Sam Levene

Sam Levene (born Scholem Lewin; August 28, 1905 – December 28, 1980) was a Broadway, film, radio and television actor as well as a director. In a career spanning over five decades, he originated some of the most legendary comedic roles in American theatrical history, including Nathan Detroit, the craps-shooter extraordinaire, in the 1950 original Broadway production[1] of Guys and Dolls (1950), Max Kane, the hapless agent, in the original 1932 Broadway production of Dinner at Eight (1932); Patsy, a professional if not always successful gambler, in the longest running and original Broadway production of Three Men on a Horse (1935); Gordon Miller, the shoestring producer, in the original Broadway production of Room Service (1937); Sidney Black, a theatrical producer, in Moss Hart's original Broadway production of Light Up the Sky (1948), Horace Vandergelder, the crotchety merchant of Yonkers, in the premier UK production of Thornton Wilder's The Matchmaker (1954), a play that became the basis for the musical Hello Dolly, Lou Winkler, a businessman in the original Broadway production of Fair Game (1957)[2] a comedy by Sam Locke that Larry Gelbart attributed[3] its 217 performance run mostly to the performance and drawing power of Sam Levene who starred in the comedy with Ellen McRae, a 25-year ingenue making her Broadway debut and would later change her name to Ellen Burstyn; and Al Lewis, the retired vaudevillian, in the original Broadway production of The Sunshine Boys (1972), Neil Simon’s salute to vaudevillians opposite Jack Albertson as Willie Clark, a role Levene performed 466 times[4] on Broadway, first with Jack Albertson until October 28, 1974 and later opposite Jack Gilford, October 30, 1974 until February 10, 1975. In 1984, Levene was posthumously inducted in the American Theatre Hall of Fame and in 1998,[5] Sam Levene along with the original Broadway cast of the 1950 Guys and Dolls Decca cast album posthumously inducted into the Grammy Hall of Fame.

Window card poster 1972 original Broadway production Neil Simon's The Sunshine Boys starring Jack Albertson and Sam Levene

Sam Levene
Sam Levene (1936)
Born	Scholem Lewin (1905-08-28)August 28, 1905 Russia
Died	December 28, 1980(1980-12-28) (aged 75) New York City, U.S.
Resting place	Mount Carmel Cemetery, Glendale, Queens
Alma mater	American Academy of Dramatic Arts
Years active	1927–1980
Spouse(s)	Constance Kane (m. 1953; div. 19??)
Children	1

Considered one of the great veteran stars of the American stage, Levene effortlessly segued between starring roles in over 100 productions on stage, radio, television and film, appearing in a variety of roles, including policemen, servicemen, gamblers, gangsters, newspaper reporters, theatrical producer, actor's agent, dress manufacturer and even a psychiatrist was equally adept in segueing from comedy to farce to drama and musical comedy. Levene was the archetypal New Yorker on stage and screen who shined in creating rough character parts, often playing working class roles with names like Patsy, Dino and Hymie and appeared with a roster of stars and directors. For 54 years, Levene was a consistent presence on Broadway; on April 20, 1927 Levene made his Broadway debut in the melodrama Wall Street with a five line part[6] and in 1980, his last Broadway appearance, a starring role in a comedy directed by Joshua Logan. Levene appeared in a staggering list of 39 Broadway productions, many of them bona-fide hits,[7] 33 of which were the original Broadway productions. A consummate actor, who was equally adept in comedy and drama, Levene received greater recognition and critical praise for his comedic expertise and stage timing who routinely received critical acclaim, even when the show itself was not of top quality. Levene earned a niche in American theatrical history by perfecting a certain species of comic hero and for the majority of those appearances, Levene was a Broadway star who consistently received above-title billing. For his performance as Nathan Detroit in Guys and Dolls, Levene, Vivian Blaine and Robert Alda each received[8] above-the-title billing, which Levene continued to receive for each of his subsequent Broadway performances, even starring in Horowitz and Mrs. Washington, receiving above-title top billing in 1980,[9] the year he died, with Esther Rolle who received billing after Levene. Although Broadway revivals are generally billed alphabetically Levene received first place over-the-title billing[10] among the eight stars in the 1969 all-star Three Men on a Horse revival; followed by Jack Gilford, Dorothy Loudon, Hal Linden, Rosemary Printz, Butterfly McQueen, Leon Janney and Paul Ford whose eighth place billing was preceded with "and", and as a result, Ford's Playbill who's who biography was fourth. Levene's longevity was due in part to his ability to show the amiability and even sweetness beneath the rough hewn tough exteriors of his characters, however bad they may have seemed. Laurence Maslon and Michael Kantor observe[11] "the theater has always embraced certain stars as one of their own, comedians who both ennoble and energize a live event with their presence", and include Levene on a list of Broadway stars along with Beatrice Lillie, Carol Channing, Robert Morse, Zero Mostel and Nathan Lane.

Early life

Born in Russia, the youngest of five children by a dozen years,[12] Levene came to the United States when he was two years old. Levene grew up on the Lower East Side of Manhattan on Avenue D and 8th Street and attended Public School 64.[13] Levene who should have been a 1923 graduate of Stuyvesant High School dropped out and also failed to qualify for the school's dramatic society. Since Levene had been in the class of Broadway for over five decades, the illustrious dropout was given a special award, his Stuyvesant High School diploma,[14] in a 1976 ceremony held at the New York's Princeton Club.

In 1923 Levene was working as a cutter for his older brother Joe, proprietor of a Madison avenue dressmaking business, aspiring to become the best dress salesman in the garment industry. Joe agreed to consider Sam for the job if Sam "got more poise" so Sam decided to take diction lessons at night to remove traces of his Yiddish accent at the American Academy of Dramatic Arts. Charles Jehlinger, Director of the American Academy encouraged Levene to become an actor and provided him with a full scholarship so he could attend as a day student. Levene's speech improved perceptibly; by the time Levene graduated in 1927, he lost his desire for the garment industry and from then on, his only product was "Sam Levene".

Levene's father, Harry Levine, an orthodox Jewish cantor never saw Levene act and never went to a theatre,[15] but Levene's mother, Beth Weiner, saw every one of Levene's performances. Sam Levene was stubbornly proud of his Jewish heritage and refused all requests by directors and producers who tried to persuade the actor to anglicize his last name, something that occurred frequently early in Levene's career. Originally known as Sammy Levine early in his career, Levene changed the "i" to an "e" in his surname to avoid confusion at Actor's Equity, the theatrical union, with another actor at the time using the name "Sam Levine" so Sam decided to spell "Levene" phonetically.

Broadway debut

Levene made his Broadway stage debut[16] earning $60 week with his first Actor's Equity contract on April 20, 1927, a five line role as District Attorney William Thompson in the original Broadway melodrama Wall Street, at the Hudson Theatre[17], a play that only ran for three weeks.[18]

For five decades, Levene was a familiar face to Broadway audiences; Levene's thirty-ninth and final Broadway credit was his starring role as Daniel Horowitz in the 1980 comedy Horowitz and Mrs. Washington which closed after a run of only 10 previews and six performances at the John Golden Theatre.[19] Although the Henry Denker comedy was panned, Levene's star power and comedic performance enabled a five month tour of Horowitz and Mrs. Washington which went on Christmas hiatus on Saturday December 13, 1980, which turned out to be Levene's final stage performance in Canada,[20] just two weeks prior to his December 28, 1980 passing.

Although Levene's Broadway career spanned 54 years and includes a steady presence on Broadway with a staggering list of 39 Broadway shows, the majority starring roles in the original Broadway productions, Levene's Broadway career began with five years of steady employment in nondescript roles in ten Broadway plays, including a successive series of flops. One titled Solitaire (1929),[21] was a Broadway play about a Coney Island midget that only ran four performances[22] at the now demolished Waldorf Theatre, partially financed with $500 last minute investment from Levene's older brother Joe. Before coaxing his brother to invest in Solitaire, Levene appeared in Jarnegan, the 1928 play that launched the Broadway debut of Joan Bennett, and ran for 126 performances at the Longacre Theatre; two months into the run, Levene left the show to appear as a Telephone Troublemaker in Tin Pan Alley, a 1928 Broadway show which did not run longer than the Broadway run of Jarnegan. In 1929 Levene performed the role of Isadore Lipwitz in Headquarters for 15 performances at Broadway's Forrest Theatre, and a few months later, Levene performed the role of Rosso for only 8 performances in This Man’s Town opposite Constance Cummings at the Ritz Theatre before stepping into the role of Forrest in the long-running Broadway play Street Scene by Elmer Rice. He did the same with the comedy The Up and Up also in 1930. In 1931 Levene was seen for three weeks on Broadway's Avon Theatre as Cooper, a dumb detective, in Three Times the Hour co-directed by the legendary Antoinette Perry and Brock Pemberton and for four weeks in Wonder Boy.

