way | Executive | ||||
2017 | Escapes | Executive | Documentary | ||
2018 | Isle of Dogs | Yes | Yes | Yes | Story co-written with Roman Coppola, Jason Schwartzman and Kunichi Nomura |
2020 | The French Dispatch | Yes | Yes | Yes | Story co-written with Roman Coppola, Hugo Guinness and Jason Schwartzman |
Acting credits
Year | Title | Role | Notes |
---|---|---|---|
1996 | Bottle Rocket | Passenger on bus | Uncredited cameo |
1998 | Rushmore | Student | |
2001 | The Royal Tenenbaums | Tennis match commentator | |
2009 | Fantastic Mr. Fox | Stan Weasel | Voice role |
2016 | Sing | Daniel / additional voices | |
Reception
Critical, public and commercial reception to Anderson's directorial features as of 4 February 2019.
Year | Film | Rotten Tomatoes[68] | Metacritic[69] | Budget | Box office[70] |
---|---|---|---|---|---|
1996 | Bottle Rocket | 85% (6.8/10 average rating) (66 reviews) | 66 (24 reviews) | $7 million | $560,000 |
1998 | Rushmore | 89% (8.1/10 average rating) (103 reviews) | 86 (32 reviews) | $9 million | $17.1 million |
2001 | The Royal Tenenbaums | 80% (7.5/10 average rating) (207 reviews) | 76 (34 reviews) | $21 million | $71.4 million |
2004 | The Life Aquatic with Steve Zissou | 56% (6.1/10 average rating) (206 reviews) | 62 (38 reviews) | $50 million | $34.8 million |
2007 | The Darjeeling Limited | 69% (6.6/10 average rating) (189 reviews) | 67 (35 reviews) | $16 million | $35 million |
2009 | Fantastic Mr. Fox | 92% (7.9/10 average rating) (231 reviews) | 83 (34 reviews) | $40 million | $46.5 million |
2012 | Moonrise Kingdom | 93% (8.2/10 average rating) (244 reviews) | 84 (43 reviews) | $16 million | $68.3 million |
2014 | The Grand Budapest Hotel | 91% (8.4/10 average rating) (287 reviews) | 88 (48 reviews) | $25 million | $174.8 million |
2018 | Isle of Dogs | 90% (8/10 average rating) (315 reviews) | 82 (55 reviews) | N/A | $64.2 million |
2020 | The French Dispatch |
Short films
Year | Title | Director | Writer | Notes |
---|---|---|---|---|
1994 | Bottle Rocket | Yes | Yes | Co-written with Owen Wilson shot in 1992, released in 1994. |
2007 | Hotel Chevalier | Yes | Yes | Prologue to The Darjeeling Limited, Starring Natalie Portman & Jason Schwartzman. |
2012 | Do You Like to Read? | Yes | Yes | Promote Moonrise Kingdom Starring Bob Balaban. |
Cousin Ben Troop Screening with Jason Schwartzman | Yes | Yes | Promote Moonrise Kingdom Starring Jason Schwartzman. |
Commercials
Year | Title | Director | Writer | Company | Notes |
---|---|---|---|---|---|
2004 | American Express: My Life, My Card | Yes | Yes | American Express | Starring Wes Anderson as himself and Jason Schwartzman.[71] |
2008 | Softbank | Yes | Softbank | Starring Brad Pitt Japanese commercial filmed in France | |
2010 | Stella Artois: Apartomatic | Yes | Stella Artois | co-directed with Roman Coppola. | |
2012 | Made of Imagination | Yes | Sony Xperia | stop-motion animation | |
2013 | Prada: Candy | Yes | Prada | Starring Léa Seydoux co-directed with Roman Coppola. | |
Castello Cavalcanti | Yes | Yes | Prada | starring Jason Schwartzman. | |
2016 | Come Together: A Fashion Picture in Motion | Yes | Yes | H&M | starring Adrien Brody. |
Recurring collaborators
Anderson's films feature many recurring actors, including the Wilson brothers (Owen, Luke, and Andrew), Bill Murray, Jason Schwartzman, Anjelica Huston, Wallace Wolodarsky, Willem Dafoe, Edward Norton, Kumar Pallana, Bob Balaban, Adrien Brody and Tilda Swinton. Frequent co-writers include Roman Coppola (who has also served as a second unit director), Noah Baumbach (with Anderson also co-producing his own film The Squid and the Whale), Owen Wilson, Schwartzman and Hugo Guinness. Anderson has also worked frequently with producers Scott Rudin, Jeremy Dawson and Steven M. Rales. Robert Yeoman has served as director of photography for all of Anderson's live-action films, with Tristan Oliver handling cinematography for his two animated features. Mark Mothersbaugh composed Anderson's first four films, with Alexandre Desplat taking over for every film since Fantastic Mr. Fox. Randall Poster has served as music supervisor for all of Anderson's films since Rushmore.
