Amor Prohibido (song)
"Amor Prohibido" (English: "Forbidden Love") is the title song of American Tejano singer Selena's fourth studio album of the same name (1994). Released as the lead single through EMI Latin on April 13, 1994, it was written by Selena, her brother and music producer A.B. Quintanilla, and her band's backup vocalist Pete Astudillo. "Amor Prohibido's" lyrical themes have been analyzed by authors, musicologists, and journalists, who found them relevant to issues facing the LGBT community. A popular interpretation compares it to Romeo and Juliet.
"Amor Prohibido" | ||||
---|---|---|---|---|
Single by Selena | ||||
from the album Amor Prohibido | ||||
B-side | "Bidi Bidi Bom Bom" | |||
Released | April 13, 1994 | |||
Recorded | 1994 | |||
Genre | Dance-pop, tejano cumbia | |||
Length | 2:50 | |||
Label | EMI Latin | |||
Songwriter(s) | Selena, A.B. Quintanilla, Pete Astudillo | |||
Producer(s) | A.B. Quintanilla, Abraham Quintanilla, Jr., Jorge Alberto Pino, Bebu Silvetti, Gregg Vickers | |||
Selena singles chronology | ||||
| ||||
Music video | ||||
"Amor Prohibido" on YouTube |
The Tejano cumbia dance-pop song was acclaimed by music critics, who cited it as one of the singer's most popular singles. It topped the United States Billboard Hot Latin Songs chart for nine consecutive weeks, her first number-one as a solo artist, and became the most successful US Latin single of 1994. It has since been certified 7x platinum by the Recording Industry Association of America (RIAA), denoting sales of 420,000 copies. A duet version with Samo was posthumously released in 2012, reaching number eight on the US Latin Pop Songs chart.
"Amor Prohibido" received the Tejano Music Award for Single of the Year, and was Regional Mexican Song of the Year at the Lo Nuestro and Billboard Latin Music Awards. "Amor Prohibido" was the first Spanish-language song to receive a Broadcast Music Award in the pop field in 1996. Many musicians have covered "Amor Prohibido", including Mexican pop singer Thalía, glam rock band Moderatto, Finnish singer Meiju Suvas, American entertainers Jennifer Lopez and Keke Palmer, and Broadway singer Shoshana Bean.
Background and production
Selena wanted to write and record a song based on the story of her grandparents, who fell in love despite their different social classes.[1] The singer was inspired by love letters written by her grandmother who wrote about her experiences as a maid to a wealthy family and her infatuation with their son. Her grandmother was forbidden to formulate a relationship with him because of her social class and described it as a "forbidden love".[2] The singer suggested the idea to her brother and music producer A.B. Quintanilla, who began co-writing the track with her and Selena y Los Dinos backup vocalist Pete Astudillo.[1] "Amor Prohibido" was recorded at a studio in San Antonio, Texas.[3] Selena's husband, Chris Pérez wrote in his 2012 memoir that during its recording session "there was a noticeable difference between her voice on ["Amor Prohibido"] and [the songs on] Entre a Mi Mundo (1992), especially. I can't say that it was an improvement, exactly, because I always thought that Selena's voice sounded incredible. It's just that her voice was richer and more mature than before, and her singing was more emotional and powerful as a result."[3]
While recording the song, Selena ad-libbed "oh baby" after the track's refrain; her brother believed that the recording would "not have been the same if she had not added [that part]."[4] A.B. said in a 2002 interview that he wanted "Bidi Bidi Bom Bom" to be the leadoff single, but Selena and EMI Latin insisted on "Amor Prohibido".[5] The single was released on April 13, 1994, in the United States and Mexico.[6]
Composition
Instrumentation
"Amor Prohibido" is a Spanish-language Tejano cumbia dance-pop song.[7][8] According to Mario Tarradell of The Dallas Morning News, it is a "synthesizer-heavy cumbia piece that's so catchy it's sinful".[9] Tarradell called the recording "Tejano-like"[10] and a "pop-styled opus".[11] A Daily Democrat article said that "Amor Prohibido" had a mixture of sounds which included a modernized version of cumbia music with guitars, accordions, bass guitar, flutes, drums, and other percussion.[12] Billboard singles editor Paul Verna called the song a "spunky cumbia",[13] and John Lannert, also from Billboard, called it "peppy".[14] Written in common time in the key of E minor, its tempo moves at a moderate 90 beats per minute[15] and it features a descending keyboard hook.[16] In a San Antonio Current interview, A.B. said that he added a cencerro which, he believed, attracted Cubans and Puerto Ricans to Selena's music.[17] According to Quintanilla, his salsa-style cencerro was not "coincidental"; he believed that by incorporating it into "Amor Prohibido" and the singer's repertoire she "went from selling 25,000-50,000 to more than 500,000 [copies of her albums]".[17]