Levene's Broadway career struggle ended in 1932 when he landed the comedic role of Max Kane, a theatrical agent with a dud client in a bona-fide hit, the original Broadway production of George S. Kaufman and Edna Ferber's Dinner at Eight which had a 232 performance run directed by co-author George S. Kaufman, who 18 years later would go on to direct Levene in the original Broadway production of Guys and Dolls. Seven years after making his Broadway debut, Levene was recognized as a Broadway star when he originated the role of Patsy in his 16th Broadway play, the leader of the bar room turf in the original Broadway production of Three Men on a Horse (1935) directed by co-author George Abbott which had a long-run of 835 performances, which temporarily held the long-run record for a non-musical on Broadway. Levene repeated his 1935 Broadway success of Three Men on a Horse when he starred as Gordon Miller, the shoestring producer, in the smash hit 1937 Broadway farce, Room Service (1937), also directed by George Abbott, which had 500 performance run on Broadway.

Stage career

Levene appeared in over 50 theatrical stage productions in the United States and abroad. A master of farce and comedy, Levene was equally effective in drama as well. Levene's Broadway credits include performances in 39 Broadway productions, 33 of which were performances Levene created in the original Broadway productions, and a ten-month USO tour. For 54 years Sam Levene was a Broadway audience favorite playing cops, con men, theatrical types, businessmen, gamblers, hassled husbands and even doctors.[23]

Over his 54 year Broadway career, Levene performed in 39 Broadway shows on 29 different Broadway stages, on many several times. Levene performed over 1,600 times, three of the four were starring roles at the now demolished Playhouse Theater in four original Broadway plays: Street Scene (1929), Three Men on a Horse (1935), Make a Million (1958) and The Impossible Years (1966). In a 1976 interview[24] with Tom McMorrow for The Daily News, Levene said he has been directed by all the stage greats, including Antonette Perry, Tyrone Guthrie, George Abbott, Jed Harris, Moss Hart, Ellis Raab and Otto Preminger. Levene said "Abbott is the greatest comedy director. He taught me to play farce with sincerity. Moss Hart had a great sense of what will work on a stage". Levene said "Ellis Raab was the best", his director for the all star revival of The Royal Family. Levene said "Raab has patience, creativity and an understanding of the actor's problem. George Abbott never had the patience of a Raab. And Jed Harris, he never had the patience of anybody! He was impossible. He ranted and raved and tore his hair out. But Raab is always cool. He's the opposite of an Otto Preminger, who screams and upsets the actors".

Vivian Blaine as Miss Adelaide and Sam Levene as Nathan Detroit in the original 1950 Broadway production of Guys and Dolls

Levene's Broadway credits include star turns creating sharply etched comedic and dramatic performances in 33 original Broadway productions, many considered among 20th century American theatrical history including: Max Gordon, a theatrical agent with a dud client in Dinner at Eight (1932), Gordon Miller, the hilarious shoestring producer, in the smash hit farce Room Service (1937) directed by George Abbott, Patsy, the lovable gambler, in Three Men on a Horse (1935), Officer Finkelstein, a Jewish cop guarding the Nazi consul,[25] played by Otto Preminger, in Claire Booth Luce's Margin for Error (1939), Sidney Black, a loud-mouth Broadway producer of a flop, a role playwright Moss Hart told Levene was largely a self-portrait of the author, in Light Up the Sky (1948), Nathan Detroit, a role written and crafted specifically for Levene by Abe Burrows in Guys and Dolls (1950), Fair Game[26] (1957), a comedy which starred Levene at the Longacre Theatre,[27] Dr. Aldo Meyer, a kind-hearted Jewish doctor in the original Broadway production of The Devil's Advocate (1961), written, produced and directed by Dore Schary, based on the novel by Morris West, for which Levene was nominated for the 1961 Tony Award for Best Actor in a play,[28] and Al Lewis, a retired vaudevillian Levene created in the original 1972 Broadway production of Neil Simon's The Sunshine Boys (1972); Levene and Albertson reprised their star performances in the 1974 first national tour. Levene succeeded Albertson in the role of Willie Clark when he left the 1974 national tour, performing the role opposite Ned Glass as Al Lewis, who was subsequently replaced by Jack Somack.

Playbill cover of Sam Levene in the original Broadway production of The Impossible Years

Levene's Broadway credits include starring roles in three Broadway revivals, portraying businessmen Boss Mangan in George Bernard Shaw's Heartbreak House (1959) directed by Harold Clurman, recreating his original Broadway performance as Patsy, the racetrack gambler originated three decades earlier, in the acclaimed all-star Broadway revival of the smash hit farce Three Men On A Horse (1969) and performing the role of veteran theatre producer Oscar Wolfe in the all-star 1975-76 Broadway revival of George S. Kaufman and Edna Ferber's The Royal Family (1975) directed by Ellis Rabb; the production was filmed for the PBS series Great Performances on November 9, 1977;[29] this version was released on DVD.

Levene succeeded comedian Alan King in the starring role of Dr. Jack Kingsley in The Impossible Years (1965), which Levene directed and starred in the 1967 national tour. Levene starred in numerous touring stage productions including Pseudolus in A Funny Thing Happened on the Way to the Forum; Sidney Black in several productions of Light Up The Sky; Patsy in Three Men on a Horse which Levene directed; Michael Freeman in Will Success Spoil Rock Hunter?; Jerry Kingsley in Middle Of The Night; Walter Hollander in the first national tour of Don't Drink the Water, which Levene directed and co-starred with several leading ladies including, Vivian Blaine, Selma Diamond, Marjorie Lord and directed a second touring production co-starring Phil Foster and Vivian Blaine; a 1975 tour of Sabrina Fair which included performances at The National Theatre, Washington, DC; on October 2, 1975, President Gerald R. Ford and Mrs. Ford invited Levene and co-stars Arlene Francis and Maureen O'Sullivan to a White House State Dinner in honor of the Emperor and Empress of Japan.

Window card 1st UK production of Guys and Dolls starring Vivian Blaine and Sam Levene which ran for 555 performances at London's Coliseum

Levene starred in two major UK productions; in 1953, he recreated his performance as Nathan Detroit in the first UK production of Guys and Dolls which opened at The Coliseum a few days before the 1953 Coronation which had an run of 553 performances.[30] In 1954, Sam Levene originated the role of Horace Vandergelder in the world premiere production of Thornton Wilder's The Matchmaker (1954), initially[31] at the Edinburgh Festival in Scotland, and performed the role 274 times opposite Ruth Gordon as Dolly Levi at the Theatre Royal Haymarket in London's West End, directed by Tyrone Guthrie.

Not known as a singer, Levene originated the "craps-shooter extraordinaire" Nathan Detroit in the American musical Guys and Dolls on the Great White Way in the original 1950 Broadway production directed by the inimitable George S. Kaufman. Levene has been synonymous with the role of Nathan Detroit for seven decades; Guys and Dolls book co-author Abe Burrows specifically crafted the role of Nathan Detroit around and for Levene who signed for the project long before Burrows ever wrote a single word of dialogue, a similar break Burrows said he had when he wrote Cactus Flower for Lauren Bacall. In Honest, Abe: Is There Really No Business Like Show Business?, Burrows recalled: "I had the sound of their voices in my head. I knew the rhythm of their speech and it helped make the dialogue sharper and more real." Burrows had the advantage of writing dialogue built around Sam Levene[32]'s New York Jewish cadences. The creative talent of Guys and Dolls agreed Levene was perfect for the role of Nathan Detroit (Damon Runyon had been one of Levene's fans). Frank Loesser agreed it was easier adjusting the music to Levene's limitations than substituting a better singer who couldn't act. Levene is the reason the lead role of Nathan Detroit has one major song, the duet "Sue Me".[33] Laurence Olivier said[34] that Sam Levene's performance as Nathan Detroit was the greatest stage performance he'd ever seen. In his autobiography "Loitering With Intent", film star said Sam Levene's West End performance in Guys and Dolls was his first exposure to a Broadway show; stating "Levene gave, uniquely, his form and pressure to the age and body of Detroit's time, which would have pleased my lord Hamlet who wisely instructs us actors to do just that, and makes the to consider Sam Levene's playing of Nathan Detroit to be one of the great classical performances of our time".

