Michael Mann
Michael Kenneth Mann (born February 5, 1943) is an American director, screenwriter, and producer of film and television who is best known for his distinctive brand of stylized crime drama.[1] His most acclaimed works include the crime films Thief (1981), Manhunter (1986), Heat (1995), Collateral (2004), and Public Enemies (2009), the historical drama The Last of the Mohicans (1992), and the docudrama The Insider (1999). He is also known for his role as executive producer on the popular TV series Miami Vice (1984–89), which he later adapted into a 2006 feature film.
Michael Mann | |
|---|---|
 Mann at the 2014 Comic-Con International | |
| Born | Michael Kenneth Mann February 5, 1943 Chicago, Illinois, U.S. |
| Nationality | American |
| Other names | Michael K. Mann |
| Alma mater | University of Wisconsin–Madison, B.A. 1965 London Film School, M.A. 1967 |
| Occupation |
|
| Years active | 1968–present |
| Spouse(s) | Summer Mann ( m. 1974) |
| Children | 4 |
| Awards | BAFTA Award for Best Film 2005 The Aviator NBR Award for Best Director 2004 Collateral Primetime Emmy Award for Outstanding Miniseries 1990 Drug Wars: The Camarena Story Primetime Emmy Award for Outstanding Writing in a Limited Series or a Special 1979 The Jericho Mile |
For his work, he has received nominations from international organizations and juries, including the British Academy of Film and Television Arts, Cannes, and the Academy of Motion Picture Arts and Sciences. Total Film ranked Mann No. 28 on its list of the 100 Greatest Directors Ever,[2] Sight and Sound ranked him No. 5 on their list of the 10 Best Directors of the Last 25 Years,[3] and Entertainment Weekly ranked Mann No. 8 on their 25 Greatest Active Film Directors list.[4]
Early life and education
Mann was born February 5, 1943, in Chicago, Illinois, to a family of Jewish ancestry.[5] He is the son of grocers Esther and Jack Mann.[6][7]
He received a B.A. in English at the University of Wisconsin–Madison,[8]. While a student, he saw Stanley Kubrick's Dr. Strangelove and fell in love with movies. In an L.A. Weekly interview, he described the film's impact on him: "It said to my whole generation of filmmakers that you could make an individual statement of high integrity and have that film be successfully seen by a mass audience all at the same time. In other words, you didn't have to be making Seven Brides for Seven Brothers if you wanted to work in the mainstream film industry, or be reduced to niche filmmaking if you wanted to be serious about cinema. So that's what Kubrick meant, aside from the fact that Strangelove was a revelation."[9] He later earned his M.A. at London Film School.
His daughter Ami Canaan Mann is also a film director and producer.
Career
1960s–1970s
Mann later moved to London in the mid 1960s to go to graduate school in cinema. He went on to receive a graduate degree at the London Film School in 1967. He spent seven years in the United Kingdom going to film school and then working on commercials along with contemporaries Alan Parker, Ridley Scott and Adrian Lyne. In 1968, footage he shot of the Paris student revolt for a documentary, Insurrection, aired on NBC's First Tuesday news program and he developed his '68 experiences into the short film Jaunpuri which won the Jury Prize at Cannes in 1970.
Mann returned to United States after divorcing his first wife in 1971. He went on to direct a road trip documentary, 17 Days Down the Line. Three years later, Hawaii Five-O veteran Robert Lewin gave Mann a shot and a crash course on television writing and story structure. Mann wrote four episodes of Starsky and Hutch (three in the first series and one in the second) and the pilot episode for Vega$. Around this time, he worked on a show called Police Story with cop-turned-novelist Joseph Wambaugh. Police Story concentrated on the detailed realism of a real cop's life and taught Mann that first-hand research was essential to bring authenticity to his work. Mann also wrote an early draft of the 1978 film Straight Time.[10]
His first feature movie was a television special called The Jericho Mile, which was released theatrically in Europe. It won the Emmy for Outstanding Writing in a Limited Series or a Special in 1979 and the DGA Best Director award.
1980s
His television work also includes being the executive producer on Miami Vice and Crime Story. Contrary to popular belief, he was not the creator of these shows, but the executive producer and showrunner, produced by his production company.
