Anito

Anito, also spelled anitu, refers to ancestor spirits, nature spirits, and deities in the indigenous animistic religions of precolonial Philippines. It can also refer to carved humanoid figures, the taotao, made of wood, stone, or ivory, that represent these spirits.[1][2] Anito (a term predominantly used in Luzon) is also sometimes known as diwata in certain ethnic groups (esp. the Visayans).[3]

This article is about the various uses of the specific religious term "Anito". For the ethnic religions of the Philippines in general, see Indigenous religious beliefs of the Philippines.
Philippine mythology
Agimat
Dambana
Philippine mythological figures
Philippine mythological creatures
Religion in pre-colonial Philippines
Anito
Philippine shamans
Kulam
Indigenous Philippine religions
Tagbanwa religion
Tagalog religion
 Philippines portal
Various Igorot bulul depicting ancestor spirits (c. 1900)
Taotao carvings sold in a souvenir shop in Siquijor Island

Pag-anito refers to a séance, often accompanied by other rituals or celebrations, in which a shaman (Visayan: babaylan, Tagalog: katalonan) acts as a medium to communicate directly with the spirits. When a nature spirit or deity is specifically involved, the ritual is called pagdiwata. The act of worship or a religious sacrifice to a spirit is also sometimes simply referred to as anito.[1][4][5]

The belief in anito are sometimes referred to as Anitism in scholarly literature (Spanish: anitismo or anitería).[2]

Anito spirits

Ancient Filipinos were animistic. They believed that everything has a spirit, from rocks and trees to animals and humans to natural phenomena.[2][6][7] These spirits are collectively known as anito, derived from Proto-Malayo-Polynesian *qanitu and Proto-Austronesian *qaNiCu ("spirit of the dead"). Cognates in other Austronesian cultures include the Micronesian aniti, Malaysian and Indonesian hantu or antu, Nage nitu, and Polynesian aitu and atua. As well as Tao anito, Taivoan alid, Seediq and Atayal utux, Bunun hanitu or hanidu, and Tsou hicu among Taiwanese aborigines.[6][8][9] Anito can be divided into two main categories: the ancestor spirits (ninunò), and deities and nature spirits (diwata).[1][2][10]

Ancestor spirits
The Neolithic Manunggul burial jar from the Tabon Caves, Palawan, depicts a soul and a psychopomp journeying to the spirit world in a boat (c. 890–710 BCE)

The ninunò (lit. "ancestor") can be the spirits of actual ancestors or generalized guardian spirits of a family. Ancient Filipinos believed that upon death, the soul (Visayan: kalag; Tagalog: kaluluwa)[note 1] of a person travels to a spirit world, usually by boat.[1][11][12][13][14][15]

Manang carved images of household guardian spirits from the Mandaya people

There can be multiple locations in the spirit world, varying in different ethnic groups.[note 2] Which place souls end up in depends on how they died, the age at death, or the conduct of the person when they were alive. There was no concept of heaven or hell prior to the introduction of Christianity and Islam;[note 3] rather, the spirit world is usually depicted as an otherworld that exists alongside the material world. Souls reunite with deceased relatives in the spirit world and lead normal lives in the spirit world as they did in the material world. In some cases, the souls of evil people undergo penance and cleansing before they are granted entrance into a particular spirit realm. Souls would eventually reincarnate after a period of time in the spirit world.[1][11][2][16]

Souls in the spirit world still retain a degree of influence in the material world, and vice versa. Pag-anito may be used to invoke good ancestor spirits for protection, intercession (kalara or kalda), or advice. Ancestor spirits that become intercessors with deities are known as pintakasi or pitulon. Vengeful spirits of the dead can manifest as apparitions or ghosts (mantiw)[note 4] and cause harm to living people. Pag-anito can be used to appease or banish them.[1][2][7][10] Ancestor spirits also figured prominently during illness or death, as they were believed to be the ones who call the soul to the spirit world, guide the soul (a psychopomp), or meet the soul upon arrival.[1]

Ancestor spirits are also known as kalading among the Igorot;[17] tonong among the Maguindanao and Maranao;[18] umboh among the Sama-Bajau;[19] nunò or umalagad among Tagalogs and Visayans; nonò among Bicolanos;[20] umagad or umayad among the Manobo;[21] and tiladmanin among the Tagbanwa.[22]

Nature spirits and deities
A golden anito figurine of the Igorot people, from the mines of Suyoc, Mankayan, Benguet (1909)[23]

Spirits that have never been human are differentiated in some ethnic groups as diwata. These spirits can range from simple spirits like the diwata of a particular inanimate object, plant, animal, or place,[note 5] to deities who personify abstract concepts and natural phenomena,[note 6] to deities who are part of an actual pantheon.[note 7] They are also known as dewatu, divata, duwata, ruwata, dewa, dwata, diya, etc., in various Philippine languages; all of which are derived from Sanskrit devata (देवता) or devá (देव), meaning "deity". These names are the result of syncretization with Hindu-Buddhist beliefs due to the indirect cultural exchange (via Srivijaya and Majapahit) between the Philippines and South Asia.[1][2]

However, what entities are considered diwata varies by ethnic group. In some ethnic groups like the B'laan, Cuyonon Visayans, and the Tagalog, Diwata refers to the supreme being in their pantheon,[note 8] in which case there are different terms for non-human spirits.[1][2]

Like in ancestor spirits, diwata are referred to in polite kinship titles when addressed directly, like apo ("elder") or nuno ("grandparent").[2][24][note 9]

There are three general types of non-human spirits. The first are the environmental or nature spirits "bound" to a particular location or natural phenomenon (similar to genii loci). They "own" places and concepts like agricultural fields, forests, cliffs, seas, winds, lightning, or realms in the spirit world. Some were also "keepers" or totems of various animals and plants. They have inhuman and abstract qualities, reflecting their particular dominions. They do not normally appear in human form and are usually gender-less or androgynous. They rarely concern themselves with human affairs. Rituals involving these spirits are almost always conducted outdoors.[21][25]

