24K Magic World Tour
The 24K Magic World Tour was the fourth concert tour by American singer-songwriter Bruno Mars in support of his third studio album, 24K Magic (2016). It ran from March 2017 to December 2018. Anderson Paak was the opening act for the first European leg, while Camila Cabello, Dua Lipa or Jorja Smith opened the shows during the first North American leg. In Latin America, DNCE, Bebe Rexha and Nick Jonas were the supporting acts, and in Oceania Lipa or DJ Leggo My Fueggo. The second European leg included appearances at several music festivals such as Pinkpop in the Netherlands and Rock in Rio in Portugal. It was also Mars' first tour to include a show in Africa, with him appearing at the Mawazine festival in Morocco.
World tour by Bruno Mars | |
Promotional poster for the tour | |
Associated album | 24K Magic |
---|---|
Start date | March 28, 2017 |
End date | December 31, 2018 |
Legs | 8 |
No. of shows | 215 |
Box office | US $367,7 million |
Bruno Mars concert chronology |
In 2018, Mars announced another leg in North America, which was initially to feature Cardi B; however, she was replaced by Boyz II Men, Ciara, Ella Mai and Charlie Wilson since she wanted to raise her newborn baby. Apart from 24K Magic, the tour setlist further included songs from Mars' previous albums Doo-Wops & Hooligans (2010) and Unorthodox Jukebox (2012), as well as the Mark Ronson collaboration on "Uptown Funk" (2014). The latter was often used for the encores alongside "Locked out of Heaven" (2012). Mars sang backed by an eight-piece band, The Hooligans, and performed choreography by him and Phil Tayag.
The 24K Magic World Tour received generally positive reviews from music critics, who praised Mars' showmanship, as well as his guitar solos and the stage production. Mars' shows attracted a wide-ranging audience of all age groups, and grossed over $367 million, making the 24K Magic World Tour a commercial success and one of the highest-grossing concert tours of all time. It won two Pollstar awards, two Billboard Music Awards and a TEC Award.
Background and production
The 24K Magic World Tour was officially announced on November 15, 2016, with 85 dates across Europe and North America.[1] On November 22, 2016, 15 additional shows were added, bringing the total to 100. At that time, Live Nation, who produced the tour, reported that over one million tickets for the tour had been sold in a single day.[2] Promotional trailers and behind-the-scenes footage of the tour were released through Live Nation on various official YouTube channels as additional promotion in various markets including Germany and Hong Kong.[3][4][5] Mars and Phil Tayag of the hip-hop dance crew Jabbawockeez choreographed the tour, while the production and lighting design were handled by LeRoy Bennett who had already worked with Mars on his Moonshine Jungle Tour (2013–2014).[6][7] On May 2, 2017, Mars partnered with Heineken to sell tickets to his US leg shows in selected cities. Fans were able to obtain tickets by donating $150 to Heineken's Cities Project, which was meant to improve US cities, via the Indiegogo crowdfunding platform.[8] The South American leg was sponsored by Banco do Brasil and Budweiser, with Hospital Sancta Maggiore serving as the official supplier.[3] Pepsi was the official soft drink partner during the Asian leg of the tour in China, Bangkok, the Philippines, Singapore and Malaysia.[9]
According to Front of House (FOH) engineer Chris Rabold, Mars had a say in every aspect of the tour's shows, which he envisioned to look like "the biggest party [...] [throwable]". Rehearsals for the 24K Magic World Tour commenced at Center Staging in Burbank in the summer of 2016. They solely featured The Hooligans as performers, assisted by monitor engineer Ramon Morales who mixed the monitors for Mars. The aforementioned then moved into the Rock Lititz rehearsal facility to complete further work on the tour's production in the span of a few weeks. Equipment made by Clair Global, the tour's official audio provider, was used.[10] Rabold and Morales used two DiGiCo SD7 mixing consoles and monitors for the tour's production.[11][12] The Hooligans ultilized Sennheiser 9000 series mics, while Mars a Sennheiser 5235. Shure, Telefunken and Mojave mics were used for the drums, while the guitars had AT4050s, SM57s and Royer 122s mics. The horns utilized DPA 4099s, the bass an Avalon U5 and the synth had both a Sennheiser 906s and a Beyer M88 mic.[10]
