Daniel Chester French

Daniel Chester French (April 20, 1850 – October 7, 1931), one of the most prolific and acclaimed American sculptors of the late nineteenth and early twentieth centuries, is best known for his design of the monumental statue of Abraham Lincoln (1920) in the Lincoln Memorial, Washington, DC.

Daniel Chester French
Born(1850-04-20)April 20, 1850
Exeter, New Hampshire, U.S.
DiedOctober 7, 1931(1931-10-07) (aged 81)
Stockbridge, Massachusetts, U.S.
NationalityAmerican
EducationMassachusetts Institute of Technology (no degree)
Known forSculpture
Notable work
Abraham Lincoln
MovementAmerican Renaissance
Patron(s)Hiram Powers, Thomas Ball
America, one of the Four Continents at The Alexander Hamilton Custom House, Bowling Green, New York City

Family

Parents: Mother, Anne Richardson (1811–1856), daughter of William Merchant Richardson (1774–1838), chief justice of New Hampshire. Father, Henry Flagg French (1813–1885) Siblings: Henriette Van Mater French Hollis (1839–1911), Sarah Flagg French Bartlett (1846–1883), and William M.R. French (1843–1914)

Life and career

French was born in Exeter, New Hampshire, to Henry Flagg French (1813–1885), a lawyer, judge, Assistant US Treasury Secretary, and author of a book that described the French drain,[1] and his wife Anne Richardson.[2] In 1867, French moved with his family to Concord, Massachusetts,[3] where he was a neighbor and friend of Ralph Waldo Emerson, and the Alcott family. His decision to pursue sculpting was influenced by Louisa May Alcott's sister May Alcott.

Chesterwood in Stockbridge, Massachusetts, French's summer home, studio, and gardens, now a site of the National Trust for Historic Preservation

French's early education included training in anatomy with William Rimmer and in drawing with William Morris Hunt. French spent a year studying at the Massachusetts Institute of Technology, and also several years in Florence, Italy studying in the studio of Thomas Ball. French first earned acclaim for The Minute Man, commissioned by the town of Concord, Massachusetts, which was unveiled April 19, 1875, on the centenary of the Battle of Lexington and Concord. He soon established his own studio, first in Washington, DC, moving later to Boston and then to New York City. French's reputation grew with his Statue of the Republic for the World's Columbian Exposition of 1893, in Chicago. Other memorable works by French include: the First Division Monument and the Butt-Millet Memorial Fountain in Washington; John Harvard, Cambridge, Massachusetts; bronze doors for the Boston Public Library; and Four Continents at the US Custom House, New York (now the Alexander Hamilton US Custom House). In addition to the Lincoln Memorial, French collaborated with architect Henry Bacon on numerous memorials around the country and on the Dupont Circle fountain in Washington, DC.

In 1893, French was a founding member of the National Sculpture Society, and he was appointed a Fellow of the American Academy of Arts and Sciences in 1913.[4] French also became a member of the National Academy of Design (1901), the American Academy of Arts and Letters (which awarded him the Gold Medal for Sculpture in 1917), the Architectural League, and the Accademia di San Luca, of Rome. He was a trustee of the Metropolitan Museum of Art in New York City, and a co-founder of the American Academy in Rome. He was a Chevalier of the French Legion of Honor and was awarded a medal of honor from the Paris Exposition of 1900; he also was granted honorary degrees from Dartmouth, Yale, Harvard, and Columbia universities. He was a founding member of the U.S. Commission of Fine Arts, serving from 1910 to 1915, including as chairman from 1912 to 1915.[5]

In 1917, French and a colleague, H. Augustus Lukeman, designed the Pulitzer Prize gold medal presented to laureates. French designed the side of the prize with Benjamin Franklin on it, while Lukeman created the iconic design of the printing press and the wording on the award: "For disinterested and meritorious public service rendered by an American newspaper during the year….".[6] In collaboration with Edward Clark Potter he modeled the George Washington statue, commissioned by a group that called itself "The Association of American Women for the Erection of a Statue of Washington in Paris" and unveiled in the Place d'Iena in Paris, France, in 1900; the General Grant statue in Fairmount Park, Philadelphia, commissioned by the Association for Public Art (formerly the Fairmount Park Art Association);[7] and the equestrian statue of Joseph Hooker in Boston.

French was one of many sculptors who frequently employed Audrey Munson as a model. Together with Walter Leighton Clark and others, he was also one of the founders of the Berkshire Playhouse,[8] which later became the Berkshire Theatre Festival. In 1917, Harvard's citation in conferring an honorary Master of Arts referred to his statue of Emerson[9] when it called him "a sculptor, whose skillful hand, unlike that of the friend whom he portrayed, has not been stopped but spared to adorn our land by the creation of his art".[10][11] French also taught; among his pupils was the sculptor Edith Howland.[12]

French died in Stockbridge, Massachusetts, in 1931 at age 81 and was buried in Sleepy Hollow Cemetery, Concord, Massachusetts.[13]

Abraham Lincoln (1920) in the Lincoln Memorial, Washington, DC
The Minute Man (1874) in Concord, Massachusetts
Alma Mater (1903), Columbia University, Manhattan, New York City

