James Moody (saxophonist)

James Moody (March 26, 1925 December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles.

James Moody
James Moody with Todd Coolman at a jazz festival
Background information
Born(1925-03-26)March 26, 1925
Savannah, Georgia
DiedDecember 9, 2010(2010-12-09) (aged 85)
San Diego, California
GenresJazz
Occupation(s)Musician
InstrumentsSaxophone, flute
Years active1947–2010
LabelsNovus, Prestige
Associated actsDizzy Gillespie, Kenny Barron, Jon Faddis, Eddie Jefferson, Johnny Coles, Todd Coolman, Rufus Reid, Gil Fuller, Milt Jackson
Websitewww.jamesmoody.com

Moody had an unexpected hit with "Moody's Mood for Love," a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of "I'm in the Mood for Love." Moody adopted the song as his own, recording it with Jefferson on his 1956 album Moody's Mood for Love and performing the song regularly in concert, often singing the vocals himself.

Early life

James Moody was born in Savannah, Georgia, and was raised by his (single) mother, Ruby Hann Moody Watters.[1] He had a brother, Louis.[2] Growing up in Newark, New Jersey,[3] he was attracted to the saxophone after hearing George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie, and later also took up the flute.

Career

Moody joined the US Army Air Corps in 1943 and played in the "negro band" on the segregated base.[4] Following his discharge from the military in 1946 he played bebop with Dizzy Gillespie[5] for two years. Moody later played with Gillespie in 1964, where his colleagues in the Gillespie group, pianist Kenny Barron and guitarist Les Spann, would be musical collaborators in the coming decades.

In 1948 he recorded his first session for Blue Note Records, the first in a long recording career playing both saxophone and flute. That same year he relocated to Europe, where he stayed for three years, saying he had been "scarred by racism" in the U.S.[4] His European work, including the first recording of "Moody's Mood for Love", which became a hit in 1952,[6] saw him add the alto saxophone to his repertoire and helped to establish him as recording artist in his own right, and formed part of the growth of European jazz. Then in 1952, he returned to the U.S. to a recording career with Prestige Records and others, playing flute and saxophone in bands that included musicians such as Pee Wee Moore and others.

Moody and his Orchestra performed for the eleventh famed Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on July 24, 1955. Also featured Big Jay McNeely, Lionel Hampton and his Orchestra, The Medallions and The Penguins.[7]

In the 1960s, he rejoined Dizzy Gillespie. He later worked also with Mike Longo.[8]

In 1997, Moody appeared as William Glover in Clint Eastwood's movie adaptation of John Berendt's novel Midnight in the Garden of Good and Evil.[9][5]

In a 1998 interview with Bob Bernotas, Moody stated that he believed jazz has definite spiritual resonance.[8]

The James Moody Quartet (with pianist Renee Rosnes, bassist Todd Coolman, and drummer Adam Nussbaum) was Moody's vehicle later in his career. Moody played regularly with Dizzy Gillespie Alumni All-Stars and the Dizzy Gillespie Alumni All-Stars Big Band and also often collaborated with former Gillespie alumnus, the trumpeter-composer-conductor Jon Faddis; Faddis and Moody worked in 2007 with the WDR Big Band in Cologne, Germany under the direction of Michael Abene. And along with Faddis, toured in 1986 with the Philip Morris Superband hosting artists like Hammond organist Jimmy Smith, Kenny Burrell, Grady Tate and Barbara Morrison. Included in this line-up were Niels-Henning Orsted Pedersen, Jimmy Heath, Kenny Washington, Slide Hampton and Monty Alexander on a four-country, 14-city one-month tour of 18 concerts, notably in Australia, Canada, Japan and the Philippines, starting on September 3, 1986, with its first concert in Perth, Australia. The Philip Morris Superband concept started a year previous in 1985.

Awards and honors

Two months after his death, Moody won the Grammy Award posthumously for Best Jazz Instrumental Album for his album Moody 4B.

