Westdeutscher Rundfunk

Westdeutscher Rundfunk Köln (WDR; West German Broadcasting Cologne) is a German public-broadcasting institution based in the Federal State of North Rhine-Westphalia with its main office in Cologne. WDR is a constituent member of the consortium of German public-broadcasting institutions, ARD. As well as contributing to the output of the national television channel Das Erste, WDR produces the regional television service WDR Fernsehen (formerly known as WDF and West3) and six regional radio networks.

Westdeutscher Rundfunk Köln
Country
Founded1955
Slogan"Mehr hören. Mehr sehen." (Hearing more. Seeing more.)
HeadquartersCologne
CallsignsWDR
Callsign meaning
West German Broadcasting Corporation
Affiliation(s)ARD
WebcastWDR TV (Germany Only)
Official website
http://wdr.de

History

Origins

The Westdeutsche Funkstunde AG (WEFAG) was established on 15 September 1924.

There was a substantial purge of left wing staff following the Nazi seizure of power in 1933. This included Ernst Hardt, Hans Stein and Walter Stern.

One of WDR's buildings in Cologne

WDR was created in 1955, when Nordwestdeutscher Rundfunk (NWDR) was split into Norddeutscher Rundfunk (NDR) covering Lower Saxony, Schleswig-Holstein, and Hamburg and Westdeutscher Rundfunk, responsible for North Rhine-Westphalia. WDR began broadcasting on two radio networks (one produced jointly with NDR) on 1 January 1956. WDR constitutes the most prominent example of regional broadcasting in Germany.[1]

Directors

  • 1926–1933: Ernst Hardt, director general of WERAG
  • 1933–1937: Heinrich Glasmeier, director general of "Reichssender Köln"
  • 1937–1941: Anton Winkelnkemper, director general of "Reichssender Köln"
  • 1942–1945: closed
  • 1945–1947: Max Burghardt, director general of NWDR
  • 1947–1961: Hanns Hartmann, director general of NWDR and since 1956 of WDR
  • 1961–1976: Klaus von Bismarck
  • 1976–1985: Friedrich-Wilhelm von Sell
  • 1985–1995: Friedrich Nowottny
  • 1995–2007: Fritz Pleitgen
  • 2007–2013: Monika Piel[2]
  • since 1 July 2013: Tom Buhrow[3]

Logo history

Funding

WDR is in part funded by the limited sale of on-air commercial advertising time; however, its principal source of income is the revenue derived from viewer and listener licence fees. As of 2015 the monthly fee due from each household for radio and television reception was €17.50.[4] These fees are collected not directly by WDR but by a joint agency of ARD (and its member institutions), ZDF, and Deutschlandradio.

Television

WDR began its regional television service, Westdeutsches Fernsehen (WDF), on 17 December 1965. On 27 August 1967 Germany turned on it first color TV program, WDF used a live broadcast from a Bosch Fernseh outside broadcast van to start broadcasting in color. In 1988 the channel was renamed West3; since 1994, it has been known as WDR Fernsehen.

While the programmes are mainly run from their Cologne headquarters, they also have a number of sub-regional studios contributing a regular broadcast called Lokalzeit with the addition "aus Aachen" (Aachen), "OWL" (Bielefeld), "aus Bonn" (Bonn), "aus Dortmund" (Dortmund), "aus Düsseldorf" (Düsseldorf), "aus Duisburg" (Duisburg), "Ruhr" (Essen), "aus Köln" (Cologne and Bonn), "Münsterland" (Münster), "Südwestfalen" (Siegen) and "Bergisches Land" (Wuppertal) for each respective region. WDR has its current affairs and regional-politics studios in Düsseldorf.

It has served as the production entity for network shows on Das Erste of ARD, such as Forbidden Love, which over the years introduced many young actors to the German audience, such as Andreas Stenschke, Jo Weil, Luca Zamperoni and Kay Böger. The TV-sport for the “First Channel” Das Erste is produced in Cologne, and WDR contributes to ARD Digital, 3sat and arte.

Radio

A long-running talk show on wheels was Hallo Ü-Wagen, running from 1974 to 2010, begun by Carmen Thomas. WDR's main radio channels are available on FM and digital (DAB+), as well as via cable and satellite:

  • 1LIVE is a popular music channel modelled on BBC Radio 1 and aimed at a young audience. Its schedules include such non-mainstream night-time programmes as "Heimatkult", focusing on pop music from Germany, and "Lauschangriff", a series of audio-books.
  • WDR 2, featuring adult-oriented popular music, focuses strongly on national and regional news, current affairs, and sport.
  • WDR 3, the cultural channel, offers mostly classical, jazz and world music as well as radio drama and spoken-word features dealing with literature and the performing arts.
  • WDR 4 (motto: Melodien für ein gutes Gefühl, "Melodies for a good feeling") is a channel aimed chiefly towards an older audience. Its focus is on tuneful music – in particular, oldies and classic hits: popular music of the 1960s to the 1980s or later – with more specialized programming (operetta, country, folk) in the evenings. Around 30-40% of WDR 4's musical output is made up of German-language songs.
  • WDR 5 features spoken-word programming with the focus on present-day culture and society. Between 6.05 and 9.45 each Monday to Saturday morning the channel offers news, background briefing, interviews, and correspondents' reports in a sequence entitled Morgenecho. The main lunchtime and early-evening news and current affairs programmes Mittagsecho (at 13.05–14.00 on Mondays to Fridays and 13.30–14.30 on Sundays) and Echo des Tages (at 18.30–19.00 daily) are both co-productions with Norddeutscher Rundfunk (NDR) in Hamburg. Additionally, WDR 2's 30-minute round-up of the day's most important news reports, Berichte von heute, is simulcast by WDR 5 on Monday to Friday evenings at 23.30. WDR 5 also carries children's programming from KiRaKa at 19.05–20.00 each evening as well as on Sundays at 7.05–8.00 and 14.05–15.00.
  • Cosmo (earlier WDR 5 Funkhaus Europa – an offshoot of WDR 5 – and now a joint production of Radio Bremen, RBB, and WDR) is a channel principally aimed at serving immigrants and promoting integration. It features a wide selection of world music. It is not available over-the-air in every part of WDR's broadcasting area.
gollark: If they want art because it looks nice or they need to advertise something, say, then they'll care less about it being "real art" by humans.
gollark: If people care about art as a status signal or art for some philosophical reason they might want it to be human-made.
gollark: It does seem plausible that AI art might kill off much of commissioned art/graphic design.
gollark: We can assume that the AI runs faster than humans because people will only run training for a few months at most before they get bored and stop.
gollark: Legal action was maybe also bad.

See also

Notes

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