Platoon (film)

Platoon is a 1986 American war film written and directed by Oliver Stone, starring Tom Berenger, Willem Dafoe, Charlie Sheen, Keith David, Kevin Dillon, John C. McGinley, Forest Whitaker, and Johnny Depp. It is the first film of a trilogy of Vietnam War films directed by Stone, followed by Born on the Fourth of July (1989) and Heaven & Earth (1993). The film, based on Stone's experience from the war, follows a U.S. Army volunteer (Sheen) serving in Vietnam while his Platoon Sergeant and his Squad Leader (Berenger and Dafoe) argue over the morality in the platoon and the conduct of the war.

Platoon
Theatrical release poster by Bill Gold
Directed byOliver Stone
Produced byArnold Kopelson
Written byOliver Stone
Starring
Music byGeorges Delerue
CinematographyRobert Richardson
Edited byClaire Simpson
Production
company
Distributed byOrion Pictures
Release date
  • December 19, 1986 (1986-12-19)
Running time
120 minutes[1]
CountryUnited States
LanguageEnglish
Budget$6 million[2]
Box office$138.5 million (North America)[2]

Stone wrote the screenplay based upon his experiences as a U.S. infantryman in Vietnam, to counter the vision of the war portrayed in John Wayne's The Green Berets. Although having written films such as Midnight Express and Scarface, Stone struggled to get the film developed until Hemdale Film Corporation acquired the project along with Salvador. Filming took place in the Philippines in February 1986 and lasted 54 days. Platoon was the first Hollywood film to be written and directed by a veteran of the Vietnam War.[3]

Upon its release, Platoon received critical acclaim for Stone's directing and screenplay, the cinematography, battle sequences' realism, and the performances of Dafoe and Berenger. The film was a box office success upon its release, grossing $138.5 million domestically against its $6 million budget. The film was nominated for eight Academy Awards at the 59th Academy Awards, and won four including Best Picture, Best Director for Stone, Best Sound, and Best Film Editing. In 1998, the American Film Institute placed Platoon at #83 in their "AFI's 100 Years ... 100 Movies" poll. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[4][5][6]

Plot

In 1967, U.S. Army volunteer Chris Taylor arrives in South Vietnam and is assigned to an infantry platoon of the 25th Infantry Division near the Cambodian border. The platoon is officially led by the young and inexperienced Lieutenant Wolfe, but in reality the soldiers defer to two of his older and more experienced subordinates: the hardened and cynical Staff Sergeant Robert "Bob" Barnes, and the more idealistic Sergeant Elias.

Taylor is immediately sent out with Barnes, Elias and veteran soldiers on a planned night ambush for a North Vietnamese army force. The NVA soldiers manage to get close to the sleeping Americans before a brief firefight ensues; Taylor's fellow new recruit Gardner is killed and Taylor himself lightly wounded. After his return from the hospital, Taylor bonds with Elias and his circle of marijuana-smokers while remaining aloof from Barnes and his more hard-edged followers.

During a subsequent patrol, three men are killed by booby traps and unseen assailants. Already on edge, the platoon is further angered when they discover an enemy supply and weapons cache in a nearby village. Barnes, through a Vietnamese-speaking soldier, Lerner, aggressively interrogates the village chief about whether the villagers have been aiding the NVA. In a fit of anger, Barnes shoots the chief's wife dead after she shouts at him and threatens to kill the chief's daughter. Elias then arrives, getting into a physical altercation with Barnes over the killing before Wolfe breaks it up and orders the supplies destroyed and the village razed. The blaze causes a few of the burning homes to explode, suggesting they contained hidden munitions kept by the villagers. Taylor later prevents or interrupts a gang rape of two girls by some of Barnes' men.

When the platoon returns to base, the veteran company commander Captain Harris declares that if he finds out that an illegal killing took place, a court-martial will ensue, leaving Barnes worried that Elias will testify against him. On their next patrol, the platoon is ambushed and pinned down in a firefight, in which numerous soldiers are wounded. More men are wounded when Lieutenant Wolfe accidentally directs an artillery strike onto his own unit before Barnes calls it off. Elias takes Taylor and two other men to intercept flanking enemy troops. Barnes orders the rest of the platoon to retreat and goes back into the jungle to find Elias' group. Barnes finds Elias alone and shoots him, then returns and tells Taylor that Elias was killed by the enemy. While the platoon is being extracted via helicopter, they glimpse Elias, mortally wounded, emerging from the treeline and being chased by a group of North Vietnamese soldiers, who kill him. Taylor surmises that Barnes was responsible for mortally wounding Elias.

