The Catcher in the Rye

The Catcher in the Rye is a novel by J. D. Salinger, partially published in serial form in 1945–1946 and as a novel in 1951.[3] It was originally intended for adults, but is often read by adolescents for its themes of angst and alienation, and as a critique on superficiality in society.[4][5] It has been translated widely.[6] Around one million copies are sold each year, with total sales of more than 65 million books.[7] The novel's protagonist Holden Caulfield has become an icon for teenage rebellion.[8] The novel also deals with complex issues of innocence, identity, belonging, loss, connection, sex, and depression.

For other uses, see The Catcher in the Rye (disambiguation).

The Catcher in the Rye
First edition cover
AuthorJ. D. Salinger
Cover artistE. Michael Mitchell[1][2]
CountryUnited States
LanguageEnglish
GenreRealistic fiction
Coming-of-age fiction
PublishedJuly 16, 1951
PublisherLittle, Brown and Company
Media typePrint
Pages234 (may vary)
OCLC287628
813.54

The novel was included on Time Magazine's 2005 list of the 100 best English-language novels written since 1923,[9] and it was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century.[10][11][12] In 2003, it was listed at number 15 on the BBC's survey The Big Read.

Plot

17-year-old Holden Caulfield lives in an unspecified institution in California after the end of World War II. After his discharge within a month, he intends to go live with his brother D.B., an author and war veteran with whom Holden is angry for becoming a Hollywood screenwriter.

Holden recalls the events of the previous Christmas, beginning at Pencey Preparatory Academy, a boarding school in Pennsylvania. Holden has just learned he won't be allowed back at Pencey after the Christmas break, due to his failing all classes except English. After forfeiting a fencing match in New York by forgetting the equipment on the subway, he goes and says goodbye to his history teacher, Mr. Spencer, who is a well-meaning but long-winded old man. Spencer offers him advice, but he embarrasses Holden by criticizing Holden's history exam.

Back at his dorm, Holden's dorm neighbor, Robert Ackley, who is unpopular among his peers, disturbs Holden with his impolite questioning and mannerisms. Holden, who feels sorry for Ackley, tolerates his presence. Later, Holden agrees to write an English composition for his roommate, Ward Stradlater, who is leaving for a date. Holden and Stradlater normally hang out well together, and Holden admires Stradlater's physique. He is distressed to learn that Stradlater's date is Jane Gallagher, whom Holden had had an infatuation with and feels protective of. That night, Holden decides to go to a Cary Grant comedy with Mal Brossard and Ackley. Since Ackley and Mal had already seen the film, they end up just playing pinball and returning to Pencey. When Stradlater returns hours later, he fails to appreciate the deeply personal composition Holden wrote for him about the baseball glove of Holden's late brother Allie and refuses to say whether he slept with Jane. Enraged, Holden punches him, and Stradlater easily wins the fight. When Holden continues insulting him, Stradlater leaves him lying on the floor with a bloody nose. He goes to Ackley's room, who was already asleep and doesn't give him any attention. Fed up with the "phonies" at Pencey Prep, Holden decides to leave Pencey early and catches a train to New York. Holden intends to stay away from his home until Wednesday when his parents would have received notification of his expulsion. Aboard the train, Holden meets the mother of a wealthy, obnoxious Pencey student, Ernest Morrow, and makes up nice but false stories about her son.

In a taxicab, Holden asks the driver whether the ducks in the Central Park lagoon migrate during winter, a subject he brings up often, but the man barely responds. Holden checks into the Edmont Hotel. He spends an evening dancing with three tourists at the hotel lounge, though he is disappointed that they are unable to hold a conversation. Following an unpromising visit to a nightclub, Holden becomes preoccupied with his internal angst and agrees to have a prostitute named Sunny visit his room. His attitude toward the girl changes when she enters the room and takes off her clothes. Holden, who is a virgin, says he only wants to talk, which makes her annoyed and she leaves. Even though he maintains that he paid her the right amount for her time, she returns with her pimp Maurice and demands more money. Holden insults Maurice, Sunny takes the money from Holden's wallet, and Maurice snaps his fingers on Holden's groin and punches him in the stomach. Afterward, Holden imagines that he has been shot by Maurice, and pictures murdering him with an automatic pistol.

