Giovine Orchestra Genovese

Giovine Orchestra Genovese (also known as GOG) is an Italian music organization, concert society and cultural association, founded in 1912 in Genoa by Giovanni Semeria. A nonprofit organization, it organizes and produces classical and chamber music concerts and promotes musical education for students.

Giovine Orchestra Genovese
IndustryNonprofit music organization
FoundedJanuary 12, 1912 (1912-01-12), in Genoa, Italy
Founder
  • Giovanni Semeria
Headquarters
Genoa
,
Italy
Key people
Beatrice Costa Horszowski (Honorary President)
Nicola Costa (President)
Pietro Borgonovo (Artistic Director)
Services
Websitewww.gog.it

The current President is Nicola Costa while Pietro Borgonovo leads the artistic direction.[1]

Nowadays, Giovine Orchestra Genovese concert seasons are some of the most attended in Italy, with almost 1.000 subscribers and an average attendance of 40.000 customers per year.[2]

History
"Scholars and music lovers! We want to give Genoa, our beloved city whose beauty expression is inferior to no other one, a permanent orchestra being the center of a new and powerful movement of aesthetic education."

—Extract from the founding announcement of Giovine Orchestra Genovese

Among the oldest concert societies in Italy, Giovine Orchestra Genovese was founded in 1912 in Genoa by Giovanni Semeria, a priest, writer and public speaker, one of the greatest Italian catholic personalities of the 20th century.[3]
The origin of Giovine Orchestra Genovese is linked to the birth and the increase of concert societies and musical associations in Italy. By the end of the 19th century symphonic and chamber music, previously ignored or underperformed there, partly due to Opera long-time domination, saw a considerable audience boost. During these years Genoa, one of the most industrialized cities in Italy, refined its cultural citylife. The main location of musical performances was the Teatro Carlo Felice, built in 1824, but a city permanent orchestra had yet to be founded.

The actual purpose of Giovanni Semeria and the composer Mario Barbieri, Giuseppe Martucci's pupil, was to create a permanent orchestra and a musical society at the same time. That was to be formed both by professional players and "active members", the latter being culture high-profile personalities, chamber music lovers and concert regular attenders who would gave their financial support, in spite of directly joining the orchestra.

The original statute established Giovine Orchestra Genovese as a "musical culture association" and set up its purpose: "playing instrumental music and promoting or encouraging every valid project being able to spread musical culture". Arturo Toscanini became the Honorary President in 1921.[4]

Giovanni Semeria, the founder of Giovine Orchestra Genovese.

During the 20s the association hosted many internationally renowned artists such as Mieczyslaw Horszowski, Wilhelm Backhaus, Vladimir Horowitz, Walter Gieseking, Nathan Milstein and Francis Poulenc, progressively turning into a society specialised in producing and organizing concerts rather than a proper orchestra with its own players. The orchestra itself would ultimately break off after World War II.

Concert programs in the 30s grew up both musically and artistically, thus beginning to offer some richer repertoires played by even more prestigious performers. However, Italy's entrance into World War II caused a serious decrease of these activities: frequent allied bombings on Genoa led the association to transfer its events to Rapallo until 1944, before completely stopping them all.

Giovine Orchestra Genovese was successfully revived by Arturo Benedetti Michelangeli's piano recital in 1945 and quickly became one of the most recognized international music societies. Yehudi Menuhin, Andrés Segovia, Mstislav Rostropovich, Dinu Lipatti, Sviatoslav Richter and Benjamin Britten were only some of the "big" performers playing in Genoa during the post War period.

Italian conductor Arturo Toscanini became the Honorary President of Giovine Orchestra Genovese in 1921.

One of the great contributions of the association has been the "talent scouting" of new talented artists, many of whom had previously won several international competitions: Maurizio Pollini, Martha Argerich, Uto Ughi, Salvatore Accardo and many others. Still today, the association continues to give hospitality to the winners of the major music competitions, especially from the International Chopin Piano Competition and the International Tchaikovsky Competition: Grigory Sokolov, Vladimir Ashkenazy, Viktoria Mullova, Krystian Zimerman and many other globally renowned musicians.