Hundreds[35] of productions of Guys and Dolls are staged annually and Sam Levene's comedic performance as Nathan Detroit still makes headlines, largely because it became the gold standard classic. Frank Rich, Chief Theatre Critic, The New York Times, like most critics, lauded the 1992 Guys and Dolls revival directed by Jerry Zaks stating:[36] this is an enchanting rebirth of the show that defines Broadway dazzle. However, regarding Nathan Lane's performance as Nathan Detroit, Frank Rich observed[37] "the supremely gifted actor Nathan Lane does not remotely echo the first Nathan Detroit, Sam Levene, for whose New York Jewish cadences the role was written. Mr. Lane is more like a young Jackie Gleason and usually funny in his own right, though expressions like 'all right, already' and 'so nu?' do not fall trippingly from his tongue." Los Angeles Times Critic Emeritus Sylvie Drake reviewed the 1993 Guys and Dolls touring production also directed by Jerry Zaks at the Hollywood Pantages Theatre had a similar observation, comparing David Garrison's portrayal of Nathan Detroit to Sam Levene's original 1950 Broadway performance, writing: "The wiry Garrison's Detroit physically harks back more to the 1950 original played by Sam Levene, than to Nathan Lane, who played the role on Broadway last year. But unlike Levene, Garrison doesn't come across down, dirty or gritty. Knowing this actor's talent, one finds his amiable New York gangster surprisingly bloodless and almost genteel."[38]

Vivian Blaine and Sam Levene meet Queen Elizabeth after Royal Command Variety Performance of Guys and Dolls November 2, 1953

Levene performed the role of Nathan Detroit in Guys and Dolls over 1,600 times, initially 41 times in the 1950 pre-Broadway Philadelphia tryout where each performance was different, two years performing his classic role in the original Broadway production, a week's stint at London's Bristol Hippodrome before co-starring with Vivian Blaine for a year in the first UK production, six months performing the role twice daily in the first Las Vegas production and the 15th anniversary six week production, three weeks in Mineola, New York and three weeks in Paramus New Jersey in 1965. In a 1974 interview with The New York Times, "Levene said he played the part of Nathan Detroit so long that some Broadway wag once suggested he was born born playing the Damon Runyon character".

Levene reprised his performance as Nathan Detroit on the Decca's original cast recording of the Broadway musical Guys and Dolls according to Variety, original cast album sales totaled 250,000 as of September 1, 1954. Guys and Dolls composer and lyricist Frank Loesser specifically wrote “Sue Me” in one octave for Levene and structured the song so he and Vivian Blaine never sang their show-stopping duet number together; the son of a cantor, Levene was fluent in Yiddish: "Alright, already, I'm just a no-goodnick; alright, already, it's true, so nu? So sue me." Frank Loesser felt[39] "Nathan Detroit should be played as a brassy Broadway tough guy who sang with more grits than gravy." Levene sang "Sue Me" with "such a wonderful Runyonesque flavor that his singing had been easy to forgive, in fact it had been quite charming in its ineptitude."

Alan Alda, son of Guys and Dolls co-star Robert Alda, recalls watching Levene perform Nathan Detroit while standing in the wings. In “Never Have Your Dog Stuffed; And Other Things I’ve Learned”, Alan Alda recalls[40] "Watching Sam Levene was thrilling. He could ride a moment as if a wild animal. New meanings occurred to him on the spot. Not only did he play the same lines differently every night, but the laughs rolled in from the audience in different places. How did he do it? This kind of spontaneity and this utter commitment to the moment became what I wanted to have. As good as my father was, what I was seeing as they played together a few feet away was the difference between burlesque and theatre, between performing and acting. I chose acting. I wanted to be Sam."

In 1953, Levene reprised the role of Nathan Detroit in the first UK production of Guys and Dolls at London's Coliseum, performing the role for 555 performances, including a Royal Command Variety Performance for Queen Elizabeth on November 2, 1953, the Queen's first Royal Variety attendance since her coronation. Sam Levene performed the role of Nathan Detroit twice daily in a reduced version of Guys and Dolls when the first Las Vegas production opened a six-month run at The Royal Nevada, September 7, 1955, the first time a Broadway musical was performed on the strip. In 1965, Sam Levene and Vivian Blaine, recreated their original Broadway roles as Nathan Detroit and Miss Adelaide in 15th anniversary revival of Guys and Dolls at the Mineola Theatre, Mineola, New York and Paramus Playhouse, New Jersey.

For three decades Levene reprised his role as Patsy from Three Men on a Horse (1935) numerous times on stage, film, TV and radio; the first time when he made his motion picture debut in Three Men on a Horse (1936) directed and produced by Mervyn LeRoy; three times on radio, two USO tours playing 200 shows to 120,000 servicemen, the first legitimate U.S. theatrical production mounted overseas. Due to security, the USO cast was reduced from 12 to 7 without losing a minute of running dialogue. According to a May 26, 1945 Billboard interview, Levene said,[41] "the G.I.s' gratefulness is absolutely embarrassing. They express it not only by applause but by meeting you personally and giving you objects which they have fought and bled for. They lose sight of the fact that they are the ones fighting the war."

Playbill cover 1935 original Broadway production Three Men on a Horse at The Playhouse Theater starring Teddy Hart, Shirley Booth and Sam Levene

Levene as Patsy and Shirley Booth as Mabel reprised their original Broadway roles in two ABC radio versions produced by the Theatre Guild on the Air, the first adapted by playwright Arthur Miller aired January 6, 1946;[42] the second aired June 1, 1947 with David Wayne as Erwin. Three decades after creating the role of Patsy in the Broadway production of Three Men On A Horse, Levene reprised the role of Patsy on Broadway in Let It Ride (1961), a Broadway musical which had an abbreviated run of 69 performances at the Eugene O'Neill Theatre. Let It Ride (1961) boasted a score by the songwriting team of Jay Livingston and Ray Evans, best known for creating three Oscar-winning songs, Buttons and Bows, Mona Lisa and Que Sera, Sera and two other movie songs that were smash hits, Silver Bells and Tammy; on television, the team wrote the Bonanza and Mister Ed theme songs.[43] Levene performed the Let It Ride title song on the Let It Ride float in the 1961 Macy's Thanksgiving Day Parade. Levene performed the role of Patsy one last time in the 1969 all-star Broadway revival of Three Men On A Horse directed by George Abbott, the original Broadway director and co-author which was preceded by a national tour Levene directed, starring Levene as Patsy and Bert Parks as Erwin. In his 1969 review of the all star Broadway revival of Three Men On A Horse, New York Times theatre critic Clive Barnes wrote[44] “Sam Levene originated the role of Patsy in 1935--by now it’s his. Still looking like a man whose eyes have been allocated the wrong size eyelids, still mugging, double taking, offering his celebrated impersonation of an actor impersonating a character that would based himself on Damon Runyon, Mr. Levene is great. No one in the world plays Mr. Levene as he does, And what’s more, no one ever will".

After making his Broadway debut 43 years earlier, Levene made his Off-Broadway debut, starring in Irv Bauer's A Dream Out Of Time at the Promenade Theatre, Levene's only Off-Broadway appearance. In 1976, Levene was cast as Tubal, Shylock's business partner, in the Broadway production of The Merchant based on an adaptation of The Merchant of Venice but withdrew from the Philadelphia tryout after Zero Mostel, the play's star and Levene's lifelong dear friend[45] died after first collapsing in his dressing room; Levene observed[46] "I was too close to Zero and a play we both loved, to do it without him." When John Dexter, the director, asked Levene if he would continue in the show, Levene told Dexter "we just had one death, we don't need two". Understudy Joseph Leon replaced Zero Mostel for the Broadway production of The Merchant which closed November 19, 1977 after five performances. Levene's final Broadway credit was performing the starring role of Samuel Horowitz in the Broadway comedy Horowitz and Mrs. Washington (1980) co-starring Esther Rolle, directed by Joshua Logan. In 1980, Levene starred in a summer stock and national tour of Horowitz and Mrs. Washington co-starring Claudia McNeil.

Film career

Nine years after making his Broadway debut, Levene was lured and moved to Hollywood in 1936 when he made his motion picture debut as Patsy in the Warner Bros. film Three Men on a Horse (1936) directed and produced by Mervyn LeRoy. Levene earned $1,000[47] a week to recreate on film his comedic Broadway role as Patsy he had played for seventy weeks in the original Broadway production of Three Men on a Horse (1935). Levene was the only member of the original 1934 Broadway production of the play Yellow Jack directed by the Guthrie McClintic to appear in the 1938 film of the same name.