Morales mostly used the DiGiCo's onboard effects, such as reverbs, delays, dynamic EQ and compressor on the inputs. He also chose an Avalon 737 for Mars' vocals, as well as a Brascati M7 reverb and TC system 6000. The public address system (PA) utilized on the tour is Clair's Cohesion system.[12] In terms of lights, lighting designer Cory FitzGerald and production designer LeRoy Bennett used the Philips VL6000 Beam and VL4000 BeamWash fixtures for the tour. These provided a retro-style appearance that was meant to aid to the shows' 90s-theme and blend with the more contemporary-looking classic Par Cans, bright colors and textures. The VL4000 BeamWash features provided backlight and sidelight along with bright and bold effects.[13] Around 214 Solaris Flares were used in pixel mode, including the wash features and the strobe lights.[14]
Concert synopsis
Shows during the first leg of the tour in Europe opened with Anderson Paak, who drummed and sang simultaneously.[15][16] The shows in North America had either Camila Cabello, Dua Lipa or Jorja Smith as the opening acts, except for the first two shows, which featured Jabbawockeez.[17] On November 18, 2017, the Latin American leg of the tour began with DNCE and ended with Bebe Rexha and Nick Jonas.[18][19] Initially, all concerts in Oceania were scheduled to be opened by Lipa, however, the latter cancelled four due to dental issues and was subsequently replaced by DJ Leggo My Fueggo.[20][21] During the second European and North American legs of the tour, Mars had several opening acts, including DJ Rashida at every show. Charlie Wilson, Ciara and Boyz II Men, among others, appeared on selected occasions,[22][23][24] replacing Cardi B on the North American leg as she wanted to raise her newborn baby.[25] For all shows, a giant black curtain was used to introduce Mars' band, The Hooligans, followed by words appearing on side screens, asking if everyone was ready to "get hot and sweaty".[26][27]
"Finesse" opened the set with colorful pulsing tower panels used in the background.[26][28] During the performance of the follow-up song, "24K Magic", which led to the audience cheering and dancing, the tower panels changed colors and were complemented by fireworks.[26][29] At this point, Mars would take a moment to shout, "We have been waiting a long time to come back ... We gonna have some fun tonight!", before continuing dancing to "Treasure" and "Perm".[26][28][30] During the latter song, Mars invited his fans to take pictures of him and The Hooligans, briefly stopping the show.[30] "Calling All My Lovelies", the next track on the setlist, showed Mars playing his guitar in a tribute to Prince, with the singer pretending to call his lover on a "Zack Morris-style phone", but she never picks up.[26][28][31] This was followed by the "racier" "Chunky" and "That's What I Like", on which critics thought Mars and his band sounded like Boyz II Men.[16][27][28] The singer "turned up the sexual energy" with "Straight Up & Down", which featured a "risqué" subject matter, but was deliverey in a "family friendly and inoffensive" way.[30][31]