Starting from the 60s, Giovine Orchestra Genovese has begun to explore specific themes, sounds and concepts, as well as new composers' repertoires, resulting in peculiar differences and creative distinctions among seasonal programs: many concerts have been dedicated, for example, to Jazz music, American and oriental music, percussions, choral, avant-garde, electronic, experimental and even rock music, but also to particular chamber music formations such as violin and piano, cello and piano, trios, quartets (Shostakovich's, Bartók's, Beethoven's, Mozart's and Schubert's) and quintets. Notable performers of these genres have been Luciano Berio, Adriano Guarnieri, Al Di Meola and Richard Galliano. The genoese violin tradition, undoubtedly linked to violinist Niccolò Paganini, has always had a great influence on the majority of Giovine Orchestra Genovese programs, resulting in several concerts dedicated to virtuoso performers and to the winners of the Paganini Competition: Salvatore Accardo, Gidon Kremer, Leonidas Kavakos, Isabelle Faust and the current 1st prize In Mo Yang.

Since 1991 Giovine Orchestra Genovese has been organizing its main concerts at Teatro Carlo Felice. Other locations are Genoa Cathedral, Chiesa del Gesù, Conservatorio "Niccolò Paganini" and the Palazzi dei Rolli.

Aside from these ones, the association hosts its theatre shows and musical performances for children and students (named as Rassegne di Teatro Musicale per Ragazzi) at Teatro della Tosse.

In 1997 Giovine Orchestra Genovese was awarded the Premio Franco Abbiati della critica musicale italiana.[5]

100th anniversary celebrations
Claudio Abbado conducted the Orchestra Mozart at the Teatro Carlo Felice on December 8, 2012, the main event within Giovine Orchestra Genovese centennial anniversary celebrations.

2012 marked the centennial anniversary of Giovine Orchestra Genovese and was celebrated within two concert seasons. Many artists, musicians and cultural and political personalities such as Salvatore Accardo, Annamaria Cancellieri, Bruno Canino, Riccardo Muti, Renzo Piano, Maurizio Pollini, Uto Ughi and Fabio Vacchi joined a special Honorary Committee of the Centennial, created on that occasion. During both the concert seasons Giovine Orchestra Genovese had organized some conferences and meetings to recount the first hundred years of its own life and released a commemorative book, "GOG 100. Un secolo di Giovine Orchestra Genovese",[6] including some historical manuscripts, letters, concert posters, documents, acts and photos, which also contains the original Statute, the Orchestra rule book and the list of all Presidents and Artistic Directors since 1912.
The main event of the 100th anniversary has been the concert of the Orchestra Mozart, conducted by Claudio Abbado, on December 8, 2012.[7]

Activity
Italian pianist Maurizio Pollini (left) and Dutch harpsichordist and conductor Ton Koopman (right), two recurrent artists of Giovine Orchestra Genovese concert seasons.

Nowadays, Giovine Orchestra Genovese, a non-profitable organization since 2004, has established itself as one of the finest cultural centres in Italy and shares, along with the Teatro Carlo Felice own Opera and symphonic seasons, the greatest musical offering in Genoa.[8]

Concert programs include piano recitals, chamber music formations, orchestras, choirs and vocal performers. The association also works closely with the main cultural, didactical and formative institutions in Genoa, in order to improve its offering: Doge's Palace, Teatro della Tosse, Galleria Nazionale di Palazzo Spinola, University of Genoa, Conservatorio "Niccolò Paganini".

Thanks to the active collaboration with the city high schools, the Conservatorio "Niccolò Paganini" and the University of Genoa, Giovine Orchestra Genovese supports young talented musicians by organizing lessons, concerts, listening sessions, conferences and meetings with famous musicians such as Uto Ughi and Maurizio Pollini. Similar activities have been successfully offered to penal institutions inmates.

Artistic direction

From 1986 to 1995 pianist Bruno Canino was the Artistic Director of Giovine Orchestra Genovese. Conductor and oboist [9] Pietro Borgonovo has been leading the artistic direction since 2000.

List of Giovine Orchestra Genovese Presidents
Years Presidents
1912 Giovanni Semeria and Mario Barbieri (Provisional board)
1920-1921 Pietro Santamaria
1913-1914 Corrado Marchi
1914-1919 Suspended activity due to WWI
1919-1920 Ferruccio Beltrame
1920-1921 Pietro Santamaria
1921-1922 Ugo Erede
1922-1930 Alfredo R. Origone
1930-1938 Bernardo Gilardi
1942-1945 Suspended activity due to WWII
1945-1982 Giacomo Costa
1982-1997 Nicola Costa
1997-1998 Enrico Belloni
1997-2004 Mirella Rocco
2004-current Nicola Costa
Italian pianist Bruno Canino led the Artistic Direction of Giovine Orchestra Genovese from 1986 to 1995.

