Q

Q or q is the 17th letter of the modern English alphabet and the ISO basic Latin alphabet. Its name in English is cue (pronounced /ˈkj/), plural cues.[1]

Q
Q q
(See below)
Usage
Writing systemLatin script
TypeAlphabetic and Logographic
Language of originGreek language
Latin language
Phonetic usage(Table)
/ˈkjuː/
Unicode valueU+0051, U+0071
Alphabetical position17
History
Development
        • Q q
Time periodUnknown to present
Descendants  Ƣ
  Ɋ
 
  Ԛ
SistersΦ φ
Ф
ק
ق
ܩ


𐎖

Փ փ
Ֆ ֆ
Variations(See below)
Other
Other letters commonly used withq(x)

History

Egyptian hieroglyph
wj
Phoenician
qoph
Etruscan
Q
Greek
Qoppa

The Semitic sound value of Qôp was /q/ (voiceless uvular stop), and the form of the letter could have been based on the eye of a needle, a knot, or even a monkey with its tail hanging down.[2][3][4] /q/ is a sound common to Semitic languages, but not found in many European languages.[lower-alpha 1] Some have even suggested that the form of the letter Q is even more ancient: it could have originated from Egyptian hieroglyphics.[5][6]

In Greek, qoppa (Ϙ) probably came to represent several labialized velar stops, among them /kʷ/ and /kʷʰ/.[7] As a result of later sound shifts, these sounds in Greek changed to /p/ and /pʰ/ respectively.[8] Therefore, qoppa was transformed into two letters: qoppa, which stood for the number 90,[9] and phi (Φ), which stood for the aspirated sound /pʰ/ that came to be pronounced /f/ in Modern Greek.[10][11]

The Etruscans used Q in conjunction with V to represent /kʷ/, and this usage was copied by the Romans with the rest of their alphabet.[4] In the earliest Latin inscriptions, the letters C, K and Q were all used to represent the two sounds /k/ and /ɡ/, which were not differentiated in writing. Of these, Q was used before a rounded vowel (e.g. EQO 'ego'), K before /a/ (e.g. KALENDIS 'calendis'), and C elsewhere.[12] Later, the use of C (and its variant G) replaced most usages of K and Q: Q survived only to represent /k/ when immediately followed by a /w/ sound.[13]

Typography

The five most common typographic presentations of the capital letter Q.
A long-tailed Q as drawn by French typographer Geoffroy Tory in his 1529 book Champfleury
The printed long-tailed Q was inspired by ancient Roman square capitals: this long-tailed Q, used here in the Latin word "POPVLVSQVE", was carved into Trajan's column c. AD 113.
A short trilingual text showing the proper use of the long- and short-tailed Q. The short-tailed Q is only used when the word is shorter than the tail; the long-tailed Q is even used in all-capitals text.[14]:77

Uppercase "Q"

Depending on the typeface used to typeset the letter Q, the letter's tail may either bisect its bowl as in Helvetica,[15] meet the bowl as in Univers, or lie completely outside the bowl as in PT Sans. In writing block letters, bisecting tails are fastest to write, as they require less precision. All three styles are considered equally valid, with most serif typefaces having a Q with a tail that meets the circle, while sans-serif typefaces are more equally split between those with bisecting tails and those without.[16] Typefaces with a disconnected Q tail, while uncommon, have existed since at least 1529.[17] A common method among typographers to create the shape of the Q is by simply adding a tail to the letter O.[16][18][19]

Old-style serif fonts, such as Garamond, may contain two capital Qs: one with a short tail to be used in short words, and another with a long tail to be used in long words.[17] Some early metal type fonts included up to 3 different Qs: a short-tailed Q, a long-tailed Q, and a long-tailed Q-u ligature.[14] This print tradition was alive and well until the 19th century, when long-tailed Qs fell out of favor: even recreations of classic typefaces such as Caslon began being distributed with only short Q tails.[20][14] Not a fan of long-tailed Qs, American typographer D. B. Updike celebrated their demise in his 1922 book Printing Types, claiming that Renaissance printers made their Q tails longer and longer simply to "outdo each other".[14] Latin-language words, which are much more likely than English words to contain "Q" as their first letter, have also been cited as the reason for their existence.[14] The long-tailed Q had fallen completely out of use with the advent of early digital typography, as many early digital fonts could not choose different glyphs based on the word that the glyph was in, but it has seen something of a comeback with the advent of OpenType fonts and LaTeX, both of which can automatically typeset the long-tailed Q when it is called for and the short-tailed Q when not.[21][22]

