The Post (film)

The Post is a 2017 American historical political thriller film[7][8] directed and produced by Steven Spielberg, and written by Liz Hannah and Josh Singer. It stars Meryl Streep as Katharine Graham, the first female publisher of a major American newspaper, and Tom Hanks as Ben Bradlee, the longtime executive editor of The Washington Post, with Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, David Cross, Bruce Greenwood, Carrie Coon, Alison Brie, and Matthew Rhys in supporting roles.

For the 1929 Soviet animated film, see Post (film).

The Post
Theatrical release poster
Directed bySteven Spielberg
Produced by
Written by
Starring
Music byJohn Williams
CinematographyJanusz Kamiński
Edited by
Production
company
Distributed by
Release date
  • December 14, 2017 (2017-12-14) (Newseum)
  • December 22, 2017 (2017-12-22) (United States)
Running time
116 minutes[4]
CountryUnited States
LanguageEnglish
Budget$50 million[5]
Box office$179.8 million[6]

Set in 1971, The Post depicts the true story of attempts by journalists at The Washington Post to publish the infamous "Pentagon Papers", a set of classified documents regarding the 20-year involvement of the United States government in the Vietnam War (1961–1975) and earlier in French Indochina back to the 1940s and the end of World War II (1939/1941–1945).

Principal photography began in New York City in May 2017. The film premiered at the Newseum in Washington, D.C., on December 14, 2017, and went into limited release in the United States on December 22, 2017. It entered wide release on January 12, 2018, and grossed $179 million worldwide.

The film received positive reviews; critics praised the performances (particularly Streep, Hanks, and Odenkirk) and the film's references and allusions to the presidencies of Richard Nixon and Donald Trump.[9][10][11] The Post was chosen by the National Board of Review as the best film of 2017 and was named as one of the top 10 films of the year by Time magazine and the American Film Institute.[12][13][14] The Post was nominated for Best Picture and Best Actress (for Streep) at the 90th Academy Awards, and received six nominations at the 75th Golden Globe Awards: Best Motion Picture – Drama, Best Director, Best Actress – Drama (for Streep), Best Actor – Drama (for Hanks), Best Screenplay, and Best Original Score.[15]

Plot

In 1966, during the Vietnam War, U.S. State Department military analyst Daniel Ellsberg accompanies American troops in combat, documenting military progress for Secretary of Defense Robert McNamara. On the flight home, McNamara tells Ellsberg and William B. Macomber that the war is hopeless. Upon landing, however, he tells the congregated media that he has every confidence in the war effort. Ellsberg, overhearing this abrupt turn-about, becomes disillusioned. Years later, as a civilian military contractor/consultant working for the RAND Corporation (a military/defense "think tank"), Ellsberg photocopies hundreds of pages of classified reports documenting the country's decades-long involvement in Vietnam, dating back to the Truman administration. Ellsberg then leaks these documents first to The New York Times, through reporter Neil Sheehan.

In 1971, newspaper heiress Katharine Graham tries to balance a busy social life with her responsibilities as owner and publisher for only eight years of The Washington Post, following the suicide of her husband and the death of her father. She nervously prepares for its stock market launch, a move to help financially stabilize the paper. Graham lacks journalistic experience and is frequently overruled by her domineering financial advisers and editors, including editor-in-chief (executive editor) Ben Bradlee and board member Arthur Parsons.

McNamara, a long-time friend, warns Graham that an unflattering story featuring him will be published in The New York Times, another example of the Times' ability to get preemptive "scoops" while the Post languishes behind. The story is an exposé of the American government's long-running deception regarding America's position in Vietnam and Southeast Asia. However, a federal district court injunction halts the Times from publishing further articles on the subject.

Post assistant editor Ben Bagdikian tracks down Ellsberg, a former colleague, as the source for the leak. Ellsberg provides him copies of the same material given previously to the Times. Hand-picked Post reporters pore over mounds of pages, searching for additional headline stories. The Post's attorneys advise against publishing the material, lest the Nixon administration file criminal charges. Graham confers with McNamara, Bradlee, and trusted Post chairman Fritz Beebe, as she agonizes about publishing. Bradlee tells Graham that their politician friends (including John F. Kennedy, as shown in the top-secret documents) abused their friendships by lying to them; her friendship with McNamara must not be a factor in a decision whether to publish. The situation intensifies when the Post's lawyers discover that Bagdikian's source is the same as the Times, possibly putting Graham in contempt of court and potentially destroying the newspaper and her family's ownership and legacy. Alternately, if the legal challenges are overcome in court, the Post could emerge as a significant journalistic institution and increase its reputation. Graham goes ahead and says "let's do it".

The White House retaliates. The Post and Times jointly appear before the Supreme Court to plead their First Amendment constitutional rights. Meanwhile, other major newspapers start publishing on the secret war study in solidarity with the once isolated Post and Times. On June 30, 1971, the Supreme Court's justices, in the case of New York Times Co. v. United States, rule 6–3 in the two newspapers' favor, vindicating Graham's decision to print. Shortly after, President Richard Nixon demands that the Post be barred from the White House. The film ends with a sequence showing the discovery of the Watergate burglary, which led ultimately to Nixon's resignation.

