Broken Embraces

Broken Embraces (Spanish: Los abrazos rotos) is a 2009 Spanish romantic thriller film written, produced, and directed by Pedro Almodóvar. Led by an ensemble cast consisting of many Almodóvar regulars, it stars Lluís Homar as a blind Madrilenian screenwriter who recalls his tragic love for Lena, played by Penélope Cruz, the deceased lead actress in his last directional feature Girls and Suitcases, who was also the mistress of a powerful, obsessive businessman (José Luis Gómez). Blanca Portillo co-stars as his agent Judit, while Tamar Novas portrays her son and Caine's co-writer Diego.

Broken Embraces
Spanish theatrical release poster
SpanishLos abrazos rotos
Directed byPedro Almodóvar
Produced by
Written byPedro Almodóvar
Starring
Music byAlberto Iglesias
CinematographyRodrigo Prieto
Edited byJosé Salcedo
Production
company
Distributed byUniversal Pictures International
Release date
  • 18 March 2009 (2009-03-18) (Spain)
Running time
128 minutes[1]
CountrySpain
Language
  • Spanish
  • English
Budget$18 million
Box office$37.4 million[2]

Inspired by darkness and by a photo of a couple that Almodóvar took of El Golfo beach in Lanzarote in the late 1990s, the film serves as an homage to filmmaking, cinema and its various film genres. Stylistically, it is a complex noir-ish melodrama, that also blends comic elements with a film within a film—a broad comedy, that hearkens back to Almodóvar's 1988 release, Women on the Verge of a Nervous Breakdown. Thematically, Broken Embraces addresses themes like voyeurism, repression, prostitution, death, vengeance, fixation, illness, and drugs.

Broken Embraces was one of the films competing for the Palme d'Or at the 2009 Cannes Film Festival. Dubbed "purest Almodóvar" by The New Yorker,[3] the film was noted for the director's characteristic "bright primary colors," erotic subject matter, and meticulous, "visually pulsating" cinematography.[4] The picture was nominated for Best Foreign Language Film at both the 2009 British Academy Film Awards and the 67th Golden Globe Awards.[5]

Plot

"Harry Caine" is a blind writer who shares his life with his agent Judit and her adult son, Diego. Slowly, events in the present begin to bring back memories of the past. Harry hears that millionaire Ernesto Martel has died; a young filmmaker, Ray X, appears and turns out to be Martel's son, Ernesto Jr. After Diego is hospitalized for an accidental drug overdose in a Madrid nightclub, Harry collects Diego from the hospital and looks after him to avoid worrying his traveling mother. The main storyline is told in flashback as Harry reluctantly tells Diego a tragic tale of fate, jealousy, abuse of power, betrayal, and guilt.

The first flashback is to 1992, which introduces Magdalena "Lena" Rivero, Martel's beautiful young secretary, an aspiring actress. She becomes close to Martel, a millionaire financier, in order to find the money to help meet her dying father's medical bills. By 1994, she has become Martel's mistress. At this time, Harry is still living under his real name, Mateo Blanco, a well-respected film director. Martel is excessively possessive of Lena, but she is determined to become an actress and manages to win the main role in Blanco's film Chicas y maletas (Girls and Suitcases) by bringing Martel in as financier/producer. (The fictional film is similar to Almodóvar's 1988 release, Women on the Verge of a Nervous Breakdown, except that the Shiite terrorists have been replaced by a cocaine dealer; several of the cast of the previous film appear in the fictional one.) Martel spies on Lena and Mateo by sending his inhibited, effeminate gay son, Ernesto Jr., to videotape the production of the film, ostensibly for a "making of" feature, then hiring a lip-reader to interpret the conversations. Martel, seething with jealousy, screens the videos as the lip-reader narrates the furtive whispers of Lena and Mateo's passionate affair.

Furious, Martel confronts Lena, and when she threatens to leave him he pushes her down the stairs. But when she survives the fall, he relents and nurses her back to health. The filming completed, Lena and Blanco escape Martel's hold and go on holiday to Lanzarote. Lena takes a job as a hotel receptionist to pass the time. When she and Blanco read in El País that Chicas y maletas has received terrible reviews from critics, likely the end of Blanco's directing career, they decide to start over again together far from Madrid. Fate intervenes when Blanco is seriously injured and Lena is killed in a car accident, which is immortalized by Ernesto Jr., who has been trailing them with his camcorder. Mateo loses his sight permanently. Judit, his long-time production assistant, and an 8-year-old Diego arrive to help Blanco pick up the pieces and return to Madrid, where he eventually writes screenplays in braille under the pseudonym Harry Caine, represented by his agent, Judit.

The story picks up where it began in 2008: Harry shares his birthday in a bar with Judit and Diego. Judit becomes drunk on gin and, stricken with guilt, confesses to Harry that she sold out to Martel in 1994 because of her fury at Harry for abandoning the film to run away with Lena; she also tells him of her involvement in providing Martel the phone number of the hotel in Lanzarote where Lena and Mateo were hiding. She confirms that Martel sabotaged the release of Chicas y maletas by using the worst take from each scene in order to destroy Mateo's reputation. The next morning she reveals to Diego that Harry is actually his father, a fact both men were unaware of. Having exorcised some of his demons, Harry decides to return to his life as Mateo Blanco. Though believed lost, the original reels of Chicas y maletas and Ernesto Jr.'s camcorder footage are recovered: Judit had ignored Martel's order to destroy them and instead had hidden them away. Mateo and Diego re-edit the film for its long-delayed release as the director envisioned it.