Lyrics
Musicologist Howard Blumenthal interpreted "Amor Prohibido" as a "love forbidden" story by an unprivileged girl who is separated by social class from her love interest, and learns that true love is what really matters.[20] Marco Torres of the Houston Press saw similarities between the song's lyrics and Selena and Pérez's relationship; her father and manager, Abraham Quintanilla, Jr., discouraged their romance before he accepted it.[21][22][23] Its lyrics allude to female teenagers' "trouble[d]" partners and parents who forbid their relationship.[24]
"Amor Prohibido" has become an anthem in the LGBT community.[7] Deborah Paredez wrote in her 2009 book Selenidad that the song has "a legibly queer text" which resonates with that group.[18] This was echoed by Emma Perez in her book, The Decolonial Imaginary: Writing Chicanas into History (1999), who found that the LGBT community had adopted the song and found it most popular with drag queens at nightclubs.[19] Perez further explained that the lyrical content of forbidden love between two people of different social classes was altered with prohibited love between same-sex couples.[nb 1] Alejandra Molina of the Orange County Register reported on a tribute to Selena by LGBT fans in Santa Ana, California, who found her songs "ambiguous"; "Amor Prohibido" was interpreted "as a love that is forbidden due to a person's sexuality, race or class."[25]
Other music critics have compared the song to Romeo and Juliet, with society opposing a relationship based on socioeconomic status, or called it a look into society's view of romantic relationships.[7][23][26][27] Ellie D. Hernández wrote in her book about Chicano culture that "Amor Prohibido" addresses "social and cultural desire that transcends the boundaries of romantic love".[26] According to Hernández, the song's central theme is class- and race-based social division "that divides [Selena] from her beloved" and "suggests [a] hegemonic crisis informing Selena's lamentations."[26] Hernández wrote that the lyrics spoke about modern societal views on romantic relationships, and one must "live in accordance" with those views or face "emotional banishment from [their] family and culture ... Risking everything for this love is not at all an innocent choice but a decision abundant with agency and consciousness that begins as a consequence of the forbidden."[26]
Critical reception
Reviews
"Amor Prohibido" received widespread critical acclaim, although Elizabeth Rodriguez Kessler and Anne Perrin called the song "soap-operaish" in Chican@s in the Conversations (2007).[28] According to the South African magazine Drum, it was a "gently rocking song".[29] Billboard Latin-music editorial division head Leila Cobo called the song "catchy".[30] Marco Torres of the Houston Press wrote that "Amor Prohibido" was Selena's "most personal song",[21] and Greg Kot of the Chicago Tribune said it had "a bit more contemporary snap to it."[31] Mary Talbot of the New York Daily News called "Amor Prohibido" and "Como la Flor" (1992) "two straight-up Tejano hits" and a "requiem to Selena's career".[32] Writing for the San Antonio Express-News, Michael Clark complimented A.B. Quintanilla's use of "world-music flourishes" on the song.[33] Billboard's John Lannert called "Amor Prohibido" a "great smash" during its tenure atop the Hot Latin Songs chart,[34] and BuzzFeed contributor Brian Galindo called it an "awesome ode to star-crossed lovers everywhere."[35] Ashley Velez of Neon Tommy called the recording "a true testament to the forbidden love" and "proves that love conquers all."[23] Emmanuel Hapsis posted on the KQED-FM website that anyone visiting a karaoke bar would probably hear someone sing "Amor Prohibido" or Selena's posthumously-released single, "Dreaming of You" (1995).[36]