Cast

Production
Previous HQ of The Washington Post on 15th Street NW in Washington, D.C..

In October 2016, Amy Pascal won a bid for the rights to the screenplay The Post, written by Liz Hannah.[16] In February 2017, Steven Spielberg had halted pre-production on The Kidnapping of Edgardo Mortara after a casting setback, and consequently opened his schedule to other potential films to direct.[5] The following month, it was announced that Spielberg was in negotiations to direct and produce the film, with Meryl Streep and Tom Hanks in talks for the roles of Katharine Graham and Ben Bradlee, respectively.[17] The Post is the first time that Spielberg, Streep, and Hanks had all worked together on a film.[18][19]

Spielberg read the screenplay and decided to direct the film as soon as possible, citing that "when I read the first draft of the script, this wasn't something that could wait three years or two years — this was a story I felt we needed to tell today."[20] Spielberg worked on The Post while post-production work continued on the visual-effects-heavy Ready Player One, a situation familiar to him from concurrently producing, in the early 1990s, Jurassic Park and Schindler's List.[21] Josh Singer was hired to re-write the screenplay ten weeks before filming.[22]

As filming commenced, a number of New York Times figures who were associated with the Pentagon Papers case—among them James Greenfield, James Goodale, Allan M. Siegal, and Max Frankel—objected to the film's production due to the script's lack of emphasis on the Times' role in breaking the story.[23] Goodale, who was at the time the Times's in-house counsel, later called the film "a good movie but bad history."[24]

Filming

The film began principal photography in New York on May 30, 2017.[25] On June 6, 2017, it was announced that the project, retitled The Papers, would also star Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford, and Zach Woods.[26] On August 25, 2017, the film's title reverted to The Post.[27] Spielberg finished the final cut of the film on November 6, 2017, with the final sound mix also completed along with the musical score a week later, on November 13.[28]

Costume design

Writing for The New York Times, Manohla Dargis indicated some high points in the costume design used in the film stating, "The costume designer Ann Roth subtly brightens Katharine, taking her from leaden gray to free-flowing gold."[29]

Music
When Steven first approached me about [The Post], we talked about Kay Graham and Ben Bradlee and what opportunities the film might present for me. When I've thought about it, I've never been in a newsroom – you know, with the clattering of a thousand typewriters in those days... Now no one's using them, it's all silent. But it must have been quite a noisy environment, really – everyone running back and forth. So I thought, "Well, how are you gonna get any music in a newsroom?"

—John Williams on composing the score

The score for the film was written by John Williams; it is his 28th collaboration with Spielberg.[30] The music is a combination of traditional orchestral instrumentation and what Williams has called "very light, computerised electronic effects."[31] Williams was originally attached to write the music for Spielberg's Ready Player One, but, because both films had similar post-production schedules, Williams chose to work on The Post, while Alan Silvestri composed for Ready Player One.[31] Spielberg has said that The Post was a rare instance in which he went to the recording sessions "having not heard a note" in advance.[32]

Recording began on October 30, 2017 in Los Angeles.[33] The soundtrack was released digitally by Sony Classical Records on December 22, 2017 and in physical form on January 12, 2018.[34]

The Post (Original Motion Picture Soundtrack)
Film score by
John Williams
ReleasedDecember 22, 2017 (2017-12-22) (digital)
January 12, 2018 (2018-01-12) (physical)
GenreSoundtrack
Length40:10
LabelSony Classical
ProducerJohn Williams
John Williams chronology
Star Wars: The Last Jedi
(2017)		 The Post (Original Motion Picture Soundtrack)
(2017)		 Star Wars: The Rise of Skywalker
(2019)

Track listing
No.TitleLength
1."The Papers"3:56
2."The Presses Roll"5:01
3."Nixon's Order"1:47
4."The Oak Room, 1971"1:46
5."Setting the Type"2:34
6."Mother and Daughter"3:23
7."Scanning the Papers"2:23
8."Two Martini Lunch"2:34
9."Deciding to Publish"5:42
10."The Court's Decision and End Credits"11:04
Total length:40:10

Release

The Post premiered at the Newseum in Washington, D.C. on December 14, 2017.[9] It began a limited theatrical release in the United States on December 22, 2017, and a wide release on January 12, 2018.[35] The film is distributed internationally through Amblin Partners' distribution agreements with Universal Pictures, Reliance Entertainment, and Entertainment One.[36] The film was released by Reliance in India.[37] Tom Hanks said he would not be interested in appearing at a potential White House screening for President Donald Trump.[38]

Marketing

The first official image from The Post was released on October 31, 2017.[39] The trailer for The Post premiered exclusively on The Late Show with Stephen Colbert, on November 7, 2017,[40] and the film's poster, designed by BLT Communications, was released the next day.[41][42] The first TV spot, titled "Uncover the Truth", was released on November 21, 2017.[43][44]

Home media

The Post was released on Digital HD on April 3 and on Blu-ray/DVD April 17, 2018 by 20th Century Fox Home Entertainment.