The next morning, Holden, becoming increasingly depressed and in need of personal connection, calls Sally Hayes, a familiar date. Although Holden claims that she is "the queen of all phonies," they agree to meet that afternoon to attend a play at the Biltmore Theater. Holden shops for a special record, "Little Shirley Beans", for his 10-year-old sister Phoebe. He spots a small boy singing "If a body catch a body coming through the rye," which lifts his mood. After the play, Holden and Sally go ice skating at Rockefeller Center, where Holden suddenly begins ranting against society and frightens Sally. He impulsively invites Sally to run away with him that night to live in the wilderness of New England, but she is uninterested in his hastily conceived plan and declines. The conversation turns sour, and the two angrily part ways.

Holden decides to meet his old classmate, Carl Luce, for drinks at the Wicker Bar. Holden annoys Carl, whom Holden suspects of being gay, by insistently questioning him about his sex life. Before leaving, Luce says that Holden should go see a psychiatrist, to better understand himself. After Luce leaves, Holden gets drunk, awkwardly flirts with several adults, and calls an icy Sally. Exhausted and out of money, Holden wanders over to Central Park to investigate the ducks, accidentally breaking Phoebe's record on the way. Nostalgic, he heads home to see his sister Phoebe. He sneaks into his parents' apartment while they are out, and wakes up Phoebe — the only person with whom he seems to be able to communicate his true feelings. Although Phoebe is happy to see Holden, she quickly deduces that he has been expelled, and chastises him for his aimlessness and his apparent disdain for everything. When asked if he cares about anything, Holden shares a selfless fantasy he has been thinking about (based on a mishearing of Robert Burns's Comin' Through the Rye), in which he imagines himself as making a job of saving children running through a field of rye by catching them before they fell off a nearby cliff (a "catcher in the rye").

When his parents return home, Holden slips out and visits his former and much-admired English teacher, Mr. Antolini, who expresses concern that Holden is headed for "a terrible fall". Mr. Antolini advises him to begin applying himself and provides Holden with a place to sleep. Holden is upset when he wakes up to find Mr. Antolini patting his head, which he interprets as a sexual advance. He leaves and spends the rest of the night in a waiting room at Grand Central Station, where he sinks further into despair and expresses regret over leaving Mr. Antolini. He spends most of the morning wandering Fifth Avenue.

Losing hope of finding belonging or companionship in the city, Holden impulsively decides that he will head out west and live a reclusive lifestyle in a log cabin. He decides to see Phoebe at lunchtime to explain his plan and say goodbye. While visiting Phoebe's school, Holden sees graffiti containing the word “fuck” and becomes distressed by the thought of children learning the word's meaning and tarnishing their innocence. When he meets Phoebe at the Metropolitan Museum of Art, she arrives with a suitcase and asks to go with him, even though she was looking forward to acting as Benedict Arnold in a play that Friday. Holden refuses to let her come with him, which upsets Phoebe. He tries to cheer her up by allowing her to skip school and taking her to the Central Park Zoo, but she remains angry. They eventually reach the zoo's carousel, where Phoebe reconciles with Holden after he buys her a ticket. Holden is finally filled with happiness and joy at the sight of Phoebe riding the carousel.

Holden finally alludes to encountering his parents that night and "getting sick", mentioning that he will be attending another school in September. Holden says that he doesn't want to tell anything more, because talking about them has made him find himself missing his former classmates.

History

Various older stories by Salinger contain characters similar to those in The Catcher in the Rye. While at Columbia University, Salinger wrote a short story called "The Young Folks" in Whit Burnett's class; one character from this story has been described as a "thinly penciled prototype of Sally Hayes". In November 1941 he sold the story "Slight Rebellion off Madison", which featured Holden Caulfield, to The New Yorker, but it wasn't published until December 21, 1946, due to World War II. The story "I'm Crazy", which was published in the December 22, 1945 issue of Collier's, contained material that was later used in The Catcher in the Rye.

In 1946, The New Yorker accepted a 90-page manuscript about Holden Caulfield for publication, but Salinger later withdrew it.[13]

Writing style

The Catcher in the Rye is narrated in a subjective style from the point of view of Holden Caulfield, following his exact thought processes. There is flow in the seemingly disjointed ideas and episodes; for example, as Holden sits in a chair in his dorm, minor events, such as picking up a book or looking at a table, unfold into discussions about experiences.

