Yolngu

The Yolngu or Yolŋu (IPA: [ˈjuːlŋʊ]) are an aggregation of Aboriginal Australian people inhabiting north-eastern Arnhem Land in the Northern Territory of Australia. Yolngu means "person" in the Yolŋu languages. The terms Murngin, Wulamba, Yalnumata, Murrgin and Yulangor were formerly used by some anthropologists for the Yolngu.

This article is about the people. For the language, see Yolŋu languages.

Yolngu
Yolŋu
Regions with significant populations
Australia
Languages
Yolŋu Matha (Dhaŋu-Djaŋu, Nhaŋu, Dhuwal, Ritharŋu, Djinaŋ, Djinba), Australian English, Yolngu Sign Language
Religion
Traditional religions, Christianity
Related ethnic groups
Australian Aboriginals

All Yolngu clans are affiliated with either the Dhuwa (Dua) or the Yirritja moiety.

Name

The ethnonym Murrgin gained currency after its extensive use in a book by the American anthropologist W. Lloyd Warner,[1] whose study of the Yolngu, A Black Civilization: a Social Study of an Australian Tribe (1937) quickly assumed the status of an ethnographical classic, considered by R. Lauriston Sharp the "first adequately rounded out descriptive picture of an Australian Aboriginal community."[2] Norman Tindale was dismissive of the term, regarding it, like the term Kurnai, as "artificial", having been arbitrarily applied to a large number of peoples of northeastern Australia. The proper transliteration of the word was, in any case, Muraŋin, meaning "shovel-nosed spear folk", an expression appropriate to western[3] peripheral tribes, such as the Rembarrnga of the general area Warner described.[lower-alpha 1]

For Tindale, following recent linguistic studies, the eastern Arnhem Land tribes constituting the Yolgnu lacked the standard tribal structures evidenced elsewhere in Aboriginal Australia, in comprising several distinct socio-linguistic realities in an otherwise integral cultural continuum.[4] He classified these as the Yan-nhaŋu, Djinang, Djinba, Djaŋu, Dangu, Rembarrnga, Ritharngu, Dhuwal and the Dhuwala.

Warner had deployed the term "Murngin" to denote a group of peoples who shared, in his analysis, a distinctive form of kinship organisation, describing their marriage rules, subsection system and kinship terminology. Other researchers in the field quickly contested his early findings. T. Theodor Webb argued that Warner's Murngin actually referred to one moiety, and could only denote a Yiritcha mala, and dismissed Warner's terminology as misleading.[5] A. P. Elkin, comparing the work of Warner and Webb, endorsed the latter's analysis as more congruent with the known facts.[6]

Wilbur Chaseling used the term "Yulengor" in the title of his 1957 work.[7][8]

Since the 1960s, the term Yolŋu has been widely used by linguists, anthropologists and the Yolŋu people themselves. The term applies to both the sociocultural unit and the language dialects within it.[8] Murngin, Wulamba, Yalnumata are listed in the AIATSIS Austlang database as synonyms.[9][10]

People

Yolngu comprise several distinct groups, differentiated by the languages and dialects they speak, but generally sharing overall similarities in the ritual life and hunter-gathering economic and cultural lifestyles in the territory of eastern Arnhem land. Early ethnographers studying the Yolngu applied the nineteenth-century concepts of tribe, horde and phratry to classify and sort into separate identities the units forming the Yolngu ethnocultural mosaic. After the work of Ian Keen in particular, such taxonomic terminology is increasingly seen as problematical, and inadequate because of its eurocentric assumptions.[11] Specialists are undecided, for example, whether the languages spoken by the Yolngu amount to five or eight, and one survey arrived at eleven distinct "dialect" groups.[12]

Language
Main articles: Yolngu Matha and Yolŋu Sign Language

Yolŋu speak a dozen languages classified under the general heading of Yolngu Matha. English can be anywhere from a third to a tenth language for Yolŋu.

