Florence Ballard

Florence Glenda Chapman (née Ballard; June 30, 1943 – February 22, 1976) was an American singer, a founding member of the popular Motown vocal female group the Supremes. She sang on 16 top 40 singles with the group, including ten number-one hits. After being removed from the Supremes in 1967, Ballard tried an unsuccessful solo career with ABC Records before she was dropped from the label at the end of the decade. Ballard struggled with alcoholism, depression, and poverty for three years. She was making an attempt at a musical comeback when she died of a heart attack in February 1976 at the age of 32.[1] Ballard's death was considered by one critic as "one of rock's greatest tragedies".[2] Ballard was posthumously inducted to the Rock and Roll Hall of Fame as a member of the Supremes in 1988.

Florence Ballard
Ballard in 1965
Background information
Birth nameFlorence Glenda Ballard
Also known asFlorence Chapman
Born(1943-06-30)June 30, 1943
Detroit, Michigan, U.S.
DiedFebruary 22, 1976(1976-02-22) (aged 32)
Detroit, Michigan, U.S.
Genres
Occupation(s)Singer
InstrumentsVocals
Years active
  • 1959–1970
  • 1975–1976
Labels
Associated acts

Early life

Florence Glenda Ballard was born in Detroit, Michigan on June 30, 1943 to Lurlee (née Wilson) and Jesse Ballard, as the eighth[3][4] of thirteen children or ninth of fifteen children.[5][6][7][8] Her siblings were Bertie, Cornell, Jesse, Jr., Gilbert, Geraldine, Barbara, Maxine, Billy, Calvin, Pat, Linda and Roy.[9][10] Her mother was a resident of Rosetta, Mississippi.[10] Her father was born Jesse Lambert in Bessemer, Alabama; [10] after his grandmother was shot and killed, he was adopted by the Ballard family.[10] Jesse Ballard left his adoptive parents at 13, and soon engaged in an affair with Ballard's mother, who was only 14, in Rosetta.[11] The Ballards moved to Detroit in 1929.[12] Jesse soon worked at General Motors.[9][13][9][11] Jesse, an amateur musician, helped inspire Florence's interest in singing; he taught her various songs and accompanied her on guitar. Financial difficulties forced the Ballard family to move to different Detroit neighborhoods; by the time Florence turned 15 they had settled at Detroit's Brewster-Douglass housing projects, and the next year Jesse Lambert Ballard died of cancer.[14]

Named "Blondie" and "Flo" by family and friends, Ballard attended Northeastern High School and was coached vocally by Abraham Silver. Ballard met future singing partner Mary Wilson during a middle-school talent show and they became friends while attending Northeastern High. From an early age, Ballard aspired to be a singer and agreed to audition for a spot on a sister group of the local Detroit attraction, the Primes, who were managed by Milton Jenkins. After she was accepted, Ballard recruited Mary Wilson to join Jenkins' group.[15] Wilson, in turn, enlisted another neighbor, Diana Ross, then going by "Diane".[16] Betty McGlown completed the original lineup and Jenkins named them as "The Primettes". The group performed at talent showcases and at school parties before auditioning for Motown Records in 1960.[17] Berry Gordy, head of Motown, advised the group to graduate from high school before auditioning again.[18] Ballard eventually dropped out of high school though her groupmates graduated.[19]

In 1960, Ballard was allegedly raped at knifepoint by local high-school basketball player Reggie Harding after leaving a sock hop at Detroit's Graystone Ballroom (she had attended with her brother, but they accidentally lost track of each other).[20] The rape occurred in an empty parking lot off Woodward Avenue. Ballard responded by secluding herself in her house refusing to come outside, which worried her groupmates. Weeks later, Ballard told Wilson and Ross what had happened. Though Ross and Wilson were sympathetic, they were also confused because Ballard was considered to be strong-willed and unflappable. Both Wilson and Jesse Green, an early boyfriend of Florence's, had described her as a "generally happy if somewhat mischievous and sassy teenager." Wilson believes that the incident heavily contributed to the more self-destructive aspects of Ballard's adult personality, like cynicism, pessimism, and fear or distrust of others,[21] but the rape was never mentioned again.[22]

Career

The Supremes
Main article: The Supremes
In 1994, the Supremes were recognized with a star on Hollywood Walk of Fame at 7060 Hollywood Blvd.

