Tromeo and Juliet

Tromeo and Juliet is a 1996 American independent transgressive romantic black comedy film and a loose adaptation of William Shakespeare's Romeo & Juliet from Troma Entertainment. The film was directed by Lloyd Kaufman from a screenplay by Kaufman and James Gunn, who also served as associate director.[1]

Tromeo & Juliet
Theatrical release poster
Directed byLloyd Kaufman
Produced by
Written by
Based onRomeo and Juliet
by William Shakespeare
Starring
Music byWillie Wisely
CinematographyBrendan Flynt
Edited byFrank Reynolds
Production
company
Distributed byTroma Entertainment
Release date
  • February 28, 1997 (1997-02-28)
Running time
107 minutes
CountryUnited States
LanguageEnglish
Budget$350,000

The film is more or less a faithful adaptation of the play except with the addition of extreme amounts of Troma-esque sexuality and violence, as well as a revised ending. The film's title is a portmanteau of "Troma" and "Romeo and Juliet".

Plot

Set in modern-day Manhattan, the film begins with the narrator (Lemmy of Motörhead) introducing two families: the Capulets and the Ques.

At the center of these families are Tromeo Que and Juliet Capulet. Tromeo lives in squalor with his alcoholic father Monty and works at a tattoo parlor with his cousin Benny and friend Murray. Juliet is sequestered in her family's mansion, watched over by her abusive father Cappy, passive mother Ingrid, and overprotective cousin Tyrone, all the while being sexually satisfied by family servant Ness (Debbie Rochon).

Both Tromeo and Juliet are trapped in cases of unrequited love: Tromeo lusts for the big-bosomed, promiscuous Rosie; Juliet is engaged to wealthy meat tycoon London Arbuckle as prelude to an arranged marriage.

In the meantime, a bloody brawl between Murray and Sammy Capulet catches the attention of Detective Ernie Scalus, who gathers the heads of the two families together and declares that they will be held personally accountable for any further breaches of peace. Almost immediately afterwards, Monty and Cappy start threatening each other with weapons. Sammy gets caught in the window of Monty's speeding car, where he is thrown head-first into a fire hydrant and (very slowly) dies.

On the insistence of Murray and Benny, Tromeo attends the Capulets' masquerade ball in the hopes of meeting Rosie, only to find another man performing cunnilingus on her. Tromeo staggers around the party in disillusion until he locks eyes with those of Juliet. The two instantly fall for each other and share a dance until an angry Tyrone chases him out of the house.

Tromeo and Juliet continue to be enamored by one another from afar. Cappy, disgusted at his daughter's active libido, forcefully imprisons her in a plastic cage as punishment. Tromeo sneaks into the house of Capulet and the two meet once again. After proclaiming their love for each other both verbally and physically, they agree to be married. Juliet breaks her engagement with Arbuckle and, with the help of Father Lawrence, the two are married in secrecy the next day.

Tyrone, upon discovering Juliet's secret affair, gathers his gang together and accuses Tromeo of bridenapping. Now a kinsman to the Capulets, Tromeo refuses to surrender Juliet back to Arbuckle, suggesting to both sides to bring the lifelong feud to an end. Murray tries to intervene to save Tromeo's life but, in the ensuing brawl, is mortally wounded by Tyrone's club. Tromeo, enraged by his friend's death, pursues Tyrone and slays him (through a series of car crashes which dismember him) and goes into hiding from the police. However, after receiving information from Ness, Detective Scalus declares a manhunt for Tromeo to ensure that Tyrone's sacrifice won't be in vain on Cappy's behalf.

Learning that she is involved with Tromeo, Cappy savagely beats Juliet and forces her to reconcile with Arbuckle, or he will be threatened to disown her if she resists again. With the help of Cappy, Arbuckle accepts her re-proposal and the marriage is set. Juliet visits Father Lawrence, who reunites her with Tromeo and enlists the help of Fu Chang, the apothecary, who sells Juliet a special potion which will aid her predicament.

