Nirvana (band)

Nirvana was an American rock band formed in Aberdeen, Washington, in 1987. Founded by lead singer and guitarist Kurt Cobain and bassist Krist Novoselic, the band went through a succession of drummers before recruiting Dave Grohl in 1990. Characterized by their punk aesthetic, Nirvana's fusion of pop melodies with noise, combined with their themes of abjection and social alienation, made them hugely popular during their short tenure. Their music maintains a popular following and continues to influence modern rock and roll culture.

For other uses, see Nirvana (disambiguation).

Nirvana
From left to right: Kurt Cobain, Krist Novoselic, Dave Grohl.
Background information
OriginAberdeen, Washington, U.S.
Genres
Years active1987–1994
Labels
Associated acts
Websitenirvana.com
Past members See members section for others

In the late 1980s, Nirvana established itself as part of the Seattle grunge scene, releasing its first album, Bleach, for the independent record label Sub Pop in 1989. They developed a sound that relied on dynamic contrasts, often between quiet verses and loud, heavy choruses. After signing to major label DGC Records in 1991, Nirvana found unexpected mainstream success with "Smells Like Teen Spirit", the first single from their landmark second album Nevermind (1991). A cultural phenomenon of the 1990s, the album went on to be certified Diamond by the RIAA.[1] Nirvana's sudden success popularized alternative rock and was credited for ending the dominance of hair metal, while they were also often referenced as the figurehead band of Generation X.

Following extensive tours and the 1992 compilation album Incesticide and EP Hormoaning, Nirvana released their abrasive and less mainstream sounding third studio album, In Utero (1993). The album topped both the American and British album charts, and was widely acclaimed. Nirvana disbanded following Cobain's death in April 1994. Various posthumous releases have been overseen by Novoselic, Grohl, and Cobain's widow Courtney Love. The posthumous live album MTV Unplugged in New York (1994) won Best Alternative Music Performance at the 1996 Grammy Awards.

During their three years as a mainstream act, Nirvana received an American Music Award, Brit Award and Grammy Award, as well as seven MTV Video Music Awards and two NME Awards. By 2009, they had sold over 75 million records worldwide, making them one of the best-selling bands of all time. They achieved five number-one hits on the Billboard Alternative Songs chart and four number-one albums on the Billboard 200. In 2004, Rolling Stone named Nirvana among the greatest artists of all time. They were inducted into the Rock and Roll Hall of Fame in their first year of eligibility in 2014.

History

Formation and early years (1987–1988)

Singer and guitarist Kurt Cobain and bassist Krist Novoselic met while attending Aberdeen High School in Washington state.[2] The pair became friends while frequenting the practice space of the Melvins.[3] Cobain wanted to form a band with Novoselic, but Novoselic did not respond for a long period. Cobain gave him a demo tape of his project Fecal Matter. Three years after the two first met, Novoselic notified Cobain that he had finally listened to the Fecal Matter demo and suggested they start a group. Their first band, the Sellouts, was a Creedence Clearwater Revival tribute band.[4] They recruited Bob McFadden on drums, but after a month the project fell apart.[5] In early 1987, Cobain and Novoselic recruited drummer Aaron Burckhard.[6] They practiced material from Cobain's Fecal Matter tape but started writing new material soon after forming.[7]

The wordmark logo of Nirvana

During its initial months, the band went through a series of names, including Fecal Matter, Skid Row and Ted Ed Fred. The group settled on Nirvana because, according to Cobain, "I wanted a name that was kind of beautiful or nice and pretty instead of a mean, raunchy punk name like the Angry Samoans".[8] Novoselic and Cobain moved to Tacoma and Olympia, Washington respectively. They temporarily lost contact with Burckhard, and instead practiced with Dale Crover of the Melvins. Nirvana recorded its first demos in January 1988.[9]

In early 1988, Crover moved to San Francisco but recommended Dave Foster as his replacement on drums.[10] Foster's tenure with Nirvana lasted only a few months; during a stint in jail, he was replaced by Burckhard, who again departed after telling Cobain he was too hungover to practice one day.[11] Cobain and Novoselic put an ad seeking a replacement drummer in The Rocket, a Seattle music publication, but received no satisfactory responses. Meanwhile, a mutual friend introduced them to drummer Chad Channing, and the three musicians agreed to jam together. Channing continued to jam with Cobain and Novoselic; however, by Channing's own account, "They never actually said 'okay, you're in.'" Channing played his first show with Nirvana in May 1988.[12]

Early releases (1988–1990)

Nirvana released its first single, a cover of Shocking Blue's "Love Buzz", in November 1988 on the Seattle independent record label Sub Pop.[13] They did their first ever interview with John Robb in Sounds, which made their release its single of the week. The following month, the band began recording its debut album, Bleach, with local producer Jack Endino.[14] Bleach was influenced by the heavy dirge-rock of the Melvins and the 1980s punk rock of Mudhoney, as well as the 1970s heavy metal of Black Sabbath.[15] The money for the recording sessions for Bleach, listed as $606.17 on the album sleeve, was supplied by Jason Everman, who was subsequently brought into the band as the second guitarist. Though Everman did not play on the album, he received a credit on Bleach because, according to Novoselic, they "wanted to make him feel more at home in the band".[16] Just prior to the album's release, Nirvana became the first band to sign an extended contract with Sub Pop.[17]

Bleach was released in June 1989, and became a favorite of college radio stations. After the album's release Nirvana embarked on its first national tour,[18][19] but ended up canceling the last few dates and returning to Washington state due to increasing differences with Everman. No one told Everman he was fired; Everman later said he had actually quit.[20] Although Sub Pop did not promote Bleach as much as other releases, it was a steady seller,[21] and had initial sales of 40,000 copies.[22] However, Cobain was upset by the label's lack of promotion and distribution for the album.[21] In late 1989, the band recorded the Blew EP with producer Steve Fisk.[23] In an interview around that time with John Robb in Sounds, Cobain commented that the band's music was changing, saying "The early songs were really angry... But as time goes on the songs are getting poppier and poppier as I get happier and happier. The songs are now about conflicts in relationships, emotional things with other human beings".[24]