The setlist continued with "Versace on the Floor", during which Mars was lifted on a platform with golden lighting and purple beacons.[28][30][31] The next number, "Marry You", had Mars and The Hooligans performing a "soft-shoe" dance, while the former played guitar.[29][31][30] On the subsequent "Runaway Baby", Mars and his band showcased "pelvic" dance moves that critics compared to Elvis Presley, and a breakdown similar to James Brown's work. During the song, the lights dimmed, with only a bass solo being played.[26][28][32] Afterwards, a modified routine of The Isley Brothers' "Shout" (1959) had Mars dropping to the floor, then emerging from it with a roar.[33] Later on, the stage was left to him and two keyboard players for the piano ballad "When I Was Your Man".[34][29][31] A piano solo led up to fellow ballad "Grenade", which was given a rock interpretation by Mars playing his guitar.[30][29][35] Shots of fireballs were featured during the song.[26]
The next song on the 2017 setlist was the ballad "Just the Way You Are", which was performed before the encore. For the latter, they returned to perform two more tracks.[29][30] The first, "Locked Out of Heaven", was aided by golden confetti being poured down on the audience.[30][29] The closing "Uptown Funk" utilized fireworks and smoke, which prompted faux-firemen to appear and use fire extinguishers to put them out.[31][33] Throughout the tour, various modified setlists were used.[26][36][37] "Too Good to Say Goodbye" was only performed twice, in Madrid and Antwerp, as the closing track.[16][38] "Talking to the Moon" was performed once, as an encore, in São Paulo.[39] In some shows, "Grenade" was replaced by "Gorilla" or by a mash-up of "Nothin' on You" with "It Will Rain".[33][37]
Critical response
Selected shows of the tour received generally positive reviews from critics, with them commending Mars' showmanship, his guitar skills and the stage production.[29][33][35] Caroline Sullivan of The Guardian rated a show four stars out of five, saying: "It says something about his performance ethic that even during the formation dances he's clearly not miming – most pop singers do while dancing." Sullivan added that most of the concert "comes from a wellspring of perspiration, musical education and at least a little inspiration."[32] The Washington Post's Briana Younger called Mars a "once-in-a-generation artist. A master of his craft and consummate performer".[31] Jesse Sendejas Jr., writing for the Houston Press, said that Mars and his band "came to entertain and did that astonishingly well", in a show which, according to her, attracted a wide-ranging audience of all age groups and cultures.[33] The Pittsburgh Post-Gazette's Scott Mervis lauded Mars' "silky voice" and his Michael Jackson-esque dance skills, "to which he adds a comic touch". Mervis concluded, "If [Jackson], Prince and James Brown are the 24K gold standard for what he's trying to do, Mars is well on his way toward that karat."[30] Tammy Kwan of The Georgia Straight called Mars and The Hoolligans' performance "stellar", noting its "synchronized dancing and dazzling stage effects". Kwan resumed by adding, "This concert was one for the books."[29] The Music's Madelyn Tait praised a concert, writing: "Mars was able to leave a diverse, all-ages crowd satisfied with his funk and soul-infused pop and proved how capable he is of putting on a fun, entertaining arena show."[34] Leticia Madrigal of The Clovis Roundup lauded Mars "do[ing] more than enough entertaining through his choreographed performance with his band and with his unmissable radio hits".[40] Various critics found the performance of "When I Was Your Man" to be the highlight in the specific performances they commented on.[31][33][34]
Mikael Wood of the Los Angeles Times believed there were some "less polished moments", but opined they were not accidental. Wood continued, saying that Mars had "gotten so good onstage that he's begun looking for a thrill beyond perfection." He concluded, "the impression Mars gave was of an artist eager to put some wrinkles into the gleaming surfaces for which he's known."[41] Neil McCormick of The Telegraph gave a concert four out of five stars. He praised the choreography and the vocal harmonies, which he felt were inspired by Prince's "supernatural gifts", James Brown's "physical command", and Marvin Gaye's "smooth vocal flexibility". However, he did not enjoy the band's "mustard and white baseball" outfits, saying they made them look like "servers at a fast-food chain".[35]