Reception

Box office

The Post grossed $81.9 million in the United States and Canada, and $97.9 million in other territories, for a worldwide total of $179.8 million, against a production budget of $50 million.[6]

During The Post's limited opening weekend, December 22 to 24, it grossed $526,011 (and a total of $762,057 over the four-day Christmas weekend) from nine theaters. The following weekend, the film grossed $561,080 for a per-theater average of $62,342, one of the highest of 2017.[45] The film had its wide release alongside the openings of The Commuter, Paddington 2 and Proud Mary, and was projected to gross around $20 million from 2,819 theaters over the weekend.[46] It made $5.9 million on its first day and $18.6 million over the weekend (and a four-day MLK weekend total of $23.4 million), finishing second at the box office behind holdover Jumanji: Welcome to the Jungle.[47] 66% of its opening weekend audience was over the age of 35.[48] It dropped 37% the following weekend to $12.2 million, finishing 4th behind Jumanji and newcomers 12 Strong and Den of Thieves.[49] It dropped to 5th in its third week of wide release, grossing $8.9 million.[50]

Critical response

On review aggregator Rotten Tomatoes, the film has an approval rating of 88% based on 387 reviews, with an average rating of 7.88/10. The website's critical consensus reads, "The Post's period setting belies its bitingly timely themes, brought compellingly to life by director Steven Spielberg and an outstanding ensemble cast."[51] On Metacritic, the film has a weighted average score of 83 out of 100, based on 51 critics, indicating "universal acclaim".[52] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale,[47][53] while PostTrak reported 63% of audience members gave the film a "definite recommend".[48]

Alonso Duralde of TheWrap praised the acting and Spielberg's direction, though he noted the script was too on-the-nose at times, saying, "The Post passes the trickiest tests of a historical drama: it makes us understand that decisions validated by the lens of history were difficult ones to make in the moment, and it generates suspense over how all the pieces fell into place to make those decisions come to fruition."[54] David Ehrlich of IndieWire gave the film an A– and wrote: "Nobody needs to be reminded that history tends to go in circles, but The Post is so vital because it captures the ecstasy of trying to break the chain and bend things towards justice; defending the fundamental tenets of the Constitution hasn't been this much fun since Hamilton."[55]

Chris Nashawaty, writing for Entertainment Weekly, gave the film a positive review, but also compared it with previous journalism films such as All the President's Men stating, "Spielberg makes these crucial days in American history easy to follow. But if you look at The Post next to something like All the President's Men, you see the difference between having a story passively explained to you and actively helping to untangle it. That's a small quibble with an urgent and impeccably acted film. But it's also the difference between a very good movie and a great one."[56]

Manohla Dargis of The New York Times awarded the film an NYT Critic's Pick with a strong acknowledgment of Spielberg as director saying, "Mostly, (the Post decision to publish) went down fast, a pace that Mr. Spielberg conveys with accelerated rhythms, flying feet, racing cameras and an enjoyably loose approach to the material. With his virtuosic, veteran crew, Mr. Spielberg paints the scene vividly and with daubs of beauty; most notably, he creates distinct visual realms for the story's two main overlapping, at times colliding, worlds. Katharine reigns over one; at first she's all but entombed in her darkly lighted, wood-paneled empire. Ben rules the other, overseeing the talking and typing warriors of the glaring, noisily freewheeling newsroom".[29]

Matt Bobkin, writing for Exclaim!, gave the film a 6 out of 10 score, saying the film "has all the makings of an awards season hit, but is too calculated to reflect today's ragged, tenuous sociopolitical climate."

Matt Zoller Seitz of RogerEbert.com reflected on the film nearly two years after its release, noting that due to the film's accessibility and Spielberg's invisible style of direction, critics underrated the film and tended to take its story literally such as by fact-checking historical details, in spite of the film being a "coded commentary" and doubling "as a stealth portrait of the media’s responsibility in the age of Trump, and in any age."[57]

Portrayal of The New York Times

The film downplays the original role that The New York Times had in breaking the Pentagon Papers and emphasizes The Washington Post's subsequent involvement.[58][59] In an interview with the Columbia Journalism Review, former New York Times associates James Greenfield, who coordinated the Pentagon Papers project as the Times foreign editor; James Goodale, the Times' general counsel at the time; and Max Frankel, the Times' Washington bureau chief when the Papers were published, criticized the film's more minor portrayal of the paper.[60] The New York Times had not only published the Pentagon Papers before The Washington Post, but had also set the stage for the major legal battle between the press and the United States government.[58] The newspaper also won the 1972 Pulitzer Prize for Public Service for its contributions.