The New Jersey Performing Arts Center hosts the James Moody Democracy of Jazz Festival.[10][11]

Personal life

Moody was married three times; the first two ended in divorce. His third marriage was to the former Linda Petersen McGowan, whom he married in 1989. He had a daughter, Michelle Moody Bagdanove, and through Linda, three step-sons, Regan, Danny and Patrick McGowan.[2] Moody and his wife resided in San Diego.

He was an active member of the Baháʼí Faith.[8] In 2005, the Moodys established the Moody Scholarship Fund[12] at the Conservatory of Music at Purchase College-State University of New York (SUNY Purchase). Moody was awarded an NEA Jazz Masters Fellowship in 1998 and often participated in educational programming and outreach, including with the International Association for Jazz Education, or IAJE.

Moody was fluent in Italian.

Death

On November 2, 2010, Moody's wife announced on his behalf that he had pancreatic cancer, and had chosen not to have it treated aggressively. After palliative care, Moody died in San Diego, on December 9, 2010, from complications resulting from the cancer.[5]

Discography

As leader

As sideman

With Art Farmer

With Gil Fuller

With Dizzy Gillespie

With The Dizzy Gillespie Alumni All-Stars

  • Dizzy's World directed by Jon Faddis (1999)
  • Things to Come (2001)

With Dexter Gordon

With Milt Jackson

With Elvin Jones

With Quincy Jones

With Charles Mingus

With Max Roach

  • Max Roach Quintet/Art Blakey and His Band (Blue Note 1952)

With Lalo Schifrin

With Bobby Timmons

With Cedar Walton

With Tubby Hayes

With Roberta Gambarini

  • Easy To Love (Groovin' High/Kindred Rhythm, 2006) Moody plays tenor sax and sings with Roberta on "Lover Man" and "Centerpiece,"
gollark: I don't actually like TPMs much because they're "trusted" by other people, and not the actual device owner.
gollark: I see.
gollark: Also, how does the interface work?
gollark: You also run into the problem that you couldn't cryptographically validate that something was signed by someone's brain-TPM-thing™ and not just a computer running the signature algorithm, unless you have some organization give it a certificate, which then gives them unreasonable amounts of power.
gollark: It's much easier to remember a sequence of random words than a long string of numbers, but if you want to operate on the wordy one you also need to store a big lookup table, which defeats the point.

References

  1. John Fordham, "James Moody obituary", The Guardian, December 10, 2010.
  2. Peter Keepnews, "James Moody, Jazz Saxophonist, Dies at 85", The New York Times (December 10, 2010). Retrieved March 26, 2011.
  3. "The State of Jazz: Meet 40 More Jersey Greats", The Star-Ledger, September 28, 2003, backed up by the Internet Archive as of September 27, 2008. Accessed September 15, 2017. "James Moody -- Moody, the remarkable San Diego, Calif.-based saxophonist, flutist and vocalist, was raised in Newark, and did a good deal of early playing there."
  4. Moody's Mood for Bop by Patrick Ambrose The Morning News
  5. George Varga, Obituary Sign on San Diego (December 9, 2010). Retrieved March 26, 2011.
  6. Allmusic biography
  7. “11th Cavalcade of Jazz – Wrigley Field July 24” Article Los Angeles Sentinel June 30, 1955.
  8. Bob Bernotas, Interview with James Moody Archived 2007-01-07 at the Wayback Machine MelMartin.com (1999) Retrieved March 26, 2011.
  9. James Moody - National Endowment for the Arts
  10. "TD Moody Democracy of Jazz Festival". NJPAC. Archived from the original on 2012-09-13. Retrieved 2012-10-08.
  11. Tammy La Gorce, "A Week of Jazz and Remembrance", The New York Times, October 5, 2012.
  12. "The James Moody Scholarship at Purchase College" Archived 2011-09-28 at the Wayback Machine, Purchase College-State University of New York. Retrieved March 26, 2011.
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