Mann's first cinema feature as director was Thief (1981) starring James Caan, a relatively accurate depiction of thieves that operated in New York City and Chicago at that time. Mann used actual former professional burglars to keep the technical scenes as genuine as possible. His next film was The Keep (1983), a supernatural thriller set in Nazi-occupied Romania. Though it was a commercial flop, the film has since attained cult status amongst fans.[11]
In 1986, Mann was the first to bring Thomas Harris' character of serial killer Hannibal Lecter to the screen with Manhunter, his adaptation of the novel Red Dragon, which starred Brian Cox as Hannibal. In an interview on the Manhunter DVD, star William Petersen comments that because Mann is so focused on his creations, it takes several years for him to complete a film; Petersen believes that this is why Mann does not make films very often.[12]
1990s
Mann gained widespread recognition in 1992 for his film adaptation of James Fenimore Cooper's novel into the epic film The Last of the Mohicans. This was followed by the films Heat and The Insider, the former featuring Al Pacino co-starring with Robert De Niro and the latter starring Russell Crowe, showcased Mann's cinematic style and garnered the most critical recognition of his career up to this point. The Insider was nominated for seven Academy Awards as a result, including a nomination for Mann's direction.
2000s
With his next film, Ali (2001), starring Will Smith, Mann started experimenting with digital cameras. For his action thriller film Collateral, which cast Tom Cruise against type by giving him the role of a hitman, Mann shot all of the exterior scenes digitally so that he could achieve more depth and detail during the night scenes while shooting most of the interiors on film stock. Jamie Foxx was nominated for an Academy Award for his performance in Collateral. In 2004, Mann produced The Aviator, based on the life of Howard Hughes, which he had developed with Leonardo DiCaprio. The Aviator was nominated for an Academy Award for Best Picture but lost to Million Dollar Baby. After Collateral, Mann directed the film adaptation of Miami Vice which he also executive produced. It stars a completely new cast with Colin Farrell as Don Johnson's character Sonny Crockett, and Jamie Foxx filling Philip Michael Thomas' shoes.
Mann served as a producer with Peter Berg as director for The Kingdom and Hancock. Hancock stars Will Smith as a hard-drinking superhero who has fallen out of favor with the public and who begins to have a relationship with the wife (Charlize Theron) of a public relations expert (Jason Bateman), who is helping him to repair his image. Mann also makes a cameo appearance in the film as an executive.
In 2009, Mann wrote and directed Public Enemies for Universal Pictures, about the Depression-era crime wave, based on Brian Burrough's nonfiction book, Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933–34. It starred Johnny Depp and Christian Bale.[13] Depp played John Dillinger in the film, and Bale played Melvin Purvis, the FBI agent in charge of capturing Dillinger.
2010s
In January 2010 it was reported by Variety that Mann, alongside David Milch, would serve as co-executive producer of new TV series Luck. The series was an hour-long HBO production, and Mann directed the series' pilot.[14] Although initially renewed for a second season after the airing of the pilot, it was eventually cancelled due to the death of three horses during production.
On February 14, 2013, it was announced that Mann had been developing an untitled thriller film with screenwriter Morgan Davis Foehl for over a year, for Legendary Pictures.[15] In May 2013, Mann started filming the action thriller, named Blackhat, in Los Angeles, Kuala Lumpur, Hong Kong and Jakarta.[16] The film, starring Chris Hemsworth as a hacker who gets released from prison to pursue a cyberterrorist across the globe, was released on January 16, 2015 by Universal.[17] It received mixed reviews and was a commercial disaster, although many critics included it in their year-end "best-of" lists.[18]
2020s
Mann will next direct Ferrari, from a screenplay he wrote about Ferrari founder Enzo Ferrari, with Hugh Jackman set to portray the role of Ferrari.[19] Mann will direct the pilot episode of Tokyo Vice for HBO Max.[20]
Filming style and themes
His trademarks include powerfully-lit nighttime scenes and unusual scores, such as Tangerine Dream in Thief or the new-age score to Manhunter. A common stylistic device in several films (Last of the Mohicans, Heat, The Insider) is to show principal characters being forced to make critical decisions affecting the plot while overlooking large bodies of water.
Dante Spinotti is a frequent cinematographer of Mann's films.