The 1972 Pulitzer jury of journalists noted in their recommendation not only the significance of Daniel Ellsberg's Pentagon Papers leak, but also that of Times reporters Neil Sheehan, Hedrick Smith, Fox Butterfield and E. W. Kenworthy, and stated that their effort was "a combination of investigative reporting, analysis, research, and writing — all of which added to a distinctly meritorious public service, not only for readers of The Times but also for an entire nation."[59] Goodale noted in an article for The Daily Beast that the Times published the Papers after Ellsberg had leaked them to Sheehan, and further stated that the film "creates a false impression that the Post was a major player in such publication. It's as though Hollywood had made a movie about the Times' triumphant role in Watergate."[24] On PBS NewsHour, Goodale further said, "Although a producer has artistic license, I think it should be limited in a situation such as this, so that the public comes away with an understanding of what the true facts are in this case . . . And I think that if you're doing a movie now, when [President Donald] Trump is picking on the press for 'fake news', you want to be authentic. You don't want to be in any way fake."[61]

Accolades
Award Date of ceremony Category Nominee(s) Result Ref.
AARP's Movies for Grownups Awards February 5, 2018 Best Actress Meryl Streep Nominated [62]
[63]
Best Actor Tom Hanks Nominated
Best Director Steven Spielberg Nominated
Best Time Capsule The Post Nominated
Readers' Choice Poll The Post Nominated
Academy Awards March 4, 2018 Best Picture Amy Pascal, Steven Spielberg and Kristie Macosko Krieger Nominated [64]
[65]
Best Actress Meryl Streep Nominated
Alliance of Women Film Journalists January 9, 2018 Best Ensemble Cast – Casting Director Ellen Lewis Nominated [66]
Best Woman Screenwriter Liz Hannah and Josh Singer Nominated
American Cinema Editors January 26, 2018 Best Edited Feature Film – Dramatic Michael Kahn and Sarah Broshar Nominated [67]
American Film Institute January 5, 2018 Top Ten Films of the Year The Post Won [68]
Art Directors Guild January 27, 2018 Excellence in Production Design for a Period Film Rick Carter Nominated [69]
Casting Society of America January 18, 2018 Big Budget – Drama Rori Bergman, Karlee Fomalont, Ellen Lewis and Kate Sprance Nominated [70]
Critics' Choice Movie Awards January 11, 2018 Best Acting Ensemble The cast of The Post Nominated [71]
Best Actor Tom Hanks Nominated
Best Actress Meryl Streep Nominated
Best Director Steven Spielberg Nominated
Best Editing Michael Kahn and Sarah Broshar Nominated
Best Original Screenplay Liz Hannah and Josh Singer Nominated
Best Picture The Post Nominated
Best Score John Williams Nominated
Dallas–Fort Worth Film Critics Association December 13, 2017 Best Film The Post 2nd Place [72]
Best Director Steven Spielberg 4th Place
Best Actor Tom Hanks 5th Place
Best Actress Meryl Streep 5th Place
Detroit Film Critics Society December 7, 2017 Best Ensemble The cast of The Post Won [73]
Best Screenplay Liz Hannah and Josh Singer Nominated
Florida Film Critics Circle December 23, 2017 Best Cinematography Janusz Kamiński Nominated [74]
[75]
Georgia Film Critics Association January 12, 2018 Best Production Design Rick Carter, Kim Jennings and Deborah Jensen Nominated [76]
Best Original Score John Williams Nominated
Best Ensemble The cast of The Post Nominated
Golden Globe Awards January 7, 2018 Best Actor – Motion Picture Drama Tom Hanks Nominated [77]
Best Actress – Motion Picture Drama Meryl Streep Nominated
Best Director Steven Spielberg Nominated
Best Motion Picture – Drama The Post Nominated
Best Original Score John Williams Nominated
Best Screenplay Liz Hannah and Josh Singer Nominated
Houston Film Critics Society January 6, 2018 Best Director Steven Spielberg Nominated [78]
Best Original Screenplay Liz Hannah and Josh Singer Nominated
Best Picture The Post Nominated
Best Score John Williams Nominated
Humanitas Prize February 16, 2018 Feature – Drama Liz Hannah and Josh Singer Nominated [79]
IndieWire Critics Poll December 19, 2017 Best Picture The Post 10th Place [80]
National Board of Review January 4, 2018 Best Actor Tom Hanks Won [81]
[82]
Best Actress Meryl Streep Won
Best Film The Post Won
National Society of Film Critics January 6, 2018 Best Supporting Actor Michael Stuhlbarg 2nd Place[lower-alpha 1] [83]
New York Film Critics Online December 10, 2017 Top 10 Films The Post Won [84]
Online Film Critics Society December 28, 2017 Best Ensemble The cast of The Post Nominated [85]
[86]
Producers Guild of America Awards January 20, 2018 Best Theatrical Motion Picture Amy Pascal, Steven Spielberg and Kristie Macosko Krieger Nominated [87]
San Diego Film Critics Society December 11, 2017 Best Editing Michael Kahn and Sarah Broshar Nominated [88]
Best Ensemble The cast of The Post Nominated
San Francisco Film Critics Circle December 10, 2017 Best Editing Michael Kahn Nominated [89]
Saturn Awards June 27, 2018 Best Thriller Film The Post Nominated [90]
Seattle Film Critics Society December 18, 2017 Best Picture of the Year The Post Nominated [91]
Best Actress Meryl Streep Nominated
Best Ensemble The cast of The Post Nominated
St. Louis Film Critics Association December 17, 2017 Best Actor Tom Hanks Nominated [92]
Best Actress Meryl Streep Nominated
Best Director Steven Spielberg Nominated
Best Editing Michael Kahn and Sarah Broshar Nominated
Best Original Score John Williams Nominated
Best Picture The Post Runner-up
Washington D.C. Area Film Critics Association December 8, 2017 Best Actress Meryl Streep Nominated [93]
Best Ensemble The cast of The Post Nominated
Best Portrayal of Washington D.C. The Post Won
Women Film Critics Circle December 17, 2017 Karen Morley Award The Post Nominated [94]
[95]
Writers Guild of America Awards February 11, 2018 Paul Selvin Award Liz Hannah and Josh Singer Won [96]