Critical reviews affirm that the novel accurately reflected the teenage colloquial speech of the time.[14] Words and phrases that appear frequently include:

  • "Old" – term of familiarity or endearment
  • "Phony" – superficially acting a certain way only to change others’ perceptions
  • "That killed me" – one found that hilarious or astonishing
  • "Flit" – homosexual
  • "Crumbum" or "crumby" – inadequate, insufficient, disappointing
  • "Snowing" – sweet-talking
  • "I got a bang out of that" – one found it hilarious or exciting
  • "Shoot the bull" – have a conversation containing false elements
  • "Give her the time" – sexual intercourse
  • "Necking" – passionate kissing especially on the neck (clothes on)
  • "Chew the fat" or "chew the rag" – small-talk
  • "Rubbering" or "rubbernecks" – idle onlooking/onlookers
  • "The Can" – the bathroom
  • "Prince of a guy" – fine fellow (however often used sarcastically)
  • "Prostitute" – sellout or phony (e.g. in regard to his brother D.B. who is a writer: "Now he's out in Hollywood being a prostitute")

Interpretations

Bruce Brooks held that Holden's attitude remains unchanged at story's end, implying no maturation, thus differentiating the novel from young adult fiction.[15] In contrast, Louis Menand thought that teachers assign the novel because of the optimistic ending, to teach adolescent readers that "alienation is just a phase."[16] While Brooks maintained that Holden acts his age, Menand claimed that Holden thinks as an adult, given his ability to accurately perceive people and their motives. Others highlight the dilemma of Holden's state, in between adolescence and adulthood.[17][18] Holden is quick to become emotional. "I felt sorry as hell for..." is a phrase he often uses. It is often said that Holden changes at the end, when he watches Phoebe on the carousel, and he talks about the golden ring and how it's good for kids to try and grab it.[17]

Peter Beidler, in his A Reader's Companion to J.D. Salinger's "The Catcher in the Rye", identifies the movie that the prostitute "Sunny" refers to. In chapter 13 she says that in the movie a boy falls off a boat. The movie is Captains Courageous (1937), starring Spencer Tracy. Sunny says that Holden looks like the boy who fell off the boat. Beidler shows (page 28) a still of the boy, played by child-actor Freddie Bartholomew.

Each Caulfield child has literary talent. D.B. writes screenplays in Hollywood;[19] Holden also reveres D.B. for his writing skill (Holden's own best subject), but he also despises Hollywood industry-based movies, considering them the ultimate in "phony" as the writer has no space for his own imagination and describes D.B.'s move to Hollywood to write for films as "prostituting himself"; Allie wrote poetry on his baseball glove;[20] and Phoebe is a diarist.[21] This "catcher in the rye" is an analogy for Holden, who admires in children attributes that he often struggles to find in adults, like innocence, kindness, spontaneity, and generosity. Falling off the cliff could be a progression into the adult world that surrounds him and that he strongly criticizes. Later, Phoebe and Holden exchange roles as the "catcher" and the "fallen"; he gives her his hunting hat, the catcher's symbol, and becomes the fallen as Phoebe becomes the catcher.[22]

In their biography of Salinger, David Shields and Shane Salerno argue that: "The Catcher in the Rye can best be understood as a disguised war novel." Salinger witnessed the horrors of World War II, but rather than writing a combat novel, Salinger, according to Shields and Salerno, "took the trauma of war and embedded it within what looked to the naked eye like a coming-of-age novel."[23]

Reception

The Catcher in the Rye has been consistently listed as one of the best novels of the twentieth century. Shortly after its publication, in an article for The New York Times, Nash K. Burger called it "an unusually brilliant novel,"[24] while James Stern wrote an admiring review of the book in a voice imitating Holden's.[25] George H. W. Bush called it a "marvelous book," listing it among the books that have inspired him.[26] In June 2009, the BBC's Finlo Rohrer wrote that, 58 years since publication, the book is still regarded "as the defining work on what it is like to be a teenager."[27] Adam Gopnik considers it one of the "three perfect books" in American literature, along with Adventures of Huckleberry Finn and The Great Gatsby, and believes that "no book has ever captured a city better than Catcher in the Rye captured New York in the fifties."[28] In an appraisal of The Catcher in the Rye written after the death of J.D. Salinger, Jeff Pruchnic says the novel has retained its appeal for many generations. Pruchnic describes Holden as a “teenage protagonist frozen midcentury but destined to be discovered by those of a similar age in every generation to come.”[29] Bill Gates said that The Catcher in the Rye is one of his favorite books.[30]