Later in 1960, the Primettes signed a contract with Lu Pine Records, issuing two songs that failed to perform well. During that year, they kept pursuing a Motown contract and agreed to do anything that was required, including adding handclaps and vocal backgrounds.[23][24] By the end of the year, Berry Gordy agreed to have the group record songs in the studio.[25] In January 1961, Gordy agreed to sign them on the condition they change their name. Janie Bradford approached Ballard with a list of names to choose from before Ballard chose "Supremes".[26] When the other members heard of the new name, they were not pleased. Diana Ross feared they would be mistaken for a male vocal group. Eventually Gordy agreed to sign them under that name on January 15, 1961.[27]

The group struggled in their early years with the label,[28] releasing eight singles that failed to crack the Billboard Hot 100, giving them the nickname "no-hit Supremes". One track, "Buttered Popcorn", led by Ballard,[29] was a regional hit in the Midwest, but still failed to chart. During a 1962 Motortown Revue tour, Ballard briefly replaced the Marvelettes' Wanda Young while she was on maternity leave. Before the release of their 1962 debut album, Meet the Supremes, Barbara Martin, who had replaced Betty McGlown a year before they signed to Motown, left the group. Ballard, Ross and Wilson remained a trio. After the hit success of 1963's "When the Love Light Starts Shining Through His Eyes", Diana Ross became the group's lead singer.[30]

In the spring of 1964, the group released "Where Did Our Love Go", which became their first number-one hit on the Billboard Hot 100, paving the way for ten number-one hits recorded by Ross, Ballard and Wilson between 1964 and 1967. After many rehearsals with Cholly Atkins and Maurice King, the Supremes' live shows improved dramatically as well. During this time, Ballard sang lead on several songs on Supremes' albums, including a cover of Sam Cooke's "(Ain't That) Good News". During live shows, Ballard often performed the Barbra Streisand standard, "People". According to Mary Wilson, Ballard's vocals were so loud she was made to stand 17 feet away from her microphone during recording sessions.[31] Marvin Gaye, for whom Ballard sang backing vocals on occasion, described her as "a hell of a singer, probably the strongest of the three girls."[32] All in all, Ballard contributed vocals to ten number-one pop hits and 16 top forty hit singles between 1963 and 1967.

Exit from the Supremes and solo career

Ballard expressed dissatisfaction with the group's direction throughout its successful period. She would also claim that their schedule had forced the group members to drift apart.[33] Ballard blamed Motown Records for destroying the group dynamic by making Diana Ross the star.[33] Struggling to cope with label demands and her own bout with depression, Ballard turned to alcohol for comfort, leading to arguments with her group members.[33] Ballard's alcoholism led to her missing performances and recording sessions. Gordy sometimes replaced Ballard on stage with the Andantes' Marlene Barrow. In April 1967, Cindy Birdsong, member of Patti LaBelle and the Blue Belles, became a stand-in for Ballard. A month later, Ballard returned to the group from what she thought was a temporary leave of absence. In June, Gordy changed the group's name to "The Supremes with Diana Ross", which was how they were billed on the marquee of Las Vegas' Flamingo Hotel.

On July 1, the day after her 24th birthday, Ballard showed up inebriated during the group's third performance at the Flamingo and stuck her stomach out from her suit. Angered, Gordy ordered her to return to Detroit, and Birdsong officially replaced her, abruptly ending her tenure with the Supremes.[34] It had been decided as early as May that Birdsong would be Ballard's official replacement once Birdsong's contract with the Bluebelles was bought out.[35] In August 1967, the Detroit Free Press reported that Ballard had taken a temporary leave of absence from the group due to "exhaustion". Ballard eventually married her boyfriend, Thomas Chapman, on February 29, 1968. A week earlier, on February 22, Ballard and Motown negotiated to have Ballard released from the label. Her attorney in the matter received a one-time payment of $139,804.94 in royalties and earnings from Motown. As part of the settlement, Ballard was advised to not promote her solo work as a former member of the Supremes. In March 1968, Ballard signed with ABC Records and released two unsuccessful singles. After an album for the label was shelved, her settlement money was depleted from the Chapmans' management agency, Talent Management, Inc. The agency had been led by Leonard Baun, Ballard's attorney who had helped to settle Ballard's matters with Motown. Following news that Baun was facing multiple embezzlement charges, Ballard fired him. She continued to perform as a solo artist, opening for Bill Cosby that September at Chicago's Auditorium Theater. In January 1969, Ballard performed at one of newly elected President Richard Nixon's inaugural balls. Ballard was dropped from ABC in 1970.