In a mixed review, Luís Guerra from Blitz lauded one of the shows for its variety of genres, but felt that Mars performed romantic songs inadequately.[26] RNZ's Ellen Falconer commended Mars' showmanship, saying he put on a "hell of a show" and calling him one of the best performers of his generation. Nevertheless, she found him "over-polished" and felt that "his own personality gets lost amongst [his] nostalgic references."[27] Roisin O'Connor of The Independent gave a concert three stars out of five, feeling that songs like "Marry You" or "The Lazy Song" sounded "dated" when compared to those on 24K Magic. She concluded, saying that "all the ingredients for a spectacular show are there, yet a stellar performance doesn't seem to reach the far corners of the arena".[42]
Accolades
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2017 | Billboard Touring Conference and Awards | Concert Marketing/Promotion | Nominated | [43] |
Teen Choice Awards | Choice Summer: Tour | [44] | ||
Pollstar Award | Major Tour of the Year | [45] | ||
Pop Tour of the Year | Won | [46] | ||
Urban/R&B Tour of the Year | ||||
2018 | American Music Awards | Tour of the Year | Nominated | [47] |
Billboard Music Awards | Top R&B Tour | Won | [48] | |
TEC Awards | Tour/Event Sound Production | [49] | ||
2019 | Billboard Music Awards | Top R&B Tour | [50] |
Commercial performance
According to an October 2017 Billboard article, the tour had sold 659,190 tickets at 42 concerts in 32 cities in North America, and earned $76 million in revenue there. This encompassed three sold-out shows at United Center in Chicago, which moved $6.3 million. Furthermore, concerts at O2 Arena in London earned $6.6 million.[51] In early 2018, it was reported that 408,443 tickets had been sold for the ten shows Mars performed in Latin America, bringing in $37.4 million.[52] In Asia, 14 shows had been sold out in seven cities, while in Japan, the tour grossed $15.5 million from four shows at Saitama Super Arena.[53][54] In Australia, the 24K Magic World Tour with its five shows at Qudos Bank Arena, Sydney, brought in $9.2 million.[54] Mars broke Beyoncé's New Zealand concert attendance record in May 2017, surpassing her 44,596 ticket sales with 48,783 tickets sold for four sold-out concerts at Spark Arena in Auckland.[55] In 2018, Mars sold out the three shows booked for the Aloha Stadium in Hawaii, breaking the record attendance of both U2 and Michael Jackson, who performed two nights for 50,000 people.[56]
In 2017, StubHub ranked Mars as the biggest-touring act of the year in the United States, having sold more tickets than any other artists.[57] The 24K Magic World Tour's total gross as of October 2017 was $129 million,[51] which extended to $200 million as of January 2018 with over two million tickets sold.[52] The 24K Magic World Tour was the fourth highest-grossing tour of 2018 with $237.8 million according to Billboard.[58] Over a span of two years, the 24K Magic World Tour was reported to have grossed over $367,7 million.[59][60] It is among the highest-grossing concert tours of all time. For Mars' November 8, 2018, concert in Hawaii, widespread ticket reselling activities occurred, with bots being used to buy thousands of tickets. A similliar phenomenon happened on his second show in the territory.[61]
Setlist
- "Finesse"
- "24K Magic"
- "Treasure"
- "Perm"
- "Calling All My Lovelies"
- "Chunky"
- "That's What I Like"
- "Straight Up & Down"
- "Versace on the Floor"
- "Marry You"
- "Runaway Baby"
- "When I Was Your Man"
- "Grenade"
- "Just the Way You Are"
- Encore
- "Finesse"
- "24K Magic"
- "Treasure"
- "Perm"
- "Calling All My Lovelies"
- "Chunky"
- "That's What I Like"
- "Versace on the Floor"
- "Marry You"