However, not all reception has been positive. The book has had its share of critics, and many contemporary readers "just cannot understand what the fuss is about". According to Rohrer, who writes, "many of these readers are disappointed that the novel fails to meet the expectations generated by the mystique it is shrouded in. J.D. Salinger has done his part to enhance this mystique. That is to say, he has done nothing."[27] Rohrer assessed the reasons behind both the popularity and criticism of the book, saying that it "captures existential teenage angst" and has a "complex central character" and "accessible conversational style"; while at the same time some readers may dislike the "use of 1940s New York vernacular" and the excessive "whining" of the "self-obsessed character".

Censorship and use in schools

In 1960, a teacher in Tulsa, Oklahoma was fired for assigning the novel in class; however, she was later reinstated.[31] Between 1961 and 1982, The Catcher in the Rye was the most censored book in high schools and libraries in the United States.[32] The book was banned in the Issaquah, Washington high schools in 1978 as being part of an "overall communist plot".[33] In 1981, it was both the most censored book and the second most taught book in public schools in the United States.[34] According to the American Library Association, The Catcher in the Rye was the 10th most frequently challenged book from 1990 to 1999.[10] It was one of the ten most challenged books of 2005,[35] and although it had been off the list for three years, it reappeared in the list of most challenged books of 2009.[36]

The challenges generally begin with Holden's frequent use of vulgar language;[37][38] other reasons includes sexual references,[39] blasphemy, undermining of family values[38] and moral codes,[40] encouragement of rebellion,[41] and promotion of drinking, smoking, lying, promiscuity, and sexual abuse.[40] This book was written for an adult audience in mind, which often forms the foundation of many challengers' arguments against this book.[42] Often the challengers have been unfamiliar with the plot itself.[32] Shelley Keller-Gage, a high school teacher who faced objections after assigning the novel in her class, noted that "the challengers are being just like Holden... They are trying to be catchers in the rye."[38] A Streisand effect has been that this incident caused people to put themselves on the waiting list to borrow the novel, when there was no waiting list before.[43][44]

Violent reactions
Further information: The Catcher in the Rye in popular culture § Shootings

Several shootings have been associated with Salinger's novel, including Robert John Bardo's murder of Rebecca Schaeffer and John Hinckley Jr.'s assassination attempt on Ronald Reagan. Additionally, after fatally shooting John Lennon, Mark David Chapman was arrested with a copy of the book that he had purchased that same day, inside of which he had written: "To Holden Caulfield, From Holden Caulfield, This is my statement".[45][46]

Attempted adaptations

In film

Early in his career, Salinger expressed a willingness to have his work adapted for the screen.[47] In 1949, a critically panned film version of his short story "Uncle Wiggily in Connecticut" was released; renamed My Foolish Heart, the film took great liberties with Salinger's plot and is widely considered to be among the reasons that Salinger refused to allow any subsequent film adaptations of his work.[17][48] The enduring success of The Catcher in the Rye, however, has resulted in repeated attempts to secure the novel's screen rights.[49]

When The Catcher in the Rye was first released, many offers were made to adapt it for the screen, including one from Samuel Goldwyn, producer of My Foolish Heart.[48] In a letter written in the early 1950s, Salinger spoke of mounting a play in which he would play the role of Holden Caulfield opposite Margaret O'Brien, and, if he couldn't play the part himself, to "forget about it." Almost 50 years later, the writer Joyce Maynard definitively concluded, "The only person who might ever have played Holden Caulfield would have been J.D. Salinger."[50]

Salinger told Maynard in the 1970s that Jerry Lewis "tried for years to get his hands on the part of Holden,"[50] the protagonist in the novel which Lewis had not read until he was in his thirties. [43] Film industry figures including Marlon Brando, Jack Nicholson, Tobey Maguire and Leonardo DiCaprio have tried to make a film adaptation.[51] In an interview with Premiere, John Cusack commented that his one regret about turning 21 was that he had become too old to play Holden Caulfield. Writer-director Billy Wilder recounted his abortive attempts to snare the novel's rights:

Of course I read The Catcher in the Rye... Wonderful book. I loved it. I pursued it. I wanted to make a picture out of it. And then one day a young man came to the office of Leland Hayward, my agent, in New York, and said, 'Please tell Mr. Leland Hayward to lay off. He's very, very insensitive.' And he walked out. That was the entire speech. I never saw him. That was J.D. Salinger and that was Catcher in the Rye.[52]

In 1961, Salinger denied Elia Kazan permission to direct a stage adaptation of Catcher for Broadway.[53] Later, Salinger's agents received bids for the Catcher film rights from Harvey Weinstein and Steven Spielberg, neither of which was even passed on to Salinger for consideration.[54]

In 2003, the BBC television program The Big Read featured The Catcher in the Rye, interspersing discussions of the novel with "a series of short films that featured an actor playing J. D. Salinger's adolescent antihero, Holden Caulfield."[53] The show defended its unlicensed adaptation of the novel by claiming to be a "literary review", and no major charges were filed.

After Salinger died in 2010, Phyllis Westberg, who was Salinger's agent at Harold Ober Associates, stated that nothing has changed in terms of licensing film, television, or stage rights of his works.[55] A letter written by Salinger in 1957 revealed that he was open to an adaptation of The Catcher in the Rye released after his death. He wrote: "Firstly, it is possible that one day the rights will be sold. Since there's an ever-looming possibility that I won't die rich, I toy very seriously with the idea of leaving the unsold rights to my wife and daughter as a kind of insurance policy. It pleasures me no end, though, I might quickly add, to know that I won't have to see the results of the transaction." Salinger also wrote that he believed his novel was not suitable for film treatment, and that translating Holden Caulfield's first-person narrative into voice-over and dialogue would be contrived.[56]

In 2020, Don Hahn revealed that Disney had almost made an animated movie titled Dufus which would have been an adaptation of Catcher in the Rye "with German shepherds", most likely akin to Oliver & Company. The idea came from then CEO Michael Eisner who loved the book and wanted to do an adaptation. After being told that J.D. Salinger would not agree to sell the film rights, Eisner stated "Well, let's just do that kind of story, that kind of growing up, coming of age story."[57]

Banned fan fiction

In 2009, the year before he died, Salinger successfully sued to stop the U.S. publication of a novel that presents Holden Caulfield as an old man.[27][58] The novel's author, Fredrik Colting, commented: "call me an ignorant Swede, but the last thing I thought possible in the U.S. was that you banned books".[59] The issue is complicated by the nature of Colting's book, 60 Years Later: Coming Through the Rye, which has been compared to fan fiction.[60] Although commonly not authorized by writers, no legal action is usually taken against fan fiction, since it is rarely published commercially and thus involves no profit.[61]

Main article: The Catcher in the Rye in popular culture
gollark: So is it *specifically* broken for me, then?
gollark: Even weirder! The websocket doesn't show under the network debug thing.
gollark: This is a weird bug.
gollark: Okay, it also can't reach SPUDNET.
gollark: I'll try SPUDNET.

