Gail Robinson (soprano)

Gail Robinson (7 August 1946 – 19 October 2008) was an American operatic soprano who sang with many of the world's leading opera companies during the 1970s and 1980s. She spent most of her career singing lyric coloratura roles at the Metropolitan Opera.[1] After her performance career ended she taught singing to young artists and also directed the Metropolitan Opera's Young Artist Program for over ten years. Upon leaving the Met, she joined the voice faculty at the University of Kentucky.

Biography

Robinson was born in Meridian, Mississippi, but moved to Jackson, Tennessee, shortly thereafter. She showed musical talent early, performing locally on radio and television. She graduated from Jackson High School in 1964 and went on to study voice under Norvell Taylor at Memphis State University. While at MSU, she won the Metropolitan Opera's Audition of the Air (the precursor to the National Council Auditions) at the age of 19.[2] Following this important win, Robinson left MSU to the Met's development program for young artists, with which Robinson sang leading roles in school performances throughout New York, beginning in 1966.

Robinson made her professional opera debut in 1966 with Memphis Opera as the title heroine in Donizetti's Lucia di Lammermoor conducted by Fiora Contino. That same year she toured to Rhode Island with the Met to perform the role of the Swallow in the American premiere of Malcolm Williamson's The Happy Prince. She made her debut at the company's opera house three years later as the First Genii in Mozart's The Magic Flute. She became a regular performer at the Met during the next two decades singing in more than 200 performances with the company.[1] Her roles with the Metropolitan Opera included Adina in L'Elisir d'Amore, Almirena in Rinaldo, Amore in Orfeo ed Euridice, Annina in La traviata, Barbarina in Le nozze di Figaro, Flower Maiden in Parsifal, Garsenda in Francesca da Rimini, Gilda in Rigoletto, Gretel in Hänsel und Gretel, Guadalena in La Périchole, Juliette in Roméo et Juliette, Konstanze in Die Entführung aus dem Serail, Lucia in Lucia di Lammermoor, Norina in Don Pasquale, Oscar in Un ballo in maschera, Pamina in The Magic Flute, Princess in L'enfant et les sortilèges, Rosina in Il Barbiere di Siviglia, Servilia in La clemenza di Tito, Sophie in Der Rosenkavalier, and Sophie in Werther among others. Her last performance both with the Met and on the operatic stage was as Echo in Ariadne auf Naxos on October 10, 1987. Robinson decided to retire at the time due to health reasons.

She was featured in the April 2, 1971 issue of LIFE magazine in the story "Pops' Girl Gail Makes it at the Met" (pages 57-61).[3]

Robinson's career also took her to other leading opera houses around the world including the Hamburg State Opera, Berlin State Opera, the Munich State Opera, and Grand Théâtre de Genève among others. She also sang at numerous companies in the United States including the Lyric Opera of Chicago, San Antonio Grand Opera Festival, Opera Company of Philadelphia, New Orleans Opera, Opera Omaha and the Kentucky Opera among others.

Robinson also had a fruitful career as a concert artist and recitalist, giving performances in more than 80 cities in the United States alone and singing at such distinguished places as the White House and Carnegie Hall. She performed with several prestigious orchestras including the Hollywood Bowl Orchestra and the Bavarian Radio Symphony Orchestra among others.[4]

After her career on stage she began mentoring young singers in the Metropolitan Opera's Young Artist Program, becoming director of both that program and the Met's National Council Auditions for almost fifteen years.[2] In 1999 she became a professor of voice at the University of Kentucky and held the position until she died. Several of her students have gone on to have successful opera careers including Stephanie Blythe, Dwayne Croft, Christine Goerke, Paul Groves and Heidi Grant Murphy. [5]

Robinson was the recipient of numerous honours including an honorary PhD in fine arts from Rhodes College, Memphis, and the inaugural Obelisk Award of the Center for Contemporary Opera.

Robinson died of complications from rheumatoid arthritis on October 19, 2008, aged 62. She was the wife of Henno Lohmeyer,[6] a journalist and writer.[7] They had two children together, Patrick Lohmeyer and Jennifer Toney, and four grandchildren.[8]

Recordings

Very little of Robinson's work has been recorded. She was never offered a recording contract with a record label and the only surviving records of her work are a videotaped performance of the Met's production of Francesca da Rimini, several operetta films, such as Millöcker's Die Dubarry, that she made in Germany during the 1970s, and several television appearances.[4]

Opera roles
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gollark: It uses the function, yes.
gollark: So, I finished that to highly dubious demand. I'd like to know how #11 and such work.
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gollark: > `globals()[Row + Row] = random.randint(*sys.version_info[:2])`Never actually got used anywhere.> `ε = sys.float_info.epsilon`Also not used. I just like epsilons.> `def __exit__(self, _, _________, _______):`This is also empty, because cleaning up the `_` global would be silly. It'll be overwritten anyway. This does serve a purpose, however, and not just in making it usable as a context manager. This actually swallows all errors, which is used in some places.> `def __pow__(self, m2):`As ever, this is not actual exponentiation. `for i, (ι, 𐌉) in enumerate(zip(self.bigData, m2.bigData)): e.bigData[i] = ι + 𐌉` is in fact just plain and simple addition of two matrices.> `def subtract(forth, 𝕒, polynomial, c, vector_space):`This just merges 4 submatrices back into one matrix.> `with out as out, out, forth:`Apart from capturing the exceptions, this doesn't really do much either. The `_` provided by the context manager is not used.> `_(0j, iｎt(0, 𝕒.n))`Yes, it's used in this line. However, this doesn't actually have any effect whatsoever on the execution of this. So I ignore it. It was merely a distraction.> `with Mаtrix(ℤ(ℤ(4))):`It is used again to swallow exceptions. After this is just some fluff again.> `def strassen(m, x= 3.1415935258989):`This is an interesting part. Despite being called `strassen`, it does not actually implement the Strassen algorithm, which is a somewhat more efficient way to multiply matrices than the naive way used in - as far as I can tell - every entry.> `e = 2 ** (math.ceil(math.log2(m.n)) - 1)`This gets the next power of two in a fairly obvious way. It is used to pad out the matrix to the next power of 2 size.> `with m:`The context manager is used again for nicer lookups.> `Result[0] += [_(0j, iｎt(e, e))]`Weird pythonoquirkiness again. You can append to lists in tuples with `+=`, but it throws an exception as they're sort of immutable.> `typing(lookup[4])(input())`It's entirely possible that this does things.

References
  1. Tommasini, Anthony (October 21, 2008). "Gail Robinson, Soprano Who Sang at the Metropolitan Opera, Dies at 62". The New York Times.
  2. Dunlap, Stanley (October 22, 2008). "Opera singer, Jackson native dies Gail Robinson-Lohmeyer died Sunday". The Jackson Sun.
  3. "Pops' Girl Gail Makes it at the Met". Google Books. Time Inc. 2 April 1971. p. 57. Retrieved 4 May 2020.
  4. "Login".
  5. Copley, Rich. "Woman who helped elevate UK opera dies at 62".
  6. Blank, Christopher (October 22, 2008)."Met soprano Gail Robinson dies". Memphis Commercial Appeal.
  7. "Bravo! Volume 5, Number 1, Fall 2008".
  8. kentucky.com
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