The Daily Vault called "Amor Prohibido" a "seamless track".[37] Ed Morales wrote that the song is a "classic mass market hit that inhabits the memory, easily floating in the summer air of radios on the streets."[27] Don McLeese of the Austin American Statesman called it "compelling".[38] According to Billboard Latin music editor Ramiro Burr, the song "marked Selena's ascendancy".[39] Burr wrote for the San Antonio Express-News, "[Selena] balanced torchy ballads full of hurt and pain such as 'Amor Prohibido' with fun dance cumbias with a sense of humor";[40] "Songs such as 'Baila Esta Cumbia', 'La Carcacha', 'Como la Flor' and 'Amor Prohibido' had that instant appeal, that memorable melodic hook".[41] Burr further wrote that "Amor Prohibido" and Selena's 1994 single "No Me Queda Más" were "heartbreaking ballads".[42] Texas Monthly editor Joe Nick Patoski called "Amor Prohibido" the "perfect pop cumbia".[16] "Con Tanto Amor Medley", a 2002 single from Ones, which is a mashup of "Amor Prohibido", "Si Una Vez" and "Como la Flor", was released to favorable reviews.[43]
Recognition
According to sales figures analyzed by Guadalupe San Miguel in 2002, "Amor Prohibido" is Selena's best-selling cumbia single.[44] It was the singer's "biggest hit of her career", topping the Hot Latin Songs chart for a cumulative twelve weeks.[45] Music critics have called "Amor Prohibido" Selena's "best known" love song, one of her signature songs and her most successful single.[nb 2] It is believed by Mario Tarradell of The Dallas Morning News that singles released from Amor Prohibido had alleviated Selena into Latin radio success–who previously did not take the singer seriously.[49] The album and its titular single marked Tejano music's first commercial success in Puerto Rico.[50] According to La Prensa, Selena put an "imprint on popular music" with "Amor Prohibido", "La Carcacha" (1990), "Como la Flor" (1992), and "La Llamada" (1993).[51]
María Herrera-Sobek wrote in her book, Chicano Folklore: A Handbook, that "Como la Flor" and "Amor Prohibido" achieved national and international success.[52] Billboard's Ramiro Burr called "Amor Prohibido" one of Selena's "fan favorites".[53] "Amor Prohibido" continues to receive extensive airplay in South Texas and at Tejano-music nightclubs.[54] Sally Jacobs of the Sun Sentinel asserted that "Amor Prohibido" remains popular in Spanish-speaking countries.[55]
Accolades
"Amor Prohibido" has received awards and nominations, including the Broadcast Pop Music Awards in 1995 and 1996.[56] "Amor Prohibido" became the first Spanish-language recording to win a Broadcast Music Award in the pop category based on airplay.[57] It was recognized as being among the most performed recording of the year for two consecutive times by Broadcast Music.[56] "Amor Prohibido" was Regional Mexican Song of the Year at the 1994 Billboard Latin Music Awards,[58] and won in the same category at the 1995 Lo Nuestro Awards.[59]
At the 1995 Tejano Music Awards, "Amor Prohibido" won Single of the Year and Record of the Year.[60][61] In decade balloting at the 2010 Tejano Music Awards it was nominated for Best 1990s Song, losing to her 1994 single "Bidi Bidi Bom Bom".[61] "Amor Prohibido" has appeared on several critics' "best Selena songs" lists, including OC Weekly (number one),[62] Latino Post (number five),[63] and BuzzFeed,[35] Latina,[64] and Neon Tommy (all number two).[23]
Chart performance
The song debuted on the Hot Latin Songs chart at number 13 for the week of April 23, 1994,[65] and climbed to number five in its second week.[66] "Amor Prohibido" rose to number four for two consecutive weeks beginning on May 7.[67] When it rose to number three for the week of May 21, John Lannert predicted that the song would top the chart in two weeks.[68] Vilma Maldonado of The Monitor called the single's climb on the chart "spectacular", calling Selena one of Latin music's "hottest international entertainers of the Tejano market."[69] "Amor Prohibido" rose to number one the week of June 11, displacing La Mafia's "Vida"[70] (which had dethroned Selena's collaboration with the Barrio Boyzz, "Donde Quiera Que Estés", on May 7).[67] During "Amor Prohibido"'s fourth week atop the chart, Lannert wrote that there were "no challengers in sight" and predicted that it would remain at number one for an additional two weeks.[71] During the song's fifth week atop the chart, Lannert noticed that Cuban singer Jon Secada's "Si Te Vas" was climbing and predicted that it would replace "Amor Prohibido" at number one in three weeks.[72] During the song's seventh week atop the chart, when "Si Te Vas" rose to number two and Ricardo Montaner's "Quisiera" to number three, Lannert predicted that either song would displace "Amor Prohibido" from number one during the next few weeks.[34] The following week, he provided data indicating that the recording "no longer appears to be under threat" despite losing 65 points in the Nielsen ratings; it was 350 points ahead of Secada's number-two "Si Te Vas".[73] After nine weeks atop the Hot Latin Songs chart, "Amor Prohibido" was displaced by "Si Te Vas" the week of August 13.[74] "Amor Prohibido" ended the year as the most successful US Latin single of 1994.[75][76]