Kinship system
See also: Australian Aboriginal kinship

Yolŋu groups are connected by a complex kinship system (gurruṯu). This system governs fundamental aspects of Yolŋu life, including responsibilities for ceremony and marriage rules. People are introduced to children in terms of their relation to the child ("grandmother", "uncle", etc), introducing the child to kinship from the beginning.[13]

Yolŋu societies are generally[lower-alpha 2] described in terms of a division of two exogamous patrimoieties: Dhuwa and Yirritja. Each of these is represented by people of a number of different groups, each of which have their own lands, languages, totems and philosophies.[14]

Moiety Clan groups
Yirritja Gumatj, Gupapuyŋu, Waŋurri, Ritharrngu, Maŋalili, Munyuku, Maḏarrpa,

Warramiri, Dhalwaŋu, Liyalanmirri, Mäḻarra, Gamalaŋa, Gorryindi.

Dhuwa Rirratjiŋu, Gälpu, Golumala, Marrakulu, Marraŋu, Djapu, Ḏatiwuy,

Ŋaymil, Djarrwark, Djambarrpuyŋu.

A Yirritja person must always marry a Dhuwa person (and vice versa). Children take their father's moiety, meaning that if a man or woman is Dhuwa, their mother will be Yirritja (and vice versa).[13]

Kinship relations are also mapped onto the lands owned by the Yolŋu through their hereditary estates – so almost everything is either Yirritja or Dhuwa – every fish, stone, river, etc., belongs to one or the other moiety. For example, Yirritja yiḏaki (didgeridoos) are shorter and higher-pitched than Dhuwa yiḏaki.[15] A few items are wakinŋu (without moiety).

The term yothu-yindi (after which the band takes its name) literally means child-big (one), and describes the special relationship between a person and their mother's moiety (the opposite to their own).[13] Because of yothu-yindi, Yirritja have a special interest in and duty towards Dhuwa (and vice versa). For example, a Gumatj man may craft the varieties of yiḏaki associated with his own (Yirritja) clan group and the varieties associated with his mother's (Dhuwa) clan group.[16]

The word for "selfish" or "self-centred" in the Yolŋu languages is gurrutumiriw, literally "kin lacking" or "acting as if one has no kin".[13]

The moiety-based kinship of the Yolngu does not map in a straightforward way to the notion of the nuclear family, which makes accurate standardised reporting of households and relationships difficult, for example in the census.[13] Polygamy is a normal part of Yolngu life: one man was known to have 29 wives, a record exceed only by polygamous arrangements among the Tiwi.[17]

Avoidance relationships

As with nearly all Aboriginal groups, avoidance relationships exist in Yolngu culture between certain relations. The two main avoidance relationships are:

son-in-law – mother-in-law
brother – sister

Brother–sister avoidance, called mirriri, normally begins after initiation. In avoidance relationships, people do not speak directly or look at one another, and try to avoid being in too close proximity with each other. People are avoided, but respected.

Yolŋu culture, law and mythology
See also: Australian Aboriginal culture § Arnhem Land

Law

The word for "law" in Yolgnu is rom,[18] and there are particular ceremonies associated with Rom, known as Rom ceremony.[19] The complete system of Yolngu customary law is known as Ngarra,[20] or as the Maḏayin[21] (also written madayan[22] and Mardiyhin[23]). Maḏayin embodies the rights of the owners of the law, or citizens (rom watangu walal) who have the rights and responsibilities for this embodiment of law. Maḏayin includes all the people's law (rom); the instruments and objects that encode and symbolise the law (Maḏayin girri); oral dictates; names and song cycles; and the holy, restricted places (dhuyu ṉuŋgat wäŋa) that are used in the maintenance, education and development of law. Galarrwuy Yunupingu has described Rom watangu as the overarching law of the land, which is "lasting and alive... my backbone".[24]

This law covers the ownership of land and waters, the resources on or within these lands and waters.[25] It regulates and controls production and trade and the moral, social and religious law including laws for the conservation and the farming of plants and aquatic life.