Frequent actor collaborations (3 or more films) | ||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Actor/actress | Bottle Rocket (1996) | Rushmore (1998) | The Royal Tenenbaums (2001) | The Life Aquatic with Steve Zissou (2004) | The Darjeeling Limited (2007) | Fantastic Mr. Fox (2009) | Moonrise Kingdom (2012) | The Grand Budapest Hotel (2014) | Isle of Dogs (2018) | The French Dispatch (2020) | Total roles | |||||||||||||||
Waris Ahluwalia | 3 | |||||||||||||||||||||||||
Bob Balaban | 4 | |||||||||||||||||||||||||
Adrien Brody | 4 | |||||||||||||||||||||||||
Seymour Cassel | 3 | |||||||||||||||||||||||||
Willem Dafoe | 4 | |||||||||||||||||||||||||
Jeff Goldblum | 3 | |||||||||||||||||||||||||
Anjelica Huston | 5 | |||||||||||||||||||||||||
Harvey Keitel | 3 | |||||||||||||||||||||||||
Frances McDormand | 3 | |||||||||||||||||||||||||
Bill Murray | 9 | |||||||||||||||||||||||||
Edward Norton | 4 | |||||||||||||||||||||||||
Kumar Pallana | 4 | |||||||||||||||||||||||||
Larry Pine | 3 | |||||||||||||||||||||||||
Jason Schwartzman | 7 | |||||||||||||||||||||||||
Fisher Stevens | 3 | |||||||||||||||||||||||||
Tilda Swinton | 4 | |||||||||||||||||||||||||
Andrew Wilson | 3 | |||||||||||||||||||||||||
Luke Wilson | 3 | |||||||||||||||||||||||||
Owen Wilson | 8 | |||||||||||||||||||||||||
Wally Wolodarsky | 5 |
Awards and nominations
Academy Awards
Year | Film | Category | Result | Ref. |
---|---|---|---|---|
2001 | The Royal Tenenbaums | Best Original Screenplay | Nominated | [72] |
2009 | Fantastic Mr. Fox | Best Animated Feature | Nominated | [73] |
2012 | Moonrise Kingdom | Best Original Screenplay | Nominated | [74] |
2014 | The Grand Budapest Hotel | Best Picture | Nominated | [75] |
Best Director | Nominated | [75] | ||
Best Original Screenplay | Nominated | [75] | ||
2018 | Isle of Dogs | Best Animated Feature | Nominated | [76] |
BAFTA Awards
Year | Film | Category | Result | Ref. |
---|---|---|---|---|
2001 | The Royal Tenenbaums | Best Original Screenplay | Nominated | [77] |
2009 | Fantastic Mr. Fox | Best Animated Film | Nominated | [78] |
2012 | Moonrise Kingdom | Best Original Screenplay | Nominated | |
2014 | The Grand Budapest Hotel | Best Film | Nominated | [79] |
Best Direction | Nominated | |||
Best Original Screenplay | Won | |||
2018 | Isle of Dogs | Best Animated Film | Nominated | [80] |
Golden Globe Awards
Year | Film | Category | Result | Ref. |
---|---|---|---|---|
2005 | The Squid and the Whale | Best Motion Picture – Musical or Comedy | Nominated | [81] |
2009 | Fantastic Mr. Fox | Best Animated Feature | Nominated | [82] |
2012 | Moonrise Kingdom | Best Motion Picture – Musical or Comedy | Nominated | [83] |
2014 | The Grand Budapest Hotel | Won | [84] | |
Best Director | Nominated | |||
Best Screenplay | Nominated | |||
2018 | Isle of Dogs | Best Animated Feature Film | Nominated | [85] |
Other awards
Year | Award | Category | Film | Result |
---|---|---|---|---|
1996 | MTV Movie Award | Best New Filmmaker | Bottle Rocket | Won |
Lone Star Film & Television Award | Debut of the Year | Won | ||
1998 | Los Angeles Film Critics Association | New Generation Award | Bottle Rocket & Rushmore | Won |
1999 | Lone Star Film & Television Award | Best Director | Rushmore | Won |
Best Writer | Won | |||
National Society of Film Critics | Best Screenplay | Won | ||
Independent Spirit Award | Best Director | Won | ||
2001 | New York Film Critics Circle | Best Screenplay[86] | The Royal Tenenbaums | Won |
2002 | Chicago Film Critics Association Award | Best Screenplay[87] | Nominated | |
