Lyric Opera of Chicago

Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.

"Lyric Opera" redirects here. For other uses, see Lyric Opera (disambiguation).
Exterior of the Civic Opera Building, which contains within it theaters and related space for the opera, as well as an office building

Opera in Chicago 1850–1954

The first opera to be performed in Chicago was Bellini's La sonnambula, presented by a traveling opera company on 29 July 1850.[1] Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889.[2]

In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though the Chicago Civic Opera Company itself collapsed in the Great Depression. The old Auditorium continued to produce stage shows and musicals until it closed in 1941.[3]

Resident opera companies began in Chicago in 1910 with the Chicago Grand Opera Company being formed from the remains of the Manhattan Opera Company, which had been founded by Oscar Hammerstein I, and had been squeezed out by the more financially sound Metropolitan Opera. Chicago had this first company for four seasons, then, after no season in 1914/15, it was re-formed as the Chicago Opera Association. This lasted through 1921/22, when it became the Chicago Civic Opera from 1922 until 1932. After no season in 1932/33, the company was re-formed and again named the Chicago Grand Opera Company from 1933 to 1935. From 1936 to 1939, the company was called Chicago City Opera Company, and finally from 1940 to 1946 opera was presented by the Chicago Opera Company. There were no seasons from 1947 until 1953, so opera was presented by other companies on tour. Lyric Opera was formed in 1954 and has continued uninterrupted except for 1967.

Lyric Opera, 1954 to 1980

Carol Fox, America's first female opera impresario at the age of 28, began her first season in 1954 by bringing Maria Callas for her American debut in the title role of Norma, the first of many electrifying Callas performances in Chicago. However, this first eight-opera season in 1954 was not the result of a long apprenticeship in opera production; Carol Fox, fluent in Italian and French, had studied opera singing for many years, culminating in two years of intensive work in Italy. However, when she realized that performance was not to be in her future, she decided that it lay in bringing the performances of the world's finest artists to her home town of Chicago. Her success can be measured in one statistic regarding the filling of the Lyric's Civic Opera House: in 1954, the season ran for three weeks; in 2007/08 the Lyric had an almost six-month season.

Fox also used her formidable persuasive powers on artists other than singers: she was able to bring Rudolph Nureyev to make his debut on an American opera stage at the Lyric; Vera Zorina, Alicia Markova, Erik Bruhn and Maria Tallchief also danced at the Lyric, and George Balanchine created choreography for the Lyric. The Italian composer Pino Donati was her artistic director. Bruno Bartoletti was principal conductor, but other conductors included Tullio Serafin, Dimitri Mitropoulos and Artur Rodziński. Christoph von Dohnányi and Sir Georg Solti chose the Lyric for their American operatic debuts. Franco Zeffirelli staged operas as did Harold Prince.

Because of her illnesses and her refusal to lower her artistic standards despite the Lyric's dire financial state in 1980, her resignation was sought and given. Carol Fox died a few months later, survived by a daughter Victoria.

It was of the Lyric's founder that Saul Bellow wrote in 1979 "Miss Fox will be remembered, together with Jane Addams of Hull House and Harriet Monroe of Poetry magazine, as one of Chicago's greatest women."[4]

Throughout the many years at the Lyric, Carol Fox developed the confidence and authority to bring world-famous artists to the Lyric: Luciano Pavarotti (56 performances in 7 roles), Tito Gobbi, Eleanor Steber, Jussi Björling, Birgit Nilsson, Renata Tebaldi, Giuseppe Di Stefano, Giulietta Simionato, Richard Tucker, Boris Christoff, Eileen Farrell, Dorothy Kirsten, Leonie Rysanek, Leontyne Price, Elisabeth Schwarzkopf, Geraint Evans, Mirella Freni, Nicolai Ghiaurov, Alfredo Kraus, Renata Scotto, Robert Merrill, Joan Sutherland, Christa Ludwig, Jon Vickers, Marilyn Horne, Grace Bumbry, Montserrat Caballé, Tatiana Troyanos, Sherrill Milnes, Plácido Domingo, Felicia Weathers and José Carreras. Anna Moffo also chose the Lyric for her American debut.