At the base, Taylor attempts to talk his group into fragging Barnes in retaliation when Barnes, having overheard them, enters the room and mocks them. Taylor assaults the intoxicated Barnes but is quickly overpowered. Barnes seems ready to kill Taylor, but Rhah tells Barnes that it is not worth ten years in prison for killing an enlisted soldier, so instead Barnes cuts Taylor near his eye with a push dagger before departing.[7]

The platoon is sent back to the front line to maintain defensive positions, where Taylor shares a foxhole with Francis. That night, a major NVA assault occurs, and the defensive lines are broken. Most of the platoon, including Wolfe and most of Barnes' followers, are killed in the ensuing battle. Sgt. Red O'Neill, known for shirking duties and one of Barnes' lackeys, hides under a dead soldier to avoid being seen. Taylor, along with Francis, finds his courage and counterattacks, killing many of the invading NVA. Taylor even leaves the fighting hole to pursue the enemy. During the attack, an NVA sapper, armed with explosives, destroys the battalion headquarters in a suicide attack. Now in command of the defense, Captain Harris orders his air support to expend all their remaining ordnance inside his perimeter. During the chaos, Taylor encounters Barnes, who is wounded and driven to insanity. Just as Barnes is about to kill Taylor, both men are knocked unconscious by the air strike.

Taylor regains consciousness the following morning, picks up an enemy rifle, and finds Barnes, who orders Taylor to call a medic. Seeing that Taylor will not help, Barnes contemptuously orders Taylor to kill him; Taylor does so. Francis, who survived the battle unharmed, deliberately stabs himself in the leg and reminds Taylor that because they have been twice wounded, they can return home. Taylor waves goodbye to the remaining troops as helicopters carry him and Francis away along with other wounded soldiers. Overwhelmed, Taylor sobs as he glares down at craters full of corpses. In a voice-over, Taylor says that although the war is now over for him, it will remain with him for the rest of his life.

Cast

Development
"Vietnam was really visceral, and I had come from a cerebral existence: study ... working with a pen and paper, with ideas. I came back really visceral. And I think the camera is so much more ... that's your interpreter, as opposed to a pen."

—Oliver Stone[8]

After his tour of duty in the Vietnam War ended in 1968, Oliver Stone wrote a screenplay called Break, a semi-autobiographical account detailing his experiences with his parents and his time in the Vietnam War. Stone's active duty service resulted in a "big change" in how he viewed life and the war. Although the screenplay Break was never produced, he later used it as the basis for Platoon.[8]

Break featured several characters who were the seeds of those he developed in Platoon. The script was set to music from The Doors; Stone sent the script to Jim Morrison in the hope he would play the lead. (Morrison never responded, but his manager returned the script to Stone shortly after Morrison's death; Morrison had the script with him when he died in Paris.) Although Break was never produced, Stone decided to attend film school.[8]

After writing several other screenplays in the early 1970s, Stone worked with Robert Bolt on the screenplay, The Cover-up (it was not produced). Bolt's rigorous approach rubbed off on Stone. The younger man used his characters from the Break screenplay and developed a new screenplay, which he titled Platoon. Producer Martin Bregman attempted to elicit studio interest in the project, but was not successful. Stone claims that during that time, Sidney Lumet was to have helmed the film with Al Pacino slated to star had there been studio interest.[9] But, based on the strength of his writing in Platoon, Stone was hired to write the screenplay for Midnight Express (1978).

The film was a critical and commercial success, as were some other Stone films at the time, but most studios were still reluctant to finance The Platoon, because it was about the unpopular Vietnam War. After the release of The Deer Hunter and Apocalypse Now, the studios then cited the perception that these films were considered the pinnacle of the Vietnam War film genre as reasons not to make Platoon.[8]

Stone responded by attempting to break into mainstream direction via the easier-to-finance horror genre, but The Hand failed at the box office, and he began to think The Platoon would never be made. Instead, he cowrote Year of the Dragon for a lower-than-usual fee of $200,000, on the condition from producer Dino De Laurentiis would next produce The Platoon. Year of the Dragon was directed by Stone's friend Michael Cimino, who had also helmed The Deer Hunter. According to Stone, Cimino attempted to produce The Platoon in 1984.[9]

De Laurentiis secured financing for Platoon, but he struggled to find a distributor. Because De Laurentiis had already spent money sending Stone to the Philippines to scout for locations, he decided to keep control of the film's script until he was repaid.[8] Then Stone's script for what would become Salvador was passed to John Daly of British production company Hemdale. Once again, this was a project that Stone had struggled to secure financing for, but Daly loved the script and was prepared to finance both Salvador and The Platoon. Stone shot Salvador first, before turning his attention to what was by now called Platoon.[8]