Owing to the allowable variation in the Q, the letter is a very distinctive feature of a typeface;[16][23] like the ampersand, the Q is cited as a letter that gives typographers a chance to express themselves.[4]

Identifont, an automated typeface identification service that identifies typefaces by questions about their appearance, asks about the Q tail second if the "sans-serif" option is chosen.[24] Out of Identifont's database, Q tails are divided thus:[25]

Q tail type Serif Sans-serif
Bisecting 1461 2719
Meets bowl 3363 4521
Outside bowl 271 397
"2" () shape 304 428
Inside bowl 129 220
Total 5528 8285

Some typographers prefer one "Q" design over another: Adrian Frutiger, famous for the airport typeface that bears his name, remarked that most of his typefaces feature a Q tail that meets the bowl and then extends horizontally.[19] Frutiger considered such Qs to make for more "harmonious" and "gentle" typefaces.[19] Some typographers, such as Sophie Elinor Brown, have listed "Q" as being among their favorite letters.[26][27]

Lowercase "q"

A comparison of the glyphs of q and g

The lowercase "q" is usually seen as a lowercase "o" or "c" with a descender (i.e., downward vertical tail) extending from the right side of the bowl, with or without a swash (i.e., flourish), or even a reversed lowercase p. The "q"'s descender is usually typed without a swash due to the major style difference typically seen between the descenders of the "g" (a loop) and "q" (vertical). When handwritten, or as part of a handwriting font, the descender of the "q" sometimes finishes with a rightward swash to distinguish it from the letter "g" (or, particularly in mathematics, the digit "9").

Pronunciation and use

Pronunciations of Qq
Most common pronunciation: /q/
Language Dialect(s) Pronunciation (IPA) Environment Notes
Albanian /c/
Azeri /g/
English /k/ Mainly used in <qu> /kw/
Fijian /ⁿg/
German Standard /k/ Only used in <qu> /kw/
Hadza /!/
Italian /k/ Only used in <qu> /kw/
Ket /q/~// Romanization
/ɢ/ After /ŋ/ Romanization
K'iche //
Kiowa //
Kurdish /q/
Maltese /ʔ/
Mandarin Standard /t͡ɕʰ/ Romanization
Menominee /ʔ/
Mi'kmaq /x/
Mohegan-Pequot //
Nuxalk //
Somali /q/~/ɢ/
Sotho /!kʼ/
Spanish /k/ Only used in <qu> /k/
Swedish /k/ Archaic, uncommon spelling
Vietnamese Northern, Central /k/ Only used in <qu> /kw/
Southern silent Only used in <qu> /w/
Võro /ʔ/
Wolof //
Xhosa /!/
Zulu /!/

Phonetic and phonemic transcription

The International Phonetic Alphabet uses q for the voiceless uvular stop.

English standard orthography

In English, the digraph qu most often denotes the cluster /kw/; however, in borrowings from French, it represents /k/, as in 'plaque'. See the list of English words containing Q not followed by U. Q is the second least frequently used letter in the English language (after Z), with a frequency of just 0.1% in words. Q has the third fewest English words where it is the first letter, after Z and X.

Other orthographies

In most European languages written in the Latin script, such as in Romance and Germanic languages, q appears almost exclusively in the digraph qu. In French, Occitan, Catalan and Portuguese, qu represents /k/ or /kw/; in Spanish, it represents /k/. qu replaces c for /k/ before front vowels i and e, since in those languages c represents a fricative or affricate before front vowels. In Italian qu represents [kw] (where [w] is the semivowel allophone of /u/).

