Les bergers

Les bergers is a three-act opéra comique of 1865 with music by Jacques Offenbach. The French libretto was by Hector Crémieux and Philippe Gille.[1] It belongs to the group of more serious works, such as Barkouf, Robinson Crusoé, Vert-Vert and above all Fantasio which became neglected as his contemporaries pigeon-holed Offenbach as simply an amusing composer of opéra bouffe.[2]

For the painting of this name, see The Shepherds (Watteau).
Jacques Offenbach

Performance history

The premiere of Les bergers took place on 11 December 1865 at the Bouffes-Parisiens, Paris.[1] It was generally well received by critics but did not run to great success, having to bear comparison with La belle Hélène, Offenbach's most recent hit.[3] The work was staged, in German, in Vienna in 1866.

Before the opening, Le Figaro published a letter written by Offenbach to Henri de Villemessant, setting out his artistic aims with the new work. He described the structure of the piece, as a "series of pastorals", with the first set in antiquity and working on the theme of Pyramus and Thisbe, the second set in the time and style of Watteau and Louis XV, and in the third act Offenbach "sought to represent Courbet in music".[4]

The overture contains a theme on the oboe which is the first version of "Au Mont Ida" from La belle Hélène.[5]

The first act, using the title Myriame et Daphné (the names of the lovers), was staged as a curtain-raiser at the premiere of Massenet's Thérèse in Monte-Carlo in 1907; with Maggie Teyte in a principal role.[4] Faris comments that the 18th-century pastiche "is skilfully done. Offenbach creates gavotte-like, courtly elegance with an austerly simple rhythmic accompaniment".[4]

Roles
Role Voice type Premiere cast, 11 December 1865[3]
(Conductor: Jacques Offenbach)
Alphésibée tenor Gourdon
Thyrsis baritone Garrait
Palémon bass Duvernoy
Chryséa soprano Sorac
Myriame tenor Berthelier
Daphné soprano Irma Marié
Premier Berger soprano Pelva
Deuxième Berger soprano Halbleid
Troisième Berger soprano Valter
Quatrième Berger soprano Leriche
Éros mezzo-soprano Zulma Bouffar
La Marquise soprano Frasey-Berthelier
Colin tenor Berthelier
L’Intendant mezzo-soprano Zulma Bouffar
Le Bailli baritone Tacova
Le Marquis de Fonrose tenor Léonce
Nicette soprano Bonelli
Annette soprano Irma Marié
La Rouge soprano Irma Marié
La Sincère soprano Lise Tautin
Nicot tenor Berthelier
Jeannet mezzo-soprano Zulma Bouffar
Veautendon baritone Désiré
Le Menu tenor Gobin
Chorus: Bergers et Bergères, Chasseurs

Synopsis

Act 1 – L'Idylle (The Idyll)

The first act takes place in a sacred wood in Arcadia. Palémon aims to commit his son Myriame (a shepherd) to Apollo; Chryséa hopes to vow her daughter, Daphné (a shepherdess) to Diane. Myriame and Daphné are in love and with the help of Alphésibée arrange a secret meeting in a wood where hunters are pursuing a she-wolf. Myriame mistakenly believes that the hunters have killed his love and ends his life, but Éros appears and saves the young man, deciding that the two lovers will go through different ages.

Act 2 – Le Trumeau (The Trumeau)

In the second act they are in the park of a mansion at the time of Louis XV; Myriame is now Colin and Daphné is Annette. Éros has been sent down to the world by Jupiter in the form of a steward. The marquis returns home to his wife but both are flirting with the young couple; intrigue follows. When he is accused of presiding over disorder, the steward transforms into Éros and is protected by cupids as the curtain falls.

Act 3 – Le Bergerie réaliste (The realist pastoral)

The final act is introduced by a realist pastoral symphony. Daphné is now the shepherdess La Rouge who is intended for Nicot-la-Braise - Myriame. La Rouge's friend La Sincère has been promised to Le Menu. Meanwhile, Éros is in the form of a wily rascal, Jeannet. All are offered a wedding feast by the generous landowner Vautendon during which Jeannet tries to stir up jealousy among the lovers. In the finale Éros is perched on the fatted calf of Vautendon and the three visitors from antiquity arise into the heavens.

Recordings

Excerpts have appeared on the anthologies Ballade Symphonique[6] Offenbach au menu![7] and Entre Nous.[8]

gollark: Really? Interesting.
gollark: Naive matrix multiplication.
gollark: Slightly wrongly, but oh well.
gollark: As you can see, my grasp of perl is excellent enough that I can merely LOOK at a small bit of mildly obfuscated code and guess what it does.
gollark: Close* enough**.

References
  1. Lamb A., Jacques Offenbach (List of stage works). In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997.
  2. Keck, Jean-Christophe. Les Fées du Rhin – Notes sur une redécouverte. Programme book for Die Rheinnixen, Opéra de Lyon, 2005, p. 4.
  3. Yon, Jean-Claude. Jacques Offenbach. Éditions Gallimard, Paris, 2000, pp. 193–4.
  4. Faris, Alexander. Jacques Offenbach. London & Boston: Faber and Faber, 1980, pp. 135–137.
  5. Keck, Jean-Christophe (translated by John Taylor Tuttle). Offenbach, an oeuvre boasting more than 600 works. Booklet essay for ‘Ballade Symphonique’, CD 476 8999, Universal Classics France, 2006.
  6. Keck, Jean-Christophe. Offenbach, an oeuvre boasting more than 600 works. Booklet essay for Ballade Symphonique, CD 476 8999, Universal Classics France, 2006. (Overture)
  7. Laurent, F. Review of Offenbach au menu! Maguelone CD MAG11188. Diapason, January 2012 (598), p. 93. ("Ronde de la soupe aux choux" (act 3))
  8. Milnes, R. Review of Entre Nous Opera Rara CD set. Opera, November 2007, 1388–90. ("Reconnais-tu la voix" (act 2) and "En attendant l'hymen" (act 3))
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