Production

Platoon was filmed on the island of Luzon in the Philippines starting in February 1986. The production was almost canceled because of the political upheaval in the country, due to then-president Ferdinand Marcos. With the help of well-known Asian producer Mark Hill, the shoot commenced, as scheduled, two days after Marcos fled the country.[10] Shooting lasted 54 days and cost $6.5 million. The production made a deal with the Philippine military for the use of military equipment.[8] The film employed Vietnamese refugees living in the Philippines to act in different roles as Vietnamese in the film.[11] Filming was done chronologically.[12]

Scenes were shot in Mount Makiling (for the forest scenes), Cavite (for the river and village scenes), and Villamor Air Base near Manila.[13][14]

James Woods, who had starred in Stone's film Salvador, was offered a part in Platoon. Despite his friendship with the director, he turned it down, later saying he "couldn't face going into another jungle with [Oliver Stone]". Denzel Washington expressed interest in playing the role of Elias.[15] Stone confirmed in a 2011 interview with Entertainment Weekly that Mickey Rourke, Emilio Estevez and Kevin Costner were all considered for the part of Barnes. He believes Costner turned down the role "because his brother had been in Vietnam." Stone also verified in the interview that Keanu Reeves turned down the role of Taylor because of the violence.[9]

Upon arrival in the Philippines, the cast was sent on an intensive training course, during which they had to dig foxholes and were subjected to forced marches and nighttime "ambushes," which used special-effects explosions. Led by Vietnam War veteran Dale Dye, training put the principal actors—including Sheen, Dafoe, Depp and Whitaker—through an immersive 30-day military-style training regimen. They limited how much food and water they could drink and eat and when the actors slept, fired blanks to keep the tired actors awake.[16] Dye also had a small role as Captain Harris. Stone said that he was trying to break them down, "to mess with their heads so we could get that dog-tired, don't give a damn attitude, the anger, the irritation ... the casual approach to death".[8] Willem Dafoe said "the training was very important to the making of the film", adding to its authenticity and strengthening the camaraderie developed among the cast: "By the time you got through the training and through the film, you had a relationship to the weapon. It wasn't going to kill people, but you felt comfortable with it."[17]

Stone makes a cameo appearance as the battalion commander of 3/22 Infantry in the final battle, which was based on the historic New Year's Day Battle of 1968 in which he had taken part while on duty in South Vietnam. Dale Dye, who played Bravo company's commander Captain Harris, is a U.S. Marine Corps Vietnam War veteran who also served as the film's technical advisor.[18]

The movie is "Dedicated to the men who fought and died in the Vietnam War."

Soundtrack

The film score was by Georges Delerue.[19] Music used in the film includes Adagio for Strings by Samuel Barber, "White Rabbit" by Jefferson Airplane, and "Okie from Muskogee" by Merle Haggard (which is an anachronism, as the film is set in 1967 but Haggard's song was not released until 1969). During a scene in the "Underworld", the soldiers sing along to "The Tracks of My Tears" by Smokey Robinson and The Miracles, which was also featured in the film's trailer. The soundtrack includes "Groovin'" by The Rascals and "(Sittin' On) The Dock of the Bay" by Otis Redding.

Release

The film was marketed with the tagline "The first casualty of war is innocence". This was an adaptation of Senator Hiram Johnson's assertion in 1917 that "The first casualty of war is the truth".[20] Platoon was released in the United States on December 19, 1986 and in the Philippines[21] and the United Kingdom in March 1987, with its release in the latter receiving an above 15 rating for strong language, scenes of violence, and soft drug use.[22]

Home video

Due to a legal dispute between HBO Home Video and Vestron Video over home video rights,[23] the film was finally released on tape on January 22, 1988 through HBO, and was reissued on September 1, 1988 by Vestron.[24] It made its DVD debut in 1997 by Live Entertainment. It was released again on VHS in 1999 by Polygram Filmed Entertainment (who briefly held the rights to the film through its purchase of the Epic library). The film was rereleased again on DVD in 2001 by Metro-Goldwyn-Mayer (who now owns the rights to the film through their purchase of the pre-1996 Polygram Filmed Entertainment library).[25] MGM and Sony Pictures Home Entertainment release the film on DVD in 2006 for its 20th anniversary. MGM released the film on Blu-Ray in 2011 and released the film again on September 18, 2018 with Shout! Factory on Blu-Ray.