Later administrations

Carol Fox was succeeded at the Lyric by her longtime assistant manager, Ardis Krainik (1981–1996), after whom the opera house was later named, and then by William Mason (1997–2011). Anthony Freud took over in October 2011.

From 1964 to 1974, Bruno Bartoletti, served as co-artistic director and principal conductor, and became sole director and principal from 1974 to 2000.[5] Sir Andrew Davis is Lyric's music director and principal conductor, a post he has occupied since in September 2000. He led three complete cycles of Der Ring des Nibelungen in the 2004/05 season to mark the company's 50th anniversary. Davis plans to retire at the end of the 2020-2021 season, and Enrique Mazzola has been named as the new music director and principal conductor.[5]

Danny Newman was the company's long-time press agent from 1954 until his retirement in the 2001/02 season; Newman is largely credited as the founder of subscription-based arts marketing, the standard economic model for not-for-profit arts organizations in the US.[6] Philip David Morehead was head of music staff until his retirement in 2015.

Production history

In addition to the standard operatic repertoire, Lyric also presents contemporary works. Recent productions have included Harbison's The Great Gatsby (2000–2001), Weill's Street Scene (2001–2002), Floyd's Susannah, Sondheim's Sweeney Todd (2002–2003), and John Adams' Doctor Atomic directed by Peter Sellars.

Composer William Bolcom wrote his most recent opera for Lyric, A Wedding, based on the 1978 film of the same name directed by Robert Altman. It premiered during Lyric's 50th-anniversary season. During the 2015/16 season, the company premiered its latest commission, Bel Canto by Peruvian composer Jimmy López with a libretto by Nilo Cruz based on the novel by Ann Patchett.

The Lyric Opera productions were broadcast and nationally syndicated by WFMT Radio Network, from 1971 until 2001. The broadcasts ceased then because of a loss of sponsorship [7]. The issue was resolved at the 11th hour for the October 21, 2006 premiere of Richard Strauss's opera Salome starring Deborah Voigt. Syndicated broadcast of the Lyric Opera resumed in May 2007 on the WFMT network, which was included on XM Satellite Radio before it merged and became SiriusXM Radio.

Civic Opera House
The Ardis Krainik Theatre
For details, see Civic Opera House

The company's permanent home is the Civic Opera House, sections of the building which it rented from 1954 until after the 1993 renovations, when it bought those facilities. It is a 1929 structure with an Art Deco interior. Its 3,563-seat capacity makes it the second-largest opera auditorium in North America after the Metropolitan Opera House in New York City. The interior was named The Ardis Krainik Theatre in 1996 in honor of Ardis Krainik, the former General Director, who was responsible for its renovation from 1993 onwards.

Joffrey Ballet

In 2017, Lyric Opera of Chicago as house manager of the theater announced that the Joffrey Ballet plans to move from its longtime performance venue at the Auditorium Theatre to the opera house in 2020.[8] The announcement coincided with the Lyric’s presentation of a new production of Gluck's Orfeo ed Euridice by choreographer John Neumeier; the production fused the musical and ballet elements of the opera and featured the Joffrey Ballet.[9]

The Patrick G. and Shirley W. Ryan Opera Center

The Patrick G. and Shirley W. Ryan Opera Center (formerly Lyric Opera Center for American Artists, 1981–2006), established in 1974 by Carol Fox, is the professional artist-development program for Lyric Opera of Chicago.

