Like Water for Chocolate (album)

Like Water for Chocolate is the fourth studio album by American rapper Common, released on March 28, 2000 through MCA Records. It was Common's first major label album and was both a critical and commercial breakthrough, receiving widespread acclaim from major magazine publications and selling 70,000 copies in its first week.[1] The album was certified Gold on August 11, 2000 by the Recording Industry Association of America.[2] According to Nielsen SoundScan, the album has sold 748,000 copies by March 2005.[3] The video for "The Light" was frequently shown on MTV, adding to Common's exposure. The album also formally marked the formation of the Soulquarians, a collective composed of ?uestlove (of The Roots), Jay Dee (formerly of Slum Village), keyboardist James Poyser, soul artist D'Angelo and bassist Pino Palladino, among numerous other collaborators. This group of musicians would also be featured on Common's next album, Electric Circus.

Like Water for Chocolate
Studio album by Common
Released	March 28, 2000
Recorded	1999–2000 Electric Lady Studios (New York, New York) Studio A (Dearborn Heights, Michigan)
Genre	Hip hop alternative hip hop conscious hip hop
Length	77:51
Label	MCA
Producer	Questlove (also exec.) Common (co-exec.) Derek Dudley (co-exec.) Jay Dee James Poyser DJ Premier D'Angelo Karriem Riggins
Common chronology
One Day It'll All Make Sense (1997) Like Water for Chocolate (2000) Electric Circus (2002)
Singles from Like Water for Chocolate
"The 6th Sense" Released: February 15, 2000 "The Light" Released: July 18, 2000 "Geto Heaven Remix T.S.O.I. (The Sound of Illadelph)" Released: April 16, 2001

The album's cover photo, 1956 Alabama by Gordon Parks, is a photo of a young black woman in Alabama, dressed for church, and drinking from a "Colored Only" drinking fountain.[4][5]

Conception

Background

Following 1997's One Day It'll All Make Sense, Common moved to New York City where he began collaborating with the Soulquarians at Electric Lady Studios. It was there that Ahmir Thompson (?uestlove) who oversaw the album's production, introduced Common to D'Angelo. Thompson had been doing a great deal of producing there with several members of the Soulquarians, including D'Angelo. The track "Geto Heaven Part Two" was originally supposed to be a track on D'Angelo's 2000 album Voodoo, but was traded for "Chicken Grease," a track which Common had intended to include on Like Water for Chocolate.[6][7] Questlove on "Chicken Grease":

By mid '99 the Soulquarians were in full swing (D, Me, Jay Dee, James Poyser) and we were working on Common's Like Water for Chocolate when we came up with this lethal jam. It was so good that D pulled me to the side and said 'I ain't no Indian giver ... but I ain't lettin Com walk off with this song..' He called me 3 times that morning begging to ask Com for that track. Com agreed, and we named it 'Chicken Grease' after a phrase that Prince uses when he wants his guitarist to play a 9th minor chord while playing 16th notes.[7]

— ?uestlove

Title significance

The title Like Water for Chocolate comes from the 1989 Laura Esquivel novel Like Water for Chocolate, which was adapted into a movie in 1992.[8][9] The phrase "Like water for chocolate" is of Spanish origin (translated, como agua para chocolate). In many Latin American countries, hot chocolate is made with water rather than milk. The phrase refers to someone who has reached their boiling point, like water ready to be used to make chocolate. In an interview with Combustible the Poet, Common compared the main character Tita de la Garza's passion for food with his passion for music:

Actually the album is named after a movie of the same title. In the movie the main character was a really good cook. She would always be cooking for people. Whenever she would cook, she would really put a lot of emotion into it. So when people would eat her cooking, they were able to feel the same emotions she felt while cooking it. You feel me? So this is the same thing. I put all my heart, my mind and my rawness into these tracks. So I hope that people can feel that when they listen to the album.[10]

Another popular interpretation of the album title ties in the phrase with the image on the cover of the album. Using the word 'chocolate' to symbolise people of dark skin color and the words 'like water' to describe the racially provocative concept of providing drinking water of exactly the same likeness for two different races alludes to the famous image and the themes of race that are found within the lyrical content of the album.

Music

Like Water for Chocolate is notable for its Afrocentric themes. It borrows from the Afrobeat genre on the track "Time Travelin' (A Tribute To Fela)", the Tony Allen-sampling "Heat" and the Slum Village-assisted "Nag Champa (Afrodisiac For The World)". MC Lyte and Mos Def join Common for the amusing "A Film Called (Pimp)" and "The Questions," respectively. In the former, Common sends up his own "conscious" image with a skit depicting him as a hypocritical woman-beater.