On the day of her wedding, Juliet swallows the apothecary's potion, transforming her into a hideous cow monster (complete with a three-foot penis). The mere sight of her causes Arbuckle to leap out of Juliet's window in fright, committing suicide in the process. Enraged over the loss of his would-be son-in-law and meat inheritance, Cappy deems Juliet a disgrace to his whole family tree and sentences her to death, but Tromeo arrives just in time to chase Cappy out of her room before she can kill her, and bring Juliet's appearance back to normal by a single kiss. Cappy later returns to Juliet's room with a crossbow, holding the lovers at gunpoint. Eventually, Juliet performs one last act of defiance against her father by electrocuting him to death with a computer monitor. After the final battle, Detective Scalus is impressed of Tromeo and Juliet's teamwork of clearing his name and therefore satisfied to see the end of Cappy's criminal empire, pardoning Tromeo of murder while ordering for the rest of Cappy's goons, including Rosie, Peter, Ness, and Georgie, to be put in jail as his accomplices.

With Cappy's criminal empire defeated, Tromeo and Juliet embrace victoriously until they are stopped short by Ingrid and Monty, who reveal to them the real reason behind the Capulet/Que feud: Long ago, Cappy and Monty were the owners of the successful Silky Films production company. Ingrid, married to Monty at time, struck up an affair with Cappy, eventually birthing a son which Monty raised as his own. Faced with a divorce from Ingrid and the threat of having his son taken away from him, Monty was forced to sign over all the rights of Silky Films to the Capulets in exchange for his son. After the initial shock at the revelation that they are siblings, Tromeo and Juliet are determined not to let their whole ordeal be for naught; they passionately embrace and drive off into the sunset.

The film picks up six years later in Tromaville, New Jersey, where Tromeo and Juliet, now married, have become suburban yuppies with a house and (birth defected/deformed) children of their own.

The film ends with the narrator's brief poem for the lovers: "And all of our hearts free to let all things base go/As taught by Juliet and her Tromeo". A brief shot of William Shakespeare laughing uproariously is shown before the end credits.

Cast
ActorCharacter in Tromeo and JulietCharacter in Romeo and Juliet
Will KeenanTromeo QueRomeo Montague
Jane JensenJuliet CapuletJuliet Capulet
Maximillian ShaunCappy CapuletLord Capulet
Valentine MieleMurray MartiniMercutio
Earl McKoyMonty QueLord Montague
Stephen BlackehartBenny QueBenvolio
Patrick ConnorTyrone CapuletTybalt
Tamara Craig ThomasGeorgie CapuletGregory
Wendy AdamsIngrid CapuletLady Capulet
Steve GibbonsLondon ArbuckleCount Paris
Debbie RochonNessNurse
Tiffany ShepisPeterCapulet Servant
Flip BrownFather LawrenceFriar Lawrence
Gene TerinoniDetective Ernie ScalusPrince Escalus
Jacqueline TavarezRosieRosaline
Garon PetersonFu ChangThe Apothecary
Sean GunnSammy CapuletSampson
Joe Fleishaker1-900-HOT-HUNKN/A
James GunnThe "Found a Peanut" FatherN/A
Brian FoxBill ShakespeareN/A
LemmyNarratorChorus
Charis MichelsenPerson of the Female Persuasion with Very Good HearingN/A

Lloyd Kaufman, Merle Allin and Ami James have non-speaking cameos in the film. A scene featuring Ron Jeremy as a homeless man was filmed but ultimately deleted from the final cut of the movie.

Production

The first draft of Tromeo and Juliet surfaced in 1992, written by Kaufman and Troma employees Andy Deemer and Phil Rivo, written entirely in Shakespearean verse and supposedly featuring The Toxic Avenger as a side character. The feedback from other Troma employees and Michael Herz was unanimously negative, so the idea was scrapped.

In 1995, another shot was taken at the concept, this time by newbie screenwriter James Gunn. Gunn completely rewrote the script, again in Shakespearean verse, making it darker and far more obscene; the original version had Juliet as a stripper and Tromeo as a crack dealer. Another revision, with additional material by Kaufman, was crafted into what the film eventually became: the verse was trimmed down and more comical elements were added.

Tromeo and Juliet was shot in the summer of 1995 for $350,000, one of the least expensive films in Troma history.

Reception

Tromeo and Juliet opened to generally positive reviews. Among the most notable, The New York Times called the film "exhilarating", Variety described it as a "no-holds Bard" and USA Today noted the film was "not just for Troma junkies...Tromeo and Juliet is sexy, silly, sweet and surreal!". Tromeo also played in art house theatres in Los Angeles and New York for months, and reportedly played at a San Francisco theatre for over a year.