Sam Levene as Police Lt. Abrams, William Powell as Nick, Myrna Loy as Nora, lobby card for MGM's After the Thin Man (1936)

Sam Levene as Police Lt. Abrams, (far right), William Powell as Nick, (center) lobby card for MGM's Shadow of the Thin Man (1941)

Known as a dependable character actor, Levene has 50 film credits. Levene worked with every major Hollywood studio over his five-decade Hollywood career; 14 of Levene's films were at MGM, which include two appearances as Police Lieutenant Abrams in their Thin Man series: After the Thin Man (1936) and Shadow of the Thin Man (1941), plus Yellow Jack (1938), The Shopworn Angel (1938), Married Bachelor (1941), Sunday Punch (1942), Grand Central Murder (1942), Whistling in Brooklyn (1943), I Dood It (1943), Shoe Shine Boy (1943 short), Dial 1119 1950, The Opposite Sex (1956), Designing Woman (1957) and The Champ (1979). Levene appeared in five RKO films, including The Mad Miss Manton (1938); Sing Your Worries Away (1942); The Big Street (1942) and A Likely Story (1947) and Crossfire, the first B picture to receive a best picture nomination. Levene appeared in six Universal Pictures films: Destination Unknown (1942), Gung Ho! (1943), The Killers (1946), Brute Force (1947), Slaughter on Tenth Avenue (1957), Kathy O'.

Levene's film career includes a Hollywood who's who of actors and directors. Levene worked with Barbara Stanwyck in two films, in 1938, Sam Levene co-starred as Lieutenant Brent who "steals a few scenes with his great delivery of lines",[48] in The Mad Miss Manton (1938), a screwball comedy that also starred Henry Fonda; 31 year old Stanwyck earned $60,000 for the film; 33 year old Fonda earned $25,000 and 35 year old Sam Levene was paid $1,500 a week.[49] The following year Levene appeared as "Siggie" in Golden Boy an adaptation of the Clifford Odets play about the brutality of prizefighting; critics praised the performances of William Holden's at times perfect interpretation of fighter Joe Bonaparte, but it was 27 year old Lee J. Cobb as the senior Bonaparte and Sam Levene as Holden's taxi driver brother-in-law who walked away with the picture and the reviews.[49] Other Hollywood actors Levene worked with include Anthony Quinn: A Dream of Kings (1969); four films with Burt Lancaster: The Killers (1946), Brute Force, (1947), Three Sailors and a Girl (1953), Sweet Smell of Success (1957); Humphrey Bogart: Action in the North Atlantic (1943); two films with Henry Fonda: The Big Street (1942), The Mad Miss Manton (1938); Robert Ryan: Crossfire; Vincente Minnelli: Sing Your Worries Away (1942); two films with Myrna Loy & William Powell as Police Lt. Abrams: ‘’After the Thin Man’’ (1936), Shadow of the Thin Man (1941); Gregory Peck: Designing Woman (1957); two films with Red Skelton: Whistling in Brooklyn (1943), I Dood It (1943); Al Pacino: ...And Justice for All (1979); his final film role.

Film Noir

Levene established himself as one of the great film noir stalwarts. Levene is one of several film noir veterans who are graduates of the American Academy of Dramatic Arts, including Lauren Bacall, Hume Cronyn, Kirk Douglas, Nina Foch, Agnes Moorehead, Thelma Ritter and Edward G. Robinson. Levene's best known film noir credits include his performance as Samuels, the murdered GI, in Crossfire (1947) and as Lieutenant Lubinsky in The Killers (1946).[50] The Killers features the motion picture debut of Burt Lancaster, who just a year prior was professionally credited as Burton Lancaster when Levene helped the former circus acrobat land a part in the original Broadway production of A Sound of Hunting starring Sam Levene. In The Killers, Sam Levene plays Police Lt. Sam Lubinsky, a childhood friend of the Swede, a role played by Lancaster; Levene's co-starring role was fortuitous as he was credited in making Lancaster feel at ease in his motion picture debut. It was lucky he was on the set with Burt Lancaster maintained actor Jeff Corey because Burt didn't feel too comfortable in his first film. Sam would frequently get on his ass. C'mon, c'mon. Do the goddamn thing. You pick up the piece of jewelry. Can't you do that and say the f....ing line? Lancaster was never offended. He appreciated, because he loved Sam; everyone did.[51] When several Hollywood studios initially wanted to sign Lancaster, Levene, who was Lancaster's co-star in the 1946 Broadway melodrama A Sound of Hunting, agreed to represent him; eventually the two actors became lifelong friends. Together Lancaster and Levene fielded offers from David O. Selznick, 20th Century-Fox and Hal B. Wallis, who had a deal at Paramount Pictures, ultimately introducing Lancaster to Harold Hecht, who became Lancaster's long-time agent and Hollywood film production partner. Burt Lancaster and Sam Levene also worked together in two other film noirs, the 1947 Brute Force, directed by Jules Dassin, Lancaster's second film, which appears on several film noir lists[52][53] and the acclaimed film noir, Sweet Smell of Success[54][55] included on AFI's Catalogue of Feature Films. Sam Levene noir credits include: Dave Woods, as a newspaper reporter, who gives a performance not to be missed who steals the show as a dirt digging journalist who is ultimately fighting for righteousness,[56] writing hard-hitting articles attacking the police[57] in Elia Kazan's crime film noir Boomerang,[58][59] Dr. John Faron, a psychiatrist in Dial 1119,[60] Capt. Tonetti in the 1950 Guilty Bystander[61][62] and Howard Rysdale in the 1957 Slaughter on Tenth Avenue[63] (1957). Alan K. Rode observed[64] Slaughter on Tenth Avenue was bolstered by a terrific ensemble cast headed by Richard Egan, Jan Sterling, Julie Adams, Walter Matthau, Dan Duryea, Charles McGraw and Sam Levene, who performs yeoman work as a realpolitik Manhattan district attorney, forced to temper the hard-charging idealism of assistant Egan who inevitably triumphs in the end

Radio

For most of his early film and Broadway stage career, Sam Levene straddled an active schedule with starring roles in a range of productions on all radio networks, including comedic performances and skits along with dramatic and comedy roles in abridged versions of important theatrical stage productions and adaptations on leading series, often reprising roles he had previously played on the Broadway stage and on film. Levene co-starred with Orson Welles in two important adaptations of stage productions for Welles' The Campbell Playhouse, first as Lefty[65] in Burlesque, February 17, 1939 and five weeks later, March 24, 1939, as Owen O'Malley, the John Barrymore part, in Twentieth Century.[66] Levene starred in nine Theatre Guild on the Air productions; two radio versions of Three Men On A Horsethe first adapted by Arthur Miller[67] aired January 6, 1946; the second June 1, 1947 with David Wayne joining the cast as Erwin. A third Three Men On A Horse production sponsored by Lady Esther for the Screen Guild Players aired February 28, 1944[68] with Levene as Patsy and Charlie Ruggles as Erwin. Other Theatre Guild on The Air radio appearances include performing the role of "Banjo" with Fred Allen as Sheridan Whiteside in George S. Kaufman and Moss Hart's The Man Who Came To Dinner. Levene recreated his original Broadway performance as Sidney Black, the loud-mouth producer, in Moss Hart's Light Up The Sky opposite Joan Bennett and Thelma Ritter for the Theatre Guild on the Air, April 16, 1951, a role he also performed in a live performance on Ford Theatre on CBS TV.[69]

Levene reprised his film role as Dave Woods, the reporter in Elia Kazan's Boomerang for Theatre Guild on the Air; and appeared as Moody, the fight manager, in Golden Boy by Clifford Odets opposite long-time friend and co-star June Havoc and Dana Andrews whom Levene had just worked with filming Boomerang. For Suspense Radio on CBS, Levene reprised his film role as Samuels, the murdered Jewish soldier, in Crossfire, April 10, 1948. Levene and Havoc worked with each many times in radio, film, theatre and television. In 1942, Havoc and Levene co-starred in the RKO film Sing Your Worries Away. In 1957 Havoc and Levene guest starred on The Mother Bit in Season 9 of TV's Studio One series; in 1959 Levene and Havoc were guest stars in The Larry Fay Story for Season 2[70] of The Untouchables; in a dramatic role, Sam Levene was nightclub owner and mob boss Larry Fay, accused of price fixing milk and June Havoc was Sally Kansas, Fay's lover, who also appeared as a lounge singer in one of Fay's nite clubs.