The second type of spirits are the "unbound" spirits which have independent existence. They appear in animal (usually as birds) or human-like forms, have gender differentiation, and have personal names. They are most similar to the fairies of European folklore.[note 10] These are the most common types of spirits to become abyan (spirit guides of babaylan), as they are the most "sociable" and can take interest in human activities. These spirits are usually referred to as engkanto (from Spanish encanto) in modern Filipino folklore. Unlike the "bound" spirits, these spirits can be invited into human households, and their rituals can take place both outdoors and indoors.[21]

Ato, a fertility god of the Bontoc people

The last is a class of malevolent spirits or demons, as well as supernatural beings, generally collectively known as aswang, yawa, or mangalos (also mangalok, mangangalek, or magalos) among Tagalogs and Visayans. There are numerous kinds of aswang with specific abilities, behavior, or appearance. Examples include sigbin, wakwak, tiyanak, and manananggal. The first two categories of diwata can also be malevolent, what sets the third category apart is that they can not be appealed to with offerings and they are utterly pitiless. Most practices associated with them is to ward them off, banish them, or destroy them. They are never addressed nor worshiped in religious rituals.[1][2][21][24][26][27]

Diwata are rarely spoken about openly for fear of attracting their attention. Instead they are referred to with euphemisms like "those unlike us" (Visayan: dili ingon nato) or various names, like banwaanon or taga-banwa,[note 11] that translate literally to "dweller of a place".[28][29][30] Among Tagalogs, non-human nature spirits are also euphemistically referred to as lamanglupa ("[dwellers of] the bowels of the earth") or lamangdagat ("[dwellers of] the depths of the sea"), depending on their domain.[31]

Diwata exist in both the material world and the spirit world. They can be formless or have a material body. They can also take over a body through spirit possession (Visayan: hola, hulak, tagdug, or saob; Tagalog: sanib), an ability essential for the séances in pag-anito. They are believed to be capable of shapeshifting (baliw or baylo), becoming invisible, or creating visions or illusions (anino or landung, lit. "shadow"). Their powers, however, are limited to their particular domain. A diwata of a forest, for instance, has no dominion over the sea. Most are generally benevolent or capriciously neutral, although they can cause misfortunes and illnesses if angered, disrespected, or mistakenly encountered.[2][24][26][27] Other common characteristics of diwata are that they are perceived as an invisible "cold" presence (in contrast to "warm" human spirits); that they leave no footprints (unlike human spirits); and that they sense the world and "eat" by means of smelling.[21][note 12] Diwata who take human form are said to be pale-skinned and could be distinguished from humans by the absence of a philtrum on the upper lip.[32][21]

Ifugao hogang in the Banaue Rice Terraces, guardian spirits carved from tree fern trunks usually placed along pathways and in village outskirts

Diwata are often depicted as appearing to unsuspecting people in human or animal form, sometimes causing unintentional harm. They can also deliberately play tricks on mortals, like seducing or abducting beautiful men and women into the spirit world.[1][21] Certain places are believed to be owned by diwata or are borders to the spirit world. These are normally avoided or only entered with precautions, especially during twilight when diwata are believed to cross over from the spirit world into the material world. Harm or illness caused by diwata are known as buyag in Visayan and usog in Tagalog.[1][21] People who were harmed by interactions with diwata are euphemistically described as having been "greeted" (Visayan: gibati, Tagalog: nabati) or "played with" (Visayan gidulaan, Tagalog: napaglaruan or nakatuwaan) by diwata.[31]

To avoid inadvertently angering a diwata, Filipinos perform a customary pasintabi sa nuno ("respectfully apologizing or asking permission from ancestors for passing").[note 13] This is done by saying the phrases "tao po" ("a human [is passing], elder), "tabi po" or "tabi apo" ("by your permission, elder")[note 14] when passing by a place believed to be inhabited by a diwata.[7][31]

Diwata are also believed to be able to mate with humans. People born with congenital disorders (like albinism or syndactyly) or display unusual beauty or behavior are commonly believed by local superstition to be the children of diwata who seduced (or sometimes raped) their mothers.[33][34]

During the Spanish period, diwata were syncretized with elves and fairies in European mythology and folklore, and were given names like duende (goblin or dwarf), encantador or encanto ("spell [caster]"), hechicero ("sorcerer"), sirena ("mermaid"), or maligno ("evil [spirit]").[1][31][35] In Islamized ethnic groups of the Philippines, these nature spirits are usually called jinn or saitan, due to the influence of Islamic mythology.[31][36][37]

Religious objects and places

Taotao figures
15th century bulul with a pamahan (ceremonial bowl) in the Louvre Museum

Ancestor spirits were usually represented by carved figures. These were known as taotao ("little human", also taotaohan, latawo, tinatao, or tatao),[note 15] bata-bata ("little child"), ladaw ("image" or "likeness"; also laraw, ladawang, lagdong, or larawan), or likha ("creation"; also likhak) in most of the Philippines. Other names include bulul (also bulol or bul-ul) or tinagtaggu (also tinattaggu) among the Igorot;[note 16] manaug among the Lumad; and tagno among Bicolanos.[1][2][7][24][38][39] Among Tagalogs, taotao were also sometimes referred to as lambana ("altar" or "sacred place"),[note 17] after the location in which they are usually kept.[7][39]

Igorot hipag depicting war deities (c. 1900)

Taotao were usually austere roughly-carved figures made from wood, stone, or ivory. Some taoatao encountered by the Spanish were made from precious metals or ornamented with gold and jewelry, but these were very rare.[1][40] Taotao were almost always depicted in the squatting position with the arms crossed over the knees, which is reminiscent of the fetal position, the everyday conversing posture, and the position bodies are arranged during death among Ancient Filipinos. Some figures, however, are depicted standing or doing everyday activities like dancing, pounding rice, or nursing infants.[41][42]

A balaua, a large spirit house used for community rituals to anito among the Itneg people (1922)[17]

Most taotao represent an actual deceased person, usually carved by the community upon their funeral. As such, there can be hundreds of taotao in a single village, some of them centuries old.[42][43]

Salako (left) and palaan (right) ceremonial altars among the Itneg people (1922)[17]

