Black Coffee (Peggy Lee album)

Black Coffee is the first album by Peggy Lee. It was released in the 10-inch format in 1953 by Decca. In 1956, at the request of the record label, Lee recorded four more songs for a reissue of the album in the 12-inch LP format.

Black Coffee
Studio album by
Peggy Lee
Released1956 12" LP
RecordedApril 30, May 1 & 4, 1953, 1956
StudioNew York City
GenreVocal jazz
Length34:52
LabelDecca American
Peggy Lee chronology
Black Coffee
(1956)		 Songs from Pete Kelly's Blues
(1955)

The entry at AllMusic.com erroneously states that the 1953 issue was an album of four 78 RPM records. The 2004 Verve Master Series compact disc reissue includes facsimiles of both the 1953 and 1956 LP covers front and back, and Will Friedwald identifies the release as a 10-in LP in the liner notes.

History

By 1953, Lee had been recording professionally since joining the Benny Goodman Orchestra in 1941, but had only released songs on 78s or 45s. This was her first opportunity to record an album. In the early 1950s, record companies usually reserved the 12-in LP for classical music, and in the case of Decca and Columbia, cast recordings of Broadway musicals. This practice ended after this LP was recorded. Ten-inch records were discontinued generally by the mid-1950s. Lee added four songs at sessions in 1956 to expand the running time to the 12-in LP.

Reception
Professional ratings
Review scores
SourceRating
Allmusic[1]

Neither the 10 nor the 12-in release made the Popular Album Chart, the chart expanding to a listing of 10 to 30 LPs on average during 1956. Joni Mitchell declared the album one of her favorites,[2] leading off her torch song album of 2000, Both Sides Now, with a selection from Black Coffee, "You're My Thrill". In his book Jazz Singing, Will Friedwald names the album one of his desert island discs.[3]

Sessions

Three sessions in 1953 yielded eight tracks for the 10-in LP at Decca Studios on West 57th Street in New York City on April 30, May 1, and May 4. The 1956 sessions to record the additional four tracks the 12-in LP were at Decca studios in Hollywood on April 3 with different personnel.

On October 26, 2004, the album was reissued as part of the Verve Master Edition series. Verve and Decca are owned by Universal. The track sequence followed the 1956 12-in reissue. No producer is listed. Milt Gabler is mentioned in the reissue credits as artists and repertoire representative for Decca.

Track listing

Side one
  1. "Black Coffee" (Sonny Burke, Paul Francis Webster) – 3:05
  2. "I've Got You Under My Skin" (Cole Porter) – 2:28
  3. "Easy Living" (Ralph Rainger, Leo Robin) – 2:44
  4. "My Heart Belongs to Daddy" (Porter) – 2:09

Side two
  1. "A Woman Alone With the Blues" (Willard Robison) – 3:12
  2. "I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) – 2:18
  3. "(Ah, the Apple Trees) When the World Was Young" (M. Philippe-Gerard, Angele Vannier, Johnny Mercer) – 3:16
  4. "Love Me or Leave Me" (Gus Kahn, Walter Donaldson) – 2:08

Track listing 1956 reissue

Side one
  1. "Black Coffee" – 3:05
  2. "I've Got You Under My Skin" – 2:28
  3. "Easy Living" – 2:44
  4. "My Heart Belongs to Daddy" – 2:09
  5. "It Ain't Necessarily So" (George Gershwin, Ira Gershwin, DuBose Heyward) – 3:22
  6. "Gee Baby, Ain't I Good to You?" (Don Redman, Andy Razaf) – 3:22

Side two
  1. "A Woman Alone With the Blues" – 3:12
  2. "I Didn't Know What Time It Was" – 2:18
  3. "When the World Was Young" – 3:16
  4. "Love Me or Leave Me" – 2:08
  5. "You're My Thrill" (Sidney Clare, Jay Gorney) – 3:22
  6. "There's a Small Hotel" (Rodgers, Hart) – 2:44

Personnel

1953 sessions

1956 sessions
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gollark: <@151391317740486657> Do you know what "unsupported" means? PotatOS is not designed to be used this way.
gollark: Specifically, 22 bytes for the private key and 21 for the public key on ccecc.py and 25 and 32 on the actual ingame one.
gollark: <@!206233133228490752> Sorry to bother you, but keypairs generated by `ccecc.py` and the ECC library in use in potatOS appear to have different-length private and public keys, which is a problem.EDIT: okay, apparently it's because I've been accidentally using a *different* ECC thing from SMT or something, and it has these parameters instead:```---- Elliptic Curve Arithmetic---- About the Curve Itself-- Field Size: 192 bits-- Field Modulus (p): 65533 * 2^176 + 3-- Equation: x^2 + y^2 = 1 + 108 * x^2 * y^2-- Parameters: Edwards Curve with c = 1, and d = 108-- Curve Order (n): 4 * 1569203598118192102418711808268118358122924911136798015831-- Cofactor (h): 4-- Generator Order (q): 1569203598118192102418711808268118358122924911136798015831---- About the Curve's Security-- Current best attack security: 94.822 bits (Pollard's Rho)-- Rho Security: log2(0.884 * sqrt(q)) = 94.822-- Transfer Security? Yes: p ~= q; k > 20-- Field Discriminant Security? Yes: t = 67602300638727286331433024168; s = 2^2; |D| = 5134296629560551493299993292204775496868940529592107064435 > 2^100-- Rigidity? A little, the parameters are somewhat small.-- XZ/YZ Ladder Security? No: Single coordinate ladders are insecure, so they can't be used.-- Small Subgroup Security? Yes: Secret keys are calculated modulo 4q.-- Invalid Curve Security? Yes: Any point to be multiplied is checked beforehand.-- Invalid Curve Twist Security? No: The curve is not protected against single coordinate ladder attacks, so don't use them.-- Completeness? Yes: The curve is an Edwards Curve with non-square d and square a, so the curve is complete.-- Indistinguishability? No: The curve does not support indistinguishability maps.```so I might just have to ship *two* versions to keep compatibility with old signatures.
gollark: > 2. precompilation to lua bytecode and compressionThis was considered, but the furthest I went was having some programs compressed on disk.

References
  1. Allmusic review
  2. Black Coffee, Verve Master Edition 3093, 2004, liner notes.
  3. Friedwald, Will. Jazz Singing, New York: Da Capo paperback, 1996, p. 435.
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