Notes
  1. Also nominated for Call Me by Your Name and The Shape of Water
gollark: Also, <@362342259922042892>, turns out I got 24kRF/t and 19.2kRF/t mixed up (it's the second one).
gollark: Fusion temperature achieved!
gollark: After a false start due to forgetting to set the buttons on the screen to `toggle`, it's running... let's see if I hit 8 million kelvin before the startup power cuts out.
gollark: Oh, right, the active coolers, forgot about those.
gollark: I have everything wired up now, time to start it!

See also

References
  1. "Film releases". Variety Insight. Archived from the original on July 28, 2017. Retrieved September 3, 2018.
  2. Gleiberman, Owen (December 6, 2017). "Film Review: 'The Post'". Variety. Los Angeles, California: Penske Media Corporation. Retrieved December 19, 2018. PRODUCTION: A 20th Century Fox release of a DreamWorks Pictures, Amblin Entertainment, 20th Century Fox, Participant Media, Star Thrower Entertainment production.
  3. McNary, Dave (November 1, 2017). "Participant Media Hires Girl Rising Co-Founder Holly Gordon". Variety. Los Angeles, California: Penske Media Corporation. Retrieved November 10, 2017.
  4. "The Post". British Board of Film Classification. Retrieved April 4, 2018.
  5. Galloway, Stephen (December 5, 2017). "'The Post': How Spielberg Beat a Tight Deadline to Make a Timely Newspaper Drama". The Hollywood Reporter. Retrieved December 6, 2017.
  6. "The Post (2017)". Box Office Mojo. Seattle, Washington: Amazon. Retrieved June 19, 2018.
  7. Travers, Peter (December 4, 2017). "10 Best Movies of 2017". Rolling Stone. Retrieved January 13, 2018.
  8. Damigella, Rick (January 2, 2017). "Political thriller gets Oscar buzz". CNN. Retrieved January 13, 2017.
  9. Friedman, Dan (December 14, 2017). "Steven Spielberg, Tom Hanks Compare Trump Administration to Nixon's at 'The Post' Premiere". The Hollywood Reporter. Los Angeles, California: Valence Media. Retrieved December 15, 2017.
  10. Shepard, Jack (December 6, 2017). "The Post review round-up: Steven Spielberg's Oscar 2018 frontrunner wins glowing reception". The Independent. Retrieved December 6, 2017.
  11. Han, Angie (December 6, 2017). "The reviews are in and critics absolutely adore Steven Spielberg's 'The Post'". Mashable. Retrieved December 6, 2017.
  12. "AFI Awards 2017". AFI. Retrieved December 8, 2017.
  13. "National Board of Review Announces 2017 Award Winners". National Board of Review. November 28, 2017. Retrieved December 7, 2017.
  14. Zacharek, Stephanie (December 7, 2017). "The Top 10 Movies of 2017". Time. Retrieved December 13, 2017.
  15. Rubin, Rebecca (December 11, 2017). "Golden Globe Nominations: Complete List". Variety. Retrieved December 11, 2017.
  16. Fleming, Mike, Jr. (October 31, 2016). "Amy Pascal Buys Pentagon Papers Movie Spec Script 'The Post' By Liz Hannah". Deadline Hollywood. Los Angeles, California: Penske Media Corporation. Retrieved June 6, 2017.
  17. Fleming, Mike, Jr. (March 6, 2017). "Steven Spielberg, Tom Hanks & Meryl Streep Team for Pentagon Papers Drama 'The Post'". Deadline Hollywood. Los Angeles, California: Penske Media Corporation. Retrieved June 6, 2017.
  18. Khatchatourian, Maane (November 8, 2017). "Watch First Trailer for Steven Spielberg's 'The Post,' Starring Meryl Streep, Tom Hanks". Variety. Retrieved November 29, 2017.
  19. "First 'The Post' Trailer: Tom Hanks, Meryl Streep Tackle Pentagon Papers". The Hollywood Reporter. Los Angeles, California: Valence Media. Retrieved November 29, 2017.
  20. Ryan, Patrick (November 20, 2017). "Steven Spielberg on timely new film 'The Post': 'History is certainly repeating itself'". USA Today. Mclean, Virginia: Gannett. Retrieved November 21, 2017.
  21. Lee, Ashley (November 19, 2017). "Steven Spielberg, Tom Hanks and Meryl Streep Unveil 'The Post' at First Screening". The Hollywood Reporter. Los Angeles, California: Valence Media. Retrieved November 21, 2017.