In very rare cases, diwata can be depicted as taotao in anthropomorphic form, as chimeras or legendary creatures, or as animals.[7][42] These include a special class of figures called hipag among the Igorot which depict war deities, as well as kinabigat (carved houseposts) and hogang (carved tree fern posts used as boundary markers and as wards against harm).[42] As a rule, however, diwata are not usually depicted as taotao or by any man-made representations.[2]

Taotao were not intrinsically sacred. They were representations of the spirits, not the actual spirits themselves. They only became sacred during their use in a pag-anito ritual. Without the spirit they represent, they are treated as mundane carved pieces of wood or sculpted stone. The anonymous author of the 1572 Relación de la conquista de la isla de Luzón describes pag-anito rituals of the Tagalog people as such:[44]

When any chief is ill, he invites his kindred and orders a great meal to be prepared, consisting of fish, meat, and wine. When the guests are all assembled and the feast set forth in a few plates on the ground inside the house, they seat themselves also on the ground to eat. In the midst of the feast (called manganito or baylán in their tongue), they put the idol called Batala and certain aged women who are considered as priestesses, and some aged Indians—neither more nor less. They offer the idol some of the food which they are eating, and call upon him in their tongue, praying to him for the health of the sick man for whom the feast is held. The natives of these islands have no altars nor temples whatsoever. This manganito, or drunken revel, to give it a better name, usually lasts seven or eight days; and when it is finished they take the idols and put them in the corners of the house, and keep them there without showing them any reverence.

Regardless, very old taotao handed down through generations are prized as family heirlooms. Among the Igorot, pieces of taotao may also be chipped off and boiled into a medicinal tea.[42]

Taotao were commonly kept in corners or small shelves inside houses or granaries. Spanish missionaries recorded that taotao were present in every Filipino household, no matter how poor.[1][2][38][39]

When Spanish missionaries arrived in the Philippines, the word "anito" came to be associated with these physical representations of spirits that featured prominently in pag-anito rituals. During the American rule of the Philippines (1898–1946), the meaning of the Spanish word idolo ("a thing worshiped") was further conflated with the English word "idol". Thus in the modern Filipino language, anito has come to refer almost exclusively to the carved taotao figures, instead of the actual spirits themselves.[1][45]

Altars and sacred areas
Main article: Dambana
Diwata are believed to inhabit this 400-year old balete tree in Lazi, Siquijor with a natural spring between its roots

Ancient Filipinos did not have temples or permanent buildings of worship.[1][2][39] However, they did have semi-permanent spirit houses. They can range in size from small roofed platforms to structures similar to a small house (but with no walls). These were known as magdantang in Visayan and ulango or simbahan in Tagalog.[note 18] They can also be used as places to store taotao. Among Bicolanos, taotao were also kept inside sacred caves called moog.[1][24][17][43]

During certain ceremonies, anito are venerated through temporary altars near sacred places. These were called latangan or lantayan in Visayan and dambana or lambana in Tagalog.[note 19] These bamboo or rattan altars are identical in basic construction throughout most of the Philippines. They were either small roof-less platforms or standing poles split at the tip (similar to a tiki torch). They held halved coconut shells, metal plates, or martaban jars as receptacles for offerings. Taotao may sometimes also be placed on these platforms.[1][24]

Other types of sacred places or objects of worship of diwata include the material manifestation of their realms. The most widely venerated were balete trees (also called nonok, nunuk, nonoc, etc.) and anthills or termite mounds (punso). Other examples include mountains, waterfalls, tree groves, reefs, and caves.[1][2][7][46][47]

Spirit animals
Bakunawa pommel from a Visayan tenegre sword

Some animals like crocodiles, snakes, monitor lizards, tokay geckos, and various birds were also venerated as servants or manifestations of diwata, or as powerful spirits themselves. These include legendary creatures like the dragon or serpent Bakunawa, the giant bird Minokawa of the Bagobo, and the colorful Sarimanok of the Maranao.[1][2][7][46][32]

Omen birds were particularly important. The most common omen birds were doves with green or blue iridescent feathers called limokon (usually the common emerald dove, imperial pigeons, or brown doves).[note 20] Other omen birds include fairy-bluebirds (tigmamanukan, balan tikis, balatiti, or bathala among Tagalogs; and batala among Kapampangans); kingfishers (salaksak among the Ilocano, Igorot, and Sambal); and flowerpeckers (pitpit, ichaw, ido, or labeg among the Igorot).[7][24][48]

Rituals and shamans
Main article: Philippine shamans
A 1922 photograph of an Itneg shaman making an offering to an apdel, a guardian anito of her village. Apdel are believed to reside in the water-worn stones known as pinaing.[17]

Anitism was not a religion about worship. Aside from good ancestor spirits and the few benevolent diwata, most anito were feared, not venerated. To an ordinary person, diwata were regarded as dangerous beings to be avoided or appeased. When interaction was necessary, they performed a ritual known as pag-anito (also mag-anito or anitohan). These are usually directed at ancestor spirits. When the pag-anito ceremony is for a diwata, the ritual is known as pagdiwata (also magdiwata or diwatahan).[1][2]

Minor pag-anito rituals like praying for better weather or banishing minor ill luck can be performed by any householder. However, major pag-anito rituals required the services of the community shaman (Visayan babaylan or baylan; Tagalog katalonan or manganito).[1][note 21]

These shamans were believed to have been "chosen" by a specific diwata who become their spirit guides.[note 22] This was presumed to happen after they pass the initiation rites of an older shaman they were apprenticed to (usually a relative). In some cases, some shamans acquire their status after they recover from a serious illness or a bout of insanity.[1][20][29][21][37][49] In most Filipino ethnic groups, shamans were almost always female. The few males who gain shaman status were usually asog or bayok,[note 23] men who dressed as women and lived as women (even marrying men).[1][24][21][49]

Itneg people launching spirit boats (taltalabong) bearing offerings for anito (1922)