Selena was shot and killed by Yolanda Saldívar, her friend and former manager of the singer's Selena Etc. boutiques, on March 31, 1995.[77] Four of her singles—"No Me Queda Más", "Bidi Bidi Bom Bom", "Como la Flor" and "Amor Prohibido"—reentered the Billboard Hot Latin Songs and Regional Mexican Airplay charts on April 15.[78] The magazine posthumously named Selena its Top Artist of the 1990s because of her fourteen top-ten singles on the Hot Latin Songs chart, including seven number-ones.[79] Billboard began monitoring digital downloads of Latin songs during the week ending January 23, 2010.[80] "Amor Prohibido" made its debut at number 18 on the Latin Digital Song Sales following the twentieth anniversary of Selena's death.[81] On the Latin Pop Digital Song Sales chart, the song peaked at number seven.[82]
Cover versions
Salsa singer Yolanda Duke recorded "Amor Prohibido" for the tribute album, Familia RMM Recordando a Selena (1996).[83] Colombian singer Shakira sang part of "Amor Prohibido" during a 2005 interview on Univision's Otro Rollo.[84] Finnish recording artist Meiju Suvas recorded "Kielletty Rakkus", a Finnish language version.[85] Mexican pop singer Thalía performed and recorded the song during the live televised tribute concert, Selena ¡VIVE!, in April 2005; it was included on her ninth studio album, El Sexto Sentido (2005). Thalía performed a "bouncy" version of "Amor Prohibido" during her Houston concert on 30 March 2013,[86] and Mexican singer Yuridia performed the song in 2014 during her Tour Essential.[87]
American trio Brisa recorded "Amor Ilegal", which was influenced by "Amor Prohibido" and became a popular radio song in Ecuador.[88] Mexican pop rock band Moderatto recorded it for their album, Malditos Pecadores (2014).[89] Mexican singer Samo recorded a duet version of "Amor Prohibido" for the 2012 posthumous remix album, Enamorada de Ti.[90] Samo told the Ecuadoran newspaper El Telégrafo that he had always dreamed of recording a duet with Selena, and "Amor Prohibido" was one of his favorite songs;[91] he felt the "presence of Selena" as soon as he put on headphones and began recording.[91] According to Joey Guerra of the San Antonio Express-News, the duet version "proved a solid preview for the album" and its "wistful lyrics work nicely as a duet with Samo". Guerra described it as a "gentle pop-rock arrangement", possibly as it was originally intended.[92] Nilan Lovelace of Reporter Magazine called the duet version an "album favorite" and the type of music Selena would record today.[93]
Other artists who covered "Amor Prohibido" include Broadway singer Shoshana Bean[94] and American entertainer Keke Palmer.[95] On 1 May 2015 Jennifer Lopez performed "A Selena Tribute" at the 2015 Latin Billboard Music Awards, which included "Amor Prohibido".[96] Lopez was praised by music critics, who appreciated the singer's Selena-esque costumes.[97][98][99] The recording debuted and peaked at number 33 on the Hot Latin Songs chart.[100]
Charts
Weekly charts
|
Year-end charts
All-time charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA)[108] | 7× Platinum (Latin) | 420,000 |
|
See also
- Latin music in the United States
- List of number-one Billboard Hot Latin Tracks of 1994
- Billboard Top Latin Songs Year-End Chart
Notes
- Perez' assumptions originated in an October 1999 Washington Post article by Deborah Paredez and those by other authors who wrote about Mexican Americans and Selena's sexuality in terms of her clothing, dance style, and songs.[19]
- Musicologist Howard Blumenthal called "Amor Prohibido" "one of Selena's best-love songs".[20] Publisher John Murray called it Selena's "best-known" songs, "contain[ing] much of what is now known as the unique "Selena Sound".[46] Billboard Latin music contributor Leila Cobo called "Amor Prohibido" one of Selena's signature tunes during her review of "Con Tanto Amor Medley" from the 2002 compilation album Ones, which features the song as a mashup with "Como la Flor" and "Si Una Vez".[47] Kelly Brooks of the Ruidoso News wrote about A.B.'s band: "As a member of Los Dinos, Quintanilla would play bass guitar, produce and write songs for Selena, which became successful singles such as "Como la Flor," "Amor Prohibido" and "No Me Queda Más."[48]
References
- Arrarás 1997, p. 50.
