Radical 64
Radical 64 meaning "hand" is 1 of 34 Kangxi radicals (214 radicals total) composed of 4 strokes.
| 手 | ||
|---|---|---|
| ||
| 手 (U+624B) "hand" | ||
| Pinyin: | shǒu | |
| Bopomofo: | ㄕㄡˇ | |
| Gwoyeu Romatzyh: | shoou | |
| Wade–Giles: | shou3 | |
| Cantonese Yale: | sáu | |
| Jyutping: | sau2 | |
| Pe̍h-ōe-jī: | siú | |
| Kana: | shū, te シュー, て | |
| Kanji: | 手偏 tehen | |
| Hangul: | 손 son | |
| Sino-Korean: | 수 su | |
| Stroke order animation | ||
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In the Kangxi Dictionary, there are 1203 characters (out of 49,030) to be found under this radical. When appearing as a left-side component, this radical is almost always written as扌 (notable exceptions: 拜, although Japanese shinjitai analogizes it to 拝; and dialectal characters 掰, 搿), while it appears as a vertically-compressed 手 when appearing as a bottom component.
Historical forms
Bronze script character
Large Seal Script character
Small Seal Script character
Characters with Radical 64
| strokes | character |
|---|---|
| without additional strokes | 手 扌 才 |
| 1 additional stroke | 扎 |
| 2 additional strokes | 扐 扑 扒 打 扔 払 扖 扏 |
| 3 additional strokes | 扗 托 扙 扚 扛 扜 扝 扞 扟 扠 扡 扢 扣 扤 扥 扦 执 扨 扩 扪 扫 扬 |
| 4 additional strokes | 扭 扮 扯 扰 扱 扲 扳 扴 扵 扶 扷 扸 批 扺 扻 扼 扽 找 承 技 抁 抂 抃 抄 抅 抆 抇 抈 抉 把 抋 抌 抍 抎 抏 抐 抑 抒 抓 抔 投 抖 抗 折 抙 抚 抛 抜 抝 |
| 5 additional strokes | 択 抟 抠 抡 抢 抣 护 报 抦 抧 抨 抩 抪 披 抬 抭 抮 抯 抰 抱 抳 抴 抵 抶 抷 抸 抹 抺 抻 押 抽 抾 抿 拀 拁 拂 拃 拄 担 拆 拇 拈 拉 拊 拋 拌 拍 拎 拏 拐 拑 拒 拓 拔 拕 拖 拗 拘 拙 拚 招 拜 拝 拞 拟 拠 拡 拢 拣 拤 拥 拦 拧 拨 择 |
| 6 additional strokes | 拪 拫 括 拭 拮 拯 拰 拱 拲 拳 拴 拵 拶 拷 拸 拹 拺 拻 拼 拽 拾 拿 挀 持 挂 挃 挄 挅 挆 指 挈 按 挊 挋 挌 挍 挎 挏 挐 挑 挒 挓 挔 挕 挖 挗 挘 挙 挚 挛 挜 挝 挞 挟 挠 挡 挢 挣 挤 挥 挦 挧 |
| 7 additional strokes | 挨 挩 挪 挫 挬 挭 挮 振 挰 挱 挲 挳 挴 挵 挶 挷 挸 挹 挺 挻 挼 挽 挾 挿 捀 捁 捂 捃 捄 捅 捆 捇 捈 捉 捊 捋 捌 捍 捎 捏 捐 捑 捒 捓 捔 捕 捖 捘 捙 捚 捛 捜 捝 捞 损 捠 捡 换 捣 捤 |
| 8 additional strokes | 捗 捥 捦 捧 捨 捩 捪 捫 捬 捭 据 捯 捰 捱 捳 捴 捵 捶 捷 捸 捹 捺 捻 捼 捽 捾 捿 掀 掁 掂 掃 掄 掅 掆 掇 授 掉 掊 掋 掌 掍 掎 掏 掐 掑 排 掓 掔 掕 掖 掗 掘 掙 掚 掛 掜 掝 掞 掟 掠 採 探 掣 掤 接 掦 控 推 掩 措 掫 掬 掭 掮 掯 掰 掱 掲 掳 掴 掵 掶 掷 掸 掹 掺 掼 掽 |
| 9 additional strokes | 捲 掾 掿 揀 揁 揂 揃 揄 揅 揆 揇 揈 揉 揊 揋 揌 揍 揎 描 提 揑 插 揓 揔 揕 揖 揗 揘 揙 揚 換 揜 揝 揞 揟 揠 握 揢 揣 揤 揥 揦 揧 揨 揩 揪 揫 揬 揭 揮 揯 揰 揱 揲 揳 援 揵 揶 揷 揸 揹 揺 揻 揼 揽 揾 揿 搀 搁 搂 搃 搄 搅 |
