Neo-primitivism

Neo-primitivism was a Russian art movement which took its name from the 31-page pamphlet Neo-primitivizm, by Aleksandr Shevchenko (1913). In the pamphlet Shevchenko proposes a new style of modern painting which fuses elements of Cézanne, Cubism and Futurism with traditional Russian 'folk art' conventions and motifs, notably the russian icon and the lubok.

Neo-primitive artists

Russian artists associated with Neo-primitivism include:

gollark: What static site generators do is basically compile HTML, CSS, templates, JS, images, text, and whatever content stuff you have into a final form for display in your browser.
gollark: Well, you don't compile it to bytecode or something.
gollark: HTML is MARKUP, not a programming language.
gollark: No.
gollark: Because, as I said, copypasting HTML in each page instead of doing it centrally makes making changes horrible.

References
  • Shevchenko, Aleksandr. 1913. Neo-primitivizm: ego teoriia, ego vozmozhnosti, ego dostizheniia. Moscow: [s.n.].

Further reading
  • Cowell, Henry. 1933. "Towards Neo-Primitivism". Modern Music 10, no. 3 (March–April): 149–53. Reprinted in Essential Cowell: Selected writings on Music by Henry Cowell, 1921–1964, edited by Richard Carter (Dick) Higgins and Bruce McPherson, with a preface by Kyle Gann, 299–303. Kingston, NY: Documentext, 2002. ISBN 978-0-929701-63-9.
  • Doherty, Allison. 1983. "Neo-Primitivism". MFA diss. Syracuse: Syracuse University.
  • Floirat, Anetta. 2015a. "Chagall and Stravinsky: Parallels Between a Painter and a Musician Convergence of Interests", Academia.edu (April).
  • Floirat, Anetta. 2015b. "Chagall and Stravinsky, Different Arts and Similar Solutions to Twentieth-Century Challenges". Academia.edu (April).
  • Floirat, Anetta. 2016. "The Scythian Element of the Russian Primitivism, in Music and Visual arts. Based on the Work of Three Painters (Goncharova, Malevich and Roerich) and Two Composers (Stravinsky and Prokofiev)". Academia.edu.
  • Garafola, Lynn. 1989. "The Making of Ballet Modernism". Dance Research Journal 20, no. 2 (Winter: Russian Issue): 23–32.
  • Hicken, Adrian. 1995. "The Quest for Authenticity: Folkloric Iconography and Jewish Revivalism in Early Orphic Art of Marc Chagall (c. 1909–1914)". In Fourth International Symposium Folklore–Music–Work of Art, edited by Sonja Marinković and Mirjana Veselinović-Hofman, 47–66. Belgrade: Fakultet Muzičke Umetnosti.
  • Nemirovskaâ, Izol'da Abramovna [Немировская, Изольда Абрамовна]. 2011. "Музыка для детей И.Стравинского в контексте художественной культуры рубежа XIX-ХХ веков" [Stravinsky's Music for Children and Art Culture at the Turn of the Twentieth Century]. In Вопросы музыкознания: Теория, история, методика. IV [Problems in Musicology: Theory, History, Methodology. IV], edited by Ûrij Nikolaevic Byckov [Юрий Николаевич Бычков] and Izol'da Abramovna Nemirovskaâ [Изольда Абрамовна Немировская], 37–51. Moscow: Gosudarstvennyj Institut Muzyki im. A.G. Snitke. ISBN 978-5-98079-720-1.
  • Sharp, Jane Ashton. 1992. "Primitivism, 'Neoprimitivism', and the Art of Natal'ia Gonchrova, 1907–1914". Ph.D. diss. New Haven: Yale University.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.