- "Runaway Baby"
- "When I Was Your Man"
- "Locked Out of Heaven"
- "Just the Way You Are"
- Encore
- "Uptown Funk"
Notes
- Setlists varied according to dates, locations or artist preference.[26][36][37]
- "Too Good to Say Goodbye" was performed during the tour's first concerts in Antwerp and in Madrid.[16][38]
- Various songs, including "Gorilla" or a mash-up of "Nothin' On You" with "It Will Rain" replaced "Grenade" on selected dates.[33][37]
- In 2018, "Grenade" and "Straight Up & Down" were removed from the setlist of several concerts.[27][36][37]
- "Billionaire" replaced "Calling All My Lovelies" during Mars' second date in Rio de Janeiro.[62]
- "Talking to the Moon" was only sung during Mars' second date in São Paulo.[39]
- In Nashville, on October 8, 2018, Mars performed "Thinking Out Loud" with Ed Sheeran.[37]
Shows
Date (2017) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
March 28 | Antwerp | Belgium | Sportpaleis | Anderson Paak |
42,710 / 43,512 | $3,156,750 |
March 29 | ||||||
March 31 | Lille | France | Stade Pierre-Mauroy | 28,262 / 28,262 | $1,690,680 | |
April 3 | Madrid | Spain | WiZink Center | 15,565 / 15,565 | $1,229,943 | |
April 4 | Lisbon | Portugal | MEO Arena | 19,524 / 19,524 | $1,113,187 | |
April 7 | Barcelona | Spain | Palau Sant Jordi | 17,909 / 17,909 | $1,448,830 | |
April 8 | Montpellier | France | Park&Suites Arena | 13,192 / 13,192 | $875,999 | |
April 10 | Cologne | Germany | Lanxess Arena | 15,916 / 15,916 | $1,016,492 | |
April 12 | Glasgow | Scotland | SSE Hydro | 24,640 / 24,920 | $1,978,040 | |
April 13 | ||||||
April 15 | Liverpool | England | Echo Arena | 10,921 / 10,921 | $915,179 | |
April 18 | London | The O2 Arena | 71,135 / 71,135 | $6,376,770 | ||
April 19 | ||||||
April 21 | ||||||
April 22 | ||||||
April 24 | Birmingham | Barclaycard Arena | 29,598 / 29,598 | $2,479,958 | ||
April 25 | ||||||
April 27 | Nottingham | Motorpoint Arena | 9,979 / 9,979 | $868,980 | ||
April 29 | Dublin | Ireland | 3Arena | 25,464 / 25,464 | $1,824,465 | |
April 30 | ||||||
May 2 | Manchester | England | Manchester Arena | 33,110 / 33,604 | $2,561,210 | |
May 3 | ||||||
May 5 | Leeds | First Direct Arena | 11,636 / 11,636 | $957,285 | ||
May 6 | Sheffield | Sheffield Arena | 13,541 / 13,541 | $1,166,841 | ||
May 9 | Amsterdam | Netherlands | Ziggo Dome | 34,320 / 34,320 | $2,568,374 | |
May 10 | ||||||
May 12 | Zürich | Switzerland | Hallenstadion | 13,888 / 13,888 | $1,356,400 | |
May 14 | Munich | Germany | Olympiahalle | 13,005 / 13,005 | $1,065,795 | |
May 17 | Hamburg | Barclaycard Arena | 13,570 / 13,930 | $914,401 | ||
May 18 | Copenhagen | Denmark | Royal Arena | 15,771 / 15,771 | $1,361,962 | |
May 20 | Stockholm | Sweden | Ericsson Globe | 14,688 / 14,688 | $939,321 | |
May 22 | Helsinki | Finland | Hartwall Arena | 12,980 / 12,980 | $1,005,869 | |
May 24 | Oslo | Norway | Telenor Arena | 22,356 / 22,356 | $1,693,662 | |
May 26 | Berlin | Germany | Mercedes-Benz Arena | 14,066 / 14,066 | $1,041,406 | |
May 27 | Kraków | Poland | Tauron Arena | 18,528 / 18,528 | $1,137,510 | |
May 30 | Budapest | Hungary | Budapest Sports Arena | 13,871 / 13,871 | $791,265 | |
June 1 | Frankfurt | Germany | Festhalle | 11,841 / 11,841 | $1,012,542 | |
June 3 | Vienna | Austria | Wiener Stadthalle | 13,827 / 13,827 | $1,022,548 | |
June 5 | Paris | France | AccorHotels Arena | 33,608 / 33,608 | $2,900,545 | |
June 6 | ||||||
June 8 | Lyon | Halle Tony Garnier | 16,235 / 16,235 | $1,015,647 | ||
June 12 | Bologna | Italy | Unipol Arena | 14,246 / 14,246 | $850,732 | |
June 14 | Geneva | Switzerland | SEG Geneva Arena | 7,343 / 7,343 | $1,291,296 | |
June 15 | Milan | Italy | Mediolanum Forum | 11,172 / 11,172 | $792,759 |
Date (2017) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
July 15 | Las Vegas | United States | T-Mobile Arena | Jabba- wockeez |
16,556 / 16,556 | $1,947,649 |
July 18 | Sacramento | Golden 1 Center | 15,170 / 15,170 | $1,586,433 | ||