Grohl performing in 1989

In April 1990, Nirvana began working on their next album with producer Butch Vig at Smart Studios in Madison, Wisconsin.[25] Cobain and Novoselic became disenchanted with Channing's drumming, and Channing expressed frustration at not being involved in songwriting. As bootlegs of Nirvana demos with Vig began to circulate in the music industry and draw attention from major labels, Channing left the band.[26] That July, Nirvana recorded the single "Sliver" with Mudhoney drummer Dan Peters.[27] Dale Crover filled in on drums on Nirvana's seven-date American West Coast tour with Sonic Youth that August.[28]

In September 1990, Buzz Osborne of the Melvins introduced the band to drummer Dave Grohl, whose Washington, D.C. band Scream had broken up.[29] Grohl auditioned for Novoselic and Cobain days after arriving in Seattle; Novoselic later said, "We knew in two minutes that he was the right drummer."[30] Grohl told Q :"I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?' Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'."[31]

Mainstream breakthrough (1991–1992)
Cobain (left) and Grohl (middle) being interviewed by WFNX's Kurt St. Thomas (right) in 1991

Disenchanted with Sub Pop and with the Smart Studios sessions generating interest, Nirvana decided to look for a deal with a major record label since no indie label could buy the group out of its contract.[32] Cobain and Novoselic consulted Soundgarden and Alice in Chains manager Susan Silver for advice.[33][34] They met Silver in Los Angeles and she introduced them to agent Don Muller and music business attorney Alan Mintz, who was specialized in finding deals for new bands. Mintz started sending out Nirvana's demo tape to major labels looking for deals.[33][34] Following repeated recommendations by Sonic Youth's Kim Gordon, Nirvana signed to DGC Records in 1990.[35] When Nirvana was inducted into the Rock and Roll Hall of Fame in 2014, Novoselic thanked Silver during his speech for "introducing them to the music industry properly".[36]

After signing, the band began recording its first major label album, Nevermind. The group was offered a number of producers, but held out for Vig.[37] Rather than record at Vig's Madison studio as they had in 1990, production shifted to Sound City Studios in Van Nuys, Los Angeles, California. For two months, the band worked through a variety of songs. Some, such as "In Bloom" and "Breed", had been in Nirvana's repertoire for years, while others, including "On a Plain" and "Stay Away", lacked finished lyrics until midway through the recording process.[38] After the recording sessions were completed, Vig and the band set out to mix the album. However, the recording sessions had run behind schedule and the resulting mixes were deemed unsatisfactory. Slayer mixer Andy Wallace was brought in to create the final mix. After the album's release, members of Nirvana expressed dissatisfaction with the polished sound the mixer had given Nevermind.[39]

Announcement from the band encouraging people to participate in the making of the music video for "Smells Like Teen Spirit".

Initially, DGC Records was hoping to sell 250,000 copies of Nevermind, the same they had achieved with Sonic Youth's Goo.[40] However, the first single "Smells Like Teen Spirit" quickly gained momentum, boosted by major airplay of the music video on MTV. As it toured Europe during late 1991, the band found that its shows were dangerously oversold, that television crews were becoming a constant presence onstage, and that "Smells Like Teen Spirit" was almost omnipresent on radio and music television.[41] By Christmas 1991, Nevermind was selling 400,000 copies a week in the US.[42] In January 1992, the album displaced Michael Jackson's Dangerous at number one on the Billboard album charts, and topped the charts in numerous other countries.[43] The month Nevermind reached number one, Billboard proclaimed, "Nirvana is that rare band that has everything: critical acclaim, industry respect, pop radio appeal, and a rock-solid college/alternative base."[44] The album eventually sold over seven million copies in the United States[45] and over 30 million worldwide.[46] Nirvana's sudden success was credited for popularizing alternative rock and ending the dominance of hair metal.[47]

Bikini Kill's Kathleen Hanna, Sub Pop's founder Bruce Pavitt, Novoselic and Earth's Dylan Carlson at the Paramount Theatre on October 31, 1991

Citing exhaustion, Nirvana decided not to undertake another American tour in support of Nevermind, instead opting to make only a handful of performances later that year.[48] In March 1992, Cobain sought to reorganize the group's songwriting royalties (which to this point had been split equally) to better represent that he wrote the majority of the music. Grohl and Novoselic did not object, but when Cobain wanted the agreement to be retroactive to the release of Nevermind, the disagreements between the two sides came close to breaking up the band. After a week of tension, Cobain received a retroactive share of 75 percent of the royalties. Bad feelings about the situation remained within the group afterward.[49]

Amid rumors that the band was disbanding due to Cobain's health, Nirvana headlined the closing night of England's 1992 Reading Festival. Cobain personally programmed the performance lineup.[50] Nirvana's performance at Reading is often regarded by the press as one of the most memorable of the group's career.[51][52] A few days later, Nirvana performed at the MTV Video Music Awards; despite the network's refusal to let the band play the new song "Rape Me", Cobain strummed and sang the first few bars of the song before breaking into "Lithium". The band received awards for the Best Alternative Video and Best New Artist categories.[53]

DGC had hoped to have a new Nirvana album ready for a late 1992 holiday season; instead, it released the compilation album Incesticide in December 1992.[54] A joint venture between DGC and Sub Pop, Incesticide collected various rare Nirvana recordings and was intended to provide the material for a better price and at quality bootlegs.[55] As Nevermind had been out for 15 months and had yielded a fourth single in "In Bloom" by that point, Geffen/DGC opted not to heavily promote Incesticide, which was certified gold by the Recording Industry Association of America the following February.[56]

In Utero, final months, and Cobain's death (1993–1994)
See also: Suicide of Kurt Cobain