In addition, Tromeo was selected to play at the Cannes Film Festival, the Fantasporto festival, the Mar del Plata Film Festival and the Italian Fantafestival, where it won the award for Best Film of 1997.

Daniel Rosenthal describes Tromeo and Juliet as "the nadir of screen Shakespeare...[it] takes every major character and incident from Romeo and Juliet and systematically drains them of humanity in a tedious, appallingly acted feast of mutilation and softcore sex."[2] Tony Howard summarizes it as a film "in which Juliet and the Nurse have lesbian sex, Romeo masturbates, various body parts are removed, the feud is between rival porn czars and incest rules".[3]

Attempted follow-ups

After the success of Tromeo, Troma had plans to develop a spiritual sequel entitled Schlock and Schlockability (a play on Sense and Sensibility), in which Jane Austen is reincarnated as a well-endowed female who takes revenge on all of the Hollywood movie producers who have bastardized her novels. At one point, Troma announced that the film would head into production, but as of 2020, there are no plans to follow up on the film.

Soundtrack
Untitled
Soundtrack album by
Various artists
ReleasedMay 6, 1997
LabelOglio Records

Tromeo and Juliet is also notable for its soundtrack, composed of alternative rock, pop punk and heavy metal music, which helped get the film some recognition on MTV. Most bands were willing to contribute their tracks for little to no money out of respect for Troma. In return for their song "Mr. Superlove", The Ass Ponys' lead singer requested only a check from the company for $9.95, for the purpose of framing it on his wall.

The CD soundtrack was released on Oglio Records on May 6, 1997 and included the following tracks:

  1. "Tromeo and Juliet Theme" by Willie Wisely
  2. "Sacrifice" by Motörhead
  3. "Pope on a Rope" by The Meatmen
  4. "Sunday" by The Icons
  5. "The Capulet Song (My Name Is Capulet)" by Stephen Blackehart & Valentine Miele
  6. "Drink That Whiskey" by The Wesley Willis Fiasco
  7. "Hyper Enough" by Superchunk
  8. "La Migra (Cruza La Frontera II)" by Brujeria
  9. "Gizzards, Scrapple and Tripe" by The New Duncan Imperials
  10. "Mr. Superlove" by Ass Ponys
  11. "Math" by Supernova
  12. "Romeo" by Sublime
  13. "TV Show Theme" by Willie Wisely
  14. "Monster Island" by Booterella w/ Jane Jensen
  15. "Yes, We'll Gather at the River" by Willie Wisely, Sean Gunn, Valentine Miele, Patrick Connor
  16. "Alleged" by Unsane
gollark: This is about the first half.
gollark: ```lisp(newvar '- [(+ arg1 (negate arg2))])(newvar '-- [(- arg1 1)])(newvar '++ [(+ arg1 1)])(newvar '!! [ (if arg1 [false] [true])])(newvar 'ztb [ (if (== arg1 0) [false] [if (== arg1 false) [false] [true]])])(newvar 'ifz [ (if (ztb arg1) arg2 arg3)])(newvar 'inz [ (if (!! (ztb arg1)) arg2 arg3)])(newvar '! [ (inz arg1 [1] [(* arg1 (! (-- arg1)) )])])(newvar 'for [ (if (arg2 arg1) [ (arg3 arg1) (for (++ arg1) arg2 arg3) ][true]) ])```
gollark: I have the stdlib somewhere.
gollark: Oh, so very h.
gollark: Did you know potatOS has heavlisp now? And a prime factorizer which is actually very performant? I don't know if anyone else who did not happen to read me being excited about them knows this.

References
  1. Blackehart, Stephen. "Tromeo & Juliet". jamesgunn.com. Retrieved September 10, 2012.
  2. Rosenthal, Daniel "BFI Screen Guides: 100 Shakespeare Films" (British Film Institute, London, 2007, ISBN 978-1-84457-170-3) p.221
  3. Howard, Tony "Shakespeare's Cinematic Offshoots" in Shaughnessy, Robert (ed.) "The Cambridge Companion to Shakespeare and Popular Culture" (Cambridge University Press, 2007, ISBN 978-0-521-60580-9), p.298
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