Major pag-anito rituals are centered around a séance. Because of their special relationship with their companion spirits, shamans can act as mediums for other anito, allowing spirits to temporarily possess their bodies. This possession happens after the shaman goes into a trance-like state. This allows the spirit to communicate verbally with the participants as well as physically act out events in the spirit world. At the moment of possession, shamans display a change in behavior and voice. They can sometimes go into seizures and become violent enough that restraints are required. The ritual ends when the spirit leaves and the shaman is awakened.[1]

Spirits were invited into the ritual through offerings and sacrifices during and after the ceremonies. These depended on what spirit was being summoned, but offerings are usually a small portion of the harvests, cooked food, wine, gold ornaments, and betel nut. Blood from an animal was also usually part of the offerings, poured directly on the taotao or in a bowl before them. These commonly come from chickens or pigs, but can also be from carabaos or dogs.[1][2] Salt and spices are usually avoided, as they are believed to be distasteful to anito.[21] There is no record of human sacrifices being offered to anito during the Spanish period of the Philippines,[1][38][32] except among the Bagobo people in southern Mindanao where it was prevalent until the early 20th century.[50][51][note 24]

Another common pag-anito ritual throughout most of the Philippine ethnic groups involves the use of spirit boats. These were usually miniature boats laden with offerings set adrift from riverbanks and shorelines.[2][6][17]

Pag-anito can be conducted on its own or in conjunction with other rituals and celebrations. They can be personal or family rituals or seasonal community events. They can vary considerably between different ethnic groups. The most common pag-anito were entreaties for bountiful harvests, cures for illnesses, victory in battle, prayers for the dead, or blessings.[1][24]

Different ethnic groups had different diwata pantheons and rituals associated with them, though sometimes deities are shared in neighboring ethnic groups. Moreover, different communities also each have their own local patron diwata.[2][note 25]

Historical Accounts

Historical accounts of anito in Spanish records include the following:

A figurine of Lumawig, a cultural hero and the supreme being in the pantheon of the Bontoc people
  • "Most of the Indians are heathens...They believe in their ancestors, and when about to embark upon some enterprise commend themselves to these, asking them for aid." - Francisco de Sande, Relacion de las Yslas Filipinas (1576)
  • "Which treats of the rites and ceremonies observed by the Moros in the vicinity of Manilla, and of their social conditions. The god Batala. According to the religion formerly observed by these Moros, they worshiped a deity called among them Batala, which properly means “God.” They said that they adored this Batala because he was the Lord of all, and had created human beings and villages. They said that this Batala had many agents under him, whom he sent to this world to produce, in behalf of men, what is yielded here. These beings were called anitos, and each anito had a special office. Some of them were for the fields, and some for those who journey by sea; some for those who went to war, and some for diseases. Each anito was therefore named for his office; there was, for instance, the anito of the fields, and the anito of the rain. To these anitos the people offered sacrifices, when they desired anything—to each one according to his office. The mode of sacrifice was like that of the Pintados. They summoned a catalonan, which is the same as the vaylan among the Pintados, that is, a priest. He offered the sacrifice, requesting from the anito whatever the people desired him to ask, and heaping up great quantities of rice, meat, and fish. His invocations lasted until the demon entered his body, when the catalonan fell into a swoon, foaming at the mouth. The Indians sang, drank, and feasted until the catalonan came to himself, and told them the answer that the anito had given to him. If the sacrifice was in behalf of a sick person, they offered many golden chains and ornaments, saying that they were paying a ransom for the sick person’s health. This invocation of the anito continued as long as the sickness lasted."
"When the natives were asked why the sacrifices were offered to the anito, and not to the Batala, they answered that the Batala was a great lord, and no one could speak to him. He lived in the sky; but the anito, who was of such a nature that he came down here to talk with men, was to the Batala as a minister, and interceded for them. In some places and especially in the mountain districts, when the father, mother, or other relative dies, the people unite in making a small wooden idol, and preserve it. Accordingly there is a house which contains one hundred or two hundred of these idols. These images also are called anitos; for they say that when people die, they go to serve the Batala. Therefore they make sacrifices to these anitos, offering them food, wine, and gold ornaments; and request them to be intercessors for them before the Batala, whom they regard as God." - Miguel de Loarca, Relacion de las Yslas Filipinas (1582)
Small ornate pottery houses used as offerings for rice anito among the Itneg people
  • "They held the cayman in the utmost veneration; and, whenever they made any statement about it, when they descried it in the water, they called it Nono, which means "grandfather." They softly and tenderly besought it not to harm them; and to this end offered it a part of what they carried in their boats, casting the offering into the water. There was no old tree to which they did not attribute divinity; and it was a sacrilege to cut such a tree for any purpose. What more did they adore? the very stones, cliffs, and reefs, and the headlands of the shores of the sea or the rivers; and they made some offering when they passed by these, going to the stone or rock, and placing the offering upon it. I saw many times in the river of Manila a rock which for many years was an idol of that wretched people... While sailing along the island of Panai I beheld on the promontory called Nasso, near Potol, plates and other pieces of earthenware, laid upon a rock, the offering of voyagers. In the island of Mindanao between La Canela and the river [i.e., Rio Grande], a great promontory projects from a rugged and steep coast; always at these points there is a heavy sea, making it both difficult and dangerous to double them. When passing by this headland, the natives, as it was so steep, offered their arrows, discharging them with such force that they penetrated the rock itself. This they did as a sacrifice, that a safe passage might be accorded them." - Fr. Pedro Chirino, Relacion de las Islas Filipinas (1604)
  • "They also adored private idols, which each one inherited from his ancestors. The Visayans called them divata, and the Tagálogs anito. Of those idols some had jurisdiction over the mountains and open country, and permission was asked from them to go thither. Others had jurisdiction over the sowed fields, and the fields were commended to them so that they might prove fruitful; and besides the sacrifices they placed articles of food in the fields for the anitos to eat, in order to place them under greater obligations. There was an anito of the sea, to whom they commended their fisheries and navigations; an anito of the house, whose favor they implored whenever an infant was born, and when it was suckled and the breast offered to it. They placed their ancestors, the invocation of whom was the first thing in all their work and dangers, among these anitos. In memory of their ancestors they kept certain very small and very badly made idols of stone, wood, gold, or ivory, called licha or laravan. Among their gods they reckoned also all those who perished by the sword, or who were devoured by crocodiles, as well as those killed by lightning. They thought that the souls of such immediately ascended to the blest abode by means of the rainbow, called by them balañgao. Generally, whoever could succeed in it attributed divinity to his aged father at his death. The aged themselves died in that presumptuous delusion, and during their sickness and at their death guided all their actions with what they imagined a divine gravity and manner. Consequently, they chose as the place for their grave some assigned spot, like one old man who lived on the seacoast between Dulac and Abuyog, which is in the island of Leyte. He ordered himself placed there in his coffin (as was done) in a house standing alone and distant from the settlement, in order that he might be recognized as a god of navigators, who were to commend themselves to him. Another had himself buried in certain lands in the mountains of Antipolo, and through reverence to him no one dared to cultivate those lands (for they feared that he who should do so would die), until an evangelical minister removed that fear from them, and now they cultivate them without harm or fear." - Fr. Francisco Colin, Labor Evangelica (1663)
A performer depicting a shaman in the 2015 Babaylan Festival of Bago, Negros Occidental