Like Common's previous two albums, Like Water for Chocolate closes with spoken word recited by Common's father Lonnie "Pops" Lynn. A slightly altered version of the album was released after its success on the charts, with the Macy Gray-assisted "Geto Heaven Remix T.S.O.I. (The Sound of Illadelph)" replacing the original.

As of 2011, the musical interludes on tracks such as "A Film Called Pimp" and "Time Travelling" have been removed from all online versions of the album, possibly due to unconfirmed sample-clearing issues.[11]

Lyrical content

Like previous albums from Common, the subject matter discussed in Like Water for Chocolate is of a socially conscious nature. Typically, conscious hip hop's greatest following is underground, and conscious hip hop artists do not achieve great mainstream success.[12][13] Yet despite being Common's first commercially successful album, Like Water for Chocolate maintains the same level of concern and social responsibility that had previously been seen in Common's first three albums. The album contains significant afrocentric elements which are particularly evident on "Time Travelin' (A Tribute to Fela)" and "Time Travelin' (Reprise)." Both tracks discuss the ills of modern society and are a tribute to Fela Kuti, a pioneer of Afrobeat music and a prominent human rights activist, with "Time Travelin' (Reprise) featuring Kuti's son, Femi Kuti. Track 2, "Heat" samples Tony Allen, Fela Kuti's one-time fellow band member and co-founder of the Afrobeat genre.

Also unique are "Payback is a Grandmother" and "A Song for Assata." "Payback is a Grandmother" is a continuation of the series of "Stolen Moment" songs that appeared on One Day It'll All Make Sense, whereby Common weaves a fictional tale in which he pursues a thief (on this occasion the thugs who have robbed his grandmother). Amidst the intricate caper, the song emphasizes the importance of family values. As Common says in the song's intro "I don't know what was on y'all niggaz birds to go up to the boat - and start robbin old folks". The song ends in a skit involving police officers at the scene of a crime where, breaking out of character, one of the officers can be heard saying "the skit definitely needs more added to it ... Someone get Prince Paul on the phone please" - the last remark being a recognition of Prince Paul's reputation as a pioneer of the album skit.

"A Song for Assata" chronicles the arrest, trial, incarceration and Cuban political asylum of Assata Shakur (a member of the Black Panther Party, after whom Common named his daughter, Omoye Assata Lynn). The spoken word piece at the end of the track is a quote from Assata Shakur. During the album's creation, Common traveled to Havana, Cuba where he met and talked with Shakur.[5] The excerpt used details Shakur's thoughts on what freedom is and what it means to be free.[5] As she notes:

I know a whole more about what freedom isn't
Than about what it is, cause I've never been free.
I can only share my vision with you of the future, about what freedom is.

Working as both a battle song and self-reflection, the sensuous "Nag Champa (Afrodisiac for the World)" sees Common proclaiming himself "The Earth, Wind, and Fire of hip hop" while admitting "By Rakim and Short I been inspired" - a comment which compounds the two very contrasting rap artists. Common goes on to note:

The mind is funny, how it's spent on gettin' it [money]
I'm sittin wit descendants of Abraham
Who say the jam is "Money, Cash, Hoes"

"Nag Champa" is one of a few rare occurrences in which Common's frequent collaborator, producer J Dilla takes on the role of singer. Common later explained:

When I was working on Like Water for Chocolate I would go to Detroit like two to three times a month. When we would go to Jay Dee's basement we would always burn nag champa incense, that's where I got that title from. I was listening to Slum Village a lot, so I was influenced by them. With "Nag Champa," which was either the first or the second song for Like Water for Chocolate, we had it for a long time with no chorus. We kept trying but there wasn't nothing good coming out. I took T3 and them to the studio to work with me on the chorus; T3 started chanting something, he didn't finish, but he had a little idea. Jay Dee heard and started really singing it and got it together. Jay had an incredible voice-he actually was going to do a singing album. We used to talk about that when he would stay in LA.[14]

— Common

Production

Although Questlove was the album's executive producer, a large deal of the production work was handled by Jay Dee (aka J Dilla) of Slum Village and The Ummah. Common and Jay Dee both hailed from the Great Lakes region (Jay Dee from Detroit and Common from Chicago) and were good friends. The track "Thelonius" was even placed on both Like Water for Chocolate and Slum Village's 2000 release Fantastic, Vol. 2.