- Wimer, Sarah (28 June 1996). "Amor Prohibido: Selena's Crossover Dreams". Austin Chronicle. Retrieved 12 July 2017.
- Pérez 2012.
- Quintanilla, A.B. (14 November 2008). "Top Trece Selena Moments". Top Trece. Season 1. Episode 4. 60 minutes in. MTV Tres.
- Amor Prohibido (Compact disc). Selena. EMI Latin. 1994. 724354099403.CS1 maint: others (link)
- Julieta, Ruiz. "Selena: 10 canciones para "cortarte las venas"". De10.com.mx. Retrieved 15 August 2015.
- Wallingford, Angelica; Lombiao, Richard (14 February 2015). "Songs for the lovers, the haters and everyone in-between". San Diego City Times. Retrieved 14 August 2015.
- Gwynne, S.C (1995). "Selena The Tex-Mex Queen". Time. Time Inc. 145 (9). Retrieved 23 November 2011.
- Tarradell, Mario (5 February 1995). "Selena all the way Superstar likely to win more Tejano Awards". The Dallas Morning News. Retrieved 24 November 2011.
- Tarradell, Mario (16 July 1995). "Dreaming of Selena A new album celebrates what she was but only hints at what she could have become". The Dallas Morning News. Retrieved 24 November 2011.
- Tarradell, Mario (4 April 1999). "For La Mafia, breaking up isn't hard to do". The Dallas Morning News. Retrieved 24 November 2011.
- "Latin pop and rock groups performing at Dixon May Fair". Daily Democrat. 8 May 2007. Retrieved 24 November 2011.
- Verna, Paul (2 April 1994). "Singles Reviews". Billboard. 106 (14): 52. Retrieved 20 August 2015.
- Lannert, John (18 June 1994). "Selena Grabs the top Spot on Latin 50". Billboard. 106 (25): 34. Retrieved 20 August 2015.
- Quintanilla, A.B.; Astudillo, Pete (1994). "Amor Prohibido music sheet". Musicnotes.com (Musicnotes). EMI Music Publishing. MN092893 (Product Number).
- Patoski 1996, p. 125.
- Lopetegui, Enrique (5 November 2013). "Cumbia: How Colombia made Selena a star". San Antonio Current. Retrieved 14 August 2015.
- Parédez 2009, p. 163.
- Perez 1999, p. 159.
- Blumenthal 1998, p. 150.
- Torres, Marco (18 April 2014). "Selena's Legacy Lives On At Two Local Celebrations". Houston Press. Retrieved 14 August 2015.
- Torres, Marco (14 February 2012). "Canciones de Amor: A Valentine's Playlist". Houston Press. Retrieved 15 August 2015.
- Velez, Ashley. "Top 5 Selena Songs". Neon Tommy. USC Annenberg School for Communication and Journalism. Archived from the original on 15 August 2018. Retrieved 1 October 2014.
- Guerra, Joey (31 March 2008). "Selena's vibes are directing today's new talent music". Houston Chronicle. Retrieved 24 November 2011.
- Molina, Alejandra (29 March 2015). "LGBT group to host tribute for Selena in Santa Ana". The Orange County Register. Retrieved 14 August 2015.
- Hernández 2009, p. 95-97.
- Morales 2003, p. 267.
- Kessler & Perrin 2007, p. 75.
- "Selena's Songs From the Grave". Drum: 77. 1996.
- Cobo, Leila (14 April 2001). "Reviews & Ratings". Billboard. 113 (15): 30. Retrieved 14 August 2015.
- Kot, Greg (23 November 1994). "The Gift of Song". Chicago Tribune. Retrieved 24 November 2011.
- Talbot, Mary (25 July 1995). "'Dreaming' Of What Might've Been Selena's Cd Blends The Old And New With Mixed Results". The New York Daily News. Retrieved 24 November 2011.
