Tweety

Tweety is a yellow canary in the Warner Bros. Looney Tunes and Merrie Melodies series of animated cartoons.[1] The name "Tweety" is a play on words, as it originally meant "sweetie", along with "tweet" being an English onomatopoeia for the sounds of birds. His characteristics are based on Red Skelton's famous "Mean Widdle Kid."[2] Tweety appeared in 46 cartoons during the golden age, made between 1942 and 1962.[3]

This article is about the Warner Bros. fictional character. For other uses, see Tweety (disambiguation).
Tweety
Looney Tunes character
Tweety in the Friz Freleng design. This is also his current appearance.
First appearanceThe Cagey Canary (early version) November 22, 1941
A Tale of Two Kitties (official version) November 21, 1942
Created byBob Clampett (original)
Friz Freleng (redesign)
Voiced byMel Blanc (1942–1989)
Jeff Bergman (1990–1993, 2011–present)
Bob Bergen (1990–present)
Greg Burson (1994–1997)
Joe Alaskey (1995–2003, 2011)
Eric Goldberg (1996, 2003)
Sam Vincent (2001–2006)
Billy West (2003)
Eric Bauza (2018–present)
(see below)
In-universe information
AliasTweety Bird
Tweety
Tweety Pie
SpeciesYellow canary
GenderMale
NationalityAmerican

Personality and identity

Despite the perceptions that people may hold, owing to the long eyelashes and high-pitched voice (which Mel Blanc provided), Tweety is male[4][5][6] although his ambiguity was played with. For example, in the cartoon "Snow Business",[7] when Granny entered a room containing Tweety and Sylvester she said: "Here I am, boys!", whereas a 1952 cartoon was entitled Ain't She Tweet [emphasis added]. Also, his species is ambiguous; although originally and often portrayed as a young canary, he is also frequently called a rare and valuable "tweety bird" as a plot device, and once called "the only living specimen". Nevertheless, the title song of The Sylvester & Tweety Mysteries directly states that the bird is a canary. His shape more closely suggests that of a baby bird, which is what he was during his early appearances (although the "baby bird" aspect has been used in a few later cartoons as a plot device). The yellow feathers were added but otherwise he retained the baby-bird shape.

In his early appearances in Bob Clampett cartoons, Tweety is a very aggressive character who tries anything to foil his foe, even kicking his enemy when he is down. One of his most notable malicious moments is in the cartoon Birdy and the Beast. A cat chases Tweety by flying until he remembers that cats cannot fly, causing him to fall. Tweety says sympathetically, "Awww, the poor kitty cat! He faw down and go (in a loud, tough, masculine voice) BOOM!!" and then grins mischievously. A similar use of that voice is in A Tale Of Two Kitties when Tweety, wearing an air raid warden's helmet, suddenly yells, "Turn out those lights!" Tweety's aggressive nature was toned down when Friz Freleng started directing the series, with the character turning into a more cutesy bird, usually going about his business, and doing little to thwart Sylvester's ill-conceived plots, allowing them to simply collapse on their own; he became even less aggressive when Granny was introduced, but occasionally Tweety still showed a malicious side.

Creation by Bob Clampett
Tweety's debut in A Tale of Two Kitties

Bob Clampett created the character that would become Tweety in the 1942 short A Tale of Two Kitties, pitting him against two hungry cats named Babbit and Catstello (based on the famous comedians Abbott and Costello).[8] On the original model sheet, Tweety was named Orson, which was also the name of a bird character from an earlier Clampett cartoon Wacky Blackout.[9]

Tweety was created not as a domestic canary, but as a generic (and wild) baby bird in an outdoors nest: naked (pink), jowly, and also far more aggressive and saucy, as opposed to the later, more well-known version of him as a less hot-tempered (but still somewhat ornery) yellow canary. In the documentary Bugs Bunny: Superstar, animator Clampett stated, in a sotto voce "aside" to the audience, that Tweety had been based "on my own naked baby picture". Clampett did two more shorts with the "naked genius", as a Jimmy Durante-ish cat once called him in A Gruesome Twosome. The second Tweety short, Birdy and the Beast, finally bestowed the baby bird with his new name, and gave him his blue eyes.

Many of Mel Blanc's characters are known for speech impediments. One of Tweety's most noticeable is that /s/, /k/, and /g/ are changed to /t/, /d/, or (final s) /θ/; for example, "pussy cat" comes out as "putty tat", later rendered "puddy tat", and "sweetie pie" comes out as "tweetie pie" (a phonological pattern referred to as 'fronting'), hence his name. He also has trouble with liquid consonants: as with Elmer Fudd, /l/ and /r/ come out as /w/. In Canary Row and Putty Tat Trouble, he begins the cartoon by singing a song about himself, "I'm a tweet wittow biwd in a giwded cage; Tweety'th my name but I don't know my age, I don't have to wuwy and dat is dat; I'm tafe in hewe fwom dat ol' putty tat." (Translation: "I'm a sweet little bird in a gilded cage...") Aside from this speech challenge, Tweety's voice is that of Bugs Bunny's, done a speed up only (if The Old Grey Hare, which depicts Bugs as an infant, is any indication of that); the only difference is that Bugs doesn't have trouble pronouncing /s/, /k/ and /g/ as mentioned above.