Online Film Critics Society | Best Screenplay | Nominated | ||
Phoenix Film Critics Society | Best Screenplay | Nominated | ||
Toronto Film Critics Association | Best Screenplay[88] | Nominated | ||
Writers Guild of America Award | Best Screenplay[89] | Nominated | ||
2003 | Bodil Award | Best American Film | Nominated | |
DVD Premiere Award | Best Audio Commentary | Nominated | ||
2005 | Berlin International Film Festival | Golden Bear | The Life Aquatic with Steve Zissou | Nominated |
Golden Satellite Award | Best Screenplay | Nominated | ||
2006 | Independent Spirit Award | Best Feature | The Squid and the Whale | Nominated |
2007 | Gijón International Film Festival | Best Feature | The Darjeeling Limited | Nominated |
Venice International Film Festival | Golden Lion | Nominated | ||
Little Golden Lion | Won | |||
2008 | Bodil Award | Best American Film | Nominated | |
2009 | National Society of Film Critics | Special Achievement Award | Fantastic Mr. Fox | Won |
New York Film Critics Circle | Best Director | Nominated | ||
San Diego Film Critics Society | Best Screenplay | Won | ||
San Francisco Film Critics Circle | Best Screenplay | Won | ||
Southeastern Film Critics Association | Best Screenplay | Won | ||
2010 | Annie Award | Best Writing in a Feature Production | Won | |
Directing in a Feature Production | Nominated | |||
Broadcast Film Critics Association | Best Screenplay | Nominated | ||
Central Ohio Film Critics Association | Best Screenplay | Nominated | ||
National Board of Review | Special Achievement Award | Nominated | ||
National Society of Film Critics | Best Director | Nominated | ||
New York Film Critics Circle | Best Director | Nominated | ||
Online Film Critics Society | Best Screenplay | Won | ||
Producers Guild of America Award | Best Animated Feature Film | Nominated | ||
San Diego Film Critics Society | Best Screenplay | Won | ||
San Francisco Film Critics Circle | Best Original Screenplay | Won | ||
2012 | Cannes Film Festival | Palme d'Or | Moonrise Kingdom | Nominated |
San Diego Film Critics Society | Best Original Screenplay | Nominated | ||
2013 | Broadcast Film Critics Association | Best Original Screenplay[90] | Nominated | |
Independent Spirit Award | Best Director[91] | Nominated | ||
Best Screenplay[91] | Nominated | |||
2014 | Berlin International Film Festival | Golden Bear | The Grand Budapest Hotel | Nominated |
Jury Grand Prix (Silver Bear)[92] | Won | |||
Chicago Film Critics Association | Best Director[93] | Nominated | ||
Best Original Screenplay | Won | |||
Dallas-Fort Worth Film Critics Association | Best Director | Nominated | ||
David di Donatello | Best Foreign Film | Won | ||
Detroit Film Critics Society | Best Director[94] | Nominated | ||
Best Screenplay | Nominated | |||
Dublin Film Critics' Circle | Best Director[95] | Nominated | ||
Florida Film Critics Circle | Best Director[96] | Nominated | ||
Best Original Screenplay | Won | |||
Indiana Film Journalists Association | Best Original Screenplay | Won | ||
Los Angeles Film Critics Association | Best Director[97] | Runner-up | ||
Best Screenplay | Won | |||
New York Film Critics Circle | Best Screenplay[98] | Won | ||
Phoenix Film Critics Society | Best Director | Nominated | ||
Best Original Screenplay | Won | |||
San Diego Film Critics Society | Best Director | Nominated | ||
Best Original Screenplay | Nominated | |||
San Francisco Film Critics Circle | Best Original Screenplay[99] | Nominated | ||
Southeastern Film Critics Association | Best Director | 2nd Place | ||