In February 1993, Nirvana released "Puss"/"Oh, the Guilt", a split single with The Jesus Lizard, on the independent label Touch & Go.[54] Meanwhile, the group chose Steve Albini, who had a reputation as a principled and opinionated individual in the American indie music scene, to record its third album. While there was speculation that the band chose Albini to record the album due to his underground credentials,[57] Cobain insisted that Albini's sound was simply the one he had always wanted Nirvana to have: a "natural" recording without layers of studio trickery.[58] Nirvana traveled to Pachyderm Studio in Cannon Falls, Minnesota, in that February to record the album.[59] The sessions with Albini were productive and quick, and the album was recorded and mixed in two weeks for $25,000.[60]

Several weeks after the completion of the recording sessions, stories ran in the Chicago Tribune and Newsweek that quoted sources claiming DGC considered the album "unreleasable".[61] As a result, fans began to believe that the band's creative vision might be compromised by their label.[62] While the stories about DGC shelving the album were untrue, the band actually was unhappy with certain aspects of Albini's mixes; they thought the bass levels were too low,[63] and Cobain felt that "Heart-Shaped Box" and "All Apologies" did not sound "perfect".[64] Longtime R.E.M. producer Scott Litt was called in to remix these two songs, with Cobain adding additional instrumentation and backing vocals.[65]

Cobain's house in Seattle where he was found dead in April 1994

In Utero topped both the American and British album charts.[66] Time's Christopher John Farley wrote in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana".[67] In Utero went on to sell over 5 million copies in the United States.[45] That October, Nirvana embarked on its first tour of the United States in two years with support from Half Japanese and the Breeders.[68] For the tour, the band added Pat Smear of the punk rock band Germs as a second guitarist.[69]

In November, Nirvana recorded a performance for the television program MTV Unplugged. Augmented by Smear and cellist Lori Goldston, the band broke convention for the show by choosing not to play their most recognizable songs. Instead, they performed several covers, and invited Cris and Curt Kirkwood of the Meat Puppets to join them for renditions of three Meat Puppets songs.[70]

In early 1994, Nirvana embarked on a European tour. Nirvana's final concert took place in Munich, Germany, on March 1. In Rome, on the morning of March 4, Cobain's wife, Courtney Love, found Cobain unconscious in their hotel room and he was rushed to the hospital. Cobain had reacted to a combination of prescribed Rohypnol and alcohol. The rest of the tour was cancelled.[71] In the ensuing weeks, Cobain's heroin addiction resurfaced. Following an intervention, Cobain was convinced to admit himself into drug rehabilitation. After less than a week, he left the rehabilitation facility and returned to Seattle. One week later, on April 8, 1994, Cobain was found dead of a self-inflicted shotgun wound at his home in the Denny-Blaine neighborhood of the city.[72]

Aftermath and posthumous releases (1994–present)
Touring guitarist, former Germs member, and Foo Fighters member Pat Smear performed with the surviving members of Nirvana several times in the 2010s.

In August 1994, DGC announced a double album, Verse Chorus Verse, comprising live material from throughout Nirvana's career, including its MTV Unplugged performance.[54] However, Novoselic and Grohl found assembling the material so soon after Cobain's death emotionally overwhelming, and the album was canceled.[73] Instead, in November, DGC released the MTV Unplugged performance as MTV Unplugged in New York; it debuted at number one on the Billboard charts, and earned Nirvana a Grammy Award for Best Alternative Music Album. It was followed by Nirvana's first full-length live video, Live! Tonight! Sold Out!!.[54][74] In 1996, the live album From the Muddy Banks of the Wishkah became the third consecutive Nirvana release to debut at the top of the Billboard album chart.[54]

Grohl founded a new band, Foo Fighters, and Novoselic turned his attention to political activism.[54] In 1997, Novoselic, Grohl, and Love formed the limited liability company Nirvana LLC to oversee all Nirvana-related projects.[75] A 45-track box set of Nirvana rarities was scheduled for release in October 2001.[76] However, shortly before the release date, Love filed a suit to dissolve Nirvana LLC, and an injunction was issued preventing the release of any new Nirvana material until the case was resolved.[77] Love contended that Cobain was the band, that Grohl and Novoselic were sidemen, and that she had signed the partnership agreement originally under bad advice. Grohl and Novoselic countersued, asking the court to remove Love from the partnership and to replace her with another representative of Cobain's estate.[76]

The day before the case was set to go to trial in October 2002, Love, Novoselic, and Grohl announced that they had reached a settlement. The next month, the best-of compilation Nirvana was released, featuring the previously unreleased track "You Know You're Right", the last song Nirvana recorded before Cobain's death.[78] It debuted at number three on the Billboard album chart.[79] The box set, With the Lights Out, was finally released in November 2004. The release contained early Cobain demos, rough rehearsal recordings, and live tracks recorded throughout the band's history. An album of selected tracks from the box set, Sliver: The Best of the Box, was released in late 2005.[80]

Krist Novoselic in 2011

In April 2006, Love announced that she was selling 25 percent of her stake in the Nirvana song catalog in a deal estimated at $50 million. The share of Nirvana's publishing was purchased by Primary Wave Music, which was founded by Larry Mestel, a former CEO of Virgin Records. Love sought to assure Nirvana's fanbase that the music would not simply be licensed to the highest bidder: "We are going to remain very tasteful and true to the spirit of Nirvana while taking the music to places it has never been before".[81] Further releases have included the DVD releases of Live! Tonight! Sold Out!! in 2006,[82] and the full version of MTV Unplugged in New York in 2007.[83] In November 2009, Nirvana's performance at the 1992 Reading Festival was released on CD and DVD as Live at Reading,[84] alongside a deluxe 20th-anniversary edition of Bleach.[85] DGC released a number of 20th anniversary deluxe-edition packages of Nevermind in September 2011[86] and In Utero in September 2013.[87]

In 2012, Grohl, Novoselic, and Smear joined Paul McCartney at 12-12-12: The Concert for Sandy Relief.[88] The performance featured the premiere of a new song written by the four, "Cut Me Some Slack". A studio recording was released on the soundtrack to Sound City, a film by Grohl.[89][90] On July 19, 2013, they played with McCartney again during the encore of his Safeco Field "Out There" concert in Seattle, the first time Nirvana members had played together in their hometown in over 15 years.[91][92]