See also

References

Notes
  1. "CalArts Remembers Beloved Animation Instructor E. Michael Mitchell". Calarts.edu. Archived from the original on September 28, 2009. Retrieved January 30, 2010.
  2. "50 Most Captivating Covers". Onlineuniversities.com. Retrieved January 30, 2010.
  3. ""Catcher in the Rye" is published". History.com. November 13, 2009. Retrieved July 16, 2019.
  4. Costello, Donald P., and Harold Bloom. "The Language of "The Catcher in the Rye.." Bloom's Modern Critical Interpretations: The Catcher in the Rye (2000): 11–20. Literary Reference Center. EBSCO. Web. December 1, 2010.
  5. "Carte Blanche: Famous Firsts". Booklist. November 15, 2000. Retrieved December 20, 2007.
  6. Magill, Frank N. (1991). "J.D. Salinger". Magill's Survey of American Literature. New York: Marshall Cavendish Corporation. p. 1803. ISBN 1-85435-437-X.
  7. According to List of best-selling books. An earlier article says more than 20 million: Yardley, Jonathan (October 19, 2004). "J.D. Salinger's Holden Caulfield, Aging Gracelessly". The Washington Post. Retrieved January 21, 2007. It isn't just a novel, it's a dispatch from an unknown, mysterious universe, which may help explain the phenomenal sales it enjoys to this day: about 250,000 copies a year, with total worldwide sales over – probably way over – 10 million.
  8. Merriam-Webster's Dictionary of Allusions By Elizabeth Webber, Mike Feinsilber p.105
  9. Grossman, Lev; Lacayo, Richard (October 16, 2005). "All-Time 100 Novels: The Complete List". Time.
  10. "The 100 most frequently challenged books: 1990–1999". American Library Association. Retrieved August 13, 2009.
  11. List of most commonly challenged books from the list of the one hundred most important books of the 20th century by Radcliffe Publishing Course
  12. Guinn, Jeff (August 10, 2001). "'Catcher in the Rye' still influences 50 years later" (fee required). Erie Times-News. Retrieved December 18, 2007. Alternate URL
  13. Salzman, Jack (1991). New essays on the Catcher in the Rye. Cambridge University Press. p. 3. ISBN 9780521377980.
  14. Costello, Donald P. (October 1959). "The Language of 'The Catcher in the Rye'". American Speech. 34 (3): 172–182. doi:10.2307/454038. JSTOR 454038. Most critics who glared at The Catcher in the Rye at the time of its publication thought that its language was a true and authentic rendering of teenage colloquial speech.
  15. Brooks, Bruce (May 1, 2004). "Holden at sixteen". Horn Book Magazine. Archived from the original on December 21, 2007. Retrieved December 19, 2007.
  16. Menand, Louis (September 27, 2001). "Holden at fifty". The New Yorker. Retrieved December 19, 2007.
  17. Onstad, Katrina (February 22, 2008). "Beholden to Holden". CBC News. Archived from the original on February 25, 2008.
  18. Graham, 33.
  19. Salinger (1969, p. 67)
  20. Salinger (1969, p. 38)
  21. Salinger (1969, p. 160)
  22. Yasuhiro Takeuchi (Fall 2002). "The Burning Carousel and the Carnivalesque: Subversion and Transcendence at the Close of The Catcher in the Rye". Studies in the Novel. 34 (3). pp. 320–337. Retrieved February 26, 2008.
  23. Shields, David; Salerno, Shane (2013). Salinger (Hardcover ed.). Simon & Schuster. p. xvi. ASIN 1476744831. The Catcher in the Rye can best be understood as a disguised war novel. Salinger emerged from the war incapable of believing in the heroic, noble ideals we like to think our cultural institutions uphold. Instead of producing a combat novel, like Norman Mailer, James Jones, and Joseph Heller did, Salinger took the trauma of war and embedded it within what looked to the naked eye like a coming-of-age novel.
  24. Burger, Nash K. (July 16, 1951). "Books of The Times". The New York Times. Retrieved March 18, 2009.
  25. Stern, James (July 15, 1951). "Aw, the World's a Crumby Place". The New York Times. Retrieved March 18, 2009.
  26. "Academy of Achievement – George H. W. Bush". The American Academy of Achievement. Archived from the original on February 13, 1997. Retrieved June 5, 2009.
  27. Rohrer, Finlo (June 5, 2009). "The why of the Rye". BBC News Magazine. BBC. Retrieved June 5, 2009.
  28. Gopnik, Adam. The New Yorker, February 8, 2010, p. 21
  29. Pruchnic, Jeff. "Holden at Sixty: Reading Catcher After the Age of Irony." Critical Insights: ------------The Catcher in The Rye (2011): 49–63. Literary Reference Center. Web. February 2, 2015.
  30. Gates, Bill. "The Best Books I Read in 2013". gatesnotes.com. Retrieved August 7, 2017.