- Clark, Michael (25 March 2005). "Ten years after her murder, Selena lives on". Houston Chronicle. Retrieved 7 June 2012.
- Lannert, John (23 July 1994). "Latin Notas". Billboard. 106 (30): 36, 41. Retrieved 20 August 2015.
- Galindo, Brain. "Ranking The 15 Greatest Selena Songs Ever". BuzzFeed. BuzzFeed Inc. Retrieved 1 October 2014.
- Hapsis, Emmanuel. "Selena: 20 Years After Her Death, The Queen of Tejano Still Reigns". KQED-FM. Retrieved 15 August 2015.
- JB (17 June 1997). "Dreaming of You Selena". Daily Vault. Retrieved 13 May 2011.
- McLeese, Don (13 July 1995). "Selena crosses over `Dreaming' could be multicultural hit she sought". Austin American-Statesmen. Retrieved 24 November 2011.
- Burr, Ramiro (8 April 2000). "Reviews & Previews". Billboard. 112 (15): 25. Retrieved 14 August 2015.
- Burr, Ramiro (14 March 2004). "Loss of fans has Tejano singing the blues Homegrown music genre has found itself suddenly out of fashion". San Antonio Express-News. Retrieved 24 November 2011.
- Burr, Ramiro (1 April 1995). "Selena April 16, 1971 – March 31, 1995". San Antonio Express-News. Retrieved 24 November 2011.
- Burr, Ramiro (31 March 2005). "Selena Library". San Antonio Express-News. Retrieved 24 November 2011.
- Taylor, Chuck (19 October 2002). "Reviews & Previews". Billboard. Prometheus Global Media. 114 (42): 100. Retrieved 6 July 2012.
- Miguel 2002, p. 173.
- Miguel 2002, p. 110.
- Murray 2001.
- Cobo, Leila (19 October 2002). "Singles Review". Billboard. 114 (42): 20. Retrieved 14 August 2015.
- Brooks, Kelly (10 September 2014). "Kumbia King Allstarz expected to spice up IMG stage". Ruidoso News. Retrieved 15 August 2015.
- Tarradell, Mario (1 April 1995). "Singer soared beyond traditional limits on Tejano music". The Dallas Morning News. Retrieved 24 November 2011.
- Schone, Mark (20 April 1995). "A Postmortem Star In death, Selena is a crossover success". Newsday. Retrieved 4 November 2011.
- "20 años sin Selena". La Prensa (in Spanish). 28 March 2015. Retrieved 14 August 2015.
- Herrera 2006, p. 51.
- Burr, Ramiro (24 March 2000). "Original songs power behind 'Selena'". San Antonio Express-News. Retrieved 24 November 2011.
- Permenter & Bigley 2008, p. 96.
- Jacobs, Sally (29 October 1995). "Saint Selena?". Sun Sentinel. Retrieved 24 November 2011.
- "Los Premios Latinos de BMI Latin Awards". Billboard. Prometheus Global Media. 108 (18): 122. 1996. Retrieved 13 April 2011.
- "History: BMI and Latin Music". Broadcast Music, Inc. Retrieved 16 December 2011.
- Burr, Ramiro (18 May 1996). "Pete Astudillo Leads BMI Latin Music Awards". Billboard. Prometheus Global Media. 108 (20): 124. Retrieved 16 December 2011.
- "Lo Nuestro – Historia". Univision (in Spanish). Univision Communications. Archived from the original on 26 June 2015. Retrieved 8 March 2014.
- Catherine Bach, Laura Harring, Edward James Olmos, Xavier Ramirez (March 1995). 1995 Tejano Music Awards (VHS). San Antonio, Texas: The Texas Talent Musicians Association.
- "Tejano Music Past Award Winners". Texas Talent Association. Archived from the original on 30 September 2000. Retrieved 16 December 2011.
- Torres, Marco. "Top 10 Selena Songs of All Time". OC Weekly. Voice Media Group. Archived from the original on 8 October 2014. Retrieved 1 October 2014.
- Simón, Yara. "Selena Day 2014: Countdown of Selena's Top 5 Songs". Latino Post. Retrieved 20 August 2015.
- Rodriguez, Priscillia. "Remembering Selena: Her Top Ten Songs". Latina. Lauren Michaels. Retrieved 1 October 2014.
- "Hot Latin Songs > April 23, 1994". Billboard. 106 (17): 28. 23 April 1994. Retrieved 20 August 2015.