In 2014, Cobain, Novoselic, and Grohl were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, Novoselic, Grohl and Smear performed a four-song set with guest vocalists Joan Jett, Kim Gordon, St. Vincent, and Lorde.[93][94] Novoselic, Grohl, and Smear then performed a full show at Brooklyn's St. Vitus Bar with Jett, Gordon, St. Vincent, J Mascis, and John McCauley as guest vocalists.[95] At the ceremony, Grohl thanked Burckhard, Crover, Peters and Channing for their time in Nirvana. Everman also attended.[96]

At Clive Davis' annual pre-Grammy party in 2016, the surviving members of Nirvana reunited to perform the David Bowie song "The Man Who Sold the World", which Nirvana covered in their MTV Unplugged performance. Beck accompanied them on acoustic guitar and lead vocals.[97] In October 2018, Novoselic and Grohl reunited during the finale of the Cal Jam festival at Glen Helen Amphitheater in San Bernardino County, California, joined by guest vocalists John McCauley and Joan Jett.[98] On June 25, 2019, The New York Times Magazine listed Nirvana among hundreds of artists whose material was destroyed in the 2008 Universal fire.[99] In January 2020, Novoselic and Grohl reunited for a performance at a benefit for The Art of Elysium at the Hollywood Palladium, joined by Beck, St Vincent, and Grohl's daughter Violet Grohl.[100][101]

Musical style

Cobain described Nirvana's initial sound as "a Gang of Four and Scratch Acid ripoff".[55] When Nirvana recorded Bleach, Cobain felt he had to fit the expectations of the Sub Pop grunge sound to build a fanbase, and suppressed his arty and pop songwriting in favor of a more rock sound.[103] Nirvana biographer Michael Azerrad argued, "Ironically, it was the restrictions of the Sub Pop sound that helped the band find its musical identity." Azerrad stated that by acknowledging that they had grown up listening to Black Sabbath and Aerosmith, they had been able to move on from their derivative early sound.[104]

Nirvana used dynamic shifts that went from quiet to loud.[63] Cobain sought to mix heavy and pop musical sounds, saying, "I wanted to be totally Led Zeppelin in a way and then be totally extreme punk rock and then do real wimpy pop songs." When Cobain heard the Pixies' 1988 album Surfer Rosa after recording Bleach, he felt it had the sound he wanted to achieve but had been too intimidated to try. The Pixies' subsequent popularity encouraged Cobain to follow his instincts as a songwriter.[105] Like the Pixies, Nirvana moved between "spare bass-and-drum grooves and shrill bursts of screaming guitar and vocals".[106] Near the end of his life, Cobain said the band had become bored of the "limited" formula, but expressed doubt that they were skilled enough to try other dynamics.[63]

Cobain's rhythm guitar style, which relied on power chords, low-note riffs, and a loose left-handed technique, featured the key components to the band's songs. Cobain would often initially play a song's verse riff in a clean tone, then double it with distorted guitars when he repeated the part. In some songs the guitar would be absent from the verses entirely to allow the drums and bass guitar to support the vocals, or it would only play sparse melodies like the two-note pattern used in "Smells Like Teen Spirit". Cobain rarely played standard guitar solos, opting to play variations of the song's melody as single note lines. Cobain's solos were mostly blues-based and discordant, which music writer Jon Chappell described as "almost an iconoclastic parody of the traditional instrumental break", a quality typified by the note-for-note replication of the lead melody in "Smells Like Teen Spirit" and the atonal solo for "Breed".[102] The band had no formal musical training; Cobain said: "I have no concept of knowing how to be a musician at all what-so-ever... I couldn't even pass Guitar 101".[107]

Grohl's drumming "took Nirvana's sound to a new level of intensity".[108] Azerrad stated that Grohl's "powerful drumming propelled the band to a whole new plane, visually as well as musically", noting, "Although Dave is a merciless basher, his parts are also distinctly musical—it wouldn't be difficult to figure out what song he was playing even without the rest of the music".[109]

From 1992, Cobain and Novoselic would tune their guitars to E flat for studio and live performances (until then, their live tunings were to concert pitch).[110] Cobain noted, "We play so hard we can't tune our guitars fast enough".[111] The band made a habit of destroying its equipment after shows. Novoselic said he and Cobain created the "shtick" in order to get off of the stage sooner.[112] Cobain stated it began as an expression of his frustration with previous drummer Channing making mistakes and dropping out entirely during performances.[113]

Songwriting and lyrics

Everett True said in 1989, "Nirvana songs treat the banal and pedestrian with a unique slant".[114] Cobain came up with the basic components of each song (usually writing them on an acoustic guitar), as well as the singing style and the lyrics. He emphasized that Novoselic and Grohl "have a big part in deciding on how long a song should be and how many parts it should have. So I don't like to be considered the sole songwriter".[115] When asked which part of the songs he would write first, Cobain responded, "I don’t know. I really don't know. I guess I start with the verse and then go into the chorus".[63]

Cobain usually wrote lyrics for songs minutes before recording them.[115] Cobain said, "When I write a song the lyrics are the least important subject. I can go through two or three different subjects in a song and the title can mean absolutely nothing at all".[116] Cobain told Spin in 1993 that he "didn't give a flying fuck" what the lyrics on Bleach were about, figuring "Let's just scream some negative lyrics and as long as they're not sexist and don't get too embarrassing it'll be okay", while the lyrics to Nevermind were taken from two years of poetry he had accumulated, which he cut up and chose lines he preferred from. In comparison, Cobain stated that the lyrics to In Utero were "more focused, they're almost built on themes".[117] Cobain didn't write necessarily in a linear fashion, instead relying on juxtapositions of contradictory images to convey emotions and ideas. Often in his lyrics, Cobain would present an idea then reject it; the songwriter explained, "I'm such a nihilistic jerk half the time and other times I'm so vulnerable and sincere [.. The songs are] like a mixture of both of them. That's how most people my age are".[118]