Yolŋu believe that living out their life according to Maḏayin is right and civilised. The Maḏayin creates a state of Magaya, which is a state of peace, freedom from hostilities and true justice for all.[26]

The story of Barnumbirr (Morning Star), depicting the first death in the Dreamtime, is the beginning of Maḏayin, the cycle of life and death.[23]

Sacred objects

Raŋga is a name for sacred objects or emblems used in ceremony.[27][28]

Mythology

Wangarr

The concept of Wangarr is complex. Attempts to translate the term into English have called the Wangarr beings variously "spirit man/woman", "ancestor", "totem", or various combinations. The Yolngu believe that the Wangarr ancestor-beings not only hunted, gathered food and held ceremonies as the Yolngu do today, but also that they created plants and geographical features such as rivers, rocks, sandhills and islands, and these features now incorporate the essence of the Wangarr. They also named species of plant and animal, and made these sacred to the local clan; some Wangarr took on the characteristics of a species, which then became the totem of the clan. Sacred objects and certain designs are also associated with certain Wangarr, who also gave that clan their language, law, paintings, songs, dances, ceremonies and creation stories.[29]

Wawalag sisters
Further information: Wawalag

Yolŋu seasons

Yolŋu identify six distinct seasons: Miḏawarr, Dharratharramirri, Rärranhdharr, Bärra'mirri, Dhuluḏur, Mayaltha and Guṉmul.

History

Macassan contact

Yolŋu engaged in extensive trade annually with Macassan fishermen at least two centuries before contact with Europeans. They made yearly visits to harvest trepang and pearls, paying Yolŋu in kind with goods such as knives, metal, canoes, tobacco and pipes. In 1906, the South Australian Government did not renew the Macassans' permit to harvest trepang, and the disruption caused economic losses for the regional Yolŋu economy.

Yolŋu oral histories and the Djanggawul myths preserve accounts of a Baijini people, who are said to have preceded the Macassans. These Baijini have been variously interpreted by modern researchers as a different group of (presumably, Southeast Asian) visitors to Australia who may have visited Arnhem Land before the Macassans,[30] as a mythological reflection of the experiences of some Yolŋu people who have travelled to Sulawesi with the Macassans and came back,[31] or perhaps as traders from China.[32]

Yolŋu also had well-established trade routes within Australia, extending to Central Australian clans and other Aboriginal countries. They did not manufacture boomerangs themselves but obtained these via trade from Central Australia.[33] This contact was maintained through use of message sticks, as well as mailmen – with some men walking several hundred kilometres in their work to send messages and relay orders between tribes.

European contact

Yolŋu had known about Europeans before the arrival of British in Australia through their contact with Macassan traders, which probably began around the sixteenth century. Their word for European, Balanda, is derived from the Makassar language via the Malay "orang belanda" (Dutch person).[34]

Nineteenth century

In 1883, the explorer David Lindsay was the first colonial white to penetrate Yolgnu lands for the purposes of making a survey of its resources and prospects. He trekked along the Goyder River to reach the Arafura Swamp on the western fringe of Wagilak land.[35] Two years later the first colonial initiative to try and open up Arnhem Land for cattle grazing began, when herds driven over from Queensland were pastured around Florida Station. A violent series of battles ensued, resulting in a severe depopulation of Yolgnu in this south-western area of their territory, but the stiffness of resistance virtually ended efforts by the intruding balanda to take over further territory, and efforts at settlement ground to a halt.[36]

Twentieth century

In the early 20th century, Yolgnu oral history relates, punitive expeditions were launched into their territories.[37] The first mission to Yolngu country was set up at Milingimbi Island in 1922. The island is the traditional home of the Yan-nhaŋu. Beginning in 1932, over two years, three incidents of killing outsiders caused problems for the Yolgnu.

In 1932 some Japanese trepangers were speared by Yolŋu men, in what became known as the Caledon Bay crisis, after their mothers had been allegedly raped by some Japanese men. Two whites, Fagan and Traynor, were killed near Woodah Island the following year, and soon afterwards Constable McColl was speared on that island. Only the intervention of missionaries, who had a foothold on the fringes of this area, and of the anthropologist Donald Thomson, averted an official reprisal designed to "teach the wild blacks a lesson."[37] Several Yolŋu were imprisoned in Fannie Bay Gaol in present-day Darwin. However, Thomson was able to help to have them released by going to live with the Yolŋu and ascertaining the facts of the case.

Thomson lived with the Yolŋu for several years and made some photographic and written records of their way of life at that time. These have become important historical documents for both Yolŋu and European Australians.

In 1935 a Methodist mission opened at Yirrkala.

