Stowaway (1936 film)

Stowaway is a 1936 American musical drama film directed by William A. Seiter. The screenplay by William M. Conselman, Nat Perrin, and Arthur Sheekman is based on a story by Samuel G. Engel. The film is about a young orphan called "Ching Ching" (Shirley Temple) who meets wealthy playboy Tommy Randall (Robert Young) in Shanghai and then accidentally stows away on the ocean liner he is travelling on. The film was hugely successful,[3] and is available on videocassette and DVD.

Stowaway
Theatrical release poster
Directed byWilliam A. Seiter
Produced byBuddy G. DeSylva
Screenplay byWilliam M. Conselman
Nat Perrin
Arthur Sheekman
Story bySamuel G. Engel
StarringShirley Temple
Robert Young
Alice Faye
Music byHarry Revel
Mack Gordon
CinematographyArthur C. Miller
Edited byLloyd Nosler
Distributed byTwentieth Century-Fox Film Corporation
Release date
  • December 25, 1936 (1936-12-25)
Running time
87 minutes
CountryUnited States
LanguageEnglish
Budget$500,000[1]
Box office$1 million[2]

Plot

Barbara "Ching-Ching" Stewart is an orphan living in Sanchow, China. When bandits threaten, she is sent to Shanghai for safety. Accidentally separated from her guide, Ching-Ching finds herself in Shanghai all alone with her dog until she meets a westerner, Tommy Randall, a rich playboy traveling about the world by ocean liner. Ching-Ching then accidentally becomes a stowaway on his ship. When discovered, she is provided for by Tommy and Susan Parker, a passenger on the ship engaged to the son of her traveling companion, Mrs Ruth Hope. Susan and Tommy become romantically involved. Ching-Ching plays Cupid in furthering their romance. The couple realize they adore Ching-Ching and want to do the best for her after learning she will be put off the ship and sent to an orphan's asylum. Susan breaks her engagement with Richard Hope, Ruth's son, after discovering his selfish nature and marries Tommy. The two adopt Ching-Ching.

Cast

Production

Temple learned forty words in Mandarin Chinese for the film, later stating the learning process required six months of instruction. She was taught by UCLA student Bessie Nyi. She encountered problems in her communication with the extras on the set however, as she found out they were actually speaking a south Chinese dialect. In the film, she impersonates Ginger Rogers (with a life-sized Fred Astaire doll fixed to her toes), Eddie Cantor, and Al Jolson singing “Mammy”. In the first take, the elastic band of the dummy, which she named Tommy Wonder, snapped off her foot. In preparation for the Jolson imitation, she had to listen and watch Jolson, something she did not enjoy doing.[4]

Production of the movie was held up for close to four weeks while first Alice Faye then Shirley Temple came down with the flu.[5]

The dog in the film, a miniature Chinese Pekinese which was owned by the wife of a local photographer, was given to Temple and renamed Ching-Ching (after her character in the movie). Temple's mother worked out a trade in which Temple and her father would agree to pose for the photographer in exchange for the dog.[6]

Temple’s IQ was tested during the Stowaway period and found to be 155,[7] the genius classification.[8]

Music

The film features three songs by Harry Revel and Mack Gordon: "Goodnight, My Love" (sung by Temple, reprised by Faye), "One Never Knows, Does One?" (Faye), and "You Gotta S-M-I-L-E To Be H-A-Double-P-Y" (Temple), which later appeared in the opening credits for the 1970 film Gore Vidal's Myra Breckinridge. Other songs are "Please" by Ralph Rainger and Leo Robin (sung by a Chinese performer in a theater), and the film's finale, "That's What I Want for Christmas" by Gerald Marks and Irving Caesar (sung by Temple).

Critical reception

Variety remarked, “It’s a nifty Shirley Temple comedy with musical trimmings.”[9] Variety commented, “Whether or not due to Seiter’s efforts, [Shirley] does not appear to have outgrown […] the Little Miss Marker stage in this one as she had in her last pictures”.[8]

The New York Times applauded the film, noting that Temple had “an amusing script behind her, an agreeable adult troupe with her, and a clever director before her.” The reviewer thought the film the best from Temple since Little Miss Marker.[10]

Home media

In 2009, Stowaway was available on videocassette and DVD in the black-and-white original and computer-colorized versions. Some versions featured theatrical trailers and other special features.

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See also

Notes
  1. Solomon p 240
  2. Aubrey Solomon, Twentieth Century-Fox: A Corporate and Financial History Rowman & Littlefield, 2002 p 217
  3. Windeler, p. 179.
  4. Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 149-151.
  5. Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 151.
  6. Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 158.
  7. Sochen, June (2015-01-13). From Mae to Madonna: Women Entertainers in Twentieth-Century America. ISBN 9780813149806.
  8. Edwards, p. 102.
  9. Edwards, p. 101.
  10. Nugent, Frank S. (1936-12-19), "'Stowaway,' an Engaging Comedy in Which Shirley Temple Talks Chinese, Opens at the Roxy.", The New York Times, retrieved 2009-10-10

References
  • Edwards, Anne (1988), Shirley Temple: American Princess, New York: William Morrow and Company, Inc.
  • Windeler, Robert (1992) [1978], The Films of Shirley Temple, New York: Carol Publishing Group, ISBN 0-8065-0725-X
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