Hector-Jonathan Crémieux

Hector-Jonathan Crémieux (10 November 1828 – 30 September 1893) was a French librettist and playwright. His best-known work is his collaboration with Ludovic Halévy for Jacques Offenbach's Orphée aux Enfers, known in English as Orpheus in the Underworld.

Hector Crémieux

Life

Crémieux was born in Paris to a Jewish family - he was related to the lawyer Adolphe Crémieux . He studied law and then worked in the civil service. His first play, Fiesque (1852) was a historical drama, but before long he started to write comedies and then, in collaboration, operetta and opéra comique librettos. His collaborations with Halévy were often written under the joint pseudonym Paul d'Arcy.

In 1887, Crémieux became secretary-general of the Société des Dépôts Comptes Courants, and ceased writing. Five years later, the Société collapsed and he committed suicide by gunshot[1] in Paris.

Libretti

For Jacques Offenbach
Playbill for a revival of Orpheus in the Underworld

For Léo Delibes
  • Les eaux d’Ems (1861) - with Ludovic Halévy

For Hervé
  • Le petit Faust (1869) - with Louis-Adolphe Jaime
  • Les Turcs (1869) - with Louis-Adolphe Jaime
  • Le trône d'Écosse (1871) - with Louis-Adolphe Jaime
  • La veuve du Malabar (1873) - with A. Delacour
  • La belle poule (1875) - with A de Saint-Albin

For Léon Vasseur
  • La famille Trouillat (1874) - with Ernest Blum

Plays

Amongst the plays written by Hector-Jonathan Crémieux are:

  • Fiesque: drame en cinq actes et huit tableaux, en vers, d'après Schiller (1852) - with his brother, Émile Crémieux, and based on Friedrich Schiller's play Die Verschwörung des Fiesco zu Genua
  • Germaine: drame en cinq actes et huit tableaux (1858) - with Adolphe d'Ennery and based on Edmond About's novel of the same name
  • La voie sacrée, ou, Les étapes de la gloire: drame militaire en cinq actes (1859) - with Eugène Woestyn and Ernest Bourget
  • Le pied de mouton (1859) - with Charles-Théodore Cogniard and Jean-Hippolyte Cogniard
  • L'Abbe Constantin (1882) - with Pierre Decourcelle and based on Ludovic Halévy's novel of the same name
  • Autour du mariage (1883) - with the Comtesse de Martel and based on her novel of the same name
gollark: TE has actually really complex automation involving tectonic initiators and pyroconcentrators.
gollark: Mekanism's got cool 5x processing which is at least complex to set up in some ways.
gollark: Not really.
gollark: The NuclearCraft chemical processing may be annoying, but at least I have to think about the process and not just plonk down a single block.
gollark: Moving a bit beyond that, and applying to the previous version too, the way it just provides simple oneblock solutions to everything, *and then no more complex better ones*.

References
  1. IMDb
  • New Grove Dictionary of Opera, vol 1, p. 1004.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.