Legacy
See also: Alternative rock: Popularization in the 1990s
Nirvana memorabilia at EMP Museum in Seattle, Washington

Characterized by their punk aesthetic, Nirvana often fused pop melodies with noise.[66] Combined with their themes of abjection and alienation, the band became hugely popular during their short tenure.[119] Stephen Thomas Erlewine wrote that prior to Nirvana, "alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off". Following the release of Nevermind, "nothing was ever quite the same, for better and for worse".[120] The success of Nevermind not only popularized grunge, but also established "the cultural and commercial viability of alternative rock in general".[121] While other alternative bands had hits before, Nirvana "broke down the doors forever", according to Erlewine. Erlewine further stated that Nirvana's breakthrough "didn't eliminate the underground", but rather "just gave it more exposure".[122] Erlewine also stated that Nirvana's breakthrough "popularized so-called 'Generation X' and 'slacker' culture".[122] Immediately following Cobain's death, numerous headlines referred to Nirvana's frontman as "the voice of a generation", although he had rejected such labeling during his lifetime.[123]

In 1992, Jon Pareles of The New York Times reported that Nirvana's breakthrough had made others in the alternative scene impatient for achieving similar success, noting, "Suddenly, all bets are off. No one has the inside track on which of dozens, perhaps hundreds, of ornery, obstreperous, unkempt bands might next appeal to the mall-walking millions". Record company executives offered large advances and record deals to bands, and previous strategies of building audiences for alternative rock groups had been replaced by the opportunity to achieve mainstream popularity quickly.[124]

Nirvana didn't invent alternative rock, but they were one of the bands foremost in bringing it to the masses. The Seattle trio had an unmistakeable sound - a genius blend of Kurt Cobain's raspy voice and gnashing guitars, Dave Grohl's relentless drumming and Krist Novoselic's uniting bass-work that connected with fans in a hail of alternately melodic and hard-charging songs that would become signature classics. – Billboard magazine[125]

Michael Azerrad argued in his Nirvana biography Come as You Are: The Story of Nirvana (1993) that Nevermind marked an epochal generational shift in music similar to the rock-and-roll explosion in the 1950s and the end of the baby boomer generation's dominance of the musical landscape. Azerrad wrote, "Nevermind came along at exactly the right time. This was music by, for, and about a whole new group of young people who had been overlooked, ignored, or condescended to."[126] Regarding the success of Nevermind, Fugazi frontman Guy Picciotto said: "It was like our record could have been a hobo pissing in the forest for the amount of impact it had ... It felt like we were playing ukuleles all of a sudden because of the disparity of the impact of what they did."[127]

Nirvana is one of the best-selling bands of all time, having sold over 75 million records worldwide.[128] With over 25 million RIAA-certified units, the band is also the 80th-best-selling music artist in the United States.[129] The band have achieved ten top 40 hits on the Billboard Alternative Songs chart, including five No. 1's.[130] Two of the band's studio albums and two of their live albums have reached the top spot on the Billboard 200.[131] Nirvana has been awarded one Diamond, three Multi-Platinum, seven Platinum and two Gold certified albums in the United States by the RIAA,[132] and four Multi-Platinum, four Platinum, two Gold and one Silver certified albums in the UK by the BPI.[133] Nevermind, the band's most successful album, has sold over 30 million copies worldwide, making it one of the best-selling albums ever.[134] Their most successful song, "Smells Like Teen Spirit", is among the best-selling singles of all time, having sold 8 million copies.[135]

Awards and accolades
Main article: List of awards and nominations received by Nirvana

Since its breakup, Nirvana has continued to receive acclaim. In 2003, they were selected as one of the inductees of the Mojo Hall of Fame 100.[136] The band also received a nomination in 2004 from the UK Music Hall of Fame for the title of "Greatest Artist of the 1990s".[137] Rolling Stone placed Nirvana at number 27 on their list of the "100 Greatest Artists of All Time" in 2004,[138] and at number 30 on their updated list in 2011.[139] In 2003, the magazine's senior editor David Fricke picked Kurt Cobain as the 12th best guitarist of all time.[140] Rolling Stone later ranked Cobain as the 45th greatest singer in 2008[141] and 73rd greatest guitarist of all time in 2011.[142] VH1 ranked Nirvana as the 42nd greatest artists of rock and roll in 1998,[143] the 7th greatest hard rock artists in 2000,[144] and the 14th greatest artists of all time in 2010.[145]

Nirvana's contributions to music have also received recognition. The Rock and Roll Hall of Fame has inducted two of Nirvana's recordings, "Smells Like Teen Spirit" and "All Apologies", into its list of "The Songs That Shaped Rock and Roll".[146] The museum also ranked Nevermind number 10 on its "The Definitive 200 Albums of All Time" list in 2007.[147] In 2005, the Library of Congress added Nevermind to the National Recording Registry, which collects "culturally, historically or aesthetically important" sound recordings from the 20th century.[148] In 2011, four of Nirvana's songs appeared on Rolling Stone's updated list of "The 500 Greatest Songs of All Time", with "Smells Like Teen Spirit" ranking the highest at number 9.[149] Three of the band's albums were ranked on the magazine's 2012 list of "The 500 Greatest Albums of All Time", with Nevermind placing the highest at number 17.[150] The same three Nirvana albums were also placed on Rolling Stone's 2011 list of "The 100 Best Albums of the Nineties", with Nevermind ranking the highest at number 1, making it the greatest album of the decade.[151] Time included Nevermind on its list of "The All-TIME 100 Albums" in 2006, labeling it "the finest album of the 1990s".[152] In 2011, the magazine also added "Smells Like Teen Spirit" on its list of "The All-TIME 100 Songs",[153] and "Heart-Shaped Box" on its list of "The 30 All-TIME Best Music Videos".[154]

Nirvana was announced in their first year of eligibility as being part of the 2014 class of inductees into the Rock and Roll Hall of Fame on December 17, 2013. The induction ceremony was held April 10, 2014, in Brooklyn, New York, at the Barclays Center.[155] However, Channing, who was informed of his omission by SMS, was not included in the induction, as the accolade was only applied to Cobain, Novoselic and Grohl.[156]