Decline

In July 1971, Ballard sued Motown for additional royalty payments she believed she was due to receive; she was defeated in court by Motown.[36] Shortly afterwards, Ballard and her husband separated following several domestic disputes and Ballard's home was foreclosed. Facing poverty and depression, Ballard became an alcoholic and shied away from the spotlight. In 1972, she moved into her sister Maxine's house. In 1974 Mary Wilson invited Ballard to join the Supremes, which now included Cindy Birdsong and Scherrie Payne (Ross had left for her successful solo career in 1970). Though Ballard played tambourine, she didn't sing and told Wilson she had no ambition to sing any more. Later that year Ballard's plight started to be reported in newspapers as word got around that the singer had applied for welfare. Around that time, Ballard entered Henry Ford Hospital for rehab treatment. Following six weeks of treatment, Ballard slowly started to recover.

Comeback

In early 1975, Ballard received an insurance settlement from her former attorney's insurance company. The settlement money helped her buy a house on Shaftsbury Avenue. Inspired by the financial success, Ballard decided to return to singing and also reconciled with Chapman. Ballard's first concert performance in more than five years took place at the Henry and Edsel Ford Auditorium in Detroit on June 25, 1975. Ballard performed as part of the Joan Little Defense League and was backed by female rock group the Deadly Nightshade. Afterward she started receiving offers for interviews; Jet magazine was one of the first to report on Ballard and her recovery.

Death

On February 21, 1976, Ballard entered Mt. Carmel Mercy Hospital, complaining of numbness in her extremities. She died at 10:05 the next morning from cardiac arrest[37] caused by a coronary thrombosis (a blood clot in one of her coronary arteries),[38] at the age of 32.[38] Ballard is buried in Detroit Memorial Park Cemetery in Warren, Michigan.

Legacy

Florence Ballard's story has been referenced in a number of works by other artists. The 1980 song "Romeo's Tune", from Steve Forbert's album Jackrabbit Slim is "dedicated to the memory of Florence Ballard". The Billy Bragg song "King James Version" on his William Bloke album contains the line "Remember the sadness in Florence Ballard's eyes". On his 2006 album Hip Hop is Dead, hip-hop artist Nas mentions the Ballard/Ross rivalry in his song "Blunt Ashes": "When Flo from the Supremes died/Diana Ross cried/Many people said that she was laughing inside." In his short story "You Know They Got a Hell of a Band", Stephen King, through the late disc jockey Alan Freed, includes Ballard as one of the deceased artists who performs in a town called "Rock and Roll Heaven".

Dreamgirls, a 1981 Broadway musical, chronicles a fictional group called "The Dreams," and a number of plot components parallel events in the Supremes' career.[39] The central character of Effie White, like Florence Ballard, is criticized for being overweight, and is fired from the group. The film version of Dreamgirls released in 2006 features more overt references to Ballard's life and the Supremes' story, including gowns and album covers that are direct copies of Supremes originals. Jennifer Hudson won a Golden Globe Award and Academy Award for her portrayal of Effie White in the Dreamgirls film. In her Golden Globe acceptance speech, Hudson dedicated her win to Florence Ballard.[40] The music video for the Diana Ross song "Missing You" pays tribute to Marvin Gaye, Ballard, and Paul Williams, all former Motown artists who had died. In 1988, Ballard was inducted to the Rock and Roll Hall of Fame as a member of the Supremes alongside Diana Ross and Mary Wilson.

On June 25, 2019, The New York Times Magazine listed Florence Ballard among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[41]

Personal life

Ballard began dating Thomas Chapman, a Motown Records chauffeur, in 1967; they married in a private celebration in Hawaii on February 29, 1968, and had three daughters: Michelle Denise, Nichole Rene[42] and Lisa Sabrina (b. 1971). Ballard reportedly had several domestic disputes with her husband and filed for divorce in 1973, but they reconciled in late 1975, prior to her death. Besides her three daughters, Ballard's family included her cousin, rhythm and blues singer and songwriter Hank Ballard, and his grandnephew, NFL player Christian Ballard; she was also an aunt of the Detroit electronic musician Omar-S.[43]

Discography

Album

Singles
  • 1968: "It Doesn't Matter How I Say It (It's What I Say That Matters)" b/w "Goin' Out of My Head" (ABC Records #45-11074A/B)
  • 1968: "Love Ain't Love" b/w "Forever Faithful" (ABC Records #45-11144A/B)
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References