July 20 | San Jose | SAP Center | Camila Cabello |
28,444 / 28,444 | $3,673,031 | |
July 21 | ||||||
July 23 | Portland | Moda Center | 15,417 / 15,417 | $1,655,665 | ||
July 24 | Tacoma | Tacoma Dome | 19,454 / 19,454 | $1,746,589 | ||
July 26 | Vancouver | Canada | Rogers Arena | 31,005 / 31,005 | $3,430,130 | |
July 27 | ||||||
July 30 | Edmonton | Rogers Place | 29,301 / 29,301 | $2,957,232 | ||
July 31 | ||||||
August 2 | Winnipeg | Bell MTS Place | 12,712 / 12,712 | $1,395,447 | ||
August 4 | Fargo | United States | Fargodome | 18,489 / 18,489 | $1,850,542 | |
August 5 | Saint Paul | Xcel Energy Center | 16,350 / 16,350 | $1,905,256 | ||
August 7 | Lincoln | Pinnacle Bank Arena | 14,105 / 14,105 | $1,517,410 | ||
August 9 | Kansas City | Sprint Center | 15,154 / 15,154 | $1,660,106 | ||
August 12 | Auburn Hills | The Palace of Auburn Hills | 16,013 / 16,013 | $1,936,194 | ||
August 13 | Indianapolis | Bankers Life Fieldhouse | 15,112 / 15,112 | $1,635,885 | ||
August 15 | Cleveland | Quicken Loans Arena | 17,103 / 17,103 | $1,827,568 | ||
August 16 | Chicago | United Center | 47,942 / 47,942 | $6,347,950 | ||
August 18 | ||||||
August 19 | ||||||
August 22 | Pittsburgh | PPG Paints Arena | 15,776 / 15,766 | $1,761,947 | ||
August 24 | Quebec City | Canada | Videotron Centre | N/A | 15,099 / 15,099 | $1,177,600 |
August 26 | Toronto | Air Canada Centre | 33,488 / 33,488 | $3,896,146 | ||
August 27 | ||||||
August 29 | Montreal | Bell Centre | 34,000 / 34,000 | $3,480,770 | ||
August 30 | ||||||
September 14 | Charlotte | United States | Spectrum Center | Dua Lipa | 15,931 / 15,931 | $1,766,253 |
September 16[lower-alpha 1] | Atlanta | Piedmont Park | N/A | |||
September 17 | Memphis | FedExForum | Dua Lipa |
14,815 / 14,815 | $1,597,428 | |
September 19 | Louisville | KFC Yum! Center | 18,176 / 18,176 | $1,911,793 | ||
September 20 | Columbus | Schottenstein Center | 15,288 / 15,288 | $1,718,528 | ||
September 22 | New York City | Madison Square Garden | 31,318 / 31,318 | $4,120,197 | ||
September 23 | ||||||
September 26 | Newark | Prudential Center | 14,625 / 14,625 | $1,820,526 | ||
September 27 | Buffalo | KeyBank Center | 15,984 / 15,984 | $1,684,265 | ||
September 29 | Washington, D.C. | Capital One Arena | 31,847 / 31,847 | $4,180,239 | ||
September 30 | ||||||
October 4 | Brooklyn | Barclays Center | Jorja Smith |
15,370 / 15,370 | $1,898,099 | |
October 5 | Uniondale | Nassau Veterans Memorial Coliseum | 13,052 / 13,052 | $1,626,154 | ||
October 7 | Boston | TD Garden | 28,839 / 28,839 | $3,695,807 | ||
October 8 | ||||||
October 10 | Philadelphia | Wells Fargo Center | 16,555 / 16,555 | $2,086,312 | ||
October 12 | Raleigh | PNC Arena | 15,541 / 15,541 | $1,819,506 | ||
October 14 | Orlando | Amway Center | 14,067 / 14,067 | $1,532,415 | ||
October 15 | Sunrise | BB&T Center | 15,012 / 15,012 | $1,941,593 | ||
October 18 | Miami | American Airlines Arena | 15,190 / 15,190 | $2,036,300 | ||
October 19 | Tampa | Amalie Arena | 15,494 / 15,494 | $1,737,059 | ||
October 21 | New Orleans | Smoothie King Center | 15,056 / 15,056 | $1,656,475 | ||
October 22 | North Little Rock | Verizon Arena | 15,806 / 15,806 | $1,573,424 | ||
October 24 | Houston | Toyota Center | 13,529 / 13,529 | $1,805,759 | ||
October 25 | San Antonio | AT&T Center | 15,710 / 15,710 | $1,751,972 | ||
October 27 | Dallas | American Airlines Center | 14,879 / 14,879 | $1,744,937 | ||
November 2 | Fresno | Save Mart Center | 12,730 / 12,730 | $1,427,143 | ||
November 3 | Oakland | Oracle Arena | 15,884 / 15,884 | $1,981,559 | ||
November 5 | Phoenix | Talking Stick Resort Arena | 14,764 / 14,764 | $1,651,992 | ||
November 7 | Inglewood | The Forum | 61,893 / 61,893 | $8,420,015 | ||
November 8 | ||||||
November 10 | ||||||
November 11 |
Date (2017–2018) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
November 18 | Rio de Janeiro | Brazil | Praça da Apoteose | DNCE | 56,846 / 56,846 | $4,473,215 |
November 19 | ||||||