Festivals

Film & television
  • Amaya, a historical television series about the precolonial Philippines. It depicts diwata as goddesses.[54]
  • Diwata (1987), a movie directed by Tata Esteban and written by Rei Nicandro showed the mythical life of the deities. Actress Olga Miranda played the main role, together with the other cast Lala Montelibano, Dick Israel and George Estregan.[55]
  • Encantadia and Mulawin, two television series (with film adaptations) in a shared universe depicts diwatas as a race of supernatural being living in Encantadia, a dimension beyond the human world.[56]
  • Faraway (2014), an independent film focuses on a woman and her quest to find the Diwata tribe.[57]
  • Indio, a television series with a protagonist that is the son of a mortal man and a diwata woman.[58]
  • Okay Ka, Fairy Ko!, a television fantasy situational comedy series (with film adaptations) that revolves around a mortal man married to a diwata.[59]

Games
  • Anito: Defend a Land Enraged is a role-playing game released in 2003 by Anino Entertainment. It was the first video game to be produced and designed entirely by a team of Filipino game developers, and is credited for helping spawn the birth of the game development industry in the Philippines.
  • One of the abilities of the character Titania (added on 19 August 2016) in Warframe is a sword known as diwata.[60][61]
  • Project Tadhana, a tabletop role-playing game released in 2017 features Diwata as one of its playable races (or lahi) together with Engkanto, Tikbalang, Aswang, and Tao.[62]

Literature
  • One of the main characters from the play Speech & Debate written by Stephen Karam is a woman with Filipino ancestry named Diwata.
  • Marvel Comics has introduced the "Diwatas" as a pantheon of gods similar to the Asgardians and Olympians. These Diwatas include Aman Sinaya, Amihan, Anitun, Apo Laki, Aswang, Bathala, Mayari and Tala.[63]

