Tom Cross (film editor)

Tom Cross is an American television and film editor. He began his career in 1997 as an assistant editor, contributing to such diverse projects as We Own the Night (2007), Crazy Heart (2009), The Switch (2010) and the Primetime Emmy Award-winning drama series Deadwood. He came to worldwide prominence in 2015 when he won the Independent Spirit Award for Best Editing, BAFTA Award for Best Editing,[1] and Academy Award for Best Editing (among other honors) for his work on the acclaimed film Whiplash (2014).[2] He has cited The Wild Bunch (1969) and The French Connection (1971) as influences on the editing of this film,[3] and reunited with writer/director Damien Chazelle on the musical romantic comedy La La Land (2016).[4]

Tom Cross
OccupationFilm editor

He is the son of Loc and Jim. His mother is from Vietnam.[5]

Filmography

Year Film Director Notes
2010 The Space Between Travis Fine
2012 Any Day Now
2014 Whiplash Damien Chazelle Academy Award for Best Film Editing
BAFTA Award for Best Editing
CFCA Award for Best Editing
COFCA Award for Best Film Editing
Gold Derby Award for Best Film Editing
HPA Award for Outstanding Editing - Feature Film
Independent Spirit Award for Best Editing
ICP Award for Best Editing
INOCA Award for Best Film Editing
IOMA Award for Best Editing
Nominated — ACCA Award for Best Film Editing
Nominated — ACE Eddie for Best Edited Feature Film - Dramatic
Nominated — Critics Choice Award for Best Editing
Nominated — EDA Award for Best Editing
Nominated — ICP Award for Best Editing
Nominated — OFCS Award for Best Editing
Nominated — PFCS Award for Best Film Editing
Nominated — SFCS Award for Best Film Editing
Nominated — SFFCC Award for Best Editing
Nominated — WAFCA for Best Editing
Time Lapse Bradley D. King
2015 The Driftless Area Zachary Slusser
Joy David O. Russell Co-edited with Alan Baumgarten, Christopher Tellefsen and Jay Cassidy
2016 La La Land Damien Chazelle BFSC Award for Best Film Editing
CFCA Award for Best Editing
COFCA Award for Best Film Editing
Critics Choice Award for Best Editing
HFCS Award for Best Editing
Gold Derby Award for Best Film Editing
OFTA Film Award for Best Film Editing
OFCS Award for Best Editing
WAFCA Award for Best Editing
Nominated — Academy Award for Best Film Editing
Nominated — BAFTA Award for Best Editing
Nominated — ACCA Award for Best Film Editing
Nominated — ACE Eddie for Best Edited Feature Film – Comedy or Musical
Nominated — EDA Award for Best Editing
Nominated — ICP Award for Best Editing
Nominated — INOCA Award for Best Film Editing
Nominated — LAFCA Award for Best Editing
Nominated — Satellite Award for Best Editing
Nominated — SDFCS Award for Best Editing
Nominated — SFCS Award for Best Film Editing
Nominated — SFFCC Award for Best Editing
Nominated — Sierra Award for Best Film Editing
Nominated — SLFCA Award for Best Editing
2017 Hostiles Scott Cooper
The Greatest Showman Michael Gracey Co-edited with Joe Hutshing, Jon Poll, Michael McCusker,
Robert Duffy and Spencer Susser
2018 First Man Damien Chazelle Critics Choice Award for Best Editing
22nd Hollywood Film Awards Hollywood Editor Award
Washington D.C. Area Film Critics Association Award for Best Editing
Boston Society of Film Critics Award for Best Editing
Nominated - Satellite Award for Film Editing
2020 No Time to Die Cary Joji Fukunaga Co-edited with Elliot Graham
gollark: Actual error checking should be the default, not opt-in.
gollark: I sure do like when the common builtin things are wildly unsafe.
gollark: Also, there are non-bounds-checking safety issues with C.
gollark: I don't know what you mean "safer functions", bounds checking is what I want and C doesn't offer it unless I go to extra effort to implement it myself all the time, and "dying"?
gollark: What?

References

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