List of pre-Code films

Pre-Code Hollywood is the era in the American film industry between the introduction of sounds in the late 1920s[1] and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

The criterion for inclusion on this list is the direct mention or discussion of the film as pre-Code in a mainstream source.

Movies

1928

1929

1930

1931

1932
A screen shot from the trailer for 1932's Murders in the Rue Morgue. The ape Erik enters Camille's room, with the shadow of his hand appearing over her head. What follows has been dubbed "interspecies miscegenation" by film historian Thomas Doherty.[6]

1933
Barbara Stanwyck in the trailer for the 1933 film Baby Face. Movies in the Pre-Code era were frequently marketed with suggestive tag lines like this one for a picture in which Stanwyck sleeps her way up the corporate ladder of a New York bank.

1934
gollark: Suuuure.
gollark: Arguably quite a lot are. Depending on things, you may end up suffering more overhead trying to split up work, merge your parts back together, maintain multiple copies of things, communicate, and that sort of thing, than you would just doing all of it yoursel.
gollark: Nobody knows. It's just abstract philosophy right now.
gollark: Use an existing image editor and screen sharing thing at the same time?
gollark: Given that nobody is really sure how consciousness works (or, well, lots of people seem to be sure, but they disagree with each other and there isn't really empirical evidence).

See also

Notes
  1. LaSalle (2002). pg.1
  2. Doherty. pg. 255
  3. Doherty. pg. 193
  4. Doherty. pg. 254
  5. Doherty. pg. 297
  6. Doherty. pg. 305
  7. Doherty. pg. 269
  8. Doherty. pg. 298
  9. Doherty. pg. 132
  10. Doherty. pg. 253
  11. Doherty. pg. 257
  12. Vieira. pg. 130
  13. Vieira. pg. 133
  14. Vieira. pg. 131
  15. Doherty. pg. 27

Sources
  • Doherty, Thomas Patrick. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4
  • Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4
  • Jeff, Leonard L, & Simmons, Jerold L. The Dame in the Kimono: Hollywood, Censorship, and the Production Code. The University Press of Kentucky 2001 ISBN 0-8131-9011-8
  • LaSalle, Mick. Complicated Women: Sex and Power in Pre-Code Hollywood. New York: St. Martin's Press 2000 ISBN 0-312-25207-2
  • LaSalle, Mick. Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man. New York: Thomas Dunne Books 2002 ISBN 0-312-28311-3
  • Leitch, Thomas. Crime Films. Cambridge University Press 2004 ISBN 0-511-04028-8
  • Lewis, Jen. Hollywood V. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry. NYU Press 2002 ISBN 0-8147-5142-3
  • Prince, Stephen. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968. Rutgers University Press 2003 ISBN 0-8135-3281-7
  • Smith, Sarah. Children, Cinema and Censorship: From Dracula to the Dead End Kids. Wiley-Blackwell 2005 ISBN 1-4051-2027-4
  • Vieira, Mark A. Sin in Soft Focus: Pre-Code Hollywood. New York: Harry N. Abrams, Inc. 1999. ISBN 0-8109-8228-5
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