November 22 | São Paulo | Estádio do Morumbi | 83,437 / 83,437 | $6,763,624 | ||
November 23 | ||||||
November 25 | La Plata | Argentina | Estadio Ciudad de La Plata | 49,204 / 49,204 | $5,060,415 | |
November 28 | Santiago | Chile | Estadio Nacional de Chile | 67,648 / 67,648 | $6,026,346 | |
November 30 | Lima | Peru | Estadio Nacional del Perú | 41,493 / 41,493 | $4,592,487 | |
December 2 | Quito | Ecuador | Estadio Olímpico Atahualpa | 31,295 / 31,295 | $3,563,518 | |
December 5 | Bogotá | Colombia | Estadio El Campín | 40,468 / 40,468 | $4,170,179 | |
December 7 | San José | Costa Rica | Estadio Nacional de Costa Rica | 38,052 / 38,052 | $2,831,903 | |
January 31 | Monterrey | Mexico | Estadio Universitario | Bebe Rexha | 27,553 / 35,612 | $2,974,523 |
February 2 | Mexico City | Foro Sol | Bebe Rexha Nick Jonas |
115,147 / 116,260 | $8,784,453 | |
February 3 | ||||||
February 5 | Guadalajara | Estadio Akron | 36,289 / 39,846 | $4,037,371 |
Date (2018) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
February 27 | Auckland | New Zealand | Spark Arena | Dua Lipa |
48,785 / 48,785 | $5,261,050 |
February 28 | ||||||
March 2 | ||||||
March 3 | ||||||
March 7 | Melbourne | Australia | Rod Laver Arena | 57,842 / 57,842 | $6,560,280 | |
March 8 | ||||||
March 10 | ||||||
March 11 | ||||||
March 14 | Brisbane | Brisbane Entertainment Centre | DJ Leggo My Fueggo |
27,094 / 27,094 | $3,058,400 | |
March 15 | ||||||
March 17 | Sydney | Qudos Bank Arena | 88,592 / 88,592 | $9,217,950 | ||
March 18 | ||||||
March 20 | Dua Lipa | |||||
March 23 | ||||||
March 24 | ||||||
March 26 | Adelaide | Adelaide Entertainment Centre | 9,930 / 9,930 | $1,020,470 | ||
March 28 | Perth | Perth Arena | 29,434 / 29,434 | $3,436,710 | ||
March 29 |
Date (2018) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
April 11 | Saitama | Japan | Saitama Super Arena | N/A | 90,672 / 90,672 | $15,531,450 |
April 12 | ||||||
April 14 | ||||||
April 15 | ||||||
April 17 | Taipei | Taiwan | Nangang Exhibition Center | 20,020 / 20,020 | $3,273,545 | |
April 20 | Shanghai | China | Mercedes-Benz Arena | 35,564 / 35,564 | $5,932,991 | |
April 21 | ||||||
April 23 | ||||||
April 27 | Macau | Cotai Arena | 23,861 / 23,861 | $4,131,652 | ||
April 28 | ||||||
April 30 | Bangkok | Thailand | IMPACT Arena | 21,607 / 21,607 | $4,311,275 | |
May 1 | ||||||
May 3 | Pasay | Philippines | Mall of Asia Arena | 23,890 / 23,890 | $4,411,425 | |
May 4 | ||||||
May 6 | Singapore | Singapore Indoor Stadium | 22,992 / 22,992 | $4,516,851 | ||
May 7 | ||||||
May 9 | Kuala Lumpur | Malaysia | Axiata Arena | 11,065 / 11,065 | $1,819,083 | |
May 12 | Hong Kong | AsiaWorld–Arena | 27,847 / 27,847 | $4,814,281 | ||
May 13 | ||||||
May 27[lower-alpha 2] | Napa | United States | BottleRock Napa Valley | N/A |
Date (2018) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
June 16[lower-alpha 3] | Werchter | Belgium | Festivalpark Werchter | DJ Rashida Lil' Kleine |
N/A | N/A |
June 17[lower-alpha 4] | Langraaf | Netherlands | Megaland Landgraaf | DJ Rashida | ||
June 20 | Barcelona | Spain | Estadi Olímpic Lluís Companys | DJ Rashida DNCE | ||
June 22 | Madrid | Wanda Metropolitano | ||||
June 24[lower-alpha 5] | Lisbon | Portugal | Parque da Bela Vista | DJ Rashida Demi Lovato Anitta Agir | ||
June 27[lower-alpha 6] | Rabat | Morocco | OLM Souissi | DJ Rashida | ||
June 30 | Saint-Denis | France | Stade de France | DJ Rashida DNCE | ||
July 3 | Bergen | Norway | Bergenhus Fortress | DJ Rashida | ||
July 5[lower-alpha 7] | Roskilde | Denmark | Roskilde Festival | |||
July 7[lower-alpha 8] | Gdynia | Poland | Gdynia-Kosakowo Airport | |||
July 10 | Glasgow | Scotland | Glasgow Green | DJ Rashida Dua Lipa Average White Band DNCE | ||
July 12 | Dublin | Ireland | Marlay Park | Sister Sledge DJ Rashida DNCE | ||
July 14[lower-alpha 9] | London | England | Hyde Park | Khalid DNCE Charlie Wilson Alex Hepburn DJ Rashida |
Date (2018) |
City | Country | Venue | Opening act | Attendance (Tickets sold / available) |