Freleng takes over

Clampett began work on a short that would pit Tweety against a then-unnamed, lisping black and white cat created by Friz Freleng in 1945. However, Clampett left the studio before going into full production on the short (which had a storyboard produced, where it was titled "Fat Rat and the Stupid Cat"[10]), and Freleng took on the project. Freleng toned Tweety down and gave him a cuter appearance, including large blue eyes and yellow feathers. Clampett mentions in Bugs Bunny: Superstar that the feathers were added to satisfy censors who objected to the naked bird. The first short to team Tweety and the cat, later named Sylvester, was 1947's Tweetie Pie, which won Warner Bros its first Academy Award for Best Short Subject (Cartoons).[11]

Sylvester and Tweety proved to be one of the most notable pairings in animation history. Most of their cartoons followed a standard formula:

  • The hungry Sylvester wanting to eat the bird, but some major obstacle stands in his way – usually Granny or her bulldog Hector (or occasionally, numerous bulldogs, or another cat who also wants to eat Tweety).
  • Tweety saying his signature lines "I tawt I taw a puddy tat!" and "I did! I did taw a puddy tat!" (Originally "I did! I taw a puddy tat!", but the extra "did" got inserted somehow). Eventually, someone must have commented on the grammar of "...did taw..."; in later cartoons, Tweety says "I did! I did tee a puddy tat!".
  • Sylvester spending the entire film using progressively more elaborate schemes or devices to capture his meal, similar to Wile E. Coyote in his ongoing efforts to catch the Road Runner, and Tom's attempts to catch Jerry. Of course, each of his tricks fail, either due to their flaws or, more often than not, because of intervention by either Hector the Bulldog or an indignant Granny (voiced by Bea Benaderet and later June Foray), or after Tweety steers the enemy toward them or another device (such as off the ledge of a tall building or an oncoming train).

In a few of the cartoons, Sylvester does manage to briefly eat Tweety up with a gulp. However, either Granny or another character makes him spit Tweety out right away. Sylvester was also briefly eaten by Hector the Bulldog, and forced by Granny to spit him out. This occurred during the Christmas special episode, and as a punishment, both Sylvester and Hector were tied up with their mouths gagged shut.

In 1951, Mel Blanc (with Billy May's orchestra) had a hit single with "I Tawt I Taw a Puddy Tat", a song performed in character by Tweety and featuring Sylvester. In the lyrics Sylvester sings "I'd like to eat that Sweetie Pie when he leaves his cage", implying that Tweety's name is actually Sweetie Pie, altered in its pronunciation by Tweety's speech impediment. Sylvester, who has his own speech issues involving the sounds /s/ and /p/, slobbers the "S" in "Sweetie Pie", just as he would the /s/ sounds in his own name. Later the same name was applied to the young, pink female canary in the Tiny Toon Adventures animated TV series of the early 1990s.

From 1945 until the original Warner Bros. Cartoons studio closed, Freleng had almost exclusive use of Tweety at the Warner cartoon studio (much like Yosemite Sam), with the exception of a brief cameo in No Barking in 1954, directed by Chuck Jones (that year, Freleng used Pepé Le Pew, a Jones character, for the only time in his career and the only time in a Tweety short, Dog Pounded).

Later appearances

Tweety had a small part in Who Framed Roger Rabbit, making Eddie Valiant (Bob Hoskins) fall from a flag pole by playing "This Little Piggy" with Valiant's fingers and releasing his grip. The scene is essentially a re-creation of a gag from A Tale of Two Kitties, with Valiant replacing Catstello as Tweety's victim.

During the 1990s, Tweety also starred in the animated TV series The Sylvester and Tweety Mysteries,[11] in which Granny ran a detective agency with the assistance of Tweety, Sylvester and Hector. Tweety has the starring role. The storyline carries into the 2000 direct-to-video feature-length animated film Tweety's High-Flying Adventure. Tweety's prototype, Orson, also made an appearance in the series.

Tweety also appears in Tiny Toon Adventures as the mentor of Sweetie Pie, and one of the faculty at Acme Looniversity.

In the 1995 cartoon short Carrotblanca, a parody/homage to Casablanca, Tweety appeared as "Usmarte", a parody of the character Ugarte played by Peter Lorre in the original film. In several sequences, Tweety was speaking and laughing in character like Peter Lorre. He also does the Looney Tunes ending instead of Porky Pig or Bugs Bunny. This is also notable for being a rare instance where Tweety is playing a villain character.

In 1996, Tweety appeared in the feature film, Space Jam, with legendary basketball player Michael Jordan.[11] In the film, Tweety was voiced by Bob Bergen.[12]

In 2001, a younger version of Tweety appeared on Baby Looney Tunes, thus coming full circle from his earliest appearances.