Cast

Reception
Pedro Almodóvar with actresses Rossy de Palma and Penélope Cruz presenting the film at the 2009 Cannes Film Festival.

The film has received generally positive reviews by critics; review aggregator website Rotten Tomatoes reported that 81% of critics gave the film a positive rating, based on 152 reviews. Its consensus states "Pedro Almodóvar's fourth film with Penélope Cruz isn't his finest work, but he brings his signature visual brilliance to this noirish tale, and the cast turns in some first-class performances."[6] It currently holds a score of 76 (generally favorable reviews) on Metacritic.[7] Chicago Sun-Times film critic Roger Ebert gave the film four out of four stars, and wrote that "Broken Embraces is a voluptuary of a film, drunk on primary colors, caressing Penélope Cruz, using the devices of a Hitchcock to distract us with surfaces while the sinister uncoils beneath."[8]

The film was accepted into the main selection at the 2009 Cannes Film Festival in competition for the prestigious Palme d'Or,[9] Almodóvar's third to do so, and fourth to screen at the festival. Broken Embraces was nominated for the 2010 Golden Globe Award for Best Foreign Language Film, Almodóvar's sixth film to be nominated in this category. It was also nominated for the Satellite Award for Best Foreign Language Film, as well as the Satellite Award for Best Actress for Penélope Cruz's performance.

Accolades
List of awards and nominations
Award Category Recipients and nominees Result
British Academy Film Awards Best Film Not in the English Language Agustín Almodóvar
Pedro Almodóvar		 Nominated
Cannes Film Festival Palme d'Or Pedro Almodóvar Nominated
Cinema Writers Circle Awards Best Actress Penélope Cruz Nominated
Best Cinematography Rodrigo Prieto Nominated
Best Original Screenplay Pedro Almodóvar Nominated
Best Supporting Actress Blanca Portillo Nominated
Best Actress Penélope Cruz Nominated
Critics' Choice Movie Awards Best Foreign Language Film N/A Won
Dallas-Fort Worth Film Critics Association Awards Best Foreign Language Film N/A Nominated
European Film Awards Best Actress Penélope Cruz Nominated
Best Composer Alberto Iglesias Won
Best Director Pedro Almodóvar Nominated
People's Choice Award for Best Film Pedro Almodóvar Nominated
Golden Globe Awards Best Foreign Language Film N/A Nominated
Goya Awards Best Actress Penélope Cruz Nominated
Best Costume Design Sonia Grande Nominated
Best Make-Up and Hairstyles Massimo Gattabrusi
Ana Lozano		 Nominated
Best Original Score Alberto Iglesias Won
Best Original Screenplay Pedro Almodóvar Nominated
Irish Film & Television Awards Best International Actress Penélope Cruz Nominated
New York Film Critics Circle Awards Best Foreign Language Film N/A Nominated
Online Film Critics Society Awards Best Foreign Language Film N/A Nominated
Phoenix Film Critics Society Awards Best Foreign Language Film N/A Won
Satellite Awards Best Foreign Language Film N/A Won
Satellite Award for Best Actress Penélope Cruz Nominated
Silver Condor Best Foreign Film Pedro Almodóvar Nominated
Spanish Actors Union Awards Lead Performance, Female Penélope Cruz Nominated
Lead Performance, Male Lluís Homar Nominated
Performance in a Minor Role, Female Lola Dueñas Nominated
Supporting Performance, Female Blanca Portillo Nominated
Supporting Performance, Male José Luis Gómez Nominated
São Paulo International Film Festival Best Foreign-Language Film Pedro Almodóvar Won
Vancouver Film Critics Circle Awards Best Foreign Language Film N/A Nominated
Washington D.C. Area Film Critics Association Awards Best Foreign Language Film N/A Nominated

Soundtrack

The film includes an original soundtrack album composed entirely by Alberto Iglesias, which was released in Spain on CD format to coincide with the film's release. The film also includes two English tracks from American artists: "Robot Oeuf" by Uffie, and a cover of Michael Hurley's "Werewolf" by Cat Power.

gollark: I'd say it's more that most mainstream languages use basically the same set of approved concepts.
gollark: Unfortunately, apparently no mainstream language is remotely aware of most useful language features which aren't just mildly extended C or OOP.
gollark: It has nice pattern matching syntax.
gollark: In Haskell you can actually do `let 2 + 2 = 5 in 2 + 2`.
gollark: They're near-identical languages, and in any case most of the computer-science concepts underlying them are the same.

References
  1. "LOS ABRAZOS ROTOS - BROKEN EMBRACES (15)". British Board of Film Classification. 11 May 2009. Retrieved 3 July 2013.
  2. "Broken Embraces (2009)". Box Office Mojo. Retrieved 31 July 2020.
  3. "Only Make-Believe". The New Yorker. Retrieved 11 February 2011.
  4. "Broken Embraces". Chicago Sun-Times. Retrieved 11 February 2011.
  5. "Broken Embraces (2009)". The New York Times. Retrieved 11 February 2011.
  6. "Broken Embraces". Rotten Tomatoes. Retrieved 16 April 2013.
  7. "Broken Embraces". Metacritic. Retrieved 16 April 2013.
  8. Ebert, Roger (22 December 2009). "Broken Embraces (review)". Chicago Sun-Times.
  9. "Festival de Cannes: Broken Embraces". festival-cannes.com. Retrieved 9 May 2009.
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