List of Giovine Orchestra Genovese Artistic Directors
Years Artistic Directors
1912-1922 Mario Barbieri
1922-1923 Angelo Questa
1923-1924 Ermete Canepa
1924-1942 Artistic committee - Augusto Silvestri
1945-1986 Artistic committee
1986-1995 Bruno Canino
1995-2000 Aldo Bennici
2000-current Pietro Borgonovo

Notable performers
gollark: XTMF was not really designed for this use case, so it'll be quite hacky. What you can do is leave a space at the start of the tape of a fixed size, and stick the metadata at the start of that fixed-size region; the main problem is that start/end locations are relative to the end of the metadata, not the start of the tape, so you'll have to recalculate the offsets each time the metadata changes size. Unfortunately, I just realized now that the size of the metadata can be affected by what the offset is.
gollark: The advantage of XTMF is that your tapes would be playable by any compliant program for playback, and your thing would be able to read tapes from another program.
gollark: Tape Shuffler would be okay with it, Tape Jockey doesn't have the same old-format parsing fallbacks and its JSON handling likely won't like trailing nuls, no idea what tako's program thinks.
gollark: Although I think some parsers might *technically* be okay with you reserving 8190 bytes for metadata but then ending it with a null byte early, and handle the offsets accordingly, I would not rely on it.
gollark: Probably. The main issue I can see is that you would have to rewrite the entire metadata block on changes, because start/end in XTMF are offsets from the metadata region's end.

See also

References
  1. "Contatti". www.gog.it. Archived from the original on 15 July 2016. Retrieved 13 October 2017.
  2. "Giovine orchestra genovese, il Mibact taglia parte dei fondi". www.ilsecoloxix.it. Retrieved 13 October 2017.
  3. "I primi 100 anni della GOG. Da Padre Semeria a Bolívar". www.viveregenova.comune.genova.it. Retrieved 13 October 2017.
  4. "La Giovine orchestra genovese, un patrimono d'arte e di cultura". www.russiaprivet.org. Retrieved 3 November 2017.
  5. Gino Tanasini, "La Gog fuori stagione vince l'Abbiati", "Il Giornale", 27/6/1998
  6. "GOG 100. Un secolo di Giovine Orchestra Genovese". www.libroco.it. Retrieved 3 November 2017.
  7. "Claudio Abbado al Carlo Felice di Genova per i 100 anni della Gog". www.mentelocale.it. Retrieved 3 November 2017.
  8. "La Giovine Orchestra compie già cent'anni". www.ilgiornale.it. Retrieved 13 October 2017.
  9. "Verona Contemporanea". www.veronacontemporanea.com. Retrieved 3 November 2017.
  10. "Abbado e la Gog, Genova ritrova la gioia". www.primocanale.it. Retrieved 13 October 2017.
  11. "Salvatore Accardo. Il Maestro alla Gog domani in concerto tra podio e violino". www.repubblica.it. Retrieved 13 October 2017.
  12. "E lunedì la Gog schiera il fuoriclasse della Scala". www.ilgiornale.it. Retrieved 13 October 2017.
  13. "Il ritorno tra gli applausi di Leonidas Kavakos alla Gog". www.ilsecoloxix.it. Retrieved 14 February 2018.
  14. "Genova- Teatro Carlo Felice: Concerto di Evgeny Kissin". www.operaclick.com. Retrieved 13 October 2017.
  15. "Una Gog barocca le cantate di Bach in San Lorenzo". www.repubblica.it. Retrieved 13 October 2017.
  16. "Gog, Maurizio Pollini interpreta Beethoven". www.ilgiornale.it. Retrieved 13 October 2017.
  17. "Uto Ughi due giorni a Genova: "Anche i violini hanno un'anima"". www.ilsecoloxix.it. Retrieved 3 November 2017.
  18. "Concerti della Gog ecco Zimerman il pianista perfetto". www.repubblica.it. Retrieved 13 October 2017.

Bibliography
  • Michele Mannucci, Genova a concerto. 75 anni della Giovine Orchestra Genovese, 1987, Giovine Orchestra Genovese, Genoa
  • Giovine Orchestra Genovese, GOG 100. Un secolo di Giovine Orchestra Genovese, 2012, De Ferrari Editore, Genoa
  • gog.it (Giovine Orchestra Genovese official website)
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