- "Hot Latin Songs > April 30, 1994". Billboard. 107 (18): 33. 30 April 1994. Retrieved 20 August 2015.
- "Hot Latin Songs > May 14, 1994". Billboard. 106 (20): 44. 14 May 1994. Retrieved 20 August 2015.
- Lannert, John (21 May 1994). "Latin Notas". Billboard. 106 (21): 38. Retrieved 20 August 2015.
- "Selena's Latest Single Climbing the Charts Steadily". The Monitor. 27 May 1994. Retrieved 17 March 2018 – via Newspapers.com.
- "Hot Latin Songs > June 11, 1994". Billboard. 106 (23): 34. 11 June 1994. Retrieved 20 August 2015.
- Lannert, John (2 July 1994). "Latin Notas". Billboard. 106 (27): 34. Retrieved 20 August 2015.
- Lannert, John (9 July 1994). "Latin Notas". Billboard. 106 (28): 38. Retrieved 20 August 2015.
- Lannert, John (30 July 1994). "Gloria's Mi Tierra Enters Platinum Territory". Billboard. 106 (31): 34. Retrieved 20 August 2015.
- "Hot Latin Songs > August 13, 1994". Billboard.com. Retrieved 20 August 2015.
- Nielsen Business Media, Inc (28 November 1998). "Topping The Charts Year By Year". Billboard. 110 (48): LMQ3. Retrieved 3 March 2010.
- Rivas, Jorge (31 March 2011). "Remembering Selena's Trailblazing Music". Colorlines. Archived from the original on 4 April 2018. Retrieved 14 April 2011.
- "October 12, 1995, the testimony of Norma Martinez". Houston Chronicle. 12 October 1995. Archived from the original on 15 July 2007. Retrieved 27 September 2015.
- Lannert, John (15 April 1995). "Latin Notas". Billboard. 107 (15). Retrieved 9 March 2015.
- Mayfield, Geoff (26 December 1999). "Totally '90s: Diary of a Decade". Billboard. Nielsen Business Media, Inc. 111 (52): YE-16. Retrieved 30 March 2010.
- "Latin Digital Songs > January 23, 2010". Billboard.biz. Prometheus Global Media. Retrieved 14 April 2016.
- "Latin Digital Songs > April 18, 2015". Billboard.biz. Prometheus Global Media. Retrieved 14 April 2016.
- "Latin Pop Digital > April 18, 2015". Billboard.biz. Prometheus Global Media. Retrieved 19 April 2016.
- Familia RMM Recordando a Selena (Compact disc). RMM Records & Video. 1996. 602828201340.
- Presenters: Adal Ramones (2005). "Otro rollo". Otro rollo. Puebla, Mexico. Univision.
- "Kielletty Rakkaus by Meiju Suvas". Yahoomusic.com. 9 September 2010. Retrieved 21 September 2010.
- Guerra, Joey (30 March 2013). "Latina pop star dazzles audience, masters stage". Houston Chronicle. Retrieved 15 August 2015.
- "Yuridia cautiva con su 'Voz de ángel' a los zacatecanos". Zacatecasonline.com.mx (in Spanish). 8 September 2014. Retrieved 15 August 2015.
- "Brisa es la nueva tendencia musical". La Hora (in Spanish). 9 January 2015. Retrieved 15 August 2015.
- "Moderatto enciende el concierto Exa". La Hora (in Spanish). 19 October 2014. Retrieved 15 August 2015.
- "Nuevo álbum de Selena sale en abril en este participará Selena Gómez". Generaccion. 16 February 2012. Retrieved 11 August 2012.
- "Selena revive, gracias a la tecnología, en un disco de duetos". El Telegrafo (in Spanish). 4 March 2012. Archived from the original on 5 February 2015. Retrieved 11 August 2012.
- Guerra, Joey (2 April 2012). "Selena's music revisited with Enamorada de Ti". San Antonio Express-News. Archived from the original on 6 November 2013. Retrieved 28 August 2012.
- Lovelace, Nilan (27 April 2012). "Album Review: "Enamorado De Ti" by Selena". Reporter Magazine. Archived from the original on 4 September 2014. Retrieved 8 September 2012.
- Bean, Shoshana (2011). Solo Por Ti (Digital album). Api Tahiti.