  22. Tapley, Kristopher (November 20, 2017). "Oscars: Steven Spielberg's 'The Post' Arrives with the Zeitgeist in Its Sights". Variety. Los Angeles, California: Penske Media Corporation. Retrieved November 21, 2017.
  23. Vinciguerra, Thomas (May 1, 2017). "Hell hath no fury like The New York Times scorned by Hollywood". Columbia Journalism Review. New York City: Columbia University. Retrieved June 30, 2017.
  24. Goodale, James C. (December 22, 2017). "Spielberg's 'The Post': Good Movie, Bad History". The Daily Beast. New York City: IAC. Retrieved January 13, 2018.
  25. Movies News Desk (June 6, 2017). "Production Underway on Spielberg's THE PAPERS, Starring Meryl Streep & Tom Hanks". Broadway World. New York City: Wisdom Digital Media. Retrieved June 7, 2017.
  26. Kroll, Justin (June 6, 2017). "Steven Spielberg Pentagon Papers Film Adds Sarah Paulson, Bob Odenkirk, Matthew Rhys, Bradley Whitford". Variety. Los Angeles, California: Penske Media Corporation. Retrieved June 6, 2017.
  27. McNary, Dave (August 25, 2017). "Steven Spielberg's Pentagon Papers Movie Re-Titled 'The Post'". Variety. Los Angeles, California: Penske Media Corporation. Retrieved November 23, 2017.
  28. Thompson, Anne (November 7, 2017). "Steven Spielberg Has Finally Finished 'The Post'". IndieWire. Los Angeles, California: Penske Media Corporation. Retrieved November 23, 2017.
  29. Dargis, Manohla (December 21, 2017). "Review: In 'The Post,' Democracy Survives the Darkness". The New York Times. New York City: New York Times Company. Retrieved December 30, 2017.
  30. "John Williams and Alan Silvestri to Score Steven Spielberg's Next Films (EXCLUSIVE)". Variety. July 7, 2017. Retrieved July 8, 2017.
  31. Nothing But Geek (December 11, 2017), The Post (20th Century Fox) John Williams, retrieved January 1, 2018
  32. Burlingame, Jon (January 10, 2018). "John Williams Is on Target to Set Yet Another Oscar Record". Variety. Los Angeles, California: Penske Media Corporation. Retrieved April 8, 2018.
  33. ScoringSessions.com [@scoringsessions] (October 30, 2017). "John Williams scoring Spielberg's THE POST at Sony" (Tweet) – via Twitter.
  34. John Williams. "The Post". Retrieved January 1, 2018.
  35. Lang, Brent (April 22, 2017). "Steven Spielberg Pentagon Papers Drama Gets 2017 Oscar-Season Release". Variety. Los Angeles, California: Penske Media Corporation. Retrieved June 6, 2017.
  36. "Twentieth Century Fox & Amblin Entertainment Start Production on Steven Spielberg's "THE PAPERS" Starring Meryl Streep & Tom Hanks" (Press release). Business Wire. June 6, 2017. Retrieved November 9, 2017.
  37. "Reliance Entertainment To Present Steven Spielberg's Next Directorial 'The Post' In India". Business of Cinema. November 13, 2017. Retrieved January 16, 2018.
  38. Galloway, Stephen (December 20, 2017). "Tom Hanks Wouldn't Screen 'The Post' at the White House, Decries Attacks on First Amendment". The Hollywood Reporter. Los Angeles, California: Valence Media. Retrieved January 16, 2018.
  39. Chitwood, Adam (October 31, 2017). "First Look at Tom Hanks, Meryl Streep and More in Steven Spielberg's 'The Post'". Collider. Complex Media, Inc. Retrieved November 23, 2017.
  40. "First Trailer for Steven Spielberg's 'The Post' Premieres". The Daily Beast. New York City: IAC. November 7, 2017. Retrieved November 23, 2017.
  41. Agar, Chris (November 8, 2017). "The Post Trailer: Tom Hanks & Meryl Streep Battle Political Corruption". Screen Rant. Montreal, Canada: Valnet, Inc. Retrieved November 23, 2017.
  42. "The Post Movie Poster (#1 of 2)". IMP Awards. David Nicholson. Retrieved November 23, 2017.
  43. The Post | "Uncover the Truth" TV Commercial | 20th Century FOX. YouTube. November 21, 2017. Retrieved November 23, 2017.
  44. Cranswick, Amie (November 22, 2017). "'Uncover the Truth' with new TV spot for Steven Spielberg's The Post". Flickering Myth. Flickering Myth Limited. Retrieved November 23, 2017.