Levene frequently appeared on Fred Allen's Texaco Star Theatre in a sketch comedy segment known as Allen's Alley. Sam Levene along with twelve major Hollywood and Broadway stars, including Helen Hayes, Fredric March and Ralph Bellamy created 13 episodes of Lest We Forget, a series of radio programs that directly addressed prejudice and discrimination. Created by the Institute for Democratic Education and Boston University Radio Institute, Sam Levene starred as a cab driver who becomes in a hero in Hey Cabbie,[71] an episode that unabashedly addresses anti-semitism. Produced by the American Heart Association in 1952, Levene starred in Too Careful,[72] one of eight radio plays presenting information and knowledge of the heart. Levene along with Edward G. Robinson and Frank Sinatra made a series of appearances in We Will Never Die, a memorial pageant dedicated to the victims of the Holocaust; performed around the country at major venues, including Madison Square Garden and the Hollywood Bowl, the elaborate production, also broadcast on radio, was co-authored by Ben Hecht and Kurt Weill and directed by Moss Hart. On a lighter note, Levene made a New Year's Eve appearance on The Big Show[73] with his Guys and Dolls co-star Vivian Blaine on December 31, 1950; Levene performed a skit with Tallulah Bankhead who had declined an invitation to appear on Ken Murray's show so that she could obtain theatre tickets to Guys and Dolls, Levene's smash Broadway hit musical.

Jewish heritage

The stage and film actor recognized the name "Sam Levene puts a kind of stamp on the kind of roles that producers think the actor can play". In a 1967 interview with journalist Norton Mockridge for The World-Telegram, Levene recalled when he was up for a role in The Story of Dr. Wassell (1944) starring Gary Cooper and produced and directed by Cecil B. DeMille; the actor auditioned for the role of Murdock, an Irishman. Levene recalled "ten or eleven or other actors auditioned too" and afterwards, DeMille called Levene and said "Of all the actors who auditioned, you're my first choice". Levene replied, "I thanked him and said 'Did I get the part?"

"No" said DeMille, who told Levene "I'm sorry but it would disturb me to have an actor named Sam Levene play the role of an Irishman". Levene asked DeMille: "Did you find anything Jewish in my audition?" to which DeMille replied "No, that's what disturbs me. You were a better Irishman than the Irishman. But I can't give you the part as I just can't see the film credits reading the part of the Irishman played by Sam Levene". Shortly thereafter Levene got another call from DeMille, who told the actor: "I just want you to know that I've let the actor go that I first picked for the role of the Irishman, Murdock, and if your name weren't Sam Levene, I'd have given you the role. Instead I am going to give it to Paul Kelly". Levene said, "you called to tell me that?" "Yes" said DeMille "I thought you'd like to know!," Levene reminisced saying "I lost the role twice!"

Crossfire (1947) Theatrical poster starring Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly, Sam Levene

Sam Levene was one of the few actors who had a Jewish name in the 1930s and 1940s; notably in The Purple Heart (1944) Levene played the role of Lt. Wayne Greenbaum, a level-headed, brave, New York-bred Jewish lawyer who is defender and spokesman for a group of eight aviators brought to trial when they are downed in Japanese-held territory; in Crossfire (1947), Levene was cast as Samuels, a Jewish civilian who was murdered at the start of the film; in a 1947 personal appearance, Levene said "Crossfire is a powerful denunciation of anti-Semitism and naturally I played the Jew and naturally I was killed." Cy Feuer, co-producer of the original Broadway production of Guys and Dolls (1950) said[74] in a New York Times interview "Sam Levene was the ultimate Jew," referring to the original Nathan Detroit. "It was perfect casting. He created the character by living." Unanimous raves greeted[75] Sam Levene for his portrayal of the skeptical but good-hearted Jewish doctor, Dr. Aldo Mayer, in the 1961 Broadway production of "The Devil's Advocate". In a review of "The Devil's Advocate" for the New York Herald Tribune, theatre critic Walter Kerr wrote "Mr. Levene is genial true. As a Jewish doctor who must forever feel himself an outsider in the Catholic Italian hills...Sam Levene is superb in a role of many colors and nothing is more helpful than the tension of his unyielding integrity. There is bite as well as bravura elsewhere." In a 1967 interview with theatre critic William Glover of the Associated Press, Sam Levene said "the Jews I’ve played sometimes may have been similar but they were never schmaltzy; regarding the roles I’ve done, I’ve tried very carefully to define humor even if there was none.”

Levene lost the role of Nathan Detroit to Frank Sinatra in the film version. "You can't have a Jew playing a Jew, it wouldn't work on screen", producer Samuel Goldwyn argued, explaining[76] he wanted Frank Sinatra rather than Levene – who had originated the role – to play the part of Nathan Detroit in the film version even though film director Joseph L. Mankiewicz wanted Levene, the original Broadway star. Joseph L. Mankiewicz said[77] "if there could be one person in the world more miscast as Nathan Detroit than Frank Sinatra that would be Laurence Olivier and I am one of his greatest fans; the role had been written for Sam Levene who was divine in it". Levene will break your heart when you listen to him sing 'All right, already, I'm just a no-goodnick . . .' on the original Guys and Dolls cast recording of "Sue Me".

Fordham Professor of Music Larry Stempel, author of Showtime: A History of the Broadway Musical Theater, said[78] if given a choice, he would cast Levene, who created the role on Broadway, as the ideal Nathan Detroit instead of Nathan Lane, who played the part in the Broadway revival, or Frank Sinatra, who played the part on film, stating "Musically, he may have been tone-deaf, but he inhabited Frank Loesser’s world as a character more than a caricature".

Caricatures

Over five decades Al Hirschfeld, considered the greatest caricaturist of the 20th century, created nine caricatures[79] capturing seven original Broadway performances created by Levene, the first in 1935, the last 1975. A Hirschfeld caricature of Levene captures his performance as Nathan Detroit[80] wearing his pinstripe suit designed by Alvin Colt in the original 1950 Broadway production of Guys and Dolls published in The New York Times 11/19/50. In 2000, the Guys and Dolls caricature included in The Museum of The City of New York exhibition "Guys and Dolls: The Fabled Musical of Broadway".[81] In 2015, the caricature was exhibited in "The Hirschfeld Century" at The New York Historical Society. The first time Hirschfeld captured Levene was his Broadway performance as Patsy along with Shirley Booth as Mabel in the 1935 original Broadway production[82] of Three Men on a Horse; a second caricature of Levene and Booth featuring the Broadway casts from Tobacco Road and The Children's Hour published in the Herald Tribune 6/7/36 celebrates Broadway long-runs.[83] Hirschfeld created two caricatures of Levene's critically acclaimed performance as Max Gordon, the shoestring producer, in the original 1937 Broadway production of Room Service, published in the Herald Tribune and Brooklyn Eagle. Hirschfeld captured Levene's poignant performance as Al Lewis giving Willie Clark "the finger"[84] in the original Broadway production of The Sunshine Boys published in The New York Times on December 13, 1972. Hirschfeld also captured Levene's original Broadway performances in Margin For Error and Light Up The Sky. Other notable caricaturists who memorialized Levene's stage performances include Sam Norkin, Al Frueh and William Auerbach-Levy. Al Frueh, who created caricatures of Broadway shows, mostly for The New Yorker for three decades until 1962, captured six[85] of Levene's original Broadway performances, including Busch from the original Broadway production of Yellow Jack (1934), Patsy from the original Broadway production of Three Men on a Horse (1935), Sidney Black from the original Broadway production of Light Up The Sky, Nathan Detroit from the 1950 original Broadway production of Guys and Dolls; Boss Mangan in the 1959 all-star Broadway revival of Heartbreak House directed and co-starring Maurice Evans and Officer Finkelstein, the Jewish policeman, in the 1939 original Broadway production of Margin For Error. Over a period of four decades William Auerbach-Levy (1889-1964) created 15 caricatures celebrating ten Sam Levene original Broadway starring performances[86] including: Nathan Detroit in Guys and Dolls (1950), five caricatures; Patsy in Three Men on a Horse (1935), Officer Finkelstein in Margin for Error[87] (1939), Pvt. Dino Collucci in A Sound of Hunting (1945), Sidney Black in Light Up The Sky (1948), Lou Winkler in Fair Game (1957), Sid Gray in Make A Million (1958), Odilon in The Good Soup (1960), Patsy in Let It Ride (1961), Dr. Aldo Meyer in The Devil's Advocate (1961), Morris Seidman in Seidman and Son (1962).

Personal life

Levene married Constance Kane in 1953. The couple had one son together, Joseph K. Levene,[88] before their divorce. On December 28, 1980, Levene died of a heart attack in New York City.