  31. Dutra, Fernando (September 25, 2006). "U. Connecticut: Banned Book Week celebrates freedom". The America's Intelligence Wire. Archived from the original on February 15, 2013. Retrieved December 20, 2007. In 1960 a teacher in Tulsa, Okla. was fired for assigning "The Catcher in the Rye". After appealing, the teacher was reinstated, but the book was removed from the itinerary in the school.
  32. "In Cold Fear: 'The Catcher in the Rye', Censorship, Controversies and Postwar American Character. (Book Review)". Modern Language Review. April 1, 2003. Retrieved December 19, 2007.
  33. Reiff, Raychel Haugrud (2008). J.D. Salinger: The Catcher in the Rye and Other Works. Tarrytown, NY: Marshall Cavendish Corporation. p. 80. ISBN 978-0-7614-2594-6.
  34. Andrychuk, Sylvia (February 17, 2004). "A History of J.D. Salinger's The Catcher in the Rye" (PDF). p. 6. Archived from the original (PDF) on September 28, 2007. During 1981, The Catcher in the Rye had the unusual distinction of being the most frequently censored book in the United States, and, at the same time, the second-most frequently taught novel in American public schools.
  35. ""It's Perfectly Normal" tops ALA's 2005 list of most challenged books". American Library Association. Retrieved March 3, 2015.
  36. "Top ten most frequently challenged books of 2009". American Library Association. Retrieved September 27, 2010.
  37. "Art or trash? It makes for endless, unwinnable debate". The Topeka Capital-Journal. October 6, 1997. Archived from the original on June 6, 2008. Retrieved December 20, 2007. Another perennial target, J.D. Salinger's "Catcher in the Rye," was challenged in Maine because of the "f" word.
  38. Mydans, Seth (September 3, 1989). "In a Small Town, a Battle Over a Book". The New York Times. p. 2. Retrieved December 20, 2007.
  39. MacIntyre, Ben (September 24, 2005). "The American banned list reveals a society with serious hang-ups". The Times. London. Retrieved December 20, 2007.
  40. Frangedis, Helen (November 1988). "Dealing with the Controversial Elements in The Catcher in the Rye". The English Journal. 77 (7): 72–75. doi:10.2307/818945. JSTOR 818945. The foremost allegation made against Catcher is... that it teaches loose moral codes; that it glorifies... drinking, smoking, lying, promiscuity, and more.
  41. Yilu Zhao (August 31, 2003). "Banned, But Not Forgotten". The New York Times. Retrieved December 20, 2007. The Catcher in the Rye, interpreted by some as encouraging rebellion against authority...
  42. "Banned from the classroom: Censorship and The Catcher in the Rye – English and Drama blog". blogs.bl.uk. Retrieved January 30, 2019.
  43. Whitfield, Stephen (December 1997). "Cherished and Cursed: Toward a Social History of The Catcher in the Rye" (PDF). The New England Quarterly. 70 (4): 567–600. doi:10.2307/366646. JSTOR 366646. Archived from the original (PDF) on September 12, 2012. Retrieved November 2, 2012.
  44. J.D. Salinger. Philadelphia: Chelsea House. 2001. pp. 77–105. ISBN 0-7910-6175-2.
  45. Weeks, Linton (September 10, 2000). "Telling on Dad". Amarillo Globe-News. Archived from the original on June 4, 2011. Retrieved February 12, 2011.
  46. Doyle, Aidan (December 15, 2003). "When books kill". Salon.com. Archived from the original on November 5, 2007.
  47. Hamilton, Ian (1988). In Search of J. D. Salinger. New York: Random House. ISBN 0-394-53468-9. p. 75.
  48. Berg, A. Scott. Goldwyn: A Biography. New York: Alfred A. Knopf, 1989. ISBN 1-57322-723-4. p. 446.
  49. See Dr. Peter Beidler's A Reader's Companion to J. D. Salinger's the Catcher in the Rye, Chapter 7.
  50. Maynard, Joyce (1998). At Home in the World. New York: Picador. p. 93. ISBN 0-312-19556-7.
  51. "News & Features". IFILM: The Internet Movie Guide. 2004. Archived from the original on September 6, 2004. Retrieved April 5, 2007.
  52. Crowe, Cameron, ed. Conversations with Wilder. New York: Alfred A. Knopf, 1999. ISBN 0-375-40660-3. p. 299.
  53. McAllister, David (November 11, 2003). "Will J. D. Salinger sue?". The Guardian. London. Retrieved April 12, 2007.
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Bibliography
  • Graham, Sarah (2007). J.D. Salinger's The Catcher in the Rye. Routledge. ISBN 978-0-415-34452-4.
  • Rohrer, Finlo (June 5, 2009). "The why of the Rye". BBC News Magazine. BBC.
  • Salinger, J. D. (1969), The Catcher in the Rye, New York: Bantam

Further reading
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