Reception

Critical response

On Rotten Tomatoes, the film has an approval rating of 88% based on 66 reviews, with an average rating of 8.32/10. The site's critical consensus reads, "Informed by director Oliver Stone's personal experiences in Vietnam, Platoon forgoes easy sermonizing in favor of a harrowing, ground-level view of war, bolstered by no-holds-barred performances from Charlie Sheen and Willem Dafoe."[26] On Metacritic, the film has a weighted average score of 92 out of 100, based on 16 critics, indicating "universal acclaim".[27] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[28]

Roger Ebert gave it four out of four stars, calling it the best film of the year, and the ninth best of the 1980s.[29][30] Gene Siskel also awarded the film four out of four stars,[31] and observed that Vietnam War veterans greatly identified with the film.[32] In his New York Times review, Vincent Canby described Platoon as "possibly the best work of any kind about the Vietnam War since Michael Herr's vigorous and hallucinatory book Dispatches.[33]

"The film has been widely acclaimed," Pauline Kael admitted, "but some may feel that Stone takes too many melodramatic shortcuts, and that there's too much filtered light, too much poetic license, and too damn much romanticized insanity ... The movie crowds you; it doesn't leave you room for an honest emotion."[19]

Racial criticism

Although the film was the subject of critical acclaim, it received some criticism for its depiction of African-American soldiers in Vietnam. Wallace Terry, a black journalist who spent a two-year tour in Vietnam and wrote a Time cover story in 1967 called The Negro in Vietnam, which concerned the experiences of African American troops during the war, publicly criticised the movie in an interview with Maria Wilhelm of People magazine, calling its depiction of black troops "a slap in the face". In the interview, Terry noted that there were no black soldiers depicted as officers, and the three notable black soldiers in the film were all portrayed as cowards. He further went on to criticise the movie for perpetuating black stereotypes, stating the film "barely rises above the age-old Hollywood stereotypes of blacks as celluloid savages and coons who do silly things."[34]

Box office

In its seventh weekend of release, the film expanded from 214 theatres to 590 and became number one at the United States box office with a gross of $8,352,394.[35] It remained number one for four weekends.[36] In its ninth weekend, it grossed $12.9 million from 1,194 theatres over the four-day President's Day weekend, being the first film to gross more than $10 million in a weekend in February and setting a weekend record for Orion.[37]

Accolades
Award Category Subject Result
Academy Awards Best Picture Arnold Kopelson Won
Best Director Oliver Stone Won
Best Supporting Actor Tom Berenger Nominated
Willem Dafoe Nominated
Best Original Screenplay Oliver Stone Nominated
Best Cinematography Robert Richardson Nominated
Best Film Editing Claire Simpson Won
Best Sound John K. Wilkinson, Richard Rogers, Charles "Bud" Grenzbach, Simon Kaye Won
BAFTA Award Best Editing Claire Simpson Won
Best Cinematography Robert Richardson Nominated
Best Direction Oliver Stone Won
Directors Guild of America Award Outstanding Directing – Feature Film Won
Golden Globe Award Best Director Won
Best Screenplay Nominated
Best Motion Picture – Drama Arnold Kopelson Won
Best Supporting Actor – Motion Picture Tom Berenger Won
Silver Bear Best Director Oliver Stone Won
Independent Spirit Award Best Director Won
Best Screenplay Won
Best Film Arnold Kopelson Won
Best Male Lead Willem Dafoe Nominated
Best Cinematography Robert Richardson Won
Writers Guild of America Award Best Original Screenplay Oliver Stone Nominated

Honors

American Film Institute lists:

In 2011, British television channel Channel 4 voted Platoon as the 6th greatest war film ever made, behind Full Metal Jacket and ahead of A Bridge Too Far.[38]

Adaptations

Literature
  • Dale Dye wrote a novelization of the film in 1986.[39]

Games
gollark: But all rules are built on subjective things.
gollark: subjectively.
gollark: That is a different thing than objective fact.
gollark: ↑
gollark: Bad/good is a subjective value judgement people make.