It is not considered to be part of the Cornish (Standard Written Form), Estonian, Icelandic, Irish, Latvian, Lithuanian, Serbo-Croatian, Scottish Gaelic, Slovenian, Turkish, or Welsh alphabets.

q has a wide variety of other pronunciations in some European languages and in non-European languages that have adopted the Latin alphabet.

Other uses

The capital letter Q is used as the currency sign for the Guatemalan quetzal.

The Roman numeral Q is sometimes used to represent the number 500,000.[28]

Ancestors and siblings in other alphabets

  • 𐤒 : Semitic letter Qoph, from which the following symbols originally derive
    • Ϙ ϙ: Greek letter Koppa
      • 𐌒 : Old Italic Q, which is the ancestor of modern Latin Q
      • Ԛ ԛ : Cyrillic letter Qa

Derived signs, symbols and abbreviations

Computing codes

Character information
PreviewQq
Unicode nameLATIN CAPITAL LETTER Q    LATIN SMALL LETTER Q
Encodingsdecimalhexdecimalhex
Unicode81U+0051113U+0071
UTF-8815111371
Numeric character reference&#81;&#x51;&#113;&#x71;
EBCDIC family216D815298
ASCII 1815111371
1 Also for encodings based on ASCII, including the DOS, Windows, ISO-8859 and Macintosh families of encodings.

Other representations

gollark: Maybe cryptographic signing.
gollark: It would be important to make it reasonably easy to add and update packages.
gollark: Well, it would be less useful if there wasn't a good central repo too.
gollark: "Search packages" is `pacman -Ss [whatever]`, "install" is `pacman -S [whatever]`, "update repos and update all packages" (it is apparently unsafe to update only individual packages) is `pacman -Syu`.
gollark: You pick a "subcommand" with a capital-letter flag like `-S` (sync, which seems to be a fancy word for "Install packages"), `-Q` (query information aboud stuff) and then pass extra flags to configure how that works.