Awards

Although nominated for the 1961 Tony Award for Best Actor in a play for The Devil's Advocate, Levene never received a Tony Award; by the time the Tony Award's were established in 1947, Levene had already created roles in 19 original Broadway shows, none Tony eligible, including performances in the original Broadway productions of Dinner at Eight (1932), Three Men on a Horse (1935), Room Service (1937) and Margin For Error (1939). In 1960, Levene was awarded the Actors Fund Medal of Honor, at the time, the second actor awarded the honor.[89]

On April 9, 1984, Levene was posthumously[90] inducted in the American Theatre Hall of Fame;[91] his son, Joseph K. Levene, accepted the American Theatre Hall of Fame award from Dorothy Loudon who co-starred as Mabel with Levene in 1969 Three Men on a Horse all-star revival.

In 1998, Sam Levene, Robert Alda, Vivian Blaine, Isabel Bigley and Pat Rooney, Sr. were posthumously inducted into the Grammy Hall of Fame for the 1950 Decca original cast album of Guys and Dolls.[92] Although Levene has two songs on the original Guys and Dolls cast album, his portrayal of Nathan Detroit in the landmark musical is so popular Levene's performance appears on over 38 Guys and Dolls albums and compilations.

In a 1996 New York Magazine letter to the editor, Sam Levene's son Joseph K. Levene, thanked film critic David Denby stating[93] “my father, the late great Sam Levene, has received many kudos illuminating his career as an actor, none recalled the passion for the theater more clearly than David Denby's comment in his review of Everyone Says I Love You: Sam Levene playing Nathan Detroit in the original Guys and Dolls couldn't sing a note but his gruff toneless outbursts could break your heart. Levene was not cautious and that made all the difference. Joseph K. Levene said: "There were no Tony's in his career but thanks for the Denby".

Complete filmography

• The Talk of Hollywood (1929) - Film Buyer (uncredited)
• Three Men on a Horse (1936) - Patsy
• After the Thin Man (1936) - Police Lt. Abrams
• Yellow Jack (1938) - Busch
• The Shopworn Angel (1938) - 'Leer'
• The Mad Miss Manton (1938) - Lieutenant Brent
• Golden Boy (1939) - Siggie
• Married Bachelor (1941) - Cookie Farrar
• Shadow of the Thin Man (1941) - Police Lt. Abrams
• Sing Your Worries Away (1942) - Smiley Clark
• Sunday Punch (1942) - Roscoe
• Grand Central Murder (1942) - Inspector Gunther
• The Big Street (1942) - Horsethief
• Destination Unknown (1942) - Victor
• Action in the North Atlantic (1943) - Abel "Chips" Abrams
• I Dood It (1943) - Ed Jackson
• Gung Ho! (1943) - Transport (Leo Andreof)
• Shoe Shine Boy (1943 short) - Lucky
• Whistling in Brooklyn (1943) - Creeper
• The Purple Heart (1944) - Lt. Wayne Greenbaum
• The True Glory (1945) - Commentator (uncredited)
• The Killers (1946) - Police Lt. Sam Lubinsky
• Boomerang (1947) - Dave Woods
• A Likely Story (1947) - Louie
• Brute Force (1947) - Louie Miller
• Crossfire (1947) - Samuels
• Killer McCoy (1947) - Happy
• The Babe Ruth Story (1948) - Phil Conrad
• Leather Gloves (1948) - Bernie
• Guilty Bystander (1950) - Capt. Tonetti
• With These Hands (1950) - Alexander Brody
• Dial 1119 (1950) - Dr. John D. Faron
• Three Sailors and a Girl (1953) - Joe Woods
• The Opposite Sex (1956) - Mike Pearl
• Designing Woman (1957) - Ned Hammerstein
• Sweet Smell of Success (1957) - Frank D' Angelo
• Slaughter on Tenth Avenue (1957) - Howard Rysdale
• A Farewell to Arms (1957) - Swiss Sergeant (uncredited)
• Kathy O' (1958) - Ben Melnick
• The World of Sholom Aleichem (1959, TV Movie) - Mendele
• Act One (1963) - Richard Maxwell
• A Small Rebellion (1966, TV Movie) - Noel Greb
• A Dream of Kings (1969) - Cicero
• Such Good Friends (1971) - Uncle Eddie
• Atlantic City Jackpot (1976) - Lou Maurice
• God Told Me To (1976) - Everett Lukas
• The Royal Family (1977, TV Movie) - Oscar Wolfe
• The Champ (1979) - Uncle Eddie (uncredited)
• Last Embrace (1979) - Sam Urdell
• Us Two (1979)
• ...And Justice for All (1979) - Arnie (final film role)

Broadway performances

Wall Street (1927) William Thompson, Asst. District Attorney Originated role, original Broadway production, Hudson Theatre, Broadway debut, 21 performances	April 20, 1927-May 1927
Jarnegan (1928) Guest at Leedman's Party Originated role, original Broadway production, Longacre Theatre, 136 performances	September 24, 1928-January 1, 1929
Tin Pan Alley (1928) Telephone Troublehunter Originated role, original Broadway production, Biltmore Theatre, 69 performances	November 1, 1928-December 1928
Solitaire (1929) The Gunman Originated role, original Broadway production, Waldorf Theatre, 4 performances	March 9, 1929 – March 13, 1929
Street Scene (1929) Forrest Replacement original Broadway production, Playhouse Theatre, 601 performances	January 10, 1929-June 1930
Headquarters (1929) Isadore Lipwitz Originated role, original Broadway production, Forrest Theatre, 15 performances	December 4, 1929-December 1929
This Man's Town (1930) Rosso Originated role, original Broadway production, Ritz Theatre, 8 performances	March 10, 1930-March 1930
The Up and Up (1930) Solly Replacement, original Broadway production, Biltmore Theatre, 72 performances	September 8, 1930-November 1930
Three Times the Hour (1931) Cooper Originated role, original Broadway production, Avon Theatre, 23 performances	August 25, 1931-September 1931
Wonder Boy (1931) Schwartz Originated role, original Broadway production, Alvin Theatre, 44 performances	October 22, 1931-November 1931
Dinner at Eight (1932) Starring as Max Kane Originated role, original Broadway production, Music Box Theatre, 232 performances	October 22, 1932 – May 6, 1933
Yellow Jack (1934) Starring as Busch Originated role, original Broadway production, Martin Beck Theatre, 79 performances Recreated role in motion picture of same name	March 6, 1934-May 1934
The Milky Way (1934) Gabby Sloan Replacement, original Broadway production, Cort Theatre, 63 performances, temporarily replaced Leo Donnelly, who was ill, March 24, 1934[94]	May 8, 1934-July 1934
Spring Song (1934) Starring as Milton Originated role, original Broadway production, Morosco Theatre, 40 performances	October 1, 1934-November 1934
Geraniums in My Window (1934) Louie Originated role, original Broadway production, Longacre Theatre, 27 performances	October 26, 1934 – November 17, 1934
Three Men on a Horse (1935) Starring as Patsy Originated role, original Broadway production, Playhouse Theatre, 835 performances Reprised role of Patsy in film of same name, motion picture debut; 10 month 1944 USO tour, 3 radio productions, 1969 all-star Broadway revival & Broadway musical version	January 30, 1935 – January 9, 1937
Room Service (1937) Starring as Gordon Miller Originated role, original Broadway production, Cort Theatre, 500 performances	May 19, 1937- July 16, 1938
Margin for Error (1939) Starring as Officer Finkelstein Originated role, original Broadway production, Plymouth Theatre, 264 performances	November 3, 1939 – June 15, 1940
A Sound of Hunting (1945) Starring as Pvt. Dino Collucci Originated role, original Broadway production, Lyceum Theatre, 23 performances	November 20, 1945 – December 8, 1945
Light Up the Sky (1948) Starring as Sidney Black Originated role, original Broadway production, Royale Theatre, 214 performances Recreated role Sidney Black on 1949 CBS TV Ford Theater, radio & starred & directed first U.S. National tour, 1949/1950; various tour productions, 1970, 1971, 1975 with Kitty Carlisle, Moss Hart's widow.	November 18, 1948 – May 21, 1949
Guys and Dolls (1950) Starring as Nathan Detroit Originated role, original Broadway production, 46th Street Theatre, 1,200 performances Sam Levene starred in first UK production at London Coliseum, 555 performances, & first Las Vegas production at The Royal Nevada, twice daily.	November 24, 1950 – November 28, 1953
The Hot Corner (1956) Starring as Fred Stanley Directed by Sam Levene Originated role, original Broadway production, John Golden Theatre, 5 performances	January 25–January 28, 1956
Fair Game (1957) Starring as Lou Winkler Originated role, original Broadway production, Longacre Theatre, 217 performances	November 2, 1957 – May 10, 1958
Make a Million (1958) Starring as Sid Gray Originated role, original Broadway production, Playhouse Theatre until April 11, 1959, beginning April 13, 1958 Morosco Theatre, 308 performances. Levene also starred and directed the U.S. national tour.	October 23, 1958 – July 18, 1959
Heartbreak House (1959) Starring as Boss Mangan Broadway revival, Billy Rose Theatre, 112 performances	October 18, 1959 – January 23, 1960
The Good Soup (1960) Starring as Odilon Originated role, original Broadway production, Plymouth Theatre, 21 performances	March 2, 1968 – March 19, 1960
The Devil's Advocate (1961) Starring as Dr. Aldo Meyer Levene received Tony nomination for Best Actor Originated role, original Broadway production, Billy Rose Theatre, 117 performances	March 9, 1961 – June 17, 1961
Let It Ride (1961) Starring as Patsy Originated role, original Broadway production, Eugene O'Neill Theatre, 69 performances Musical version based on Three Men on a Horse by John Cecil Holm & George Abbott	October 12, 1961 – December 9, 1961
Seidman and Son (1962) Starring as Morris Seidman Originated role, original Broadway production, Belasco Theatre, 216 performances Levene starred & directed first U.S. National tour.	October 15, 1962 – April 20, 1963
Cafe Crown (1964) Starring as Hymie Originated role, original Broadway production, Martin Beck Theatre, 33 performances	April 17–April 18, 1964
The Last Analysis (1964) Starring as Philip Bummidge Originated role, original Broadway production, Belasco Theatre, 15 performances	October 1–October 24, 1964
The Impossible Years (1966) Starring as Dr. Jack Kingsley Replaced Alan King, original Broadway production, Playhouse Theatre, August 22, 1966 – May 27, 1967, 322 performances In 1967, Sam Levene starred and directed first U.S. National tour.	October 13, 1965 – May 27, 1967
Nathan Weinstein, Mystic, Connecticut (1966) Starring as Nathan Weinstein Originated role, original Broadway production, Brooks Atkinson Theatre, 26 performances	February 25–26, 1966
Three Men on a Horse (1969) Starring as Patsy Recreated role of Patsy which Levene originated in 1935 Broadway production Revival of Broadway production, Lyceum Theatre, 104 performances	October 16, 1969 – January 10, 1970
Paris Is Out! (1970) Starring as Daniel Brand Play co-produced by Donald Trump Originated role, original Broadway production, Brooks Atkinson Theatre, 112 performances	February 2, 1970 – April 18, 1970
The Sunshine Boys (1972) Starring as Al Lewis Originated role, original Broadway production, Broadhurst Theatre until October 27, 1973, Shubert Theatre October 30, 1973, 540 performances Sam Levene starred in first U.S. National tour, initially as Al Lewis & later as Willie Clark	December 20, 1972 - April 21, 1974
Dreyfus in Rehearsal (1974) Starring as Arnold Originated role, original Broadway production, Ethel Barrymore Theatre, 15 performances	October 17, 1974 – October 26, 1974
The Royal Family (1975) Starring as Oscar Wolfe Broadway revival, Helen Hayes Theatre, 233 performances Levene starred in U.S. National tour and appeared in PBS TV version.	December 30, 1975 - July 18, 1976
Horowitz and Mrs. Washington (1980) Starring as Samuel Horowitz Originated role, original Broadway production, John Golden Theatre, 16 performances Levene starred in summer stock and first U.S. National tour.	April 2–6, 1980