- "Keke Palmer Canta "Amor Prohibido," Habla de Novios". YouTube.com. Retrieved 20 August 2015.
- Emery, Debby (1 May 2015). "Jennifer Lopez's Touching Tribute to Selena at Billboard Latin Music Awards". San Antonio Express-News. Archived from the original on 4 March 2016. Retrieved 20 September 2015.
- Nessif, Bruna. "Jennifer Lopez Joins Los Dinos for Beautiful Selena Quintanilla-Pérez Tribute at 2015 Billboard Latin Music Awards". E! News. Retrieved 14 April 2016.
- de Valle, Elaine. "Jennifer Lopez Pays Tribute to Selena at Billboard Latin Music Awards". Billboard. Retrieved 14 April 2016.
- "Flashback: Jennifer Lopez Pays Tribute to Slain Singer Selena". Rolling Stone. 31 March 2016. Retrieved 14 April 2016.
- "Chart history > Jennifer Lopez". Billboard. Retrieved 25 June 2016.
- "Selena Chart History (Hot Latin Songs)". Billboard. Retrieved 23 November 2011.
- "Selena Chart History (Regional Mexican Songs)". Billboard. Retrieved 23 November 2011.
- "Selena Chart History (Latin Pop Songs)". Billboard. Retrieved 13 March 2012.
- "Selena Chart History (Hot Latin Songs)". Billboard. Retrieved 13 March 2012.
- "Mexico Espanol Airplay > Selena > Archives". Billboard.biz. Archived from the original on 20 August 2015. Retrieved 20 August 2015.
- "Topping The Charts Year By Year". Billboard. Nielsen Business Media, Inc. 110 (48): LMQ3. 28 November 1998. Retrieved 3 March 2010.
- "Greatest of All Time Hot Latin Songs". Billboard. Retrieved 30 December 2016.
- "American single certifications – Selena – Amor Prohibido". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click Type, then select Latin, then click SEARCH.
Sources
- Arrarás, María Celeste (1997). Selena's Secret: The Revealing Story Behind Her Tragic Death (2nd ed.). Simon and Schuster. ISBN 0684831937.CS1 maint: ref=harv (link)
- Blumenthal, Howard J. (1998). The world music CD listener's guide (1st ed.). New York: Billboard Books. ISBN 0823076636.CS1 maint: ref=harv (link)
- Hernández, Ellie D. (2009). Postnationalism in chicana/o literature and culture (1st ed.). University of Texas Press. ISBN 0-292-71907-8.CS1 maint: ref=harv (link)
- Herrera, María (2006). Chicano folklore a handbook. Greenwood. ISBN 0-313-33325-4.CS1 maint: ref=harv (link)
- Kessler, Elizabeth Rodriguez; Perrin, Ann (2007). Chican@s in the conversations (1st ed.). New York: Pearson Longman. ISBN 0321394178.CS1 maint: ref=harv (link)
- Miguel, Guadalupe San (2002). Tejano Proud: Tex-Mex Music in the Twentieth Century. Texas A&M University Press. ISBN 1585441880.CS1 maint: ref=harv (link)
- Morales, Ed (2003). The Latin beat : the rhythms and roots of Latin music from bossa nova to salsa and beyond. Da Capo Press. ISBN 0-306-81018-2.CS1 maint: ref=harv (link)
- Murray, John A. (2001). Mythmakers of the west : shaping America's imagination (2nd ed.). Flagstaff, Arizona: Northland Publications. ISBN 0873587723.CS1 maint: ref=harv (link)
- Parédez, Deborah (2009). Selenidad: Selena, Latinos, and the Performance of Memory. Duke University Press. ISBN 0822390892.CS1 maint: ref=harv (link)
- Pérez, Chris (2012). To Selena, with Love (1st ed.). Penguin Books. ISBN 1101580267.CS1 maint: ref=harv (link)
- Perez, Emma (1999). The Decolonial Imaginary: Writing Chicanas Into History (1st ed.). Indiana University Press. ISBN 0253212839.CS1 maint: ref=harv (link)
- Permenter, Paris; Bigley, John (2008), Insiders' Guide to San Antonio, Morris Communications, p. 307, ISBN 0-7627-4787-0CS1 maint: ref=harv (link)
- Patoski, Joe Nick (1996). Selena: Como La Flor. Boston: Little Brown and Company. ISBN 0-316-69378-2.CS1 maint: ref=harv (link)