See also

References

  1. "Q", Oxford English Dictionary, 2nd edition (1989); Merriam-Webster's Third New International Dictionary of the English Language, Unabridged (1993); "cue," op. cit.
  2. Travers Wood, Henry Craven Ord Lanchester, A Hebrew Grammar, 1913, p. 7. A. B. Davidson, Hebrew Primer and Grammar, 2000, p. 4. The meaning is doubtful. "Eye of a needle" has been suggested, and also "knot" Harvard Studies in Classical Philology vol. 45.
  3. Isaac Taylor, History of the Alphabet: Semitic Alphabets, Part 1, 2003: "The old explanation, which has again been revived by Halévy, is that it denotes an 'ape,' the character Q being taken to represent an ape with its tail hanging down. It may also be referred to a Talmudic root which would signify an 'aperture' of some kind, as the 'eye of a needle,' ... Lenormant adopts the more usual explanation that the word means a 'knot'.
  4. Haley, Allan. "The Letter Q". Fonts.com. Monotype Imaging Corporation. Retrieved 2017-02-03.
  5. Samuel, Stehman Haldeman (1851). Elements of Latin Pronunciation: For the Use of Students in Language, Law, Medicine, Zoology, Botany, and the Sciences Generally in which Latin Words are Used. J.B. Lippincott. p. 56.
  6. Hamilton, Gordon James (2006). The Origins of the West Semitic Alphabet in Egyptian Scripts. Catholic Biblical Association of America.
  7. Woodard, Roger G. (2014-03-24). The Textualization of the Greek Alphabet. p. 303.
  8. Noyer, Rolf. "Principal Sound Changes from PIE to Greek" (PDF). University of Pennsylvania Department of Linguistics.
  9. Boeree, C. George. "The Origin of the Alphabet". Shippensburg University. Shippensburg University of Pennsylvania. Retrieved 2017-02-03.
  10. Arvaniti, Amalia (1999). "Standard Modern Greek" (PDF). Journal of the International Phonetic Association. 2 (29): 167–172. doi:10.1017/S0025100300006538. Archived from the original on 2016-03-03.CS1 maint: BOT: original-url status unknown (link)
  11. Miller, D. Gary (1994-09-06). Ancient Scripts and Phonological Knowledge. John Benjamins Publishing. pp. 54–56. ISBN 9789027276711.
  12. Bispham, Edward (2010-03-01). Edinburgh Companion to Ancient Greece and Rome. Edinburgh University Press. p. 482. ISBN 9780748627141.
  13. Sihler, Andrew L. (1995), New Comparative Grammar of Greek and Latin (illustrated ed.), New York: Oxford University Press, p. 21, ISBN 0-19-508345-8
  14. Updike, Daniel Berkeley (1922). Printing types, their history, forms, and use; a study in survivals. Cambridge, Massachusetts: Harvard University Press. ISBN 1584560568 via Internet Archive.
  15. Ambrose, Gavin; Harris, Paul (2011-08-31). The Fundamentals of Typography: Second Edition. A & C Black. p. 24. ISBN 9782940411764. ...the bisecting tail of the Helvetica 'Q'.
  16. Willen, Bruce; Strals, Nolen (2009-09-23). Lettering & Type: Creating Letters and Designing Typefaces. Princeton Architectural Press. p. 110. ISBN 9781568987651. The bowl of the Q is typically similar to the bowl of the O, although not always identical. The style and design of the Q's tail is often a distinctive feature of a typeface.
  17. Vervliet, Hendrik D. L. (2008-01-01). The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces. BRILL. pp. 58 (a) 54 (b). ISBN 9004169822.
  18. Rabinowitz, Tova (2015-01-01). Exploring Typography. Cengage Learning. p. 264. ISBN 9781305464810.
  19. Osterer, Heidrun; Stamm, Philipp (2014-05-08). Adrian Frutiger – Typefaces: The Complete Works. Walter de Gruyter. pp. 97 (a) 183 (b) 219 (c). ISBN 9783038212607.
  20. Loxley, Simon (2006-03-31). Type: The Secret History of Letters. I.B.Tauris. ISBN 9780857730176. The uppercase roman Q...has a very long tail, but this has been modified and reduced on versions produced in the following centuries.
  21. Fischer, Ulrike (2014-11-02). "How to force a long-tailed Q in EB Garamond". TeX Stack Exchange. Retrieved 2017-02-03.
  22. "What are "Stylistic Sets?"". Typography.com. Hoefler & Co. Retrieved 2017-02-03.
  23. Bosler, Denise (2012-05-16). Mastering Type: The Essential Guide to Typography for Print and Web Design. F+W Media, Inc. p. 31. ISBN 1440313717. Letters that contain truly individual parts [are] S, ... Q...
  24. "2: Q Shape". Identifont. Retrieved 2017-02-01.
  25. "3: $ style". Identifont. Retrieved 2017-02-02. To get the numbers in the table, click Question 1 (serif or sans-serif?) or Question 2 (Q shape) and change the value. They appear under X possible fonts.
  26. Heller, Stephen (2016-01-07). "We asked 15 typographers to describe their favorite letterforms. Here's what they told us". WIRED. Retrieved 2017-02-03.
  27. Phillips, Nicole Arnett (2016-01-27). "Wired asked 15 Typographers to introduce us to their favorite glyphs". Typograph.Her. Retrieved 2017-02-03.
  28. Gordon, Arthur E. (1983). Illustrated Introduction to Latin Epigraphy. University of California Press. pp. 44. ISBN 9780520038981. Retrieved 3 October 2015. roman numerals.
  29. Barmeier, Severin (2015-10-10), L2/15-241: Proposal to encode Latin small capital letter Q (PDF)
  30. Everson, Michael; Baker, Peter; Emiliano, António; Grammel, Florian; Haugen, Odd Einar; Luft, Diana; Pedro, Susana; Schumacher, Gerd; Stötzner, Andreas (2006-01-30). "L2/06-027: Proposal to add Medievalist characters to the UCS" (PDF).

Notes

  • Media related to Q at Wikimedia Commons
  • The dictionary definition of Q at Wiktionary
  • The dictionary definition of q at Wiktionary
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