In 1941, during World War II, Thomson persuaded the Australian Army to establish a Special Reconnaissance Unit (NTSRU) of Yolŋu men to help repel Japanese raids on Australia's northern coastline (classified as top secret at the time). Yolŋu made contact with Australian and US servicemen, although Thomson was keen to prevent this. (It is believed this is where petrol sniffing began for Aboriginal Australians). Thomson relates how the soldiers would often try to obtain Yolŋu spears as mementos. These spears were vital to Yolŋu livelihood, and took several days to make and forge.

More recently, Yolngu have seen the imposition of large mines on their tribal lands at Nhulunbuy.

Yolngu in politics
See also: Yirrkala bark petitions

Since the 1960s Yolngu leaders have been conspicuous in the struggle for Aboriginal land rights.

In 1963, provoked by a unilateral government decision to excise a part of their land for a bauxite mine, Yolngu at Yirrkala sent to the Australian House of Representatives a petition on bark. The bark petition attracted national and international attention and now hangs in Parliament House, Canberra as a testament to the Yolngu role in the birth of the land rights movement.[38]

When the politicians demonstrated they would not change their minds, the Yolngu of Yirrkala took their grievances to the courts in 1971, in the case of Milirrpum v Nabalco Pty Ltd, or the Gove land rights case. Yolngu lost the case because Australian courts were still bound to follow the terra nullius principle, which did not allow for the recognition of any prior rights to land to Indigenous people at the time of colonisation. However, the Judge did acknowledge the claimants' ritual and economic use of the land and that they had an established system of law, paving the way for future Aboriginal Land Rights in Australia. It was said to have played a vital part in paving the way to the recognition of Aboriginal land rights in the Aboriginal Land Rights Act 1976 and the Mabo decision in 1992.[38]

The song "Treaty", by Yothu Yindi, which became an international hit in 1989, arose as a remonstration over the tardiness of the Hawke government in enacting promises to deal with Aboriginal land rights, and made a powerful pleas for respect for Yolngu culture, territory and Law.[39]

Yolngu arts
Yolngu use hollow logs in traditional burial rituals. They are also an important "canvas" for their art, Aboriginal Memorial, NGA

Yolngu artists and performers have been at the forefront of global recognition of Aboriginal and Torres Strait Islander culture. Yolngu traditional dancers and musicians have performed widely throughout the world and retain a germinal influence, through the patronage of the Munyarryun and Marika families in particular, on contemporary performance troupes such as Bangarra Dance Theatre.[40]

Yolngu visual art
The $1 bill featuring David Malangi's art

Before the emergence of the Western Desert art movement, the most well-known Aboriginal art was the Yolngu style of fine cross-hatching paintings on bark. The hollow logs (larrakitj) used in Arnhem Land burial practices serve an important spiritual purpose and are also important canvases for Yolngu art. David Malangi Daymirringu's bark depiction of Manharrnju clan mourning rites of the clan, from a private collection, was copied and featured on the original Australian one-dollar note. When the copyright violation came to light the Australian government, through the direct agency of H. C. Coombs, hastened to remunerate the artist.[41]

Yolngu are also weavers. They weave dyed pandanus leaves into baskets. Necklaces are also made from beads made of seeds, fish vertebrae or shells. Colours are often important in determining where artwork comes from and which clan or family group created it. Some designs are the insignia of particular families and clans.

Yolngu music

The Yothu Yindi band, especially after its song "Treaty", performed the most popular indigenous music since Jimmy Little's Royal Telephone (1963) became Australia's most successful contemporary indigenous music group, and performed throughout the world. Their work has elicited serious musicological analysis.[42]

Arnhem Land is the home of the yiḏaki, which Europeans have named the didgeridoo. Yolngu are both players and craftsmen of the yiḏaki. It can only be played by certain men, and traditionally there are strict protocols around its use.

Geoffrey Gurrumul Yunupingu (1971–2017) was a famous Yolngu singer.

Prominent Yolngu people

Politicians

Films about Yolngu

Garma festival

Every year, Yolngu come together to celebrate their culture at the Garma Festival of Traditional Cultures. Non-Yolngu are welcome to attend the festival and learn about Yolngu traditions and Law. The Yothu Yindi Foundation oversees this festival.