Personnel

Timeline

Discography
Main articles: Nirvana discography and list of songs
Further information: Nirvana bootleg recordings
gollark: +>markov 160279332454006795 5
gollark: +>markov 160279332454006795 5
gollark: +>markov 160279332454006795 5
gollark: +>markov 160279332454006795 5
gollark: +>markov 160279332454006795 5

See also

Notes
  1. Hall, James (September 24, 2016). "Nevermind at 25: how Nirvana's 1991 album changed the cultural landscape". The Telegraph. ISSN 0307-1235. Retrieved December 2, 2019.
  2. Azerrad, 1994. p. 209
  3. Azerrad, 1994. p. 36
  4. "Everybody Loves John Fogerty". NPR. September 4, 2013. Retrieved January 4, 2020.
  5. Azerrad, 1994. p. 44–5
  6. Azerrad, 1994. p. 57
  7. Azerrad, 1994. p. 58
  8. Azerrad, 1994. p. 61–2
  9. Azerrad, 1994. p. 67–8
  10. Azerrad, 1994. p. 73
  11. Azerrad, 1994. p. 76–7
  12. Azerrad, 1994. p. 79
  13. Azerrad, 1994. p. 85
  14. Azerrad, 1994. p. 90–1
  15. Fricke, David. "Krist Novoselic". Rolling Stone. September 13, 2001.
  16. Azerrad, 1994. p. 91–2
  17. Azerrad, 1994. p. 110–11
  18. Azerrad, 1994. p. 111
  19. Young, Charles; O'Donnell, Kevin. "Nirvana: Album guide" Archived July 4, 2014, at the Wayback Machine. Rolling Stone. April 11, 2010. Retrieved February 21, 2011.
  20. Azerrad, 1994. p. 115–20
  21. Azerrad, 1994. p. 134
  22. Price, David J. Nirvana's 'Bleach' Turns 20, New Live Recording Coming. Billboard. August 4, 2009. Retrieved January 28, 2011. According to the source, Bleach has now sold 1.7 million copies in the United States.
  23. Azerrad, 1994. p. 123
  24. Robb, John. "White Heat". Sounds. October 21, 1989
  25. Azerrad, 1994. p. 137
  26. Azerrad, 1994. p. 138–39
  27. Azerrad, 1994. p. 142
  28. Azerrad, 1994. p. 141
  29. Azerrad, 1994. p. 151
  30. Azerrad, 1994. p. 154
  31. Q, October 2010
  32. Azerrad, 1994. p. 136–37
  33. Everett True (March 13, 2007). "Nirvana: The Biography". Da Capo Press. pp. 191–192.
  34. Cross, Charles R. (August 15, 2001). Heavier Than Heaven. New York City: Hyperion Books. pp. 486–488. ISBN 0-7868-6505-9.
  35. Azerrad, 1994. p. 162
  36. "Read Nirvana's Rock and Roll Hall of Fame Acceptance Speech". Rolling Stone. April 11, 2014.
  37. Azerrad, 1994. p. 164–65
  38. Azerrad, 1994. pp. 176–77
  39. Azerrad, 1994. pp. 179–80
  40. Wice, Nathaniel. "How Nirvana Made It". Spin. April 1993.
  41. Azerrad, 1994. p. 203
  42. Lyons, James. Selling Seattle: Representing Contemporary Urban America. Wallflower, 2004. ISBN 1-903364-96-5, p. 120
  43. Azerrad, 1994. p. 239
  44. "Nirvana Achieves Chart Perfection!" Billboard. January 25, 1992.
  45. Basham, David. "Got Charts? No Doubt's Christmas Gift; Nirvana Ain't No Beatles". MTV.com. December 20, 2001. Retrieved August 20, 2011.
  46. "Nirvana's 'Nevermind' To Be Re-Released". Billboard.com. June 27, 2011. Retrieved January 12, 2012.
  47. Cameron, Keith (June 11, 2011). "Nirvana kill hair metal". The Guardian. ISSN 0261-3077. Retrieved June 19, 2020.
  48. Azerrad, 1994. p. 256
  49. Azerrad, 1994. p. 257–58
  50. Azerrad, 1994. p. 271
  51. "Nirvana's Reading Festival gig to be released on DVD". NME. April 20, 2009. Retrieved August 23, 2010.
  52. "Nirvana headline Reading Festival". BBC Online. Retrieved August 23, 2010.
  53. Azerrad, 1994. p. 276–78
  54. Gaar, Gillian G. "Verse Chorus Verse: The Recording History of Nirvana". Goldmine. February 14, 1997.
  55. Azerrad, 1994. p. 294
  56. Azerrad, 1994. p. 296
  57. DeRogatis, 2003. p. 5–6
  58. Azerrad, 1994. p. 317
  59. Gaar, 2006. p. 40
  60. DeRogatis, 2003. p. 4
  61. DeRogatis, 2003. p. 17
  62. Azerrad, 1994. p. 332
  63. Fricke, David. "Kurt Cobain: The Rolling Stone Interview". Rolling Stone. January 27, 1994.
  64. Azerrad, 1994. p. 336–37
  65. Azerrad, 1994. p. 338
  66. "Nirvana | Biography & History". AllMusic. Retrieved June 19, 2020.
  67. Farley, Christopher John. "To The End Of Grunge". Time. September 20, 1993. Retrieved August 23, 2010.
  68. "FEATURE: Jad Fair: The Half Japanese interview | Features". Caught in the Crossfire. November 28, 2014. Retrieved March 14, 2016.
  69. Azerrad, 1994. p. 352
  70. Di Perna, Alan. "Behind Unplugged". Guitar World. March 1995.
  71. Sanz, Cynthia. "Hardly Nirvana". People. March 21, 1994. Retrieved October 2, 2010.
  72. Heard, Chris. "Torment of rock hero Cobain". BBC News. April 6, 2004. Retrieved August 22, 2010.
  73. Ali, Lorraine. "One Last Blast". Rolling Stone. October 17, 1996.
  74. Pareles, Jon. "Rookies' Win Big in the 38th Grammy Awards". The New York Times. February 29, 1996. Retrieved December 3, 2010.
  75. DeRogatis, 2003. p. 32–3
  76. Heath, Chris. "The Nirvana Wars: Who Owns Kurt Cobain?". Rolling Stone. June 6, 2002.