Music

Notes
  1. Among most Filipino ethnic groups, a person is believed to be composed of at least two souls - the breath of life, will, or awareness (ginhawa or hininga, which stays with the living body) and the astral soul (which can travel to the spirit world). Kalag and kaluluwa refer to the latter. The concept of soul dualism is sometimes referred to as "twin souls" or "double souls" and is a common belief in Austronesian cultures and other shamanistic cultures. Other names for the astral soul include kaluha, dungan (Visayan); kalag (Bicol); linnawa (Igorot), kaduwa (Isneg), ab-abiik (Kankanaey), karurua (Ilocano), ikaruruwa (Ibanag), karaduwa (Mangyan), kiyaraluwa (Tagbanwa), makatu (Bukidnon), and kadengan-dengan or gimokud (Manobo). (Scott, 1994; Tan, 2008; Mercado, 1991) Most of the terms for the astral soul literally translate to "twin" or "double", from PAN *duSa, "two". (Yu, 2000; Blust, 2010)
  2. Compare with the Greek underworld
  3. After Spanish contact, various spirit worlds were syncretized into the Christian concept of heaven and hell in dictionaries and Bible translations. They struggled in determining which terminology to use because of the absence of the heaven and hell dichotomy in the Filipino concept of the spirit world. Spanish missionaries and European authors usually equated heaven with maca and calualhatian; and hell with casan (also casanaan, casauaan, or catanaan; sometimes misread as kasamaan). However, in the Boxer Codex maca and casan were synonyms for the Visayan and Tagalog underworlds. The 1754 version of Vocabulario de la lengua tagala used casanaan for both heaven and hell; with casanaan nang hirap as hell, and casanaan nang tova as heaven. Calualhatian (modern spelling: kaluwalhatian) was simply a region in the Tagalog spirit world that souls can enter by crossing a torrential river on a narrow plank. (Rath, 2013)
  4. Also mua, mamaw, mamanhig, pamahoy, mamamahoy (McCoy, 1982); later multo. from Spanish muerto, "dead person" (Tan, 2008)
  5. e.g. Nuno sa punso, a dwarf-like anito that lives in anthills; and Dayang Masalanta, the Tagalog diwata of Mount Makiling
  6. e.g. Mayari, the Tagalog goddess of the moon; Barangaw, the Visayan god of rainbows; and Makapatag, the Visayan god of vengeance
  7. e.g. Bathala, the chief deity of the Tagalogs; Magbabaya, the supreme creator of the Lumad people; and Pilandok, trickster spirit of the Maranao
  8. Tagalogs differentiated between Diwata, the universal supreme being, and Bathala, the supreme deity exclusive to them (Hislop, 1971)
  9. The most widespread names for these spirits in various Philippine ethnic groups are diwata or anito. Other names of diwata or specific types of diwata include fieu awas, kahoynon (B'laan); mahomanay, tahamaling (Bagobo); panya'en (Batak); tawong lipod, magindara (Bikol); magtitima, tawo sa talonan (Bukidnon); aled (Gaddang); annani (Ibanag); bakayauwan, monduntug, palasekan, pili, pinading (Ifugao); mangmangkit, katataoan/katawtaw-an, kibaan, litao (Ilocano); apdel, sasailo (Itneg); tumungaw (Kankana-ey); laman labuad, manglilili (Kapampangan); kama-kama/kamakaon (Karay-a); tuglinsau, tagbusau, mandangum (Mandaya); andagaw (Mangyan); tawagenen, manaog (Manobo); karibang (Maranao); kaybaan (Pangasinan); kamanan-daplak (Sambal); dayamdam, piritay (Tagalog); tawo sa talonan (Tagbanwa); lewenri, bawa, katao/kataw, tumawo/tamawo, tawong lupa (Visayan); and guban-on, digkusanon, dalaketnon (Waray).
  10. With strong parallels to human-like beings like elves and aos sí, as well as diminutive human-like beings like brownies and pixies. (Buenconsejo, 2002)
  11. Not to be confused with the Tagbanwa and Mamanwa ethnic groups, all derived from PAN *banua, "home" or "homeland". In modern Filipino languages, banwa has been supplanted by Spanish lugar, thus taglugar is used in place of tagabanwa (Hislop, 1971; Tan, 2008).
  12. Diwata can cause harm by "eating" (smelling) the "vital force" or "breath" (ginhawa) of human beings. They are also said to be annoyed by perfume, as well as salt and spices. (Buenconsejo, 2002)
  13. From sintabi, "to respectfully ask permission" or "to give due respect", cf. "excuse me"
  14. In Ilocano, the traditional phrase is "bari bari, apo", with the same meaning (Tan, 2008)
  15. From Proto-Malayo-Polynesian *tau, ultimately from Proto-Austronesian *Cau, "human" or "person"; compare with Toraja tau tau statues
  16. Tinagtaggu is a cognate of taotao in the Tuwali language; from tagu, "human"
  17. The term lambana was later syncretized with fairies, commonly depicted as tiny winged beings in modern illustrations, even though no similarly winged beings existed in native Filipino folklore (Potet, 2017). Conversely, the alternate term dambana has come to mean "shrine" or "chapel" in modern Tagalog
  18. Among the Itneg, spirit houses are known tangpap, pangkew, or alalot (for various small roofed altars); and balaua or kalangan (for larger structures). In Mindanao, spirit houses are known among the Subanen as maligai ; among the Teduray as tenin (only entered by shamans); and among the Bagobo as buis (for those built near roads and villages) and parabunnian (for those built near rice fields).(Kroeber, 1918)
  19. Also saloko or palaan (Itneg); sakolong (Bontoc); salagnat (Bicolano); sirayangsang (Tagbanwa); ranga (Teduray); and tambara, tigyama, or balekat (Bagobo)
  20. Limokon in most of Visayas and among the Lumad; also almúgan (Blaan), alimúkun (Cebuano), alimúkeng (Ilocano); limoken (Maranao); muhen (T'boli); lemuguen (Teduray); and limukun (Subanen)
  21. Other terms include balyana, paraanito, or paradiwata (Bicolano); balian, balyan, or mabalian (Lumad); balian or tanguilin (Subanen); bawalyan or babaylan (Tagbanwa); beljan (Palaw'an); baglan, mangoodan, or manilao (Ilocano);bahasa (Yakan); dukun, kalamat, or papagan (Sama-Bajau); mandadawak, dawak, insupak, mon-lapu, tumunoh, alpogan, or mumbaki (Igorot); anitu (Aeta); and ma-aram (Karay-a)
  22. Terms for spirit guides of shamans include bantay, abyan (Visayan); alagad, gabay (Tagalog); abyan, umli, sugujen, or inajew (Lumad); saro (Bicolano); and jinn (Sama-Bajau)
  23. Asog is the term used for transvestite male shamans in most of the Visayas and in the Bicol Region. In the rest of Luzon, they are known as bayok (bayoc), bayog, or bayogin (bayoguin or bayoquin). Notably among the Sambal, the highest-ranking shaman was a bayok. They are also known as labia among the Subanen, though they were not necessarily shamans (Kroeber, 1918). There are also similar male shamans who behave as women among the Dayak people of Borneo (Baldick, 2013). Also see Bakla
  24. Some anthropologists consider the headhunting traditions of the Igorot as a form of human sacrifice. In the funeral rites for celebrated warriors or nobles among Visayans and Tagalogs, favorite slaves may also sometimes be executed and buried (hogot) to accompany the deceased into the spirit world (Scott, 1994; Benedict, 1916)
  25. In modern Christianized Filipinos, this practice was transferred unto community patron saints and religious icons, which are often celebrated and worshiped in a very similar way (Hislop, 1971), cf. Ati-Atihan, Obando Fertility Rites
gollark: ?coliru```c#define A2(x, ...) x(x(__VA_ARGS__))#define R2(x) x x#define R4(x) A2(R2, x)#define R16(x) R4(R4(x))#define QUITELONG R16(long)int main(){QUITELONG x = 0;return 42;}```
gollark: ?coliru```c#define A2(x, y) x(x(y))#define R2(x) x x#define R4(x) A2(R2, x)#define R16(x) R4(R4(x))#define QUITELONG R16(long)int main(){QUITELONG x = 0;return 42;}```
gollark: Test.
gollark: ?coliru```c#define R2(x) x x#define R4(x) R2(R2(x))#define R16(x) R4(R4(x))#define QUITELONG R16(long)int main(){QUITELONG x = 0;return 42;}```
gollark: I think you can at least poke around with numbers.