Common also wanted to work with DJ Premier, citing Gang Starr as one of his favorite groups to listen to. In an interview with New Jeru Poet, Common described his motivation to work with DJ Premier:

Like you said, being that he is one of the most respected producers, I really loved his music throughout the time. Gang Starr has always been one of my favorite groups. I've always wanted to work with him. It was time. I connected with him and seen him in a couple of places. I told him that I wanted to work with him. It took a little time to get up with him but eventually, we got up. That was the last song I recorded for 'Like Water For Chocolate'. We released 'Dooinit' first and then the single and video for 'The 6th Sense'. Then, we followed it up with 'The Light'.[15]

Reception

Professional ratings

Review scores
Source	Rating
AllMusic	[16]
Christgau's Consumer Guide	A−[17]
Entertainment Weekly	B[18]
The Indianapolis Star	[19]
NME	8/10[20]
Pitchfork	8.7/10[21]
Rolling Stone	[22]
The Rolling Stone Album Guide	[23]
Spin	8/10[24]
USA Today	[25]

Like Water for Chocolate received widespread acclaim from music critics. Rolling Stone's Kris Ex called Common "a hip-hop MC willing to actually examine himself through his art".[22] NME's Stevie Chick described him as a "great storyteller" who is "equal parts philosopher and documentarian."[20] Spin's Peter S. Scholtes praised Like Water for Chocolate as "his most aggressive and powerful record yet",[24] and The Wire also hailed it as his best album.[26] The Source wrote that the album finds "a more worldly Common ... creating full-fledged jazz, funk and soul songs".[27] Mojo called Like Water for Chocolate the "most user-friendly contribution so far to the wave of 'conscious' rap."[28] RapReviews critic Steve Juon wrote: "From 'Payback is a Grandmother' all the way to the finale 'Pop's Rap III' you'll find your ears have been smothered in a sweet darkness that Dove has never been able to wrap in foil and sell for ninety-nine cents. You may in fact be coming down off a hip-hop sugar high. Not to worry – just hit random play and any track on this album will give you another fix."[29]

Q described Like Water for Chocolate as "wholemeal hip hop: chewy and a wee bit bland but nutritious all the same."[30] In a mixed review, Sal Cinquemani of Slant Magazine felt that the album "certainly attempts to make change (musically and socially), but part of my disappointment comes from the high expectations that naturally arise when an artist tries to break from the norm", concluding that "maybe if there were more hip-hop artists like him, the burden wouldn't be placed solely on one rapper's shoulders."[31]

In 2004, PopMatters' Marc Lamont Hill named the album his personal favorite, writing:

To me, a favorite album isn't necessarily the best album in the collection. A favorite album is the one that you wrap yourself in when you're feeling happy, sad, angry, lonely, or nostalgic. A favorite album is the one that you feel personally connected to in ways that are difficult to explain. For me, that album is Common's Like Water For Chocolate.[32]

— Marc Lamont Hill

The music online magazine Pitchfork placed Like Water for Chocolate at number 169 on their list of top 200 albums of the 2000s.[33]

The album's hit single, "The Light" received a 2001 Grammy Award nomination for Best Rap Solo Performance.

The album was included in the book 1001 Albums You Must Hear Before You Die.[34]

Accolades

Information is taken from AcclaimedMusic.net.[35]

Publication	Country	Accolade	Year	Rank
Addicted to Noise	USA	Albums of the Year	2000	19
Aftenposten	Norway	Albums of the Year	2000	33
Amazon.com	USA	Albums of the Year	2000	61
Barnes & Noble.com	USA	Albums of the Year	2000	54
BigO	Singapore	Albums of the Year	2000	4
Dagsavisen	Norway	Albums of the Year	2000	13
Ink Blot Magazine	USA	Albums of the Year	2000	3
Iguana	Spain	Albums of the Year	2000	24
Intro	Germany	Albums of the Year	2000	2
Les Inrockuptibles	France	Albums of the Year	2000	21
Musik Express/Sounds	Germany	Albums of 2000	2001	28
Muzik Magazine	UK	Albums of the Year	2000	10
Natt & Dag	Norway	Albums of the Year	2000	—
Nöjesguiden	Sweden	Albums of the Year	2000	2
Trax	France	Albums of the Year	2000	62
OOR	Netherlands	Albums of the Year	2000	45
Rock de Lux	Spain	Albums of the Year	2000	6
Spex	Germany	Albums of the Year	2000	9
The Village Voice	USA	2000 Pazz & Jop Poll	2000	24
Wall of Sound	USA	Albums of the Year	2000	17
Zundfunk	Germany	Albums of the Year	2000	6