  77. DeRogatis, 2003. p. 33–4
  78. Stout, Gene. "Courtney Love, former members of Nirvana settle suit". September 30, 2002. Seattle Post-Intelligencer. Retrieved July 19, 2011.
  79. Susman, Gary. "'Mile' Marker". Entertainment Weekly. November 7, 2002. Retrieved November 14, 2010.
  80. "Track List Set For Nirvana Compilation". Billboard. September 20, 2005. Retrieved November 14, 2010.
  81. Vineyard, Jennifer. "Courtney Love Sells Substantial Share Of Nirvana Publishing Rights". MTVNews.com. April 13, 2006. Retrieved September 5, 2007.
  82. Cohen, Jonathan. "Nirvana Concert Film Making DVD Debut". Billboard. October 3, 2006. Archived from the original on October 21, 2007. Retrieved August 24, 2010.
  83. Cohen, Jonathan. "Nirvana's 'Unplugged' Finally Heading To DVD". Billboard. October 4, 2007. Archived from the original on April 30, 2008. Retrieved August 24, 2010.
  84. "Nirvana 'Live At Reading Festival' DVD finally set for official release". NME. September 3, 2009. Retrieved August 24, 2010.
  85. Breihan, Tom. "Sub Pop to Reissue Nirvana's Bleach" Archived August 16, 2009, at the Wayback Machine. Pitchfork Media. August 14, 2009. Retrieved November 27, 2010.
  86. "Details of Nirvana's Nevermind Reissue". UpVenue.com. Retrieved May 19, 2013.
  87. Kreps, Daniel (August 13, 2013). "Inside Nirvana's Rarities-Packed 'In Utero' Reissue: Demos, Live Cuts, and a Found Track | Music News | Rolling Stone". Retrieved August 23, 2013.
  88. "Paul McCartney to replace Kurt Cobain in Nirvana reunion". Guardian.co.uk. December 12, 2012. Retrieved on December 12, 2012.
  89. "Nirvana Reunites with Paul McCartney, Record New Song 'Cut Me Some Slack'". Consequence of Sound. December 12, 2012. Retrieved December 12, 2012.
  90. Erlewine, Stephen. "Sound City: Real to Reel – Original Soundtrack". AllMusic. Rovi Corporation. Retrieved March 26, 2013.
  91. Vozick-Levinson, Simon (July 22, 2013). "Paul McCartney on Playing With Nirvana's Surviving Members". Rolling Stone. Retrieved January 27, 2014.
  92. "Paul McCartney at Safeco Field". Seattle Post-Intelligencer. July 20, 2013. Retrieved July 20, 2013.
  93. "NME News Krist Novoselic says female-fronted Nirvana shows 'conjured spirit of the band'". Nme.com. April 14, 2014. Retrieved April 23, 2015.
  94. "Krist Novoselić on Twitter: "Thank you @joanjett @lordemusic @KimletGordon @st_vincent for joining @nirvana tonight"". Twitter.com. April 10, 2014. Retrieved April 23, 2015.
  95. "The Inside Story of Nirvana's One-Night-Only Reunion at the Rock and Roll Hall of Fame". Rolling Stone. April 16, 2014. Retrieved October 26, 2014.
  96. Siegel, Jacob (April 12, 2014). "He Left Nirvana Because He Had Cooler Things to Do. Like Going to Iraq".
  97. "Beck Fronts the Surviving Members of Nirvana on "The Man Who Sold the World" : Blogs". Relix.com. February 16, 2016. Retrieved March 14, 2016.
  98. Kreps, Daniel (October 7, 2018). "Watch Foo Fighters Stage Nirvana Reunion With Joan Jett, Deer Tick's John McCauley at Cal Jam". Rolling Stone. Retrieved February 16, 2019.
  99. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
  100. https://consequenceofsound.net/2020/01/dave-grohl-nirvana-reunion-heaven/amp/
  101. https://www.setlist.fm/setlist/nirvana/2020/hollywood-palladium-los-angeles-ca-6b9b2a1e.html
  102. Chappell, Jon. "Nirvana's music". Guitar. June 1993.
  103. Azerrad, 1994. p. 102
  104. Azerrad, 1994. p. 103
  105. Azerrad, 1994. p. 103–4
  106. Kanter, L.A. "Kurt Cobain's Well-Tempered Tantrums". Guitar Player. February 1992.
  107. Nirvana Rare Full Interview 1993 [url=https://www.youtube.com/watch?v=1rhotCKLwcQ&t=1m57s] Seattle, August 10, 1993. Retrieved May 13, 2014.
  108. di Perna, Alan. "Nevermore". Guitar World. March 1999.
  109. Azerrad, 1994. p. 231–32
  110. Cross, Charles R. "Requiem for a Dream". Guitar World. October 2001.
  111. Gilbert, Jeff. "Cheap Tricks". Guitar World. February 1992.
  112. Classic Albums—Nirvana: Nevermind [DVD]. Isis Productions, 2004.
  113. Azerrad, 1994. p. 140
  114. True, Everett. "Seattle: Rock City". Melody Maker. March 18, 1989.
  115. di Perna, Alan. "The Making of Nevermind". Guitar World. Fall 1996.
  116. Robb, John. "White Heat". Sounds. October 21, 1989.
  117. Steinke, Darcey. "Smashing Their Heads on That Punk Rock". Spin. October 1993.
  118. Azerrad, 1994. p. 210–11
  119. Publishing, Britannica Educational (October 1, 2009). The 100 Most Influential Musicians of All Time. Britannica Educational Publishing. ISBN 978-1-61530-056-3.
  120. Erlewine, Stephen Thomas. "Nirvana Artist Biography". AllMusic. Retrieved October 21, 2013.
  121. Olsen, Eric. "10 years later, Cobain lives on in his music". MSNBC.com. Retrieved October 19, 2010.