Legacy

Works

Notable public monuments

Architectural sculpture
Death and the Sculptor (1893), Boston
Thomas Hopkins Gallaudet and Alice Cogswell (1889), Gallaudet University, Washington, DC
Justice (1900) adorns the pediment of the Appellate Division Courthouse of New York State in Manhattan
Law, Prosperity, and Power (1880-1884), West Fairmount Park, Philadelphia.[20]
Daniel Chester French's The Minute Man depicted on US Postage Stamp, 1925 Issue, 5c
~ Daniel Chester French ~
Issue of 1940

Cemetery monuments

Selected museum pieces

Miscellaneous pieces
gollark: Okay, but if you're talking about real-world examples I don't see why it's remotely relevant to say that the author of a book vaguely relating to those real-world examples believed X.
gollark: But why do his *beliefs* actually matter?
gollark: No, I mean I don't see how talking about Orwell's beliefs is relevant at all.
gollark: I don't see how this is relevant to... how well the Soviet union works?
gollark: I'm pretty sure we generally do have greater actual prosperity than we did, I don't know, 100 years ago..

References
Citations
  1. French, Henry F. (1859). Farm drainage: the principles, processes, and effects of draining land with stones, wood, plows, and open ditches, and especially with tiles. New York: Orange Judd & Company.
  2. "French, Daniel Chester". Men of America: A Biographical Dictionary of Contemporaries. 1: 924. 1908.
  3. Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "French, Daniel Chester" . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
  4. "Book of Members, 1780-2010: Chapter F" (PDF). American Academy of Arts and Sciences. Retrieved April 7, 2011.
  5. Luebke, Thomas E., ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 544.
  6. Homren, Wayne (April 11, 2004). "Pulitzer Secrets Revealed". The E-Sylum. 7 (15, art. 5). Retrieved July 1, 2007.
  7. Bach, Penny (1992). Public Art in Philadelphia. Philadelphia, PA: Temple University Press. p. 208. ISBN 0-87722-822-1.
  8. "Arts & Entertainment In The Berkshires". Archived from the original on June 28, 2009.
  9. "Harvard Alumni Bulletin". Harvard Bulletin, Incorporated. January 1, 1916 – via Google Books.
  10. Callan, Richard L. 100 Dears of Solitude: John Harvard Finishes His First Century. The Harvard Crimson. April 28, 1984. Retrieved October 13, 2012
  11. Harvard Alumni Bulletin v.19
  12. Jules Heller; Nancy G. Heller (December 19, 2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 978-1-135-63882-5.
  13. "Daniel Chester French," Find a Grave, Sleepy Hollow Cemetery, Concord, Massachusetts; website memorial (366) with biographical profile on French and photographs of his gravesite created on January 1, 2001. Retrieved April 2, 2017.
  14. "Chesterwood - National Trust for Historic Preservation".
  15. "1847usa.com".
  16. Chicago Landmarks | Statue of The Republic Archived 2008-12-26 at the Wayback Machine at www.ci.chi.il.us
  17. "Lincoln Memorial National Memorial---Places Reflecting America's Diverse Cultures Explore their Stories in the National Park System: A Discover Our Shared Heritage Travel Itinerary".
  18. https://www.boston.com/culture/design-new-england/2014/07/15/around_new_engl_22
  19. Ramsey Al-Rikabi (June 12, 2007). "Seward's bust gets busted". Times Herald-Record. Retrieved June 30, 2007.
  20. (Law, Prosperity, and Power, SIRIS)
  21. "Lake Winnipesaukee Historical Society". www.lwhs.us. Archived from the original on March 11, 2017. Retrieved February 9, 2016.

Further reading
  • Buck, Diane M. and Virginia A. Palmer, Outdoor Sculpture in Milwaukee: A Cultural and Historical Guidebook, The State Historical Society of Wisconsin, Madison, 1995
  • Caffin, Charles H., American Masters of Sculpture, Doubleday, Page & Company, New York 1913
  • Caffin, in International Studio, volumes xx (1903), lx (1910), and lxvi (1912)
  • Carlock, Marty, A Guide to Public Art in Greater Boston from Newburyport to Plymouth, The Harvard Common Press, Boston Massachusetts, 1988
  • Chesterwood Archives, Geographical List of Works: DRAFT, unpublished manuscript, April 14, 1993
  • Coughlan, in Magazine of Art (1901)
  • Craven, Wayne, Sculpture in America, Thomas Y. Crowell Co, NY, NY 1968
  • Cresson, Margaret French, Journey into Fame: The Life of Daniel Chester French, Harvard University Press, Cambridge, MA, 1947
  • Dearinger, David, Daniel Chester French: The Female Form Revealed, Boston Athenaeum, 2016
  • Hucke, Matt and Ursela Bielski, Graveyards of Chicago: the People, History, Art and Lore of Cook County Cemeteries, Lake Claremont Press, Chicago, 1999
  • Kvaran, Einar Einarsson, Architectural Sculpture in America
  • Lanctot, Barbara, A Walk Through Graceland Cemetery, Chicago Architectural Foundation, Chicago, Illinois, 1988
  • Richman, Michael, Daniel Chester French: An American Sculptor, The Preservation Press, Washington DC, 1976
  • Taft, Lorado, The History of American Sculpture, MacMillan Co., New York, NY 1925
  • Tolles, Thayer. “Daniel Chester French (1850–1931).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (June 2010)
  • Wilson, Susan, Garden of Memorials: A Guide to Historic Forest Hills, Forest Hills Educational Trust
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.