Revenue |
---|---|---|---|---|---|---|
August 3[lower-alpha 10] | Chicago | United States | Grant Park | N/A | ||
September 7[lower-alpha 11] | Denver | Pepsi Center | Boyz II Men DJ Rashida |
28,390 / 30,548 | $3,783,277 | |
September 8 | ||||||
September 11 | Saint Paul | Xcel Energy Center | Charlie Wilson DJ Rashida |
28,608 / 31,669 | $3,758,907 | |
September 12 | ||||||
September 15 | Detroit | Little Caesars Arena | 29,275 / 29,275 | $3,969,773 | ||
September 16 | ||||||
September 19 | Philadelphia | Wells Fargo Center | Boyz II Men DJ Rashida |
27,880 / 27,880 | $3,785,007 | |
September 20 | ||||||
September 22 | Toronto | Canada | Scotiabank Arena | Ciara DJ Rashida |
33,176 / 33,176 | $4,146,958 |
September 23 | ||||||
September 27 | Boston | United States | TD Garden | 26,684 / 26,843 | $4,126,750 | |
September 28 | ||||||
October 1 | Newark | Prudential Center | 24,902 / 24,902 | $4,072,592 | ||
October 2 | ||||||
October 4 | Brooklyn | Barclays Center | Ella Mai DJ Rashida |
29,966 / 29,966 | $5,138,161 | |
October 5, 2018 | ||||||
October 7 | Nashville | Bridgestone Arena | 29,244 / 29,244 | $4,367,352 | ||
October 8 | ||||||
October 11 | Tulsa | BOK Center | 26,164 / 26,164 | $3,544,411 | ||
October 12 | ||||||
October 14 | Dallas | American Airlines Center | Charlie Wilson DJ Rashida |
27,933 / 29,161 | $4,180,930 | |
October 15 | ||||||
October 20[lower-alpha 12] | Austin | Circuit of the Americas | N/A | |||
October 23 | Los Angeles | Staples Center | Boyz II Men DJ Rashida |
61,322 / 61,322 | $9,113,210 | |
October 24 | Ciara DJ Rashida | |||||
October 26 | Ella Mai DJ Rashida | |||||
October 27 | Charlie Wilson DJ Rashida | |||||
November 8 | Honolulu | Aloha Stadium | Charlie Wilson | 113,751 / 113,751 | $12,394,580 | |
November 10 | The Green Common Kings | |||||
November 11 | ||||||
December 30 | Las Vegas | T-Mobile Arena | Boyz II Men | 30,241 / 30,524 | 5,859,567 | |
December 31 | ||||||
Totals | 3,236,625 / 3,242,253 | $361,814,865 |
Date (2018) |
City | Country | Venue | Reason |
---|---|---|---|---|
July 2 | Düsseldorf | Germany | Esprit Arena | Logistical problems |
Personnel
Sound and monitor production[11][86]
|
Stage production[85]
|
Notes
- The show on September 16, 2017, in Atlanta at Piedmont Park was part of Music Midtown.[17]
- The concert on May 27, 2018, in Nap was part of the BittleRock Napa Valley Festival
- The concert on June 16, 2018, at Werchter Boutique in Werchter was part of the Park Werchter festival.[69]
- The concert on June 17, 2018, at Megaland in Landgraaf was part of the Pinkpop Festival.[70]
- The concert on June 24, 2018, at Parque da Bela Vista in Lisbon was part of the Rock in Rio festival.[71]
- The concert on June 27, 2018, at OLM Souissi in Rabat was part of the Mawazine festival.[72]
- The concert on July 5, 2018, at Animal Showgrounds in Roskilde was part of the Roskilde Festival.[73]
- The concert on July 7, 2018, at Gdynia-Kosakowo Airport in Gdynia was part of the Open'er Festival.[74]
- The concert on July 14, 2018, at Hyde Park in London was part of the British Summer Time festival.[75]
- The concert of August 3, 2018, at Grant Park in Chicago was part of Lollapalooza festival.[77]
- The show on September 7, 2018, in Denver at the Pepsi Center was originally scheduled for October 30, 2017, but was postponed due to Mars' sinus infection.[78][79]
- The concert on October 20, 2018, at Circuit of the Americas in Austin was part of the 2018 USGP Weekend.[80]
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February 27–28, March 2–3, 2018: Bruno Mars, Dua Lipa, Spark Arena, Auckland (48,785 – $5,261,050); March 7–8–10–11, 2018: Rod Laver Arena, Melbourne (57,842 – $6,560,280); March 14–15, 2018: Bruno Mars, DJ Leggo My Fueggo, Entertainment Centre, Brisbane (27,094 – $3,058,400); March 26, 2018: Entertainment Centre, Adelaide (9,930 – $1,020,470)
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