Later albums

Following the success of LWFC, Common continued collaborating with the Soulquarians for his next album, Electric Circus. It featured the Soulquarians more prominently than Like Water for Chocolate, but was not nearly as successful because of its more eclectic vision, and relatively poor promotion from MCA Records. Electric Circus was considered a commercial disappointment, selling just over 200,000 copies, whereas its predecessor sold over twice as many.[36]

Track listing

Original Release

No.	Title	Writer(s)	Producer(s)	Length
1.	"Time Travelin' (A Tribute to Fela)" (featuring Vinia Mojica, Roy Hargrove and Femi Kuti)	Lonnie Lynn Michael Archer Ahmir Thompson James Poyser James Yancey	D'Angelo Questlove James Poyser J Dilla	6:37
2.	"Heat"	Lynn	J Dilla	3:41
3.	"Cold Blooded" (featuring Roy Hargrove)	Lynn Thompson Archer Rahzel Brown Tariq Trotter Kelo Saunders	D'Angelo Questlove Kelo Saunders The Roots	4:58
4.	"Dooinit"	Lynn Yancey	J Dilla	3:37
5.	"The Light"	Lynn Yancey Bobby Caldwell Norman Harris Bruce Malament	J Dilla	4:21
6.	"Funky for You" (featuring Bilal and Jill Scott)	Lynn Yancey Poyser Bilal Oliver	J Dilla Poyser	5:55
7.	"The Questions" (featuring Mos Def)	Lynn Yancey Poyser Dante Smith	J Dilla Poyser	4:09
8.	"Time Travelin' (Reprise)"	Lynn Archer Thompson Poyser Yancey	D'Angelo Questlove Poyser J Dilla	1:33
9.	"The 6th Sense" (featuring Bilal)	Lynn Oliver Christopher Martin Kejuan Muchita Albert Johnson	DJ Premier	5:19
10.	"A Film Called (Pimp)" (featuring Bilal and MC Lyte)	Lynn Yancey Oliver	J Dilla	6:05
11.	"Nag Champa (Afrodisiac for the World)"	Lynn Yancey	J Dilla	5:10
12.	"Thelonius" (featuring Slum Village)	Lynn Yancey Titus Glover R.L. Altman III	J Dilla	4:41
13.	"Payback Is a Grandmother"	Lynn Yancey James Brown Fred Neslay John Starks	J Dilla	4:30
14.	"Geto Heaven Part Two" (featuring D'Angelo)	Lynn Archer Thompson Peter Lord Sandra St. Victor Vernon Smith	D'Angelo Questlove Poyser	5:18
15.	"A Song for Assata" (featuring Cee-Lo Green)	Lynn Poyser Thomas Burton	Poyser	6:48
16.	"Pop's Rap III ... All My Children"	Lonnie "Pops" Lynn Erykah Badu A. Scott Karriem Riggins Fela Kuti	Karriem Riggins	5:09
Total length:				77:51

Alternate version

No.	Title	Writer(s)	Producer(s)	Length
14.	"Geto Heaven Remix T.S.O.I. (The Sound of Illadelph)" (featuring Macy Gray)	Lynn Thompson Poyser	Questlove Poyser	5:18
Total length:				5:18

* Track listing and production credits are taken from the album's liner notes.

Charts

Weekly charts

Chart (2000)	Peak position
US Billboard 200	16
US Billboard Top R&B/Hip-Hop Albums	5

Singles

Year	Title	US Pop	US R&B	US Rap	US Rhythmic
2000	"The Light"	44	12	13	21
	"The 6th Sense"	—	87	14	—
2001	"Geto Heaven, Part 2"	—	61	—	—