| 10 additional strokes | 掻 搆 搇 搈 搉 搊 搋 搌 損 搎 搏 搐 搑 搒 搓 搔 搕 搖 搗 搘 搙 搚 搛 搜 搝 搞 搟 搠 搡 搢 搣 搤 搥 搦 搧 搨 搩 搪 搫 搬 搭 搮 搯 搰 搱 搲 搳 搴 搵 搶 搷 搸 搹 携 搻 搼 搽 搾 搿 摀 摁 摂 摃 摄 摅 摆 摇 摈 摉 摊 摸 |
| 11 additional strokes | 抲 摋 摌 摍 摎 摏 摐 摑 摒 摓 摔 摕 摖 摗 摘 摙 摚 摛 摜 摝 摞 摟 摠 摡 摢 摣 摤 摥 摦 摧 摨 摩 摪 摫 摬 摭 摮 摯 摰 摱 摲 摳 摴 摵 摶 摷 摹 摺 摻 摼 摽 摾 摿 撀 撁撂 撃 撄 |
| 12 additional strokes | 撅 撆 撇 撈 撉 撊 撋 撌 撍 撎 撏 撐 撑 撒 撓 撔 撕 撖 撗 撘 撙 撚 撛 撜 撝 撞 撟 撠 撡 撢 撣 撤 撥 撦 撧 撨 撩 撪 撫 撬 播 撮 撯 撰 撱 撲 撳 撴 撵 撶 撷 撸 撹 撺 |
| 13 additional strokes | 撻 撼 撽 撾 撿 擀 擁 擂 擃 擄 擅 擆 擇 擈 擉 擊 擋 擌 操 擎 擏 擐 擑 擒 擓 擔 擕 擖 擗 擘 擙 據 擛 擜 擝 擞 |
| 14 additional strokes | 擟 擠 擡 擢 擣 擤 擥 擦 擧 擨 擩 擪 擫 擬 擭 擮 擯 擰 擱 |
| 15 additional strokes | 擲 擳 擴 擵 擶 擷 擸 擹 擺 擻 擼 擽 擾 擿 攀 攁 攂 攃 攄 攅 攆 |
| 16 additional strokes | 攇 攈 攉 攊 攋 攌 攍 攎 攏 攐 攒 |
| 17 additional strokes | 攑 攓 攔 攕 攖 攗 攘 攙 攚 |
| 18 additional strokes | 攛 攜 攝 |
| 19 additional strokes | 攞 攟 攠 攡 攢 攣 攤 攦 攧 |
| 20 additional strokes | 攥 攨 攩 攪 攫 |
| 21 additional strokes | 攬 攭 |
| 22 additional strokes | 攮 |
Literature
- Fazzioli, Edoardo (1987). Chinese calligraphy : from pictograph to ideogram : the history of 214 essential Chinese/Japanese characters. calligraphy by Rebecca Hon Ko. New York, 1987: Abbeville Press. ISBN 0-89659-774-1.CS1 maint: location (link)
- Lunde, Ken (Jan 5, 2009). "Appendix J: Japanese Character Sets" (PDF). CJKV Information Processing: Chinese, Japanese, Korean & Vietnamese Computing (Second ed.). Sebastopol, Calif.: O'Reilly Media. ISBN 978-0-596-51447-1.
gollark: Conceptual bees?
gollark: No, the person responsible for its *containment* is stopped anomalously by the "narf".
gollark: Did you READ the SCP?
gollark: You cannot SUMMON "big narf".
gollark: > Merely adding the phrase “BIG NARF” to the description of an upcoming event does not cause its cancellation, in significant tests by GCN-12 to date. Only additions of the phrase “BIG NARF” spontaneously by no observed mechanism or party appear to trigger SCP-2939. The phrase “BIG NARF,” then, is currently considered to be a ‘calling card’ for the events rather than a self-propagating memetic hazard in and of itself.
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