Notes

  1. "The Death and Life of a Dream Girl" Ebony, February 1990, p. 164.
  2. Unterberger, Richie (2005). The Supremes. In Allmusic. Ann Arbor, MI: All Media Guide.
  3. "Florence Ballard". Archived from the original on January 22, 2018. Retrieved January 22, 2018.
  4. "FLORENCE BALLARD, THE FIRST SUPREME". Archived from the original on August 19, 2018. Retrieved August 19, 2018.
  5. "Florence Ballard | Music Videos, News, Photos, Tour Dates | MTV". MTV Artists. Retrieved January 28, 2016.
  6. "Florence Ballard – Biography & History". AllMusic. Retrieved June 3, 2019.
  7. Gustafson, Sven (February 25, 2007). "Oscar-nominated film renews interest in Florence Ballard, the real 'Dreamgirl'". Retrieved June 3, 2019.
  8. "Florence Ballard". Biography. May 31, 2019. Retrieved June 3, 2019.
  9. Rivera 2001, p. 16.
  10. Benjaminson 2009, p. 1.
  11. Benjaminson 2009, p. 2.
  12. Benjaminson 2009, pp. 2–3.
  13. Benjaminson 2009, p. 3.
  14. Benjaminson 2009, p. 13.
  15. Wilson 1986, p. 29.
  16. Wilson 1986, p. 30.
  17. Wilson 1986, p. 31.
  18. Wilson 1986, pp. 53–56.
  19. Benjaminson 2009, p. 24.
  20. Benjaminson 2009, pp. 22–23.
  21. Wilson 1986, p. 66.
  22. Wilson 1986, pp. 65–66.
  23. Benjaminson 2009, pp. 21–23.
  24. Wilson 1986, p. 50-51.
  25. Benjaminson 2009, p. 25.
  26. Wilson 1986, pp. 84–85.
  27. "The Supremes". The Rock and Roll Hall of Fame and Museum. 1988. Archived from the original on January 6, 2015. Retrieved July 21, 2008.
  28. https://www.bbc.co.uk/programmes/articles/4MsvWd3vdWJfm9bm0YkxXkS/the-supremes
  29. https://www.bbc.co.uk/programmes/articles/4MsvWd3vdWJfm9bm0YkxXkS/the-supremes
  30. Wilson 1986, pp. 141–143.
  31. Wilson 1986, p. 166.
  32. Benjaminson 2009, p. 69.
  33. Unsung: Florence Ballard, TV One, 2010
  34. Adrahtas 2011, p. 296.
  35. Ribowsky, Mark (2009). The Supremes: A Saga of Motown Dreams, Success, and Betrayal. Da Capo Press, pp. 283–294, ISBN 978-0-306-81586-7.
  36. Cossar, Neil. "The Supremes". Thisdayinmusic.com. Retrieved July 5, 2018.
  37. Florence Ballard dead at 32; Original Member of Supremes The New York Times
  38. Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 285. CN 5585.
  39. O'Niel, Tom. "Diana's 'Dreamgirls' decision", TheEnvelope.com. Retrieved May 18, 2010.
  40. Terrell, Ashley G. (February 22, 2016). "Supreme Ever After: The Legacy of Florence Ballard". HuffPost. Retrieved April 16, 2019.
  41. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
  42. Company, Johnson Publishing (October 31, 1968). "Jet". Retrieved July 5, 2018 – via Google Books.
  43. "Interview: Omar-S – Page 3 of 3". FACT Magazine. February 25, 2009. Retrieved April 6, 2019.

Bibliography

  • Adrahtas, Thomas (2011). A Lifetime to Get Here: Diana Ross: the American Dreamgirl. AuthorHouse. ISBN 1-4259-7140-7.CS1 maint: ref=harv (link)
  • Benjaminson, Peter (September 1, 2009). The Lost Supreme: The Life of Dreamgirl Florence Ballard. Chicago: Chicago Review Press. ISBN 1-5565-2959-7.CS1 maint: ref=harv (link)
  • Rivera, Ursula (December 1, 2001). The Supremes. The Rosen Publishing Group. ISBN 0-8239-3527-2.CS1 maint: ref=harv (link)
  • Taraborrelli, J. Randy. Diana Ross: A Biography. New York: Citadel Press. ISBN 0-8154-1000-X.CS1 maint: ref=harv (link)
  • Wilson, Mary (1986). Dreamgirl: My Life As a Supreme. New York: Cooper Square Publishers. ISBN 0-8154-1000-X.CS1 maint: ref=harv (link)

Further reading

  • Wilson, Randall (1999) Forever Faithful! A Study of Florence Ballard and the Supremes, 2nd edition. San Francisco: Renaissance Sound Publications. ISBN 978-0-943485-03-4
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