References

1. Moore, Morris. "Common Releases Song On The Internet". www.allhiphop.com. Archived from the original on October 15, 2007. Retrieved January 19, 2007.
2. "Gold & Platinum". Recording Industry Association of America. Archived from the original (Database) on January 18, 2007. Retrieved January 19, 2007.
3. Cohen, Jonathan. "Common Rolls With Kanye, Plots Nas Tour at Billboard.com". Nielsen Business Media, Inc. Retrieved May 2, 2007.
4. Marcus, Greil (2000-04-17). "Real Life Rock Top 10". Archived from the original on April 11, 2007. Retrieved 2007-04-07.
5. Neal, Mark Anthony (2000-05-05). "Like Water for Chocolate: Common's Recipe for Progressive Hip-Hop". Critical Noire. www.popmatters.com. Archived from the original on 2004-06-17. Retrieved 2007-04-07.
6. DeRogatis, Jim. "Just plain Common sense". www.jimdero.com. Retrieved January 19, 2007.
7. Thompson, Ahmir. "D'Angelo Voodoo". ?uestcorner Reviews. www.okayplayer.com. Archived from the original (Online Review) on November 9, 2002. Retrieved January 22, 2007.
8. Bonyata, Tony. "Common's Uncommon Hip-Hop". www.concertlivewire.com. Retrieved January 19, 2007.
9. Dorston, A. S. "Common, Like Water For Chocolate (MCA) 9+". Archived from the original (Music Webzine) on September 28, 2007. Retrieved January 19, 2007.
10. "Everything2.com" (Online interview). Retrieved November 10, 2006.
11. "7digital Music Store". Like Water for Chocolate. Archived from the original on 2011-09-15.
12. Thompson, Amanda (2004-05-06). "Gender in Hip Hop: A Research Study" (PDF). Humboldt State University. Archived from the original (PDF) on 2008-09-11. Retrieved 2006-06-09. Cite journal requires |journal= (help)
13. Brown, Roxanne L. "Todd Boyd's Lessons on the Rise of Hip Hop: Move Civil Rights and Historical Context Out of the Way" (PDF). The Center for Black Diaspora. Archived from the original (PDF) on 2006-09-21. Retrieved 2006-06-09. Cite journal requires |journal= (help)
14. Ducker, Houghton, Eric, Edwin. "The Stories Behind Some Of The Late J Dilla's Great Productions". Stones Throw Records. Archived from the original (Online interview) on January 2, 2007. Retrieved January 19, 2007.
15. Todd, Jones. "Common" (Online Interview). www.hiphop-elements.com. Retrieved January 30, 2007.
16. Huey, Steve. "Like Water for Chocolate – Common". AllMusic. Retrieved January 3, 2016.
17. Christgau, Robert. "Common: Like Water for Chocolate". RobertChristgau.com. Retrieved December 18, 2015.
18. Hermes, Will (April 7, 2000). "Like Water for Chocolate". Entertainment Weekly. Retrieved January 3, 2016.
19. Miley, Scott L. (April 30, 2000). "Pure 'Water'". The Indianapolis Star.
20. Chick, Stevie (April 8, 2000). "Common – Like Water For Chocolate". NME: 36. Archived from the original on May 11, 2000. Retrieved January 3, 2016.
21. Clark, Taylor M. (March 28, 2000). "Common: Like Water for Chocolate". Pitchfork. Retrieved January 3, 2016.
22. Ex, Kris (April 13, 2000). "Like Water For Chocolate". Rolling Stone. Retrieved January 3, 2016.
23. McLeod, Kembrew (2004). "Common". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 187. ISBN 0-7432-0169-8.
24. Scholtes, Peter S. (May 2000). "Common: Like Water For Chocolate". Spin. 16 (5): 155. Retrieved January 3, 2016.
25. Jones, Steve (March 28, 2000). "Common, Like Water for Chocolate". USA Today. Archived from the original on November 6, 2016. Retrieved January 3, 2016.
26. "Common: Like Water for Chocolate". The Wire. March 2000. p. 64. Missing or empty |url= (help)
27. "Common: Like Water for Chocolate". The Source (128): 211–12. May 2000.
28. "Common: Like Water for Chocolate". Mojo. June 2000. p. 105. Missing or empty |url= (help)
29. Juon, Steve "Flash" (March 28, 2000). "Common :: Like Water For Chocolate :: MCA". RapReviews. Retrieved January 19, 2013.
30. "Common: Like Water for Chocolate". Q. May 2000. pp. 106–07. Missing or empty |url= (help)
31. Cinquemani, Sal (November 15, 2002). "Common: Like Water for Chocolate". Slant Magazine. Retrieved January 19, 2013. Italic or bold markup not allowed in: |work= (help)
32. Hill, Marc L. (March 16, 2004). "Common: Like Water for Chocolate". PopMatters. Retrieved January 19, 2013.
33. Pitchfork staff (September 28, 2009). "The Top 200 Albums of the 2000s: 200–151". Pitchfork. Retrieved October 1, 2009.
34. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
35. "Like Water for Chocolate at Acclaimed Music". Retrieved January 21, 2007.
36. Hastings, Cameron (August 29, 2006). "Interview With Roots' Drummer ?uestlove". Madison.com. Archived from the original on October 14, 2007. Retrieved 2007-04-07.

External links

• Ready for the Majors at Los Angeles Times