F.X. Feeney describes Mann's body of work in DGA Quarterly as "abundantly energetic in its precision and variety" and "psychologically layered".[21]
Indiewire's 2014 retrospective of the director's filmography focused on the intensity of Mann's ongoing interest in "stories pitting criminals against those who seek to put them behind bars (Heat, Public Enemies, Thief, Collateral, Miami Vice). His films frequently suggest that in fact, at the top of their respective games, crooks and cops are not so dissimilar as men: they each live and die by their own codes and they each recognize themselves in the other."[22]
Advertising
Mann directed the 2002 "Lucky Star" advertisement for Mercedes-Benz, which took the form of a film trailer for a purported thriller featuring Benicio del Toro. In the fall of 2007, Mann directed two commercials for Nike. The ad campaign "Leave Nothing" features football action scenes with former NFL players Shawne Merriman and Steven Jackson, as well as using the score "Promontory" from the soundtrack of The Last of the Mohicans.[23] Mann also directed the 2008 promotional video for Ferrari's California sports car.[24]
Filmography
Feature films
Producer only
| Year | Title | Director | Notes |
|---|---|---|---|
| 1986 | Band of the Hand | Paul Michael Glaser | Executive |
| 2003 | Baadasssss! | Mario Van Peebles | Executive |
| 2004 | The Aviator | Martin Scorsese | BAFTA Award for Best Film PGA Award for Best Theatrical Motion Picture Nominated – Academy Award for Best Picture |
| 2007 | The Kingdom | Peter Berg | |
| 2008 | Hancock | ||
| 2011 | Texas Killing Fields | Ami Canaan Mann | |
| 2019 | Ford v Ferrari | James Mangold | Executive |
Television
| Year | Title | Director | Writer | Executive Producer |
Notes |
|---|---|---|---|---|---|
| 1976 | Bronk | No | Yes | No | 2 episodes |
| Gibbsville | No | Yes | No | Episode: "All the Young Girls" | |
| 1975–77 | Starsky & Hutch | No | Yes | No | 4 episodes |
| 1976–78 | Police Story | No | Yes | No | 4 episodes |
| 1977 | Police Woman | Yes | No | No | Episode: "The Buttercup Killer" |
| 1978–81 | Vega$ | No | Yes | No | Creator |
| 1984–90 | Miami Vice | No | Yes | Yes | Wrote episode "Golden Triangle" Nominated – Primetime Emmy Award for Outstanding Drama Series |
| 1986–88 | Crime Story | Yes | story | Yes | Wrote 8 episodes; Directed "Top of the World" |
| 1990 | Drug Wars: The Camarena Story | No | Yes | Yes | Miniseries Primetime Emmy Award for Outstanding Limited Series |
| 2002–03 | Robbery Homicide Division | No | Yes | Yes | Wrote episode "Life is Dust" |
| 2011–12 | Luck | Yes | No | Yes | Directed "Pilot" |
| 2012 | Witness | No | No | Yes | Documentary series |
| TBA | Tokyo Vice[25][26] | Yes | No | Yes | In development |
Television movies
| Year | Title | Director | Writer | Executive Producer |
Notes |
|---|---|---|---|---|---|
| 1979 | The Jericho Mile | Yes | Yes | No | Emmy Award for Outstanding Writing for a Limited Series, Movie, or Dramatic Special DGA Award for Outstanding Directing in Specials for TV |
| 1980 | Swan Song | No | Yes | No | |
| 1989 | L.A. Takedown | Yes | Yes | Yes | |
| 1992 | Drug Wars: The Cocaine Cartel | No | Yes | Yes | Nominated – Primetime Emmy Award for Outstanding Limited Series |
Reception
Critical reception
| Film | Rotten Tomatoes[27] | Metacritic[28] |
|---|---|---|
| Thief | 96% | 78 |
| The Keep | 40% | 34 |
| Manhunter | 94% | 75 |
| The Last of the Mohicans | 95% | 76 |
| Heat | 86% | 76 |
| The Insider | 96% | 84 |
| Ali | 67% | 65 |
| Collateral | 86% | 71 |
| Miami Vice | 46% | 65 |
| Public Enemies | 68% | 70 |
| Blackhat | 33% | 51 |
| Average | 73.4% | 67.7 |
References
- Editors. "Michael Mann". Encyclopedia Britannica. Retrieved November 18, 2017.CS1 maint: extra text: authors list (link)
- "The Greatest Directors Ever". Total Film. August 20, 2007. Retrieved May 20, 2008.