See also

References
  1. William Henry Scott (1994). Barangay: Sixteenth Century Philippine Culture and Society. Quezon City: Ateneo de Manila University Press. ISBN 978-9715501354.
  2. Stephen K. Hislop (1971). "Anitism: a survey of religious beliefs native to the Philippines" (PDF). Asian Studies. 9 (2): 144–156. Archived from the original (PDF) on 2018-07-07. Retrieved 2018-05-10.
  3. Guillermo, Artemio R. (2012). Historical Dictionary of the Philippines. Scarecrow Press. p. 140. ISBN 9780810872462.
  4. Demetrio, Francisco R.; Cordero-Fernando, Gilda; Nakpil-Zialcita, Roberto B.; Feleo, Fernando (1991). The Soul Book: Introduction to Philippine Pagan Religion. GCF Books, Quezon City. ASIN B007FR4S8G.
  5. Antonio Sánchez de la Rosa (1895). Diccionario Hispano-Bisaya para las provincias de Samar y Leyte, Volumes 1-2. Tipo-Litografia de Chofre y Comp. p. 414.
  6. Virgil Mayor Apostol (2010). Way of the Ancient Healer: Sacred Teachings from the Philippine Ancestral Traditions. North Atlantic Books. ISBN 9781583945971.
  7. Jean-Paul G. Potet (2017). Ancient Beliefs and Customs of the Tagalogs. Lulu Press Inc. p. 235. ISBN 9780244348731.
  8. Julian Baldick, ed. (2013). Ancient Religions of the Austronesian World: From Australasia to Taiwan. I.B.Tauris. p. 3. ISBN 9780857733573.
  9. Leberecht Funk (2014). "Entanglements between Tao People and Anito on Lanyu Island, Taiwan". In Y. Musharbash & G.H. Presterudstuen (ed.). Monster Anthropology in Australasia and Beyond. Palgrave Macmillan. pp. 143–159. doi:10.1057/9781137448651_9. ISBN 9781137448651.
  10. Maria Christine N. Halili (2004). Philippine History. Rex Bookstore, Inc. pp. 58–59. ISBN 9789712339349.
  11. "How to Travel the Underworld of Philippine Mythology". The Aswang Project. Retrieved 11 May 2018.
  12. "The Soul According to the Ethnolinguistic Groups of the Philippines". The Aswang Project. Retrieved 11 May 2018.
  13. Leonardo N. Mercado (1991). "Soul and Spirit in Filipino Thought". Philippine Studies. 39 (3): 287–302. JSTOR 42633258.
  14. Jose Vidamor B. Yu (2000). Inculturation of Filipino-Chinese Culture Mentality. Interreligious and Intercultural Investigations. Volume 3. Editrice Pontifica Universita Gregoriana. pp. 148, 149. ISBN 9788876528484.
  15. Robert Blust & Stephen Trussel. "Austronesian Comparative Dictionary: *du". Austronesian Comparative Dictionary. Retrieved 7 July 2018.
  16. Imke Rath (2013). "Depicting Netherworlds, or the Treatment of the Afterlife in a Colonial Contact Zone: The Paete Case". In Astrid Windus & Eberhard Crailsheim (ed.). Image - Object - Performance: Mediality and Communication in Cultural Contact Zones of Colonial Latin America and the Philippines. Waxmann Verlag. ISBN 9783830979296.
  17. Fay-Cooper Cole & Albert Gale (1922). "The Tinguian; Social, Religious, and Economic life of a Philippine tribe". Field Museum of Natural History: Anthropological Series. 14 (2): 235–493.
  18. "Mindanao Customs and Beliefs". SEAsite, Northern Illinois University. Retrieved 11 May 2018.
  19. Rodney C. Jubilado; Hanafi Hussin & Maria Khristina Manueli (2011). "The Sama-Bajaus of Sulu-Sulawesi Seas: perspectives from linguistics and culture". Journal of Southeast Asian Studies. 15 (1): 83–95.
  20. Fenella Cannell (1999). Power and Intimacy in the Christian Philippines. Cambridge Studies in Social and Cultural Anthropology, Volume 109. Cambridge University Press. ISBN 9780521646222.
  21. Jose S. Buenconsejo (2013). Jennifer C. Post (ed.). Songs and Gifts at the Frontier. Current Research in Ethnomusicology: Outstanding Dissertations Volume 4. Routledge. p. 98–99. ISBN 9781136719806.
  22. Robert B. Fox (2013). "Pagdiwata Ritual" (PDF). In Jesus T. Peralta (ed.). Pinagmulan: Enumeration from the Philippine Inventory of Intangible Cultural Heritage. National Commission for Culture and the Arts (NCCA), Republic of the Philippines & International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region under the auspices of UNESCO. pp. 167–171.
  23. Isabelo de los Reyes y Florentino (1909). La Religión Antigua de los Filipinos. El Renacimiento.
  24. A. L. Kroeber (1918). "The History of Philippine Civilization as Reflected in Religious Nomenclature". Anthropological Papers of the American Museum of Natural History. XXI (Part II): 35–37.
  25. Dario Novellino (2003). "Contrasting Landscapes, Conflicting Ontologies: Assessing Environmental Conservation on Palawan Island (The Philippines)". In David G. Anderson & Eeva Berglund (ed.). Ethnographies of Conservation: Environmentalism and the Distribution of Privilege. Berghahn Books. pp. 171–188. ISBN 9780857456748.
  26. Paul A. Rodell (2002). Culture and Customs of the Philippines. Culture and Customs of Asia. Greenwood Publishing Group. p. 30–32. ISBN 9780313304156.
  27. "A Compendium of Creatures & Mythical Beings from Philippine Folklore & Mythology". The Aswang Project. Retrieved 11 May 2018.
  28. "Dili-ingon-nato". Binisaya.com. Retrieved 12 May 2018.
  29. Augusto Jose B. Gatmaytan (2013). Indigenous Autonomy Amid Counter-Insurgency: Cultural Citizenship in a Philippine Frontier (PDF) (PhD). Department of Anthropology, London School of Economics and Political Science.
  30. Alex G. Paman (2010). Filipino Ghost Stories: Spine-Tingling Tales of Supernatural Encounters and Hauntings. Tuttle Publishing. ISBN 9781462900916.