See also

References
  1. "Platoon". British Board of Film Classification. Retrieved July 20, 2015.
  2. "Platoon (1986)". Box Office Mojo. Retrieved April 13, 2012.
  3. Stone, Oliver (2001). Platoon DVD commentary (DVD). MGM Home Entertainment.
  4. Tartaglione, Nancy (December 11, 2019). "National Film Registry Adds 'Purple Rain', 'Clerks', 'Gaslight' & More; 'Boys Don't Cry' One Of Record 7 Pics From Female Helmers". Deadline Hollywood. Retrieved December 11, 2019.
  5. "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2020-05-08.
  6. "Women Rule 2019 National Film Registry". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2020-05-08.
  7. https://m.youtube.com/watch?v=0bw8UM1eLFo#
  8. Salewicz, Chris (1999-07-22) [1997]. Oliver Stone: The Making of His Movies (New ed.). UK: Orion Publishing Group. ISBN 0-7528-1820-1.
  9. Nashawaty, Chris (24 May 2011). "Oliver Stone Platoon Charlie Sheen". Entertainment Weekly. Retrieved 29 July 2019.
  10. Depp, Johnny. "Johnny Depp: Platoon interviews". youtube. You Tube. Retrieved 21 March 2015.
  11. Dye, Dale. "Part 3 - Confronting Demons in "Platoon"". Movies (Interview). Interviewed by Almar Haflidason. BBC. Retrieved 15 July 2012.
  12. "Mohr Stories 84: Charlie Sheen". Mohr Stories Podcast. Jay Mohr. Aug 27, 2012. Retrieved 28 October 2012.
  13. "Platoon filming locations". Fast rewind. Retrieved 21 March 2015.
  14. Chuyaco, Joy (4 March 2012). "Made in Phl Hollywood Films". Phil Star. Retrieved 21 March 2015.
  15. Doty, Meriah (18 September 2012). "Denzel Washington regrets passing up 'Seven' and 'Michael Clayton'". Yahoo! Movies. Retrieved 13 May 2017.
  16. "War Is Boring - From drones to AKs, high technology to low politics". War Is Boring. Archived from the original on 2016-11-09. Retrieved 2017-03-03.
  17. Chua, Lawrence. "BOMB Magazine: Willem Dafoe by Louis Morra". Bombsite.com. Retrieved 2012-10-28.
  18. Stone, Oliver (2001). Platoon DVD commentary (DVD). MGM Home Entertainment.
  19. Kael, Pauline (2011) [1991]. 5001 Nights at the Movies. New York: Henry Holt and Company. p. 586. ISBN 978-1-250-03357-4.
  20. Mooallem, Jon (February 29, 2004). "How movie taglines are born". The Boston Globe. Retrieved November 13, 2008.
  21. "Grand Opening Today". The Manila Standard. March 18, 1987. p. 15. A Roadshow Presentation!
  22. "Platoon". British Board of Film Classification. Retrieved March 21, 2015.
  23. "Dispute Delays Video Release Of `Platoon`". tribunedigital-chicagotribune. Retrieved 2018-09-02.
  24. 'Platoon' video war ends; video due out on Friday. The Pittsburgh Press.
  25. Peers, Benedict Carver,Martin (1998-10-22). "MGM closes in, again". Variety. Retrieved September 2, 2018.
  26. "Platoon (1986)". Rotten Tomatoes. Fandango Media. Retrieved October 27, 2019.
  27. "Platoon Reviews". Metacritic. CBS Interactive. Retrieved March 1, 2018.
  28. "Platoon". CinemaScore. Retrieved January 28, 2018.
  29. Ebert, Roger (1986-12-30). "Platoon Movie Review & Film Summary (1986)". Roger Ebert. Retrieved 2014-11-30.
  30. Ebert, Roger; Siskel, Gene (2011-05-03). "Siskel and Ebert Top Ten Lists (1969-1998) - Inner Mind". innermind. Retrieved 2014-11-30.
  31. Siskel, Gene (1987-01-02). "Flick Of Week: 'Platoon' Shows The Real Vietnam". Chicago Tribune. Retrieved 2017-09-23.
  32. Gene Siskel (1987-04-01). "A Test For `Platoon`: Battle Vets Say The Film Lacks Only The Taste And The Smell Of Death". Chicago Tribune.
  33. "The Vietnam War in Stone's "Platoon" - New York Times". The New York Times. December 19, 1986.
  34. Wilhelm, Maria (April 20, 1987). "An Angry Vietnam War Correspondent Charges That Black Combat Soldiers Are Platoon's M.i.a.s". People. Retrieved 2020-07-22.
  35. "Domestic 1987 Weekend 5". Retrieved December 14, 2019.
  36. "Domestic Box Office Weekends For 1987". Retrieved December 14, 2019.
  37. "'Platoon' Pumps Up February B.O.; Brisk Biz At Top". Variety. February 18, 1987. p. 3.
  38. "Channel 4's 100 Greatest War Movies of All Time". Retrieved 2011-08-13.
  39. "Platoon by Dale A. Dye". Goodreads. Retrieved 2013-07-14.
  40. "Platoon (1986)". BoardGameGeek. Retrieved 2008-06-12.
  41. "Platoon: The 1st Airborne Cavalry Division in Vietnam". GameSpot.com. 2002-11-21. Retrieved 2012-10-28.
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