Washington Allston

Washington Allston ARA (November 5, 1779 – July 9, 1843) was an American painter and poet, born in Waccamaw Parish, South Carolina. Allston pioneered America's Romantic movement of landscape painting. He was well known during his lifetime for his experiments with dramatic subject matter and his bold use of light and atmospheric color. While his early artworks concentrate on grandiose and spectacular aspects of nature, his later pieces represent a more subjective and visionary approach.[1]

Washington Allston
Self-portrait, 1805 Museum of Fine Arts, Boston
Born(1779-11-05)November 5, 1779
Near Georgetown, South Carolina
DiedJuly 9, 1843(1843-07-09) (aged 63)
Cambridge, Massachusetts
NationalityAmerican
Known forPainting
Poetry
Spouse(s)
  • Ann Channing (1809–15)
  • Margaret Remington Dana (1830-43)

Biography
Allston painted by Gilbert Stuart, c. 1818. Metropolitan Museum of Art, New York

Allston was born on a rice plantation on the Waccamaw River near Georgetown, South Carolina. His mother Rachel Moore had married Captain William Allston in 1775, though her husband died in 1781, shortly after the Battle of Cowpens.[2] Moore remarried to Dr. Henry C. Flagg, the son of a wealthy shipping merchant from Newport, Rhode Island.[3]

Named in honor of the leading American general of the Revolution,[4] Washington Allston graduated from Harvard College in 1800 and moved to Charleston, South Carolina for a short time before sailing to England in May 1801.[3] He was admitted to the Royal Academy Schools in London in September, when painter Benjamin West was then the president.[5]

Landscape with Lake (1804)
Italian Landscape
Elijah in the Desert, 1818, Museum of Fine Arts, Boston

From 1803 to 1808, he visited the great museums of Paris and then, for several years, those of Italy, where he met Washington Irving in Rome[6] and Coleridge, his lifelong friend. In 1809, Allston married Ann Channing, sister of William Ellery Channing.[3] Samuel F. B. Morse was one of Allston's art pupils and accompanied Allston to Europe in 1811. After traveling throughout western Europe, Allston finally settled in London, where he won fame and prizes for his pictures.

Allston was also a published writer. In London in 1813, he published The Sylphs of the Seasons, with Other Poems, republished in Boston, Massachusetts, later that year.[7] His wife died in February 1815, leaving him saddened, lonely, and homesick for America.[8]

In 1818, he returned to the United States and lived in Cambridge, Massachusetts, for twenty-five years. He was elected a Fellow of the American Academy of Arts and Sciences in 1826.[9] He was the uncle of the artists George Whiting Flagg and Jared Bradley Flagg, both of whom studied painting under him.

The first American exhibition of Allston's work was in 1827 when twelve of his paintings were shown at the Boston Athenæum.[10]

In 1830 Allston married Martha Remington Dana (daughter of Chief Justice Francis Dana), the sister of the novelist Richard Henry Dana; Dana was a cousin of Allston's first wife.[11]

In 1841, he published Monaldi, a romance illustrating Italian life, and in 1850, a volume of his Lectures on Art, and Poems.[12]

Allston died on July 9, 1843, at age 63. Allston is buried in Harvard Square, in "the Old Burying Ground" between the First Parish Church and Christ Church.

Recognition

Allston was sometimes called the "American Titian" because his style resembled the great Venetian Renaissance artists in their display of dramatic color contrasts. His work greatly influenced the development of U.S. landscape painting. Also, the themes of many of his paintings were drawn from literature, especially Biblical stories.[13]

His artistic genius was much admired by Samuel Taylor Coleridge, and Ralph Waldo Emerson was strongly influenced by his paintings and poems, but so were both Margaret Fuller and Sophia Peabody, wife of Nathaniel Hawthorne.[13] The influential critic and editor Rufus Wilmot Griswold dedicated his famous anthology The Poets and Poetry of America to Allston in 1842.[14] Poet Henry Wadsworth Longfellow, 17 years after Allston's death, wrote that: "One man may sweeten a whole time. I never pass through Cambridge Port without thinking of Allston. His memory is the quince in the drawer and perfumes the atmosphere."[3]

Boston painter William Morris Hunt was an admirer of Allston's work, and in 1866 founded the Allston Club in Boston, and in his arts classes passed on to his students his knowledge of Allston's techniques.[15]

Washington Allston was the first to use (apparently) the term Objective Correlative in 1840 which subsequently revived and made famous by T.S Eliot in essay on Hamlet (1919). The term denotes a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.

The west Boston, Massachusetts neighborhood of Allston is named after him, as is Allston Way, in the "Poets Corner" neighborhood of Berkeley, California.

Florimell's Flight, 1819
Allston was buried in the Dana family plot in the Old Burying Ground.

Additional works
External video
Allston's Elijah in the Desert, Smarthistory[16]
gollark: We actually ship you 581 kilotons of bees in return for 581 kilotons of bees every second.
gollark: I don't think you're in one of our experimental asocietal chambers.
gollark: You also live in a society.
gollark: This is actually because we live in a society.
gollark: Atmospheric bee density is much higher than that.

References
  1. Norwich, John Julius (1990). Oxford Illustrated Encyclopedia Of The Arts. USA: Oxford University Press. pp. 13. ISBN 978-0198691372.
  2. Hubbell, Jay B. (1954). The South in American Literature: 1607–1900. Durham, North Carolina: Duke University Press. p. 274.
  3. Hubbell, Jay B. (1954). The South in American Literature: 1607–1900. Durham, North Carolina: Duke University Press. p. 275.
  4. Planters, Pirates & Patriots: Historical Tales from the South Carolina Grand Strand, Rod Graff, Pelican Publishing, 2006
  5. "Allston, Washington". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/75361. (Subscription or UK public library membership required.)
  6. Burstein, Andrew (2007). The Original Knickerbocker: The Life of Washington Irving. Basic Books. p. 43. ISBN 978-0-465-00853-7.
  7. Hubbell, Jay B. (1954). The South in American Literature: 1607–1900. Durham, North Carolina: Duke University Press. p. 277.
  8. Hubbell, Jay B. (1954). The South in American Literature: 1607–1900. Durham, North Carolina: Duke University Press. p. 278.
  9. "Book of Members, 1780–2010: Chapter A" (PDF). American Academy of Arts and Sciences. Retrieved 15 April 2011.
  10. Swan, Mabel Munson. The Athenæum Gallery 1827–1873: The Boston Athenæum as an Early Patron of Art (Boston: The Boston Athenæum, 1940)
  11. Flagg, Jared Bradley (1892). The Life and Letters of Washington Allston. New York: Charles Scribner.
  12. Ware's Lectures on the Works and Genius of Washington Allston (Boston, 1852) and Artist Biographies, Allston (1879).
  13. Vetter, H.F. "Poets of Cambridge, USA". Harvard Square Library (2006). Retrieved 2007-06-12.
    • Pattee, Fred Lewis (1966). The First Century of American Literature: 1770–1870. New York: Cooper Square Publishers. p. 279.
  15. Wright, Nathalia. The Correspondence of Washington Allston, Published by University Press of Kentucky, 1993, ISBN 0-8131-1708-9
  16. "Allston's Elijah in the Desert". Smarthistory at Khan Academy. Retrieved January 4, 2013.

Sources

Further reading
  • Allston, Washington, Lectures on Art and Poems, 1850 (facsimile ed., with Monaldi, 1841, 1967, Scholars' Facsimiles & Reprints, ISBN 978-0-8201-1001-1).
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