Yolngu ethnographic studies

A Deakin University study investigated Aboriginal knowledge systems in reaction to what the authors regarded as Western ethnocentrism in science studies. They argue that Yolngu culture is a system of knowledge different in many ways from that of Western culture, and may be broadly described as viewing the world as a related whole rather than as a collection of objects. Singing the Land, Signing the Land, by Watson and Chambers, explores the relationship between Yolngu and Western knowledge by using the Yolngu idea of ganma, which metaphorically describes two streams, one coming from the land (Yolngu knowledge) and one from the sea (Western knowledge) engulfing each other so that "the forces of the streams combine and lead to deeper understanding and truth."

gollark: Interweb says it's to keep pressure equalized between the inside and out.
gollark: Ah yes, destroy it as an example to the others.
gollark: I find that threatening my electronics with a hammer or something works.
gollark: Progressive web applications are very cool.
gollark: It being mostly static means I can also use service workers for really good performance and limited offline mode, which is neat.

See also

Notes
  1. The word, used as an exonym by other tribes, referred to Arnhem Land tribes that had a reputation for aggressive behavior because they had managed to manufacture iron-bladed spears from metal cut from abandoned Caledon Bay water tanks. (Tindale 1974, pp. 141–142)
  2. There are complications in the schematic models often adopted in ethnography to analyse kinship. The reader may consult two papers by Ian Keen for details.[11] (Keen 2000, pp. 419–436)

Citations
  1. Tindale 1974, p. 141.
  2. Sharp 1939, p. 150.
  3. Tindale 1974, p. 224.
  4. Tindale 1974, p. 141,157.
  5. Webb 1933, p. 410.
  6. Elkin 1933, pp. 415–416.
  7. Chaseling 1957.
  8. Bauer 2014a, p. 38.
  9. Keen 2005, p. 80.
  10. N230 Yolngu Matha at the Australian Indigenous Languages Database, Australian Institute of Aboriginal and Torres Strait Islander Studies
  11. Keen 1995, pp. 502–527.
  12. Bauer 2014b, pp. 43–44.
  13. Morphy 2008b.
  14. Morphy 2008b, pp. 1–13.
  15. Dhuwa and Yirritja Yiḏaki.
  16. Yothu-Yindi and Yiḏaki Crafting.
  17. Keen 1982, p. 620.
  18. Christie 2007, p. 157,n.1.
  19. Caruana 2014.
  20. Gaymarani 2011, p. 285.
  21. Kelly 2014, p. 33.
  22. Mortimer 2019, p. 76.
  23. Lewis 2007.
  24. Yunupingu, Galarrwuy (July 2016). "Rom Watangu". The Monthly. Retrieved 19 July 2020.
  25. Gaymarani 2011, pp. 286–287.
  26. Williams 1986, pp. ?.
  27. Rothwell 2008.
  28. Dhimurru Aboriginal Corporation.
  29. Berndt 2005, p. 55.
  30. Swain 1993, p. 170.
  31. Needham, Wang & Lu 1971, p. 538.
  32. Thomson & Peterson 2005, p. ?.
  33. Walker & Zorc 1981, pp. 109–134.
  34. White 2016, p. 323.
  35. Morphy 2008a, p. 117.
  36. Morphy 2008a, p. 118.
  37. MoAD.
  38. Corn 2009, p. 42.
  39. Verghis 2014.
  40. Evans 2016.
  41. Stubington & Dunbar-Hall 1994, pp. 243–259.

Sources

Further reading
  • "About Yolngu". Nhulunbuy Corporation.
  • "Dust Echoes". ABC Education. Australian Broadcasting Corporation. 16 May 2017. a series of twelve beautifully animated Dreamtime stories from Central Arnhem Land... − 12 Episodes, each with accompanying Study Guide: Whirlpool, Mermaid, Brolga, Morning Star, Namorrodor, Curse, Moon Man, Be, Spear, Wawalag (or Wagalak) sisters, Bat and the Butterfly, and Mimis.
  • Twelve Canoes - video (made in collaboration with the people of Ramingining)
  • Lewis, Robert. Twelve Canoes: A Study Guide (PDF). Atom, Screen Australia, Australian Government.
  • "Yolngu Culture". Dhimurru Aboriginal Corporation.
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