  122. Erlewine, Stephen Thomas. American Alternative Rock/Post-Punk. Allmusic.com. Retrieved January 18, 2011.
  123. Rich, Frank. "Journal – Far From Nirvana". The New York Times. April 14, 1994. Retrieved January 17, 2011.
  124. Pareles, Jon. "Pop View; Nirvana-bes Awaiting Fame's Call". The New York Times. June 14, 1992. Retrieved January 17, 2011.
  125. "Nirvana's 10 Biggest Billboard Hits". Billboard. April 4, 2014. Retrieved June 21, 2020.
  126. Azerrad 1993, p. 225
  127. Azerrad, 2001. p. 493
  128. "Nirvana catalogue to be released on vinyl". CBC.ca. March 21, 2009. Retrieved March 7, 2012.
  129. "Top Selling Artists". Recording Industry Association of America. Retrieved March 7, 2012.
  130. "Nirvana's 10 Biggest Billboard Hits". Billboard. April 4, 2014. Retrieved June 21, 2020.
  131. "Nirvana Awards". AllMusic. Retrieved October 21, 2013.
  132. "Gold & Platinum database search: 'Nirvana'". Recording Industry Association of America. Retrieved July 1, 2017.
  133. "Certified Awards" Archived January 24, 2013, at the Wayback Machine. British Phonographic Industry. Retrieved October 23, 2013. Note: In the "Search by parameters" section, user needs to (1) enter "Nirvana" in the "Keywords" field and (2) tick the "Exact match" box then (3) click the "Search" button.
  134. Maloy, Sarah. "Nirvana's 'Nevermind' 20th Anniversary Editions Include Unreleased Recordings, Alternate Mixes, More". Billboard. July 26, 2011. Retrieved October 23, 2013.
  135. "On This Day: 1994: Rock musician Kurt Cobain 'shoots himself'". BBC. April 8, 1994. Retrieved October 23, 2013.
  136. "The Mojo Hall of Fame 100". Mojo magazine (120 – 10th Anniversary Issue). November 2003. ISSN 1351-0193.
  137. "First stars in music Hall of Fame". BBC. November 12, 2004. Retrieved October 22, 2013.
  138. "Rolling Stone: The Immortals: 100 Greatest Artists of All-Time". Rock On The Net. 2004. Retrieved October 3, 2013.
  139. Pop, Iggy. "100 Greatest Artists: Nirvana". Rolling Stone. 2011. Retrieved October 3, 2013.
  140. "100 Greatest Guitarists: David Fricke's Picks: Kurt Cobain". Rolling Stone. 2003. Retrieved October 21, 2013.
  141. "100 Greatest Singers: Kurt Cobain". Rolling Stone. November 27, 2008. Retrieved October 4, 2013.
  142. "100 Greatest Guitarists: Kurt Cobain". Rolling Stone. November 24, 2011. Retrieved October 4, 2013.
  143. "VH1: 100 Greatest Artists of Rock & Roll". Rock On The Net. 1998. Retrieved October 3, 2013.
  144. "VH1: '100 Greatest Hard Rock Artists': 1–50". Rock On The Net. 2000. Retrieved October 7, 2013.
  145. "VH1 100 Greatest Artists Of All Time". Stereogum. September 3, 2010. Retrieved October 3, 2013.
  146. "The Songs That Shaped Rock and Roll". Rock and Roll Hall of Fame. Retrieved October 7, 2013.
  147. "Definitive 200 Albums". Rock and Roll Hall of Fame. 2007. Archived from the original on April 10, 2007. Retrieved October 23, 2013.
  148. "Registry recognizes Nirvana's unique role". Seattle PI.
  149. Nirvana songs listed on Rolling Stone's "500 Greatest Songs of All Time":
  150. Nirvana albums listed on Rolling Stone's "500 Greatest Albums of All Time":
    • "'In Utero'". Rolling Stone. May 31, 2012. Retrieved October 4, 2013.
    • "'Unplugged'". Rolling Stone. May 31, 2012. Retrieved October 4, 2013.
    • "'Nevermind'". Rolling Stone. May 31, 2012. Retrieved October 4, 2013.
  151. Nirvana albums listed on Rolling Stone's "100 Best Albums of the Nineties":
  152. Tyrangiel, Josh (November 13, 2006). "All-TIME 100 Albums: Nevermind". Time. Retrieved October 21, 2013.
  153. Suddath, Claire (October 21, 2011). "All-TIME 100 Songs: 'Smells Like Teen Spirit'". Time. Retrieved October 21, 2013.
  154. "30 All-TIME Best Music Videos: 'Heart-Shaped Box'". Time. July 26, 2011. Retrieved October 21, 2013.
  155. "Rock and Roll Hall of Fame: Inductees". Rockhall.com. April 15, 2013. Retrieved March 12, 2014.
  156. Darren Levin (March 18, 2014). "Nirvana drummer dumped from Hall Of Fame via brutal SMS". Faster Louder. Faster Louder Pty Ltd. Archived from the original on March 22, 2014. Retrieved March 22, 2014.

References
  • Azerrad, Michael. Come as You Are: The Story of Nirvana. Doubleday, 1994. ISBN 0-385-47199-8
  • Cross, Charles R. Heavier Than Heaven: A Biography of Kurt Cobain. Hyperion, 2001. ISBN 0-7868-8402-9
  • DeRogatis, Jim. Milk It!: Collected Musings on the Alternative Music Explosion of the 90's. Da Capo, 2003. ISBN 0-306-81271-1
  • Gaar, Gillian G. In Utero. Continuum, 2006. ISBN 0-8264-1776-0
  • Rocco, John (editor). The Nirvana Companion: Two Decades of Commentary. Schirmer, 1998. ISBN 0-02-864930-3

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.