Timeline of music technology

The timeline of music technology provides the major dates in the history of electric music technologies inventions from the 1800s to the early 1900s and electronic and digital music technologies from 1917 (the date of the Theremin's development) and electric music technologies to the 2010s.

Dates

gollark: Maybe I should move it to one of the ultrahyperreliability™ osmarksclouds™.
gollark: Meanwhile, ABR is *not* dead.
gollark: https://i.osmarks.net/memes-or-something/apl.png
gollark: Capacitance is fine, of course.
gollark: https://hackaday.com/wp-content/uploads/2022/01/rcl-circuit.jpg

See also

  • Sound recording

References

  1. Radomir S. Stanković, Jaakko Astola (2008), Reprints from the Early Days of Information Sciences: TICSP Series On the Contributions of Akira Nakashima to Switching Theory, TICSP Series #40, Tampere International Center for Signal Processing, Tampere University of Technology
  2. 一時代を画する新楽器完成 浜松の青年技師山下氏 [An epoch new musical instrument was developed by a young engineer Mr.Yamashita in Hamamatsu]. Hochi Shimbun (in Japanese). 1935-06-08.
  3. 新電氣樂器 マグナオルガンの御紹介 [New Electric Musical Instrument – Introduction of Magna Organ] (in Japanese). Hamamatsu: 日本樂器製造株式會社 (Yamaha). October 1935. 特許第一〇八六六四号, 同 第一一〇〇六八号, 同 第一一一二一六号
  4. "The Wire, Volumes 275-280", The Wire, p. 24, 2007, retrieved 2011-06-05
  5. Holmes, Thom (2008). "Early Synthesizers and Experimenters". Electronic and experimental music: technology, music, and culture (3rd ed.). Taylor & Francis. p. 156. ISBN 978-0-415-95781-6. Retrieved 2011-06-04.
  6. Reid, Gordon (2004), "The History Of Roland Part 1: 19301978", Sound on Sound (November), retrieved 19 June 2011
  7. Matt Dean (2011), The Drum: A History, page 390, Scarecrow Press
  8. http://www.factmag.com/2016/09/22/the-14-drum-machines-that-shaped-modern-music/
  9. "Automatic rhythm instrument".
  10. "Donca-Matic (1963)". Korg Museum. Korg.
  11. Russell Hartenberger (2016), The Cambridge Companion to Percussion, page 84, Cambridge University Press
  12. Thomas Fine (2008). "The dawn of commercial digital recording" (PDF). ARSC Journal. 39 (1): 1–17.
  13. Aspray, William (1994-05-25). "Oral-History: Tadashi Sasaki". Interview #211 for the Center for the History of Electrical Engineering. The Institute of Electrical and Electronics Engineers, Inc. Retrieved 2013-01-02.
  14. Molenda, Mike; Pau, Les (2007). The Guitar Player Book: 40 Years of Interviews, Gear, and Lessons from the World's Most Celebrated Guitar Magazine. Hal Leonard. p. 222. ISBN 9780879307820.
  15. Michael Veal (2013), Dub: Soundscapes and Shattered Songs in Jamaican Reggae, pages 26-44, "Electronic Music in Jamaica", Wesleyan University Press
  16. Billboard, May 21, 1977, page 140
  17. Federico Faggin, The Making of the First Microprocessor, IEEE Solid-State Circuits Magazine, Winter 2009, IEEE Xplore
  18. 【Sord】 SMP80/x series, Information Processing Society of Japan
  19. Peter Manning, Electronic and Computer Music, page 264, Oxford University Press
  20. Yamaha GX-1, Vintage Synth Explorer
  21. "[Chapter 2] FM Tone Generators and the Dawn of Home Music Production". Yamaha Synth 40th Anniversary - History. Yamaha Corporation. 2014.
  22. Tribute: Ikutaro Kakehashi and Roland's Impact on Music, Reverb.com
  23. Russ, Martin (2012). Sound Synthesis and Sampling. CRC Press. p. 192. ISBN 978-1136122149. Retrieved 26 April 2017.
  24. 【Sord】 M200 Smart Home Computer Series, Information Processing Society of Japan
  25. PANAFACOM Lkit-16, Information Processing Society of Japan
  26. Mark Vail, The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, page 277, Oxford University Press
  27. Impact of MIDI on electroacoustic art music, Issue 102, page 26, Stanford University
  28. Fulford, Benjamin (24 June 2002). "Unsung hero". Forbes. Retrieved 18 March 2008.
  29. US 4531203 Fujio Masuoka
  30. Wells, Peter (2004), A Beginner's Guide to Digital Video, AVA Books, p. 18, ISBN 2-88479-037-3, retrieved 2011-05-20
  31. "Firstman International". SYNRISE (in German). Archived from the original on 2003-04-20. FIRSTMAN existiert seit 1972 und hat seinen Ursprung in Japan. Dort ist dieFirma unter dem Markennamen HILLWOOD bekannt. HILLWOOD baute dann auch 1973 den quasi ersten Synthesizer von FIRSTMAN. Die Firma MULTIVOX liess ihre Instrumente von 1976 bis 1980 bei HILLWOOD bauen.","SQ-10 / mon syn kmi ? (1980) / Monophoner Synthesizer mit wahrscheinlich eingebautem Sequenzer. Die Tastatur umfasst 37 Tasten. Die Klangerzeugung beruht auf zwei VCOs.
  32. Mark Jenkins (2009), Analog Synthesizers, pages 107-108, CRC Press
  33. A TALE OF TWO STRING SYNTHS, Sound on Sound, July 2002
  34. Vine, Richard (15 June 2011). "Tadao Kikumoto invents the Roland TB-303". The Guardian. Retrieved 9 July 2011.
  35. Chadabe, Joel (1 May 2000). "Part IV: The Seeds of the Future". Electronic Musician. Penton Media. XVI (5). Archived from the original on 28 September 2012.
  36. Rockin'f, March 1982, pages 140-141
  37. Martin Russ (2004). Sound synthesis and sampling. p. 66. ISBN 9780240516929.
  38. "Technical GRAMMY Award: Ikutaro Kakehashi And Dave Smith". Retrieved 31 August 2016.
  39. https://www.roland.com/ca/company/history/
  40. Roland MC-202 MicroComposer, Electronic Musician, November 2001
  41. Pinch, T. J.; Bijsterveld, Karin (July 2003). ""Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music". Technology and Culture. 44 (3): 536–559. doi:10.1353/tech.2003.0126. By the time the first commercially successful digital instrument, the Yamaha DX7 (lifetime sales of two hundred thousand), appeared in 1983 ...
  42. InfoWorld, October 16, 1989, page 44
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.