Fiora Contino

Fiora Corradetti Contino (June 27, 1925 – March 5, 2017) was an American opera conductor and teacher.[1] She was particularly known for her interpretations of Italian verismo works of the late 19th century,[2] and was described as one of the most important figures in opera of the 20th century.[3] Anne Midgette of The New York Times once suggested that she "might have had a far bigger career had she been a man".[4]

Fiora Contino
Contino in 1979
Born
Fiora d'Itala Rosa Corradetti

(1925-06-27)June 27, 1925
Lynbrook, New York, United States
DiedMarch 5, 2017(2017-03-05) (aged 91)
Carmel, Indiana, United States
NationalityAmerican
OccupationConductor, educator

Early life and education

Fiora d'Itala Rosa Corradetti was born in 1925 on Long Island in Lynbrook to Italian immigrant parents.[2] Her mother was Anna Contino (née Lisarelli),[5] a seamstress; her father, Ferruccio Corradetti, had been a noted baritone singer at La Scala and other European venues.[6] Fiora Corradetti had no strong singing voice, and said later that she "had no voice but learned as a conductor to sing vicariously". She studied piano and later conducting. She had an older half sister, Iris, who was an opera singer and vocal coach.[2]

At the age of 12, she was appointed as the church organist at the parish of St. Ignatius Martyr in Long Beach.[7] Her father died when she was 14.[8] Corradetti graduated from Long Beach High School and then studied piano performance at Oberlin College, Ohio, receiving a Bachelor of Music degree in piano in 1947.[6] She married Joseph Contino, a fellow Oberlin graduate, changing her name.[1]

From 1958, she studied conducting at the Conservatoire Americain in Fontainebleau, France, at the École Normale in Paris, and the Academy of Fine Arts Vienna in Austria.[1] She studied with teachers such as Nadia Boulanger and Hans Swarowsky.[6]

She received a masters and a doctorate degree in conducting from the Indiana University School of Music (now the Jacobs School of Music) in Bloomington in 1964.[2][1] While at Jacobs, she made her conducting debut, presenting Monteverdi's L'incoronazione di Poppea.[9]

Conducting

In her late 20s, Contino founded the Amherst Community Opera in Massachusetts.[7] She went on to serve as director of organizations including Opera Illinois in Peoria, Illinois, from 1986 to 2005,[5] and the Aspen Choral Institute. She was a professor and choral department chair at Indiana University.[3] In 1998 she made her New York conducting debut with Mascagni's Iris performed by the Teatro Grattacielo at Alice Tully Hall. Paul Griffiths wrote in The New York Times that her debut was a "luscious and exultant orchestral performance".[1] She worked as a guest conductor with several notable opera companies, orchestras. and music festivals including the Aspen Music Festival, the Anchorage Opera, Chicago Opera Theater, the Pittsburgh Symphony, and the San Francisco Opera.[1] She also conducted frequently at the Temple University Music Festival in Ambler, Pennsylvania.[1]

A review of her performance of Puccini's Madama Butterfly in 1973, with Dorothy Kirsten, stated "[Contino] held everything together with a baton that was sharp and in clear control of a magnificently coordinated performance".[10] Peter G. Davis wrote in 2001 of her performance of Alfano's Risurrezione, based on Leo Tolstoy's last novel, that she "may be the last conductor on earth with the music of Alfano and his generation in her bloodstream".[11]

She considered Italian verismo opera to be her most favored music to conduct, stating in The New York Times in 2001 that it was "visceral", and she "just knew how to do it".[4]

Teaching

Contino held faculty positions at Bowling Green State University from 1963–1966,[12] the Peabody Institute from 1978–1979,[13] and the University of Texas at Austin.[5] She ran a studio in New York City, where she trained opera singers and conductors.[4] Among her students were Melinda O'Neal,[14] Kenneth Kiesler,[15] and E. Wayne Abercrombie.[16]

Personal life and death

Contino's marriage to Joseph Contino ended in divorce. She had four children; three daughters (Lisa, Adriana, who was at one time principal cellist for the Stuttgart Chamber Orchestra,[8] and Francesca), and one son (Frederic). At the time of her death she had nine grandchildren and 14 great-grandchildren.[1] Her long-term companion, Jeraldine Baumgartner, died in 2012.[5] Contino died aged 91 in Carmel, Indiana, of arteriosclerotic cardiovascular disease.[2]

gollark: That also seems bad.
gollark: Oh, and is there a reason for the system where to pay for things online with a credit card, you have to provide information which allows whoever you give it to to make arbitrary transactions (as long as nobody flags it as fraud or something?).
gollark: Presumably it's for authenticating the reader to the bank too.
gollark: You don't need to have the reader thing have a key for that, it could plausibly just use TLS or something.
gollark: If it's an additional requirement on top of negotiation with the actual credit card, I don't think it would be worse.

References
  1. Roberts, Sam (March 15, 2017). "Fiora Corradetti Contino, Opera Maestra, Dies at 91". The New York Times. Retrieved November 21, 2017. (image)
  2. Langer, Emily (March 17, 2017). "Fiora Corradetti Contino, trailblazing female conductor, dies at 91". The Washington Post. Retrieved November 21, 2017.
  3. Salazar, David (March 21, 2017). "Obituary: Fiora Corradetti Contino Took the Podium When Few Other Women Did". operawire.com. Retrieved November 21, 2017.
  4. Midgette, Anne (September 29, 2001). "Giving Hidden Opera Classics a Moment in the Sun". The New York Times. Retrieved December 6, 2017.
  5. "Fiora Corradetti Contino (Obituary)". Flanner Buchanan. March 6, 2017. Retrieved November 22, 2017.
  6. Oron, Aryeh (January 2011). "Fiora Contino (Conductor) biography". Bach Cantatas. Retrieved November 21, 2017.
  7. Kelly, Jennifer W. (January 2013). "Contino, Fiora Corradetti (born 1925), conductor". The New Grove Dictionary of Music and Musicians. Oxford University Press. Retrieved November 22, 2017.
  8. Duffie, Bruce (May 8, 1990). "Fiora Contino interview (transcript posted in 2013)". WNIB 97.1 FM. Retrieved December 6, 2017.
  9. Bain, Wilfred Conwell (1980). Indiana University School of Music, the Bain regime, 1947–1973. p. 830.
  10. Conlon, Joan C. (2009). Wisdom, Wit, and Will: Women Choral Conductors on Their Art. GIA Publications. p. 365. ISBN 1579997600. Retrieved December 6, 2017.
  11. Davis, Peter G. (December 17, 2001). "Off-Peak Performance". New York. Retrieved December 7, 2017.
  12. Corrigan, Vince (March 25, 2015). Music 100: The first Century of Music at Bowling Green University. Issuu. pp. 170–171. Retrieved November 22, 2017.
  13. Bell, Margaret. "New biography of former Peabody faculty member Fiora Corradetti Contino". Peabody Institute. Retrieved November 22, 2017.
  14. "Melinda O'Neal biography". Handel Choir of Baltimore. 2013. Retrieved December 7, 2017.
  15. "Faculty and Staff Biography". University of Michigan School of Music, Theatre & Dance. 2017. Retrieved December 7, 2017.
  16. Abercrombie, E Wayne. "Curriculum Vitae" (PDF). University of Massachusetts. Retrieved December 7, 2017.

Further reading
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