The Ryan Opera Center is considered one of the most prestigious vocal programs in America,[10] and has produced notable singers, including:

Approximately a dozen young singers are selected from the near 400 who audition annually,[11] and they are in residence for twelve months. Over the course of the year they receive advanced instruction in numerous aspects of operatic performance, including voice lessons and coachings, language and acting training, and master classes with some of opera’s most renowned artists. The singers gain valuable performing experience by participating in recitals and concerts at many Chicago-area venues. During Lyric Opera’s mainstage season, they perform and understudy roles at all levels. The singers work with the world’s greatest opera singers, conductors, and directors, thus advancing the young artists’ professionalism. In 2005, author William Murray wrote a book about a year in the life of an entering class at the Ryan Opera Center.[12]

Andrew Foldi was Director of the Ryan Opera Center from 1991 to 1995. He was succeeded by Richard Pearlman, who was Director of the program from 1995 until his death in 2006. Renowned soprano Gianna Rolandi, who had been the Ryan Opera Center's Director of Vocal Studies and principal instructor since 2002, was appointed Director of the program in 2006.[13] The program is now administered by Dan Novak, Director; Craig Terry, Music Director; Julia Faulkner, Director of Vocal Studies, and Renée Fleming, Advisor.

gollark: https://arxiv.org/abs/1811.11041
gollark: Okay, yes, I am wildly stereotyping very incorrectly, bipolar is over days to weeks.
gollark: You are unique in being very annoyed then regretting it, however.
gollark: Probably not though, lots of people are annoyed by me.
gollark: To wildly stereotype possibly incorrectly, something something bipolar disorder?

See also

References

Notes

  1. Preston 1993, p. : "One measure of La sonnambula's popularity is the fact that it was the first opera to be performed in Chicago."
  2. "Chicago Opera" in The Encyclopedia Americana (1973), Volume 1: "Chicago's first opera house opened in 1865 but was destroyed in the Great Fire five years later. A new house, the Auditorium, opened in 1889"
  3. Zeitz 1996, p. 93: "In 1929 it relinquished its role as Chicago's premier opera house to the new Civic Opera Building (see p. 95). But six years earlier,... Hellzapoppin was the last show to grace the stage before the Auditorium closed in 1941."
  4. Cassidy 1979.
  5. Reich, Howard. "Enrique Mazzola to succeed retiring Andrew Davis as Lyric Opera's music director". Chicago Tribune. Retrieved 2019-09-13.
  6. Bruce Weber, "Arts in America; The Unsung Hero of Nonprofit Theater Is Still Selling", The New York Times, 23 December 1997
  7. "Sponsors' Withdrawal Ends Lyric Opera Radio Show" by John von Rhein, Chicago Tribune, September 13, 2002
  8. Jones, Chris. "How the Lyric and Joffrey's new partnership will change cultural Chicago". chicagotribune.com. Retrieved 2017-12-22.
  9. von Rhein, John (September 24, 2017). "Review: Triumphant new 'Orphee' presages strong partnership of Lyric Opera, Joffrey Ballet". Chicago Tribune. Retrieved 12 March 2018.
  10. Ketterson, Mark Thomas, "Lyric Opera Center of American Artists Trains the Opera Singers of the Future", on usoperaweb.com, Autumn 2003
  11. The Patrick G. and Shirley W. Ryan Opera Center website Archived 2009-10-16 at the Wayback Machine
  12. Murray 2006.
  13. "Gianna Rolandi Named as New Lyric Opera Center for American Artists Director", Opera News. May 9, 2006]

Sources

  • Cassidy, Claudia (Foreword by Saul Bellow) (1979), Lyric Opera of Chicago. ISBN 0-9603538-0-1
  • Murray, William (2006), Fortissimo: Backstage at the Opera with Sacred Monsters and Young Singers, Crown, 2005: ISBN 1-4000-5360-9; Three Rivers Press, 2006 ISBN 9781400053612
  • Preston, Katherine K. (1993), Opera on the Road: Traveling Opera Troupes in the United States, 1825-60. Urbana, Illinois: University of Illinois Press. (Music in American Life series) ISBN 0-252-01974-1
  • Zeitz, Karyl Lynn (1996), The National Trust Guide to Great Opera Houses in America (National Trust for Historic Preservation in the United States). John Wiley & Sons Inc.; New York: Preservation Press: ISBN 0-471-14421-5 ISBN 9780471144212

Further reading
  • Skrebneski, Victor, Dan Rest, and Tony Romano. Bravi: Lyric Opera of Chicago. New York: Abbeville Press, 1994. ISBN 1558597719
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera ISBN 0-19-869164-5
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