Television appearances

Date	Program	Network	Title	Character
2 April 1949	John Chapman Video Show	WPIX-TV	John Chapman interviews Sam Levene, Moss Hart[95]	Himself
14 June 1949	The Ford Theatre Hour	CBS	Light Up the Sky	Sidney Black
19 December 1950	The Milton Berle Show	TV	Season 3 Episode 14	Himself
27 January 1952	The U.S. Royal Showcase	TV	Vivian Blaine and Sam Levene Season 1 Episode 3	Himself
24 July 1952	All Around the Town: Mike and Buff (Cobb) Wallace	CBS	Backstage at Guys and Dolls	Himself
9 November 1952	Frontiers of Faith	NBC Television	The World of Sholom Aleichem by Morton Wishengrad	Himself
1 June 1953	The Passing Show; All Our Yesteryears	BBC Television	A Story of Five Coronation Years by Michael Mills & Angus MacPhail[96]	Sam Levene as Nathan Detroit & Vivian Blaine as Miss Adelaide performing in Guys and Dolls
27 March 1954	Medallion Theatre (Chrysler Medallion Theater)	CBS	The Alibi Kid
26 May 1954	Douglas Fairbanks Presents Rheingold Theatre	TV	Johnny Blue[97] Season 2 Episode 26	Sam
22 June 1954	The United States Steel Hour	American Broadcasting Company	Fearful Decision Season 1 Episode 18	Reporter McArdle
25 August 1954	Excerpt[98] from The Matchmaker	BBC Television	The Matchmaker	Horace Vandergelder
11 December 1955	The Colgate Comedy Hour	TV	Salute to George Abbott Season 6 Episode 10	Himself
8 April 1957	Studio One (American TV series)	CBS	The Playwright and the Stars Season 9 Episode 26	Ben Weber
10 June 1957	Studio One (American TV series)	CBS	The Mother Bit[99] Season 9 Episode 35	Ben Selig
11 September 1957	Kraft Television Theatre	NBC Television	The Old Ticket Season 10 Episode 51	Lou Winkler
26 December 1957	Tonight starring Jack Paar	NBC Television	Season 1, Episode 108	Himself
9 March 1958	Omnibus (American TV program)	NBC Television	Mrs. McThing[100] Season 6 Episode 25	Eddie
25 November 1958	Tonight starring Jack Paar	NBC Television	Season 2, Episode 61	Himself
14 December 1959	Play of the Week	PBS	The World of Sholom Aleichem Season 1 Episode 10	Mendele
21 August 1960	The Ed Sullivan Show	CBS	Season 13 Episode 47	Dramatic Reading "The Yom Kippur Scandal"[101]
16 November 1960	The Aquanauts	CBS	Night Dive Season 1 Episode 9	Lieutenant Maharis
17 November 1960	The Witness (TV series)	CBS	Louis ‘Lepke’ Buchalter Season 1 Episode 7	Louis Buchalter
22 November 1960	The Wonderful World of Little Julius[102]	CBS	Pilot	Agent
15 December 1960	The Untouchables (1959 TV series)	American Broadcasting Company	The Larry Fay Story Season 2 Episode 9	Larry Fay
22 January 1961	The Ed Sullivan Show	CBS	Season 14 Episode 15	Dramatic Reading "How Tevya Became a Dairyman", a Sholom Aleichem story.[103]
18 June 1961	The Ed Sullivan Show	CBS	Season 14 Episode 36	Himself; 13th Anniversary Celebration
26 November 1961	Macy's Thanksgiving Day Parade	NBC	Let It Ride Float	Patsy
14 January 1962	Directions	TV	Sam Levene interviews Dore Schary	Himself
27 February 1962	The Tonight Show starring Johnny Carson	NBC Television	Season 1, Episode 106	Himself
25 October 1962	The Joe Franklin Show	WWOR-TV	Interview	Himself
5 November 1962- November 9, 1962	Password (game show)	TV	Joan Fontaine vs Sam Levene 5 episodes	Himself
22 December 1962	Jerry Lester	WWOR-TV	Interview	Himself
14 April 1963	Jerry Lester	WWOR-TV	Interview	Himself
28 April 1963	17th Tony Awards	WWOR-TV	Presenter	Himself
5 January 1965	The Les Crane Show	American Broadcasting Company	Season 1 Episode 41	Himself
11 January 1965	The Les Crane Show	American Broadcasting Company	Season 1 Episode 45	Himself
18 January 1965	The Les Crane Show	American Broadcasting Company	Season 1 Episode 50	Himself
8 February 1965	The Les Crane Show	American Broadcasting Company	Season 1 Episode 65	Himself
1 November 1965	The Merv Griffin Show	NBC Television	Season 3, Episode 41	Himself
1 November 1965	Bob Hope Presents the Chrysler Theatre	NBC Television	A Small Rebellion Season 3 Episode 13	Noel Greb
30 October 1969	What's My Line?	CBS	Season 20 Episode 30	Himself
15 February 1970	The Ed Sullivan Show	CBS	Season 23 Episode 21	Dramatic Reading
26 December 1973	The Dick Cavett Show	American Broadcasting Company	Season 2 Episode 47	Himself
28 December 1973	What's My Line?	CBS	Season 5 Episode 180	Himself
9 November 1977	Great Performances	PBS	The Royal Family	Oscar Wolfe