  31. Michael L. Tan (2008). Revisiting Usog, Pasma, Kulam. University of the Philippines Press. ISBN 9789715425704.
  32. Alfred W. McCoy (1982). "Baylan: animist religion and Philippine peasant ideology". Philippine Quarterly of Culture and Society. 10 (3): 141–194. JSTOR 29791761.
  33. "Magkakapatid na albino, anak ng engkanto?". Patrol.ph. ABS-CBN News. 19 June 2017. Retrieved 23 November 2018.
  34. Santisteban, Bong (13 June 2018). "What it's like to live with albinism". Rappler. Retrieved 23 November 2018.
  35. Cynthia A. Strong & David K. Strong (2006). "Dwarves, Elves, and Vampires: An Exploration of Syncretism in Metro Manila". In Gailyn Van Rheenen (ed.). Contextualization and Syncretism: Navigating Cultural Currents. Evangelical Missiological Society No. 13. William Carey Library. ISBN 9780878083879.
  36. Clifford Sather (2006). "Sea Nomads and Rainforest Hunter-Gatherers: Foraging Adaptations in the Indo-Malaysian Archipelago - The Sama-Bajau". In Peter Bellwood; James J. Fox; Darrell Tryon (eds.). The Austronesians: Historical and Comparative Perspectives. ANU E Press. pp. 257–264. ISBN 9781920942854.
  37. Hanafi Hussin (2010). "Balancing the Spiritual and Physical Worlds: Memory, Responsibility, and Survival in the Rituals of the Sama Dilaut (Bajau laut) in Sitangkai, Tawi-Tawi, Southern Philippines and Semporna, Sabah, Malaysia" (PDF). In Birgit Abels; Morag Josephine Grant; Andreas Waczkat (eds.). Oceans of Sound: Sama Dilaut Performing Arts. Göttinger Studien zur Musikwissenschaft Volume 3.
  38. Gregorio F. Zaide (1975). Philippine Political and Cultural History. Philippine Political and Cultural History. Volume 1. Philippine Education Company. p. 68.
  39. Ferdinand Blumentritt (1894). "Alphabetisches Verzeichnis der bei den philippinischen Eingeborenen üblichen Eigennamen, welche auf Religion, Opfer und priesterliche Titel und Amtsverrichtungen sich beziehen. (Fortsetzung.)". Wiener Zeitschrift für die Kunde des Morgenlandes. 8. Orientalisches Institut, Universität Wien. p. 147.
  40. Teodoro A. Agoncillo (1974). Introduction to Filipino History. Radiant Star Pub. p. 21.
  41. Aurora Roxas-Lim (1973). "Art in Ifugao Society" (PDF). Asian Studies. 11 (2): 47–74.
  42. "Gallery of Exhibits". Museum of Cordilleran Sculpture. Retrieved 11 May 2018.
  43. Gregorio F. Zaide (2017). "Filipinos Before the Spanish Conquest Possessed a Well-Ordered and Well-Thought-Out Religion". In Tanya Storch (ed.). Religions and Missionaries around the Pacific, 1500–1900. The Pacific World: Lands, Peoples and History of the Pacific, 1500-1900, Volume 17. Routledge. ISBN 9781351904780.
  44. Blair, Emma Helen; Robertson, James Alexander, eds. (1903). Relation of the Conquest of the Island of Luzon. The Philippine Islands, 1493-1898. 3. Ohio, Cleveland: Arthur H. Clark Company. p. 145.
  45. Frederic H. Sawyer (1900). The Inhabitants of the Philippines. Charles Scribner's Sons.
  46. Teodoro A. Agoncillo & Oscar M. Alfonso (1969). History of the Filipino People. Malaya Books. p. 42.
  47. Francisco R. Demetrio (1973). "Philippine Shamanism and Southeast Asian Parallels" (PDF). Asian Studies. 11 (2): 128–154.
  48. Gregory Forth (2012). "What's in a Bird's Name: Relationships among Ethno-ornithological Terms in Nage and Other Malayo-Polynesian Languages". In Sonia Tidemann & Andrew Gosler (ed.). Ethno-ornithology: Birds, Indigenous Peoples, Culture and Society. Earthscan. ISBN 9781849774758.
  49. "6 Guidelines for Becoming a Filipino Shaman". The Aswang Project. Retrieved 12 May 2018.
  50. Joachim Schliesinger (2017). Traditional Human Sacrifices in Southeast Asia and Beyond. White Elephant Press. p. 75. ISBN 9781946765710.
  51. Laura Watson Benedict (1916). "A Study of Bagobo Ceremonial, Magic and Myth". Annals of the New York Academy of Sciences. 25 (1): 1–308. doi:10.1111/j.1749-6632.1916.tb55170.x. hdl:2027/miun.afy4779.0001.001.
  52. Belle Piccio (30 January 2014). "Babaylan Festival of Bago City". ChoosePhilippines. Retrieved 21 May 2018.
  53. Maricar Cinco (3 December 2009). "Palawan art gets closer to community". Philippine Daily Inquirer. 24 (358).
  54. "Amaya". GMA Entertainment. Retrieved 9 February 2020.
  55. "Diwata (1987)". IMDb. Retrieved 9 February 2020.
  56. "'I Juander': Naniniwala pa ba sa diwata si Juan?". GMA News. July 15, 2013.
  57. "Faraway (2014)". IMDb. Retrieved 9 February 2020.
  58. "Bong proud to be called 'Indio'". Manila Standard. 27 January 2013. Retrieved 9 February 2020.
  59. "Okay ka, fairy ko!". IMDb. Retrieved 9 February 2020.
  60. Andrivet, Sébastien. "Titania-class warframe". Writeups.org. Retrieved 9 February 2020.
  61. Woodyatt, Danielle; Langton, Ami. "Early launch of the Kuva lich, plus Grendel warframe, lays foundation for Empyrean in Waframe's The Old Blood update". Gamasutra. Retrieved 9 February 2020.
  62. Logarta, Michael (8 November 2017). "'Tadhana' is a Filipino tabletop RPG that beautifully encapsulates local myths". GMA Network. Retrieved 9 February 2020.
  63. Anthony Flamini, Greg Pak, Fred Van Lente & Paul Cornell (w), Kevin Sharpe (p), Kevin Sharpe (i). Thor & Hercules: Encyclopaedia Mythologica 1 (July 2009), Marvel Comics
  64. "MYXclusive: ABRA Talks About His Hit Music Video "Diwata"! - MYX | YOUR CHOICE. YOUR MUSIC". Myxph.com. Retrieved 2015-02-22.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.