  45. Brooks, Brian (December 31, 2017). "'Phantom Thread' Haute in 1st Full Weekend; 'Darkest Hour' & 'The Shape of Water' Strong with Added Runs — Specialty Box Office". Deadline Hollywood. Retrieved January 2, 2018.
  46. Fuster, Jeremy (January 9, 2018). "Can 'The Post' or 'Paddington 2' Knock off 'Jumanji' at MLK Weekend Box Office?". TheWrap. Retrieved January 10, 2018.
  47. D'Alessandro, Anthony (January 14, 2018). "'Jumanji' Roars To $34M; 'The Post' Still The Most With $22M+; 'The Commuter' Punches $16M: MLK Weekend Box Office Update". Deadline Hollywood. Retrieved January 14, 2018.
  48. McNary, Dave (January 13, 2018). "'Jumanji' Dominates MLK Weekend, 'The Post' Leads Newcomers". Variety. Retrieved January 30, 2018.
  49. D'Alessandro, Anthony (January 21, 2018). "January Slows As 'Jumanji' Takes No. 1 For 3rd Weekend With $19M To $20M; Older Guy Pics '12 Strong' & 'Den Of Thieves' In Mid-Teens". Deadline Hollywood. Retrieved January 21, 2018.
  50. D'Alessandro, Anthony (January 28, 2018). "Fox Controls Close To 40% Of Weekend B.O. Led By 'Maze Runner' & Oscar Holdovers; 'Hostiles' Gallops Past $10M". Deadline Hollywood. Retrieved January 28, 2018.
  51. "The Post (2017)". Rotten Tomatoes. Fandango. Retrieved May 18, 2020.
  52. "The Post Reviews". Metacritic. CBS Interactive. Retrieved January 17, 2018.
  53. CinemaScore on Twitter (January 12, 2018). "The Post". Retrieved February 17, 2018.
  54. "'The Post' Movie Review: Steven Spielberg Spins a Lean and Mean Fourth Estate Yarn". TheWrap. December 6, 2017. Retrieved December 6, 2017.
  55. Ehrlich, David (December 6, 2017). "'The Post' Review: Steven Spielberg's Spectacularly Entertaining Journalism Thriller Is a Rallying Cry for the Resistance". IndieWire. Los Angeles, California: Penske Media Corporation. Retrieved December 6, 2017.
  56. Nashawaty, Chris (December 1, 2017). "Film Review: The Post". Entertainment Weekly. New York City: Meredith Corporation. pp. 86–87.
  57. Seitz, Matt Zoller (August 20, 2019). "30 Minutes on "The Post"". RogerEbert.com. Ebert Digital LLC. Retrieved May 27, 2020.
  58. Truffaut-Wong, Olivia (December 27, 2017). "How Accurate Is 'The Post'? The Meryl Streep Drama Recreates A Thrilling Chain Of Events". Bustle.com. New York City: Bustle Digital Media. Retrieved January 13, 2018.
  59. Harris, Roy J. (December 15, 2017). "'The Post' is a fine movie, but 'The Times' would have been a more accurate one". Poynter. Retrieved January 13, 2018.
  60. Vinciguerra, Thomas (May 1, 2017). "Hell hath no fury like The New York Times scorned by Hollywood". Columbia Journalism Review. Retrieved January 13, 2018.
  61. Brown, Jeffrey (January 22, 2018). "How 'The Post' stood up to the power of the presidency". PBS. Arlington, Virginia: Corporation for Public Broadcasting.
  62. Lee, Ashley (January 17, 2018). "AARP's Movies for Grownups Awards: 'The Post' Leads Nominees". The Hollywood Reporter. Retrieved January 17, 2018.
  63. "Complete List of Winners at the 2018 Movies for Grownups Awards". AARP.
  64. "Oscars: 'Shape of Water' Leads With 13 Noms". The Hollywood Reporter. January 23, 2018. Retrieved January 23, 2018.
  65. "The 2018 Oscar Winners: Full List". The New York Times. Retrieved March 4, 2018.
  66. "2017 AWFJ EDA Award Nominees". Alliance of Women Film Journalists. January 3, 2018. Archived from the original on January 3, 2018. Retrieved January 3, 2018.
  67. Giardina, Carolyn (January 3, 2018). "'Dunkirk,' 'Shape of Water,' 'Baby Driver' Among ACE Eddie Awards Nominees". The Hollywood Reporter. Retrieved January 3, 2018.
  68. "Here Are the AFI AWARDS 2017 Official Selections". DC Films. December 7, 2017. Retrieved December 7, 2017.
  69. Giardina, Carolyn (January 4, 2018). "Art Directors Guild Awards: 'Dunkirk,' 'Shape of Water,' 'Blade Runner 2049' Among Nominees". The Hollywood Reporter. Retrieved January 4, 2018.
  70. Ford, Rebecca (January 2, 2018). "Artios Awards: Casting Society Reveals Film Nominees (Exclusive)". The Hollywood Reporter. Retrieved January 3, 2018.
