David Brenner (editor)
David Brenner is a film editor[1] known (along with fellow film editors Joe Hutshing, Pietro Scalia and Julie Monroe) for having been one of director Oliver Stone's 'hot shot' group of up-and-coming film editors.
David Brenner | |
---|---|
Born | |
Occupation | Film editor |
Brenner has been elected as a member of the American Cinema Editors.[2]
Filmography
As film editor
Year | Film |
---|---|
1985 | Radioactive Dreams |
The Blue Yonder | |
1986 | Salvador |
Platoon | |
1987 | Wall Street |
1988 | A Time of Destiny |
Talk Radio | |
1989 | Born on the Fourth of July |
1991 | The Doors |
1992 | Night and the City |
1993 | Heaven & Earth |
1994 | The River Wild |
1996 | Fear |
Independence Day | |
1997 | Lolita |
1998 | What Dreams May Come |
2000 | The Patriot |
2001 | Kate & Leopold |
2002 | Unfaithful |
2003 | Identity |
2004 | The Day After Tomorrow |
2006 | World Trade Center |
2007 | Premonition |
2008 | Wanted |
2009 | 2012 |
2010 | Wall Street: Money Never Sleeps |
2011 | Pirates of the Caribbean: On Stranger Tides |
2013 | Man of Steel |
2014 | 300: Rise of an Empire |
Transformers: Age of Extinction | |
Escobar: Paradise Lost | |
2016 | Batman v Superman: Dawn of Justice |
2017 | Justice League |
2021 | Avatar 2 |
Zack Snyder's Justice League | |
2023 | Avatar 3 |
Academy Award nominations & wins
- 1990 – Born on the Fourth of July (won w/ co-editor Joe Hutshing) Best Achievement in Film Editing
Other awards and nominations
- 1990 – Born on the Fourth of July (nominated) American Cinema Editors ACE Eddie - Best Edited Feature Film (w/ co-editor Joe Hutshing)
- 1997 – Independence Day (won) Satellite Awards (International Press Academy) - Golden Satellite for Outstanding Film Editing
gollark: The trouble is that even an initially good measurement of how well you're likely to do a specific job is probably going to be distorted more and more the longer it's used as people try to optimize for it instead of actually being good at the job.
gollark: Apparently IQ correlates decently with some important things.
gollark: Ideally hiring would be entirely merit-based, but we end up with credentialism instead.
gollark: I wonder how many edit wars it'll end up experiencing.
gollark: I'd definitely hope not.
References
- Dargis, Manohla (June 13, 2013). "Part Man, Part God, All Hunk 'Man of Steel' Depicts a Striving Stranger in a Strange Land". The New York Times.
- "American Cinema Editors > Members", webpage archived by WebCite from this original URL on 2008-03-04.
External links
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