Radio appearances

Date	Program	Network	Title	Character
3 May 1934	The Rudy Vallee Variety Show (radio series)	WEAF	Excerpt[104] from Yellow Jack	Busch
17 February 1939	Orson Welles The Campbell Playhouse (radio series)	CBS Radio	Burlesque adapted from play by Arthur Hopkins & George Manker Watters	Lefty
24 March 1939	Orson Welles The Campbell Playhouse (radio series)	CBS Radio	Twentieth Century (play) adapted by Charles Bruce Millholland	Owen O’Malley
25 February 1940	The Pursuit Of Happiness (radio series)	Columbia Broadcasting	Miriam Hopkins, Betty Hutton, Sam Levene guest star	Himself
25 May 1940	Lincoln Highway	NBC Radio	Three Thousand Miles to Glory[105]	Himself
9 April 1941	Texaco Star Theatre with Fred Allen	CBS Radio	Shortcut to a Nervous Breakdown	Himself
21 July 1943	We Will Never Die	NBC Radio	Hollywood Bowl, Broadcast live	Himself
21 November 1943		CBS Radio	Algie and Gus
24 December 1943	Christmas Roundup	CBS Radio	Romance in the Roaring Forties Sam Levene narrates Damon Runyon story	Himself
28 February 1944	The Screen Guild Theatre	CBS Radio	Three Men on a Horse	Patsy
6 January 1946	Theatre Guild on the Air	ABC Radio	Three Men on a Horse	Patsy
13 January 1946	Eternal Light	NBC Radio	"The Parable of Reb Yisroel"	Himself
17 November 1946	Theatre Guild on the Air	ABC Radio	The Man Who Came To Dinner	Banjo
24 November 1946	Theatre Guild on the Air	ABC Radio	Burlesque adapted by Arthur Hopkins & George Manker Watters	Lefty
6 December 1946	Lest We Forget These Great Americans	Radio	Hey Cabbie, Institute for Democratic Education syndication[106]	Cabby
8 December 1946	Theatre Guild on the Air	ABC Radio	Golden Boy	Moody
1 January 1947	Theatre Guild on the Air	ABC Radio	Three Men on a Horse	Patsy
10 August 1947	Reunion	Mutual Broadcasting System	Tribute American Academy of Dramatic Arts Director Charles Jehlinger[107]	Himself
10 April 1958	Suspense Radio	CBS Radio	Golden Boy	Samuels
27 March 1949	Theatre Guild on the Air	ABC Radio	June Moon[108]	Maxie
25 September 1949	Theatre Guild on the Air	ABC Radio	The Gentle People[109]	Jonah Goodman
17 December 1950	Theatre Guild on the Air	ABC Radio	Boomerang	Dave Woods
31 December 1950	The Big Show (NBC Radio)	NBC Radio	Variety Show hosted by Tallulah Bankhead	Himself
15 April 1951	Theatre Guild on the Air	ABC Radio	Light Up the Sky	Sidney Black
1952	The Human Heart Radio Series	Radio	Too Careful starring Sam Levene[110]	Himself
20 December 1957	The Barry Gray Show	Radio	Interview	Himself
26 August 1960	Studs Terkel	WFMT Radio	Studs Terkel interviews Sam Levene & Monica May.[111]	Himself
1973	George Jessel	WEVD-AM	History of Show Business[112]	Himself

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15. Lane, Stewart F. (2017-04-26). Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers, 2d ed. McFarland. ISBN 9781476628776.
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40. Alda, Alan (2005-09-13). Never Have Your Dog Stuffed: And Other Things I've Learned. Random House Publishing Group. p. 88. ISBN 9781588364920. Watching Sam Levene was thrilling. He could ride a moment as if a wild.
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48. "The Mad Miss Manton (1938) starring Barbara Stanwyck, Henry Fonda, Sam Levene, Frances Mercer, Stanley Ridges, Whitney Bourne, Vickie Lester directed by Leigh Jason Movie Review". www.themoviescene.co.uk. Retrieved 2020-01-19.
49. Wilson, Victoria (2013-11-12). A Life of Barbara Stanwyck: Steel-True 1907-1940. Simon and Schuster. ISBN 978-1-4391-9998-5.
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55. Selby, Spencer (1984). Dark city : the film noir. Internet Archive. Jefferson, N.C. : McFarland., page 185
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62. "Film Noir Master List".
63. Spicer, Andrew (2010-03-19). Historical Dictionary of Film Noir. Scarecrow Press. ISBN 978-0-8108-7378-0.
64. Rode, Alan K. "Charles McGraw: Biography of a Film Noir Tough Guy, page 124".
65. Bogdanovich, Peter (2016-10-04). Il cinema secondo Orson Welles (in Italian). Il Saggiatore. ISBN 978-88-6576-540-1.
66. "24 Mar 1939, Page 33 - The Pittsburgh Press at Newspapers.com". Newspapers.com. Retrieved 2020-07-30.
67. "THEATRE GUILD ON THE AIR: THREE MEN ON A HORSE (RADIO)".
68. "Listen to and download the Screen Guild Theater Radio Program, Three Men on a Horse, Courtesy of Jimbo Berkey". free-classic-radio-shows.com. Retrieved 2020-02-02.
69. "RADIO: Program Preview, Apr. 16, 1951". Time. 1951-04-16. ISSN 0040-781X. Retrieved 2019-11-01.
70. Tucker, Kenneth (2000-01-01). Eliot Ness and The Untouchables: The Historical Reality and the Film and Television Depictions. McFarland. ISBN 978-0-7864-0772-9.
71. "Lest we forget. Series B, program 6, The American dream Hey, cabbie!". Library of Congress Catalog.
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75. Bordman, Gerald (1996-11-21). American Theatre: A Chronicle of Comedy and Drama, 1930-1969. Oxford University Press. ISBN 9780195358087.
76. RickeyJune 3, Carrie; Images, 2018Getty. "Hollywood: Where Jews Don't Get To Play Jews". The Forward. Retrieved 2019-10-13.
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78. "Impertinent Questions with Larry Stempel". National Endowment for the Humanities (NEH). Retrieved 2019-10-13.
79. "Sam Levene Caricatures at the Hirschfeld Foundation". Alhirschfeldfoundation.org.
80. ""Guys and Dolls" Hirschfeld caricature, 1950 original Broadway production published in The New York Times, 11/19/50". Alhirschfeldfoundation.org.
81. "Guys and Dolls: The Fabled Musical of Broadway". Playbill.com. 2000-11-27.
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84. "SUNSHINE BOYS". alhirschfeldfoundation.org. Retrieved 2019-11-02.
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87. "William Auerbach-Levy Caricature of Sam Levene, left & Otto Preminger, right, Margin For Error, original Broadway production in 2020 | Caricature, Sketches, Auerbach". Pinterest. Retrieved 2020-03-11.
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98. "The Matchmaker excerpt· British Universities Film & Video Council". bufvc.ac.uk. Retrieved 2020-03-07.
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105. "Three Thousand Miles To Glory starring Sam Levene". Movie and Radio Guide, May 25–31, 1940: 21. May 25, 1940.
106. Development, PodBean. "Lest We Forget - Series B Pgm 6". randsesotericotr.podbean.com. Retrieved 2020-07-11.
107. "Reunion". Radio-Vision. New Series #91: 26. August 9, 1947.
108. "June Havoc, Eddie Albert, Kenny Delmar & Sam Levene star in Ring Lardner & George S. Kaufman's June Moon for Theatre Guild On The Air". The Jackson Sun. March 27, 1949.
109. "Daily News from New York, New York on September 25, 1949 · 99". Newspapers.com. Retrieved 2020-07-11.
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111. "Interviewing Sam Levene and Monica May from the cast of "Make a Million"". The WFMT Studs Terkel Radio Archive. Retrieved 2020-07-11.
112. "George Jessel Radio".

External links

• Sam Levene on IMDb
• Sam Levene at the Internet Broadway Database
• Sam Levene at the Internet Off-Broadway Database
• Sam Levene at Playbill
• Sam Levene at MCNY, The Museum of the City of New York
• Sam Levene at American Film Institute
• Sam Levene at Al Hirschfeld Foundation
• Sam Levene at Find a Grave
• Sam Levene on Flipboard
• Sam Levene on Broadway World