- Archived March 12, 2012, at the Wayback Machine
- "25 Greatest Active Film Directors". Entertainment Weekly. Retrieved February 19, 2009.
- Brooks, Xan (February 13, 2002). "Ali likes the film a lot. He's seen it six times". The Guardian. London. Retrieved May 12, 2010.
- "Michael Mann Biography (1943-)".
- Michael Mann Biography | TVGuide.com
- Wildermuth, p. 2
- Foundas, Scott (July 26, 2006). "A Mann's Man's World". LA Weekly. Retrieved May 17, 2020.
- "Straight Time (1978)". Retrieved May 27, 2020.
- Jones, Mari. "Horror Film Shot in Gwynedd Has Become a Cult Classic". NorthWalesLive. The Daily Post. Retrieved January 24, 2020.
- Inside Manhunter: Interviews with stars William Petersen, Joan Allen, Brian Cox, and Tom Noonan
- Garrett, Diane (December 5, 2007). "Johnny Depp goes Public". Variety. Retrieved December 4, 2007.
- Fleming, Michael (January 5, 2010). "Mann, Milch in Luck with HBO". Variety. Retrieved May 26, 2010.
- Kroll, Justin (February 14, 2013). "Mann, Hemsworth team for Legendary thriller". Variety. Retrieved February 14, 2013.
- "Cyber (2015) – Filming Locations". IMDB.com. June 5, 2014. Retrieved June 5, 2014.
- Richard Brody, "The Odd Shadow Over Michael Mann's New Movie," The New Yorker, January 16, 2015.
- Dietz, Jason (December 6, 2015). "Best of 2015: Film Critic Top Ten Lists". Metacritic. CBS Interactive Inc. Retrieved February 12, 2016.
- Wiseman, Andreas (June 20, 2020). "Michael Mann & Hugh Jackman Movie 'Ferrari' Zooms Onto Cannes Virtual Market Grid With STX & Amazon". Deadline Hollywood. Retrieved June 20, 2020.
- Fleming Jr, Mike (October 22, 2019). "Michael Mann To Direct Ansel Elgort & Ken Watanabe In Pilot Episode Of HBO Max Series 'Tokyo Vice'". Deadline Hollywood. Retrieved June 20, 2020.
- "The Study of Mann - Michael Mann". www.dga.org. Retrieved August 9, 2019.
- "Retrospective: The Films Of Michael Mann". IndieWire. January 14, 2014. Retrieved August 9, 2019.
- Atkinson, Claire (October 27, 2007). "Sure, He can Direct Movies, but Can He Do Commercials?". New York Times. Retrieved September 9, 2008.
- Savage, Jonathan (February 5, 2016). "3 Thrilling Ads By Director Michael Mann". Bold Content Video Production. Retrieved May 27, 2020.
- Jr, Mike Fleming; Jr, Mike Fleming (October 22, 2019). "Michael Mann To Direct Ansel Elgort & Ken Watanabe In Pilot Episode Of HBO Max Series 'Tokyo Vice'". Deadline. Retrieved October 23, 2019.
- "'Miami Vice' Auteur Michael Mann Will Direct 'Tokyo Vice' for HBO Max". /Film. October 22, 2019. Retrieved October 23, 2019.
- Michael Mann on Rotten Tomatoes. Retrieved September 1, 2018.
- Michael Mann on Metacritic. Retrieved September 1, 2018.
Bibliography
- Wildermuth, Mark E. (2005). Blood in the Moonlight: Michael Mann and Information Age Cinema (Paperback Ed.). Jefferson, North Carolina: McFarland Company and Inc. ISBN 978-0-7864-2059-9.
- F. X. Feeney, Paul Duncan (2006). Michael Mann (Hardcover Ed.) Taschen. ISBN 978-3-8228-3141-0.
- Cadieux, Axel (2015). L'Horizon de Michael Mann, Playlist Society.
External links
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Wikimedia Commons has media related to Michael Mann. |
Interviews
- Entertainment Weekly: Part I Part II
- L.A. Weekly
- DGA magazine
- Salon
- "Paint It Black" – Sight and Sound
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