  71. "Critics' Choice Awards: 'The Shape of Water' Leads With 14 Nominations". The Hollywood Reporter. December 6, 2017. Retrieved December 7, 2017.
  72. Jorgenson, Todd (December 13, 2017). "DFW Film Critics Name 'The Shape of Water' Best Picture of 2017". Dallas–Fort Worth Film Critics Association. Retrieved December 13, 2017.
  73. "The 2017 Detroit Film Critics Society Awards". Detroit Film Critics Society. Retrieved December 12, 2017.
  74. "'The Shape of Water' Leads 2017 Florida Film Critics Awards Nominations". Florida Film Critics Circle. Retrieved December 21, 2017.
  75. "2017 FFCC Winners". Florida Film Critics Circle. Retrieved December 23, 2017.
  76. "2017 Awards". Georgia Film Critics Association. January 8, 2018. Retrieved January 8, 2018.
  77. France, Lisa Respers (December 11, 2017). "Golden Globe nominations 2018: The list". CNN Entertainment. Retrieved December 11, 2017.
  78. "'The Shape of Water' inundates Houston critics' film awards nominations". Houston Chronicle. December 12, 2017. Retrieved December 12, 2017.
  79. Pedersen, Erik (January 9, 2018). "Humanitas Prize Finalists Announced; Feature Awards Split Into 3 Categories". Deadline Hollywood. Retrieved January 9, 2018.
  80. Kohn, Eric (December 19, 2017). "2017 Critics Poll: The Best Films and Performances According to Over 200 Critics". IndieWire. Retrieved December 20, 2017.
  81. "National Board Of Review Winners: 'The Post' Comes Up Strong With Best Pic, Best Actress Meryl Streep, Best Actor Tom Hanks". Deadline Hollywood. November 28, 2017. Retrieved November 28, 2017.
  82. Buckley, Cara (November 28, 2017). "'The Post' Lands Top National Board of Review Prizes". The New York Times. Retrieved December 30, 2017.
  83. Evans, Greg (January 6, 2018). "'Lady Bird' Named 2017 Best Picture by National Society of Film Critics". Deadline Hollywood. Retrieved January 6, 2018.
  84. Nordyke, Kimberly (December 10, 2017). "'The Florida Project,' 'Mudbound' Voted Best Picture by New York Film Critics Online". The Hollywood Reporter. Retrieved December 12, 2017.
  85. Neglia, Matt. "The 2017 Online Film Critics Society (OFCS) Nominations". NextBigPicture. Retrieved December 18, 2017.
  86. Hipes, Patrick (December 28, 2017). "'Get Out' Named Best Picture By Online Film Critics Society". Deadline Hollywood. Retrieved December 28, 2017.
  87. Lewis, Hilary (January 5, 2018). "PGA Awards: 'Wonder Woman,' 'The Post,' 'Three Billboards' Up for Top Film Prize". The Hollywood Reporter. Retrieved January 5, 2018.
  88. "2017 San Diego Film Critics Society's Award Nominations". San Diego Film Critics Society. December 9, 2017. Archived from the original on December 10, 2017. Retrieved December 9, 2017.
  89. "2017 San Francisco Film Critics Circle Awards". San Francisco Film Critics Circle. December 10, 2017. Retrieved December 12, 2017.
  90. McNary, Dave (March 15, 2018). "'Black Panther,' 'Walking Dead' Rule Saturn Awards Nominations". Variety. Archived from the original on March 15, 2018. Retrieved March 15, 2018.
  91. Seattle Film Critics Society Editors (December 11, 2017). "'Blade Runner 2049' Leads the 2017 Seattle Film Critics Society Nominations". Seattle Film Critics Society. Retrieved December 11, 2017.
  92. Flores, Marshall. "Shape of Water Receives 12 Nominations From the St. Louis Film Critics". Awards Daily. Retrieved December 11, 2017.
  93. "The 2017 WAFCA Awards". Washington D.C. Area Film Critics Association. December 7, 2017. Retrieved December 6, 2017.
  94. Neglia, Matt (December 12, 2017). "The 2017 Women Film Critics Circle (WFCC) Nominations". Retrieved December 13, 2017.
  95. Benardello, Karen (December 23, 2017). "The Women Film Critics Circle Awards 2017's Best Movies". Shockya.com. Retrieved December 23, 2017.
  96. "The Paul Selvin Award". Writers Guild Awards. Retrieved February 22, 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.