Best Original Screenplay | Won | |||
Washington D.C. Film Critics Association | Best Original Screenplay[100] | Nominated | ||
San Francisco Film Critics Circle[101] | Best Director | Nominated | ||
Best Original Screenplay | Nominated | |||
Online Film Critics Society | Best Director | Nominated | ||
Best Screenplay | Won | |||
St. Louis Gateway Film Critics Association | Best Director | Nominated | ||
Toronto Film Critics Association | Best Director[102] | Nominated | ||
Best Screenplay | Won | |||
2015 | Central Ohio Film Critics Association | Best Director | Runner-up | |
Best Original Screenplay | Runner-up | |||
Alliance of Women Film Journalists | Best Director | Nominated | ||
Best Original Screenplay | Nominated | |||
Critics' Choice Movie Awards | Best Picture | Nominated | ||
Best Director | Nominated | |||
Best Original Screenplay | Nominated | |||
Best Comedy | Won | |||
4th AACTA International Awards | Best Direction | Nominated | ||
Best Screenplay | Nominated | |||
Denver Film Critics Society | Best Original Screenplay | Nominated | ||
Directors Guild of America Award | Outstanding Directing – Feature Film | Nominated | ||
Georgia Film Critics Association | Best Director | Nominated | ||
Best Original Screenplay | Nominated | |||
Houston Film Critics Society | Best Director | Nominated | ||
Best Original Screenplay | Nominated | |||
London Film Critics' Awards | Director of the Year | Nominated | ||
Screenwriter of the Year | Won | |||
Location Managers Guild Awards | Outstanding Locations in Period Film | Won | ||
National Society of Film Critics | Best Screenplay | Won | ||
Oklahoma Film Critics Circle | Best Original Screenplay | Won | ||
Vancouver Film Critics Circle | Best Director | Nominated | ||
Best Screenplay | Won | |||
Writers Guild of America Award | Best Original Screenplay | Won | ||
2016 | Location Managers Guild Awards | Eva Monley Award | Self | Won |
2018 | Berlin International Film Festival | Silver Bear for Best Director | Isle of Dogs | Won |
SXSW Film Festival Audience Awards | Headliners | Won |
Further reading
- "Special Issue: Wes Anderson, Austin Auteur". Texas Studies in Literature and Language. 60 (2). 2018. ISSN 1534-7303.
- Seitz, Matt Zoller (2013). The Wes Anderson Collection. New York, New York: Harry N. Abrams. ISBN 978-0-8109-9741-7.
- Browning, Mark (2011). Wes Anderson: why his movies matter. Santa Barbara, Calif: Praeger. ISBN 978-1-59884-352-1.
- "Special Issue: Wes Anderson & Co". New Review of Film and Television Studies. 10 (1). 2012. ISSN 1740-0309.
- MacDowell, James (2010). "Notes on Quirky" (PDF). Movie: A Journal of Film Criticism. Warwick University (1).
- Kunze, Peter C., ed. (2014). The films of Wes Anderson: Critical essays on an Indiewood icon. New York, NY: Palgrave Macmillan. ISBN 978-1-349-48692-2.CS1 maint: extra text: authors list (link)
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- Bibliography
- Browning, Mark (2011). Wes Anderson: why his movies matter. Santa Barbara, Calif: Praeger. ISBN 978-1-59884-352-1.
- "Special Issue: Wes Anderson & Co". New Review of Film and Television Studies. 10 (1). 2012. ISSN 1740-0309.
- Seitz, Matt Zoller (2013). The Wes Anderson Collection. New York, New York: Harry N. Abrams. ISBN 978-0-8109-9741-7.
External links
Wikimedia Commons has media related to Wes Anderson. |
- Wes Anderson on IMDb
- Wes Anderson at AllMovie
- Wes Anderson at Unsung Films
- "Into The Deep", in-depth Anderson profile at The Guardian February 12, 2005
- "Wes Anderson", a brief profile by Martin Scorsese in Esquire.