In 2010 Tweety was featured, with his Looney Tunes co-stars, in Cartoon Network's series The Looney Tunes Show.[13] He is voiced by Jeff Bergman. He appeared in the episode "Ridiculous Journey", where he and Sylvester work together to avoid getting eaten by Taz. He had been revealed to have fought in World War II alongside a young Granny. Sylvester also asked him how old he was, to which Tweety replied, "I'll never tell." Sylvester then asked if Tweety would at least tell him if he (Tweety) was a boy or a girl. Tweety whispered into his ear and Sylvester had a surprised expression and said "Huh, I was wrong."

Tweety recently appeared as a recurring character in Looney Tunes Cartoons, where he is voiced by Eric Bauza and has been reverted to the more violent and aggressive personality that Bob Clampett originally gave him.[14]

Merchandise

Tweety and Sylvester have been used to endorse products such as Miracle Whip dressing and MCI Communications long distance.[11] In 1998, the United States Post Office honored Tweety and Sylvester with a 32-cent postage stamp.[15] Tweety also appears in products produced by Warner Brothers Studios.

Modern art

British artist Banksy's 2008 New York art installation The Village Pet Store and Charcoal Grill features "Tweety", an animatronic sculpture of an aged and molting version of the character.[16]

Comic books

Western Publications produced a comic book about Tweety and Sylvester entitled Tweety and Sylvester, first in Dell Comics Four Color series #406, 489, and 524, then in their own title from Dell Comics (#4–37, 1954–62), then later from Gold Key Comics (#1–102, 1963–72).

Tweety's Looney Tunes and Merrie Melodies filmography

Supervision: Bob Clampett

Direction: Bob Clampett

Directed by Friz Freleng

Co-directed by Hawley Pratt

Directed by Gerry Chiniquy

Directed by Chuck Jones
  • No Barking (1954) – cameo appearance-MM

Post-Golden Age of American animation

Voice actors

Legendary voice artist Mel Blanc originated the character's voice.[17] After the Golden Age of American Animation came to an end, Blanc continued to voice the character in TV specials, commercials, music recordings, and films, such as 1988's Who Framed Roger Rabbit, which was one of Blanc's final projects as Tweety. Following Blanc's death in 1989, several voice actors have provided the voice in his stead. These voice actors are:

gollark: If you had, I don't know, a service which takes krist and sends it back to you a day later for whatever unfathomable purpose, then if someone wants to just feed that 5KST, they can't due to the fee.
gollark: It would make it not very usable as a way to do small transactions.
gollark: 30 what per minute?
gollark: Yes, that is option 1, charge the person who creates a script.
gollark: That would probably create a lot of friction.

References
  1. Maltin, Leonard (1987). Of Mice and Magic: A History of American Animated Cartoons (Revised ed.). Plume. pp. 256–258. ISBN 0-452-25993-2.
  2. Charney, Maurice (2005). "Animation". Comedy: A Geographic and Historical Guide · Volume 1. Praeger. p. 143. ISBN 9780313327148. Retrieved 14 April 2020.
  3. Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 151–152. ISBN 0-8160-3831-7. Retrieved 6 June 2020.
  4. Beck, Jerry (May 27, 2005). "Tweety – Male or Female?". Cartoon Brew. Archived from the original on December 23, 2012. Retrieved February 18, 2017.
  5. "Looney Tunes – Stars of the Show – Tweety". Warner Bros. Archived from the original on October 1, 2002. Retrieved February 18, 2017.
  6. "Sylvester and Tweety". Cartoon Network. Archived from the original on January 23, 2001. Retrieved February 18, 2017.
  7. "Excerpt of "Song of the Marines"". Daily Motion.
  8. Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Henry Holt and Co. p. 135. ISBN 0-8050-0894-2.
  9. Beck, Jerry (1991). I Tawt I Taw a Puddy Tat: Fifty Years of Sylvester and Tweety. New York: Henry Holt and Co. pp. 34–35. ISBN 0-8050-1644-9.
  10. "Evolution of SYLVESTER & TWEETY Over 81 Years (1939-2020) Explained". YouTube. Mar 3, 2020.
  11. Riggs, Thomas (2013). St. James Encyclopedia of Popular Culture. 5 (2nd ed.). Detroit: St. James Press. pp. 178–179. ISBN 978-1-55862-847-2.
  12. Space Jam (1996), retrieved 2018-02-02
  13. Barnes, Brooks (2010-05-19). "For Looney Tunes, a Big Left Turn at Albuquerque". The New York Times. ISSN 0362-4331. Retrieved 2018-02-02.
  14. https://www.youtube.com/watch?v=aaBvcEDy8n0
  15. "1998 32c Sylvester & Tweety Imperf Sheet". www.mysticstamp.com. Retrieved 2018-02-02.
  16. Patel, Kunur; Beer, Jeff (2008-10-09). "Banksy and fake meat invade the Village". Creativity Online. Ad Age. Archived from the original on 2008-10-12. Retrieved 2008-10-11.
  17. Flint, Peter B. (1989-07-11). "Mel Blanc, Who Provided Voices For 3,000 Cartoons, Is Dead at 81". The New York Times. ISSN 0362-4331. Retrieved 2020-06-04.
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