Little Miss Marker

Little Miss Marker (also known as The Girl in Pawn) is an American Pre-Code 1934 comedy-drama film directed by Alexander Hall. It was written by William R. Lipman, Sam Hellman, and Gladys Lehman after a 1932 short story of the same name by Damon Runyon. It stars Shirley Temple, Adolphe Menjou and Dorothy Dell in a story about a little girl held as collateral by gangsters. It was Temple's first starring role in a major motion picture and was crucial to establishing her as a major film star. It was named to the United States National Film Registry by the Library of Congress in 1998 [1][2] and has been remade several times.

Little Miss Marker
Theatrical release poster
Directed byAlexander Hall
Produced byB. P. Schulberg
Screenplay byWilliam R. Lipman
Sam Hellman
Gladys Lehman
Based onLittle Miss Marker
1932 story in Collier's
by Damon Runyon
StarringShirley Temple
Adolphe Menjou
Dorothy Dell
Charles Bickford
Lynne Overman
Music byRalph Rainger
CinematographyAlfred Gilks
Edited byWilliam Shea
Distributed byParamount Pictures
Release date
  • June 1, 1934 (1934-06-01)
Running time
80 min.
CountryUnited States
LanguageEnglish

Plot

The film tells the story of "Marky" (Shirley Temple), whose father gives her to a gangster-run gambling operation as a "marker" (collateral) for a bet. When he loses his bet and commits suicide, the gangsters are left with her on their hands. They decide to keep her temporarily and use her to help pull off one of their fixed races, naming her the owner of the horse to be used in the race.

Marky is sent to live with bookie Sorrowful Jones (Adolphe Menjou). Initially upset about being forced to look after her, he eventually begins to develop a father–daughter relationship with her. His fellow gangsters become fond of her and begin to fill the roles of her extended family. Bangles (Dorothy Dell) – girlfriend of gang kingpin Big Steve (Charles Bickford), who has gone to Chicago to place bets on the horse – also begins to care for Marky, and to fall in love with Sorrowful, whose own concern for Marky shows he has a warm heart beneath his hard-man persona. Encouraged by Bangles and Marky, Sorrowful gets a bigger apartment, buys Marky new clothes and himself a better cut of suit, reads her bedtime stories, and shows her how to pray.

However, being around the gang has a somewhat bad influence on Marky, and she begins to develop a cynical nature and a wide vocabulary of gambling terminology and slang. Worried that her acquired bad-girl attitude means she will not get adopted by a "good family", Bangles and Sorrowful put on a party with gangsters dressed up as knights-of-the-round-table, to rekindle her former sweetness. She is unimpressed until they bring in the horse and parade her around on its back. Returning to New York, Big Steve frightens the horse, which throws her, and she is taken to the hospital. Big Steve goes there to pay back Sorrowful for trying to steal Bangles but is roped into giving Marky the direct blood transfusion she needs for her life-saving operation. Praying for her survival, Sorrowful destroys the drug which, administered to the horse, would have helped it win the race but killed it soon after. Informed that he has "good blood" and pleased to have given life for a change, Big Steve forgives Bangles and Sorrowful. They plan to marry and adopt Marky.

Cast

Production

Temple, who had previously auditioned for the role of Marky prior to entering her Fox contract and failed to win the part, was loaned out to Paramount by Fox Film thanks in large part to maneuvering by her mother Gertrude. Her mother, recognizing the potential of the role, arranged for a secret meeting and second audition with the director Alexander Hall. This second audition was successful and Shirley Temple was loaned out to Paramount for $1,000 a week. Temple and Dell struck up a close friendship while filming the movie. The scene in which Temple is refusing her food and using rude language ("I don't want no mush" and "I used to be a sissy") had to be redone as Dell could not contain her laughter in the first take. This would be Dell's last completed film of her short career. Temple took Dell's death very hard.[3]

Reception

The film was very popular at the box office.[4] As a result of the film's success, Paramount offered Fox $50,000 for Temple's contract, which was declined.

Recognition

In 1998, Little Miss Marker was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Remakes

The film was remade as Sorrowful Jones (1949) with Bob Hope and Lucille Ball and again as Little Miss Marker (1980) with Walter Matthau, Julie Andrews, Tony Curtis, Bob Newhart, Brian Dennehy and Lee Grant. Another remake was 40 Pounds of Trouble (1962), starring Tony Curtis as a casino manager who is left with an eight-year-old girl.

Stage musical

Scott Ellis and David Thompson are working on a musical adaptation of the film to feature songs by Harold Arlen as its score.[1]

Other references

The plot and title of the film are referenced by the book Little Myth Marker, part of Robert Asprin's MythAdventures series.

gollark: ~~time to check my random programming projects into void repos and force them to maintain them~~
gollark: Do they have regression testing or something to detect if an update breaks a package?
gollark: Yes, I checked on the website and it exists?
gollark: Wait, it *has* that?
gollark: Well, osmarks.tk has more exotic software like "miniflux".

See also

References

  1. "Complete National Film Registry Listing | Film Registry | National Film Preservation Board". Library of Congress, Washington, D.C. 20540 USA. Retrieved May 4, 2020.
  2. "Hooray for Hollywood (December 1998) – Library of Congress Information Bulletin". www.loc.gov. Retrieved July 22, 2020.
  3. Shirley Temple Black, Child Star: An Autobiography (New York: McGraw-Hill Publishing Company, 1988), 42-43.
  4. DOUGLAS W. CHURCHILL (December 30, 1934). "THE YEAR IN HOLLYWOOD: 1984 May Be Remembered as the Beginning of the Sweetness-and-Light Era". New York Times. p. X5.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.